Artie Shaw Clarinet Concerto – first W.A. performance

October 16, 2026

1940

Artie Shaw originally wrote and adapted the piece—evolving it from an earlier work called the Swing Concerto—for the 1940 Hollywood film Second Chorus starring Fred Astaire. Shaw and his jazz orchestra performed the piece in the film, where Shaw played a fictionalized version of himself.

https://youtu.be/loZ7L-sNeAs?si=EWFYM75oLi49vbkb

1941

The concerto was recorded by Artie Shaw on December 17th 1940 at RCA Victor Studios in Hollywood originally issued by RCA Victor in January 1941 with links here:

https://youtu.be/W5zuaXWV3SA?si=Lftf6Hi1-wH4IGjm

Examiner (Launceston, Tas. : 1900 – 1955), Wednesday 9 July 1941, page 6

1943

King Of Swing

MELBOURNE swing fans, I’m told, are goggle-eyed at the news received by cable the other day that Artie Shaw, American band leader, is coming to Australia with his band. Artie is known as the King of Swing, and his subjects are legion. Many U.S. band leaders have performed in Australia, but none of the calibre of this purveyor of hot rhythm. In the annual poll conducted by the New York music journal, Downbeat, Artie led all the service orchestras this year. His records arc very well known here, two of the best being Begin the Beguine and Carioca, and his own composition. Clarinet Concerto, is probably his high-water mark for brilliant clarinet playing — and his playing of that, instrument is superb, He was one of the highest-paid orchestra leaders in the U.S., but he’s in the Navy now, and so is his band. The greatest hope of Melbourne swing fans at present is that they’ll get a chance to see him in action.

Sun News-Pictorial (Melbourne, Vic. : 1922 – 1954; 1956), Tuesday 25 May 1943, page 4

1946

AT THE EMPIRE A.I.F. Entertainment Unit – The Empire Theatre wan crowded last night for a performance by Lieut.Col. Jim Davidson’s A.I.F. Entertainment Unit. Jimmy Davidson was famous as the leader of the A.B.C. Dance Band. He joined the army during the war and was placed in charge of an entertainment unit, which travelled many miles and gave many performances for the entertainment of the troops. Unfortunately, Lt.-Col. Davidson was unable to be present last night, and the band was under the able leadership of Charlie Munro. Besides conducting the band, Munro proved himself a master of the clarinet, giving a brilliant rendition of Artie Shaw’s concerto for clarinet. The band mostly dispensed music of the hot rhythm type. To those who like this class of music; the work of the jazz combination must have provided thrills galore, but many present would have preferred just a little more straight harmony. An excellent programme of a varied type was presented by the members of the company. There were comedians, singers, and steel guitar, piano accordeon and mouth organ soloists. Laurie. Smith proved himself a real virtuoso of the ‘mouth organ, while Fergus Rose’s playing of “The Flight of the Bumble Bee” on the piano accordeon was a masterpiece. Staff Sergt. Strange brought the house down with his operatic impersonations, but the most popular item of the evening was the mimicry of Paul O’Brien. He imitated everything.from bullfrogs and tiny frogs to Donald Duck, and nothingso realistic has been heard. The work of Pianist Sanderson, was noteworthy, and his two solos were amongst the most skilful- of the evening. ‘ The whole performance was of the rapid fire type, with no delays between items, and the large audience apparently enjoyed the fare provided. iDuring an interval, the’ Mayor, Aid. P. R. D. Hollis, made.an appeal on behalf of’ the Security Loan.

Goulburn Evening Post (NSW : 1940 – 1954), Tuesday 19 March 1946, page 2

1948

The “Jazz Symphony” concert in Perth had been planned and was being rehearsed eighteen months prior:

No Permit For Sunday Night Show

Permission has been refused for a giant Sunday night ‘Jazz-Symphony’ concert in Perth.

Chief Secretary’s Dept. refused to grant a permit on the ground that musicians were to be paid and the theatre was also to be paid for. Concert will still be given but it will be held on a week night.

It is being organised by the social committee of the City of Perth Surf Lifesaving Club to raise funds. Rehearsals with a large band of leading Perth musicians .had already commenced. They had to get from Melbourne the orchestral scores of Rhapsody in Blue, El Alamein Concerto and Artie Shaw’s Concerto for Clarinet. It was stated today that musicians are allowed by their union to give only one charity show a year.

Mirror (Perth, WA : 1921 – 1956), Saturday 21 February 1948, page 1

1949

On October 6 1949, Jack Harrison played the first performance in W.A. of the Artie Shaw Clarinet Concerto with the Jazz Symphony Orchestra assembled by Sammy Sharp and conducted by John Nugent Haywood at the Capitol Theatre.

The Broadcaster SaturdayOctober 3 1949

Jack Harrison and Sam Sharp studying the score of Artie Shaw Clarinet Concerto

THURSDAY, OCT. 6 1949

JAZZ SYMPHONY OF 1949

CAPITOL THEATRE (One Night Only)

1949’s BIGGEST MUSICAL SHOW

Surprise Exclusive Engagement of Australia’s Topline Film, Radio Actor and Producer Star of “Overlanders” Film, Founder and First Conductor of Perth Symphony Orchestra JOHN NUGENT HAYWARD.

Conducting THE JAZZ SYMPHONY ORCHESTRA IN GERSHWIN’S “RHAPSODY IN BLUE”

Featuring LOUISE D’ARCY – A.B.C. Concerto SOLOIST.

HUGE LINE-UP OF THE STATE’S BEST PROFESSIONALS ! ! !

