From 1908 until 1979, the Art Gallery of Western Australia (AGWA) was located inside the Jubilee Building on Beaufort Street, within the same complex where WA Museum Boola Bardip stands today.
The Gallery came into being in 1895, acquiring two acquisitions in its first year. It then joined with the Museum to become part of the Western Australian Museum and Art Gallery in 1897. In 1899, on the current site of the WA Museum, the Jubilee Building opened housing the State Library, Art Gallery and Museum. The Foundation stone was laid in 1901 on Beaufort Street by the Duke of York, and the Gallery’s first purpose-built space opened in 1908 with Hillson Beasley’s top-lit Picture Gallery.
In 1959, the Gallery separated from the Museum following the establishment of the Gallery Act 1959.
The first acquisitions were a contemporary work by George Pitt Morison and a copy of a seventeenth-century painting by Rembrandt. Acquiring copies of well-known works was not an uncommon practice at the time, as it broadened access to artworks which nineteenth-century thinking deemed instructive or enlightening for the public at large. George Pitt Morison’s Springtime, painted in the year before the Gallery’s establishment, was a distinctly contemporary acquisition in 1895, initiating an ongoing commitment to acquiring works by contemporary artists.
The new Art Gallery of Western Australia building was opened on 2 October 1979 by then Premier Charles Court. The inaugural exhibitions were the Baron von Thyssen Collection, a Bridget Riley exhibition and a new series of Collection displays.
Designed by Polish-born Charles Sierakowski, the building was a dramatic example of late Brutalist architecture, displaying robust textures and expansive concrete forms symbolising modernity and progress – a reflection of the times.
It is a unique modernist building, designed around 120-degree angles and modular wall lengths of 7, 14 and 21 metres. Its central features are a cast concrete spiral staircase and vistas between and across the nine gallery spaces that use the 120-degree angles to stimulate peripheral vision. The building was inspired by the pavilions and courtyards of the Museum of Anthropology in Mexico City and informed by AGWA Director Frank Norton’s travels.
The main gallery building façade underwent a significant restoration project in 2012 with all building faces reclad in like-for-like concrete blocks.