SAMMY SHARP’S JAZZ SYMPHONY ORCHESTRA of 28 Leading Musicians. ALBERT CHAPPELLE Dramatic Baritone in W.A.’s first presentation of the famous “SOLILOQUY” with Orchestra.

JACKIE HARRISON First Performance in W.A. of the thrilling ARTIE SHAW “CONCERTO FOR CLARINET” with Orchestra.

PHYLLIS FROST Sensational Blind B.B.C. Singer. CLIFF ADAMS and “NIDDY” ROBERTS hilarious Comedy Duo. “SOPHISTICATED LADIES” STRING ENSEMBLE All-femme String ensemble heard with success over

A.B.C. PETER HARRISON Well-known Radio Personality and Announcer, also prominent “Old’” Jazz Authority.

HARRY BLUCK Producer who successfully directed the “Jazz Symphony of 1948”, “Jazz Jamboree,” “Battle of Bands” and other successes.

ADMISSION – 3/-, 4/-, 5/- (plus tax). BOX PLAN AT NICHOLSONS. BOOK EARLY TO AVOID DISAPPOINTMENT.

The West Australian Friday 30 September 1949 page 37, Daily News Thursday September 29 1949.

BLIND SINGER GIVES BIG AUDIENCE THRILL

I don’t think I was the only one that got a kick out of Jazz Symphony of 1949 which packed the Capitol Thursday night. I really believe the audience enjoyed themselves thoroughly. In a grand show it’s hard to single out any particular artist but I hand the palm to blind singer Phyllis Frost (she’s ex-BBC). Her St. Louis Blues was outstanding. Jackie Harrison’s Concerto for Clarinet and Albert Chappelle’s Soliloquy (with full Sammy Sharp orchestra) we’re 2 other winners. So, too, was the big orchestra’s Rhapsody in Blue, in which Louise D’Arcy, piano, and John Nugent Hayward, conducting, were in splendid form. For humor, a talented musical trio in Niddy Roberts, Cliff Adam and Harry Bluck did a top-ranking job. Judging by the size of the audience, jazz concerts are the vogue. Should be a big gathering at the jamboree on October 30.

Mirror Saturday 8 October 1949 page 12

1950 Adult Education Board Tours

October 16, 2026

The Adult Education Board (AEB) country tours were a pioneering regional outreach initiative managed by the University of Western Australia (UWA). Operating at their peak from the 1930s through the 1960s, these tours brought high-quality lectures, theatrical productions, classical music concerts, and films to remote outback towns and agricultural communities across Western Australia. They served as a vital cultural lifleline for rural communities that were otherwise isolated from metropolitan cultural hubs.

In the 1930s, the UWA Adult Education Board established the “Box Scheme”. This program sent boxes of books and accompanying educational notes written by UWA academics via the state’s railway network to rural study groups. This structural network laid the foundation for physical travelling tours.

Following World War II, under the leadership of directors like Hew Roberts, the AEB significantly expanded its geographical reach. It introduced the “Music for Everyone” spring tours, which sent renowned classical musicians and vocalists to regional halls.

1950

Jack Harrison went on Adult Education Tours in the Country to: Moora, Carnamah, Geraldton, Morowa, Goomalling and Wongan Hills representing this year’s State finalists in the A.B.C. vocal and concerto competition.

ABC Winner On Tour

Miss Elise Longwill, of Claremont, winner of the vocal section of the Australia wide concerto and vocal competition, who returned from Sydney on Friday, left Perth today on a tour of the wheat belt. On tour with her are clarinettist Jack Harrison and pianist Flora Bunning and Adult Education Assistant Director J. Birman. Their first recital will be given tonight at Moora, after which they will go to Carnamah, Geraldton, Morawa, Goomalling and Wongan Hills. The tour, which will end on Saturday night, will be the first of three tours by these artists under the auspices of the Adult Education Board.

The Daily News Monday 10 July 1950 page 2

MOORA

EVERYMAN’S MUSIC RECITAL

Those citizens of Moora Who are Interested In the cultural advancement of the district, owe a debt of gratitude to the Adult Education Board of W.A. for giving them the opportunity to hear artists of such excellence as Flora Bunning. Elise Longwill and Jack Harrison. A representative group of people were present and they made up in enthusiasm for the many empty seats. The highlight musically speaking, of the evening, was undoubtedly Miss Flora Bunnings brilliant interpretation of the Etude in C Minor (Chopin). Probably the majority of her listeners would find it difficult to analyse accurately the course of their excessive enjoyment and appreciation. Miss Bunning’s beautiful legato playing, of the famous D flat Major Nocturne (Chopin) was greatly marred (in the opinion of the writer) by the untunefulness of the pianoforte. The untunefulness was not so apparent in either Debussy Arabesque or the modern Spanish where the clearness and neatness of the rapid passages masked the deficiencies of the instrument. Forest Murmurs (Liszt) and Unfinished Waltz, completed the player’s solo list. Miss Bunning showed herself as an admirable ensemble player in association with Miss Elise Longwill and Mr. Jack Harrison. The concerted numbers were very happily conceived, particularly pleasing being the Shepherd on the Rock by Schubert. Miss Longwill delighted us with her group of Early English Songs in the first part of the programme. The group of modern songs in the second part were also well received.

Mr. Jack Harrison (Clarinettist) in the opinion of the writer had by far the hardest task. He gave a very pleasing performance, despite the difficulty of playing with a piano of uncertain tunefulness. The Weber Concertino Opus 26 was very successfully played; also the Nocturne in E flat major (Chopin). The Debussy, however, was his star performance. A lovely bit of musicianship all round, composer, player and accompanist. Altogether, the concert, was one to be remembered in the “mind’s-ear” for many a day, worthy of a much larger audience and a much better piano —Ruth Krieg. The North Midland Times (Moora) Thursday 20^th July 1950 page 4

Tuesday 11^th July 1950 (Jack in Carnamah)

Recital at Carnamah – Talented Visiting Artists – ENTHUSIASTIC HOUSE

Three gifted artists in Miss Elise Longwill (soprano), Miss Flora Bunning (pianist) and Mr. Jack Harrison (clarinettist) presented a programme —rich in sparkling gems—under the auspices of the Adult Education Board to an appreciative audience last Tuesday night at Carnamah. Fresh from her triumph in Sydney, where she won the final in the vocal section of the Australian Broadcasting Commission’s concerto and vocal competition for 1950, Miss Longwill left the impression that she has a successful career in front of her. She has talent, youth and an unspoiled personality. Her voice is strikingly melodious, with an enunciation so perfect that not a word was lost to anyone. She soared to the top notes with the ease of a lark and like that eminent personality of the concert platform (Peter Dawson) on his last tour in Western Australia showed with songs which were in English that there is a charm in them too often overlooked in the past by those who made foreign compositions a fetish. Only twenty-three years of age, Miss Longwill has already achieved distinction in her profession. Although born in Liverpool, she came to Australia when but four years old and is entitled to regard herself as “a dinkum Aussie.” Jack Harrison first saw the light of day eighteen years ago in Nedlands. He demonstrated that he is a clarinettist of unusual promise. When voice, clarinet and piano were combined he showed an admirable appreciation of all that was required of him, with delicacy, restraint and brilliance wherever needed. The maturity in the art of Miss Flora Bunning was quickly apparent with a confident and understanding approach to her numbers, she soon had the audience captivated, her nimble fingers as they flew over the keyboard plucking the notes forth with a dexterity which had the hallmark of fine musicianship. The left hand work was especially admirable and, whether in the subdued passages or in the sprightly, she was unfailingly effective It was an evening with many enjoyable features and the visitors must have found it a pleasure, too, to discover such. manifest appreciation of their ability. Enthusiasm is contagious and it was clearly in evidence both amongst the audience and artists on Tuesday night. The Irwin Index (Mingenew) Saturday 15 July 1950 page 1

Wednesday 12^th July 1950 (Jack in Geraldton)

Geraldton Top of Form- Fine Town Hall Recital – Talented Visiting Artists – ENTHUSIASTIC HOUSE

With the co-operation of the Geraldton Music-Lovers’ Club, the Adult Education Board was responsible in the Geraldton Town Hall last night for the presentation of a recital which will live long in memory. Three gifted artists in Miss Elise Longwill (soprano), Miss Flora Bunning (pianist) and Mr. Jack Harrison (clarinettist) presented a programme rich in sparkling gems. Although the house was on the thin side, its enthusiasm was in inverse proportions to its numerical strength, its warm-hearted appreciation bringing the visitors back for encores. Fresh from her triumph in Sydney, where she won the final in the vocal section of the Australian Broadcasting Commission’s concerto and vocal competition for 1950, Miss Longwill left the impression that she has a successful career in front, of her. She has talent, youth, and an unspoiled personality. Her voice is strikingly melodious, with an enunciation so perfect that not a word was lost in the back rows of the Town Hall last night. She soared to the top notes with the ease of a lark, and like that eminent personality of the concert platform (Peter Dawson) on his last tour in Western Australia showed with songs which were all in English that there is a charm in them too often overlooked in the past by those who made foreign compositions a fetish. Her first four numbers were by seventeenth century composers, with words by William Shakespeare in three of them ; in the second half — again with admirable deportment and facile accomplishment — she submitted three songs by contemporary composers. The initial bracket comprised ‘It was a Lover and his Lass’ (Morley), ‘When Daisies Pied’ (Arne), ‘It Attempt From Love’s Sickness’ (Purcell) and ‘Where the Bee Sucks (Arne) and the latter group ‘Sing, Break Into Song’ (Mallinson), ‘Cloths of Heaven’ (Dunhill) and ‘Five Eyes’ (Gibbs), while an ever popular number in ‘The Road to the Isles’ was sung as an encore. Only twenty-three years of age, Miss Longwill has already achieved distinction in her profession. Although born in Liverpool, she came to Australia when but four years old and is entitled to regard herself as ‘a dinkum Aussie,’

Jack Harrison first saw the light of ‘day eighteen years ago in Nedlands. He began his contributions to the programme with a Weber selection (Concertino, Op. 26) last night and soon demonstrated that he is a clarinettist of unusual promise. When voice, clarinet and piano were combined at the close of the opening half in ‘The Shepherd on the Rock’ (Schubert), he showed an admirable appreciation of all that was required of him, with delicacy, restraint and brilliance wherever needed. Beginning the second half of the delightful programme, he submitted the Nocturne in E Flat Major (Chopin), ‘Fantaisie Miniature’ (Paquot) and ‘The Little Nigger’ (Debussy) with ‘On Wings of Song’ (Mendelssohn) as an encore. Miss Bunning, Miss Longwill and Mr. Harrison at the close offered ‘Bird Songs at Eventide’ (Coates) and ‘The Pipes of Pan’ (Lehar), the last named proving one of the outstanding successes of the evening. (The final verse was again given to a delighted house as an encore). The maturity in the art of Miss Flora Bunning was quickly apparent. With a confident and understanding approach to her numbers, she soon had the audience captivated, her nimble fingers as they flew over the keyboard plucking the notes forth with a dexterity which had the hallmark of fine musicianship. The left hand work was especially admirable and, whether in the subdued passages or in the sprightly, she was unfailingly effective. She opened with Chopin’s Study in A Flat Major before going on to two further Chopin numbers in the Nocturne in D Flat Major and the Etude in C Minor Revolutionary Study, giving Liszt’s ‘Forgotten Waltz’ as an encore. In the second half Miss Bunning was again in high favor with ‘Arabesque’ (Debussy) and ‘Concert Allegro’ (Granados). The last named was particularly impressive and in response to sustained applause the artist played ‘Clair de Lune’ (Debussy). It was aa evening with many enjoyable features and the visitors must have found it a pleasure, too, to discover such manifest appreciation of their ability. Enthusiasm is contagious and it was clearly in evidence both amongst the audience and artists last night. Geraldton Guardian Thursday 13 July 1950 page 5

Thursday 13^th July 1950 Jack in Morawa

Thursday, 13th July, 1950, At 8.15 p.m. MORAWA TOWN HALL

MAKE SURE OF YOUR SEAT – For a Magnificent Concert – Three Brilliant Artists: ELISE LONGWILL, Soprano (1950 Winner of A.B.C. Concerto and Vocal Competition), JACK HARRISON, Clarinettist (Finalist 1950 A.B.C. Competition), FLORA RUNNING, Pianist. Box Plan at Smith’s Pharmacy, Res 4/- ; At Doors 2/6. (No Tax), Children 1 6 to all parts of Hall. Direction :—ADULT EDUCATION BOARD. Greenough Sun Thursday 6 July 1950 page 5

Friday 14^th July 1950 Jack in Goomalling

Celebrity Artists For Goomalling

A number of activities is planned this year by the Adult Education Board for country centres. The Acting Director of Adult Education (Mr. John Birman) announced in Perth that his Board is going to present to country centres a series of concerts and recitals and ballet performances in the next few months, which will bring the standard of amenities in country areas up to that prevailing in Perth. This expansion of policy in bringing good music and excellent entertainment to country people was made possible partly by the generous Contribution of the State Government, which voted a certain amount of money for this purpose. Mr. Keith George, of the Linley Wilson School of Dancing and Ballet, has just completed a preliminary tour of northern towns, during which he investigated the state of the stages and the existing facilities for the purpose of presenting the ballet group which will be touring the area late in August and early in September. Of immediate interest to the people of Goomalling is the forthcoming visit of three brilliant Perth artists, two of whom have recently successfully competed in the annual vocal and concerto competition conducted by the ABC. The party, consisting of Miss Elise Longwill, soprano (the winner of this year’s competition), Jack Harrison, clarinettist (a finalist), and Miss Flora Bunning, the well-known Perth pianist, will give a concert at Goomalling on Friday, July 14. Box plan. is open at Garnet Royal’s, and it is hoped that this and other activities will meet with the full support of the public. Local arrangements are made by a committee acting on behalf of the Adult Education Board, and all inquiries should be sent to Miss B. Hymus. Goomalling Gazette Thursday 13 July 1950 page 2

Saturday 15^th July Jack in Wongan Hills – end of tour

Wongan Hills Hall at 8.15pm – MAKE SURE OF YOUR SEAT – For a Magnificent Concert – Three Brilliant Artists: ELISE LONGWILL, Soprano (1950 Winner of A.B.C. Concerto and Vocal Competition), JACK HARRISON, Clarinetist (Finalist 1950 A.B.C. Competition), FLORA RUNNING, Pianist. Box Plan at Pelham’s Newsagency. Res. 4/ at door 2/6 (no tax). Children 1/6 to all parts of hall. Wongan-Ballidu Budget Thursday 6 July page 2

From Monday 23^rd October 1950 Jack Harrison toured to country centres under the auspices of the Adult Education Board and was accompanied on piano by and Stephanie James and vocalist Pamela Flower.

COUNTRY MUSIC TOUR

Three well-known local artists will leave on Monday on a tour of country towns under the auspices of the Adult Education Board. They are Miss Stephanie James, pianist, Miss Pamela Flower, soprano, and Mr. Jack Harrison, clarinettist. The assistant-director of Adult Education (Mr. John Birman) said yesterday that towns to be visited would include Harvey, Balingup, Donnybrook, Busselton, Boyup Brook, Kojonup, Katanning and Pingelly. This would be the last of a series of concerts in country districts presented by the board during this year. Afternoon, performances for children would be given, in conformity with the board’s policy to arrange concerts for schoolchildren whenever possible, Mr. Birman said.

The West Australian Saturday 21 October 1950 page 8

Tuesday October 24 1950 – Harvey – Outstanding Trio Of Artists

An outstanding trio of artists will present a concert at Harvey on Tuesday, October 24, under the auspices of the Adult Education Board. They are Miss Stephanie James, pianist, brilliant young West Australian, who has just returned home from overseas studies; Miss Pamela Flower, soprano, who is this year’s winner of the West Australian section of the Mobil Quest competition and who performed last year as soloist with the Perth Symphony Orchestra; and last, but not least, a very outstanding young man, Jack Harrison, who is well known throughout the State for his ability as a clarinet player. Mr. Harrison was this year’s State finalist in the A.B.C. vocal and concerto competition. There will be a school matinee in the afternoon.

Harvey-Murray Times Friday 29 September 1950 page 2

WEDNESDAY 25 OCTOBER 1950 – BALINGUP

A letter from the Adult Education Board which was read at the fast meeting of the CWA at Balingup intimated that there “was an opportunity of providing Balingup with a concert on Wednesday, 25th October. Three excellent Western. Australian artists will be making the trip and will include Miss Pamela Flower, soprano, this year’s winner of the WA division of the mobile quest competition. Jack Harrison, clarinettist, the finalist of this year’s ABC Vocal and Concerto competition and Miss Stephanie James who has just returned home from extensive studies abroad. There will be one evening performance and one afternoon performance for the children.

Blackwood-Warren Sentinel Thursday 5 October 1950 page 6

Thursday October 26 1950 – DONNYBROOK

The Adult Education Board advised that their next visit to Donnybrook with a group of artists would be on Thursday, October 26. The visiting group would include Pamela Flower, soprano; Jack Harrison, clarionetist; with Stephanie James, pianist. The secretary reported that the hall had been booked and preliminary arrangements made.

South Western times Thursday 28 September 1950 page 2

DONNYBROOK EDUCATION BOARD RECITAL

Visit Of Talented West Australian Artists Under the direction of the Adult Education Board Donnybrook was given the opportunity last Thursday to hear three brilliant West Australian artists, Miss Stephanie James (pianist), Miss Pamela Flower (soprano) and Mr Jack Harrison (clarinettist). The programme presented was well chosen, this being evident by the warm reception it received from a fairly large audience. Most gratifying to the local committee was the enthusiastic comments made by those who were fortunate to be present. This augurs well for the future. Mr. Jack Harrison opened the programme with Weber’s Concertino Op. 26 His control of tone and well rounded phrasing at once gave evidence of his ability. Worthy of note was the tonal work in the sustained passages of the slow movements. Later he was heard in “Hymn to the Sun” (Rimsky-Korsakov) Arabesque, an adaptation from Debussy’s No. 2 Prelude and Anita’s Dance from the Peer Gynt Suite by Grieg. Concluding both halves of the programme the voice, clarinet j and piano were heard together in “The Thrush” (Harrhy), “Bird Songs at Eventide” (Coates), “By the Waters of Minnetonka” (Lieurance), “Pipes of Pan” (Monckton). This could have been improved if the clarinet obligato was arranged and not merely the subtraction of certain passages from the piano accompaniment. Mention must be made of Miss James as the accompanist. At all times she was able to catch the mood and tempo of the soloists which is no mean feat. Her ability is remarkable. At the conclusion of the concert members of the local committee of the Adult Education Board entertained the artists at supper. Both Mr. Newton, the Adult Education Board representative and Miss Stephanie James, the leader of the artists thanked the committee. Among the audience were noticed the chairman of the Preston Road Board, Mr. J. K. Kirkpatrick and Mrs. Kirkpatrick, Mr. and Mrs. Newman (Lowden), Mr. and Mrs. R. Skinner, Mr. and Mrs. Guy Brockman, Mr. and Mrs. Cyril Skinner (Lowden), Mr. R. Trevena and Miss Trevena, Mr. A. O. W. Knight, Mr. L. Miller, Mr. T. V. Finch, Mr. and Mrs. L. Mortlock, Mr. and Mrs. G. V. Mitchell, Mrs. A. C. Fenn.

The Preston Mail and District Advocate Thursday 2 November 1950 page 3

THURSDAY October 26 1950 – CONSUMMATE ARTISTRY – Young Westralians Please – DONNYBROOK

A greatly improved patronage was afforded the Adult Education Board’s recital on Thursday evening last when the programme was presented by three brilliant young West Australian artists. The interest now being displayed in what the A.E.B. designates Everyman’s Music is most heartening to the committee which has undertaken the local arrangements. In this respect a word of thanks is due to Mr. Frank Arbuthnott who prepared an ideal stage setting, with the requisite lighting, and to Mr. L. J. Mortlock who made a new Mignon piano, from his showroom, available for the occasion. The visiting party paid glowing tributes to the way they had been received in Donnybrook and of the arrangements

made for the concert presentation. The local Adult Education Committee entertained Misses James and Flower and Messrs. Harrison and Newton (manager) at supper at the conclusion of the entertainment. During the afternoon a short matinee performance was given to about two hundred and fifty children drawn from the Donnybrook schools and the young folk evinced keen appreciation in the fare presented, especially when the mouth organ was produced by Jack Harrison. A pleasing feature of the afternoon was the way the children joined in singing the National Anthem.

The evening opened with Jack Harrison performing the clarinet solo part of Concertino Op. 26 (Weber), Stephanie James explaining that the Concertino was originally written to be played with orchestra. The clarinet was heard to good advantage in slow sustained passages and fingering left little to be desired. The first half of the programme concluded with concerted numbers for voice, clarinet and piano. This was particularly pleasing work, the numbers being “The Thrush” (Edith Harrhy) and “Bird Songs at Eventide” (Eric Coates) , the voice and clarinet harmonising to good effect. Jack Harrison again opened after the interval, choosing “Hymn To The Sun” (Rimsky- Korsakov), “Arabesque” (Debussy) and “Anita’s Dance” (Grieg). Here again the tone was beautiful and brought the audience to its toes. The programme concluded with another concerted group by the voice, clarinet and piano. These numbers “By The Waters Of Minnetonka” (Thurlow Lieurance) and “Pipes Of Pan” (Monckton) lent themselves admirably to the co-ordination of voice and clarinet. For the whole programme sympathetic accompaniments were given by Stephanie James. Thanks To Adult Education Board At the conclusion of the programme Mr. A. C. Frost, provisional chairman of the Donnybrook Adult Education Board Committee, on behalf of the audience, thanked the A.E.B. and the artists for the excellent programme given. Speaking on behalf of the committee he thanked the audience for their splendid response and voiced thanks to Mr. Len Mortlock for the loan of the new piano for the concert. He also expressed the hope that it would be possible to bring other artists and bigger ventures to Donnybrook. One of the requisites for more ambitious programmes was a concert grand piano and the Proton Road Board had now set in motion a proposition to purchase such an instrument for the hall. Previous generations, he said, were long sighted enough to provide a big hall and a stage of requisite size and now support from the Donnybrook people could make the completion of the whole project possible. Replying, Mr. Newton said that it was most heartening to the artists to receive such a warm reception and to have such a satisfactory setting prepared for which to give the concert. He went on to congratulate the Donnybrook civic fathers on their foresight and wisdom in securing a beautiful instrument for their hall. He promised that the A.E.B. would do everything possible to send programmes that will measure to the standard that is being set, mentioning the new State Symphony Orchestra. Finally, Mr. Newton thanked the committee for the setting they had provided on the stage for this concert\ as it was very rarely that the stage is well set and he felt sure that Mr. Arnott’s attention to these details had brought out the very best from the artists. He concluded by saying that the children’s audience at that afternoon’s matinee had been a credit to the parents of Donnybrook.

South Western Times (Bunbury) Thursday 2 November 1950 page 2

FRIDAY 27 October 1950 – BUSSELTON EVERYMAN’S MUSIC RECITAL – POPULAR VISITING ARTISTS

The programme presented in the Regal Theatre last Friday night by the artists, Stephanie James (pianiste), Pamela Flower (soprano) and Jack Harrison (clarinettist) proved to be one of the most popular and enjoyable Busselton has yet heard. The youth and charm of the performers appealed instantly to the audience, while the sincerity and quality of their work revealed them as musicians of high calibre. In turn, the warmth and appreciation of the audience inspired the artists, so that in such a pleasant, atmosphere, it was not surprising that the hours tied all too quickly. The programme opened with Weber’s Concertino, played by Jack Harrison, very ably accompanied by Stephanie James, who described. the piece beforehand as a small concerto. Jack Harrison’s artistry and tone were displayed again later in Rimsky Korsakov’s “Hymn to the Sun,” Debussy’s “Arabesque” and Grieg’s “‘Anitra’s Dance.” The three artists combined most effectively in two groups, one at the end of the first half of the programme and the other at the conclusion. So enjoyable was this combination, with the blending of the clarinet, voice and piano, that, the audience demanded an encore. On Friday afternoon, the children of the State School and Busselton Convent attended a short concert given by the visiting artists. Judging from the warmth of the applause the children enjoyed themselves thoroughly.

The South Western News (Busselton) Thursday 2 November 1950 page 5

Saturday October 28 1950 – Celebrity Concert At Boyup Brook

On October 28, under the auspices of the Boyup Brook Chamber of Commerce, the Adult Education Board included Boyup Brook in its itinerary and gave two hours of delightful instrumental and vocal recital. Those who were unable to attend are to be sympathised with for missing a musical treat which will long be remembered by those fortunate enough to be there. At conclusion the recital, two dainty posies of roses were handed to the lady artists by Mr. R. U Graham, the President of the Chamber of Commerce, after which Mr. B. Ryan, on behalf of the Chamber and residents of the district thanked the Director, Mr. B. Newton, the artists and the Adult Education Board for the recital. He expressed the appreciation of the real music loving section of the community and hoped the Education Board would always include Boyup Brook in its future itineraries. In responding, Mr. Newton said the Board would always include Boyup Brook in its itineraries. He emphasised how pleased he, and the artists were with the reception they had received, and made special comment on the decorations of the stage with flowers from local gardens, which he and the artists regarded as a special token of artistic appreciation. After the recital, he and the artists, accompanied by Members of the Chamber of Commerce and a few friends were entertained at “Blackwood” the home of Mr. and Mrs. R. L. Graham, to a delightful supper, at conclusion of which Mr. Newton thanked the host and hostess for their hospitality. At conclusion of supper, Mr. Harrison was persuaded to bring out his mouth organ, on which instrument he is one of Australia’s most outstanding artists, he gave two excellently rendered numbers which showed his ability with that instrument as well as with the clarinet. Noticeable features of the Director and the Artists were their sociability. They enjoyed themselves just as much as those present enjoyed their company. It was a happy conclusion to a pleasant evening and musical feast. On Sunday they, were taken on a tour round the district by Members of the Chamber of Commerce and by invitation were the guests to afternoon tea at the home of Mr. and Mrs. Frank Ritson. They were accompanied by Mr. and Mrs. R. L. Graham as host and hostess and Mr. and Mrs. A.T, Smith-Ryan. On the Monday they gave a morning concert to scholars from the Boyup Brook, Chowerup and Greenbushes schools in the Boyup Brook Town Hall. Over three hundred scholars were there.

Blackwood – Warren Sentinel (Bridgetown) Thursday 9 November 1950 page 1

ARTISTS ENTERTAINED – Saturday October 28 1950

The president of the Chamber of Commerce (Mr. R. L. Graham) and Mrs. Graham invited members of the Chamber of Commerce and their wives to a supper party at their home on Saturday evening last in honour of concert artists Miss Stephanie James, Miss Pamela Flower and Mr. Jack Harrison and Mr. Newton, of the Adult Education Board. An enjoyable supper was served, after which Mr. Jack Harrison favoured the guests with several mouth organ solos, accompanied by Miss James at the piano. On behalf of the artists, Mr. Newton thanked Mr. and Mrs. Graham for their informality and help in making the party such a success. Among those present were: The secretary (Mr. W. Bainbridge) and Mrs. Bainbridge, Mr. and Mrs. E. L. Cummins, Mr. and Mrs. F. Proctor, Mr. and Mrs. A. Smith-Ryan, Mr. and Mrs. V. Randell, Mr. B. 0. Ryan, Miss J. Graham and Mr. E. Godfrey, Mr. P. Scammel and Mr. and Mrs. W. Drown. On Sunday Mr. and Mrs. R. L. Graham and Mr. and Mrs. A. Smith-Ryan took Miss James, Miss Flower and Mr. Harrison touring around the district and later, by invitation, they visited the farm of Mr. and Mrs. F. Ritson and had afternoon tea.

The Blackwood Times (Greensbushes) Friday 3 November 1950 page 8

Monday 30 October 1950 at 8.15pm – KOJONUP MEMORIAL HALL

TUESDAY, 31st OCTOBER, 1950 at 8.15 p.m. in the – KATANNING TOWN HALL

MAKE SURE AND BOOK YOUR SEATS FOR THE CONCERT Featuring three Brilliant young West Australian Artists. STEPHANIE JAMES (Pianist) (First Public appearance after return from abroad), PAMELA FLOWER (Soprano) ,(West Australian Finalist Mobil Quest Competition), JACK HARRISON (Clarinettist) (West Australian Finalist A.B.C. Concerto Competition).

Box plan at Blythe’s Newsagency; Box plan at Barkley & Gilbert’s. Prices: 4/- (No Tax); Children, 1/6 anywhere Direction : Adult Education Board.

The Great southern Herald (Katanning) Friday 20 October 1950 page 4

CONCERT ARTISTS AT KATANNING – PROGRAMME TO BE PRESENTED ON TUESDAY OCTOBER 31

The Adult Education Board has advised that three concert artists will be presenting a programme at the Katanning Town Hall on Tuesday, October 3. The artists are all well-known in musical circles and their visit to Katanning will be welcomed. The third artist is also a West Australian, who has advanced very well in the musical world. He is Jackie Harrison who, since a very small lad, has been broadcasting over all stations. Mr. Harrison plays several instruments but is visiting Katanning as a clarinettist on this occasion. He is now only 20, but is the proud leader of his own dance band in Perth. He is perhaps better known among the younger people for his success in the jazz band contests in Perth each year. His twin sister plays the piano and his family in general are very musical.

The Great southern Herald (Katanning) Friday 6 October 1950 page 2

KATANNING ADULT EDUCATION CONCERT – DELIGHTFUL PROGRAMME PRESENTED AT KATANNING

Sponsored by the Adult Education Board, three concert artists presented a delightful programme of great appeal at the Katanning Town Hall on Tuesday. Miss Stephanie James, who is well known in Katanning and who recently returned from further studying abroad, is regarded as one of the most promising pianists in Western Australia. Complementary with the other artists, Miss James showed her skill as a component artist and, as a soloist, played with great sensitivity and understanding Miss Pamela Flower’s chief quality was the delicate and restrained manner in which she handled the work she had chosen. Her stage presence was remarkable for one so young. Jack Harrison has had a meteoric rise to fame as a clarinet virtuoso and gave an unusual selection which was greatly appreciated. The choice of programme was ideally suited for the audience to which it was presented and evidence of its appeal was obvious through out. PIANO NEEDED IN KATANNING At the conclusion of the “presentation, Mr. B. Newton of the Adult Education Board, expressed the appreciation of the artists for the reception they had received at Katanning. He thanked particularly Miss Rae Ricket, and those who had assisted her, for making the local arrangements for the concert and for stage decorations. In thanking Miss Russell, headmistress of “Kobeelya,” for the loan of a piano, Mr. Newton considered it possible that presentations of Adult Education concerts at Katanning might increase in the future, in which case a good piano would he required at the Town Hall. He stated that a small local authority, not very far from Katanning, had recently purchased for its town hall a £900 instrument.

The Great Southern Herald (Katanning) Friday 3 November 1950 page 2

PINGELLY WEDNESDAY NOV 1 and NOV 2 1950

Miss Pamela Flower (soprano), this year’s W.A. finalist in the Mobil Quest competition; Jack Harrison, Clarinettist (finalist in the A.B.C. vocal and concerto competition), Miss Stephanie James, pianist (just returned from studies aboard), are to visit Pingelly under the auspices of the Adult Education Board). The Pingelly Committee finalised arrangements early this week for the visit of these outstanding artists, who are to combine in a Music-Song Recital in the Pingelly Town Hall on Wednesday evening, November 1, and a special programme for district school children, on Thursday morning, November 2. Residents of Pingelly, Brookton and surrounding districts will learn with pleasure of this visit by such well-known and highly rated artists and -at the same time will accord a measure of appreciation to those resi- dents responsible for the arrangements. The box plan will open shortly at the Pingelly Newsagency and further details will be given later.

Pingelly Brookton Leader Thursday 5 October 1950 page 2

Pingelly Adult Education Board – Visit of Outstanding Artists. – Wednesday 1^st NOVEMBER

It must have been a disappointment to those residents responsible for the visit to this centre on Wednesday evening of last week three such brilliant artists as Miss Stephanie James (pianist), Miss Pamela) Flower (soprano), and Mr. Jack Harrison (clarionetist), that the Everyman’s Music Recital in which these three artists took part should have been accorded such relatively poor patronage. The Adult Education Board, under the auspices of which the recital was made possible, is commended for its efforts in bringing top ranking artists to rural centres and when a town of the size of Pingelly is privileged to participate in these tours, it is regrettable that the audience is not as large as it should be. Those who attended Wednesday evening’s concert were indeed fortunate, for the performance of the artists was really excellent and thoroughly enjoyed by all present. Mr. Jack Harrison fully retained, if not enhanced, his reputation with delightful renditions on his clarionet.

Pingelly – Brookton Leader Thursday 9 November 1950 page 2

ADULT EDUCATION CONCERT ENJOYED – Wednesday 1^st NOVEMBER

Although the attendance at the Everyman’s Music Recital on Wednesday night last, was perhaps, a little disappointing, those who went along thoroughly enjoyed the program submitted by the three Adult Education Board artistes. Fortunately, there were sufficient patrons present to warrant a return at a later date of a similar program, which according to the manager, Mr. E. Newton, would be available in the near future. Many people attended, thinking that all the, music played would be of a classical level well above the heads of the ordinary layman. They were, however, very-agreeably surprised, to find that the majority of the program was well known and those songs which were not so well known were so well presented that they were usually as well enjoyed. Mr. Jack Harrison, who commenced the program with Concertino On. 26 by Weber literally thrilled his listeners with his uncanny technique and control of his clarinet. The rich mellow tone which he so effortlessly produced from this tube of wood and metal won him instant favour. Trios comprising piano, voice and clarinet obligato were exceptionally well presented and proved very popular.

Blackwood – Warren Sentinel Thursday 2 November 1950 page 6

The tour ended after schools’ performances the morning of Thursday 2nd November in Pingelly, a two hour drive from Perth.

Person

AGENBACH, Eljo

Eljo Agenbach is a clarinettist, educator and collaborator based between Melbourne, Australia and The Netherlands.

She is currently studying historical clarinet with Nicola Boud, completing her Bachelor in Early Music at the Koninklijk Conservatorium in The Hague.

In The Netherlands, Eljo regularly collaborates with her fellow students in and outside the Conservatorium. Most recently, she performed and recorded Beethoven’s first, third, fifth and sixth symphonies on historical instruments with the Beethoven Academy in Utrecht under the direction of Johannes Leertouwer.

Before she fell in love with the historical clarinet, Eljo completed a Bachelor of Arts in Music Studies on the modern clarinet from the University of Western Australia’s Conservatorium of Music, where she studied with Allan Meyer. Eljo then went on to study at the Queensland Conservatorium of Music, finishing her Honours degree with Paul Dean.

In addition to her performing commitments, Eljo is a practising visual artist with a particular interest in interdisciplinary collaboration. Notable such projects include commissions from the choral group Voyces and the South Side Symphony Orchestra, as well as festival appearances in the Brisbane Music Festival and Propel Youth Arts.

Teacher

Boud, Nicola

Instruments

Clarinet

Years

2026

Person

G'FROERER, Wayne

Wayne is originally from Canada having studied music at the University of BC, performed with the Canadian Chamber Orchestra, National Youth Orchestra of Canada, West Australia Symphony Orchestra and has taught for over 47 years in Western Australia and New Zealand.

Wayne is a presenter for RTR Radio FM 92.1:

I have been presenting Saturday Jazz for around four years at RTR and have enjoyed every minute at the station. I am originally from Canada having studied music at the University of BC, performed with the Canadian Chamber Orchestra, National Youth Orchestra of Canada, West Australia Symphony Orchestra and have taught for over 47 years here in Western Australia and New Zealand.

I enjoy presenting Jazz on Saturday morning as this highly creative art form has so much variety and is a discipline which involves the ear, improvisational techniques, style of all types, historical and social importance, hard work for the performer and enthusiasm which keeps this art form alive.

I am retired from teaching in the Dept of Education both here in WA and New Zealand after 42 years and now still relief teach as well as performing on the clarinet and attend international conferences and doing some private teaching.

I used to listen to the original University radio station and the old Saturday Jazz program and always thought that somehow I would be involved in the radio station in some way.

I was taking the week Presenter’s Course at RTR a few years ago and I received a phone call from Warren Kimble, after the 3rd week, who was recruiting new presenters for his baby Saturday Jazz. He wanted me to jump start my Presenter’s broadcasts ASAP so I scrambled in a panic to get two hours of music with commentary.

I had listened to many Jazz programs over the years but sitting on the other side with the microphone presented a big challenge for me. I’ve thoroughly enjoyed the past few years at the station and the staff and presenters I’ve gotten to know have been fabulous backups and co-presenters.

https://rtrfm.com.au/presenters/wayne-gfroerer/

He is a valued member of the Clarinet and Saxophone Society of W.A. providing ensemble music from his vast personal collection for their annual “Clarisaxfeast”.

Instruments

Clarinet

Person

CRAVEN, Jonathan

Jonathan studied Clarinet with Floyd Williams at the Queensland Conservatorium. When he finished school, he was accepted into the Diploma of Music (Performance) course, and during this time he won several prizes for both solo performing and chamber music.

Upon completion of the Diploma, Jonathan travelled to London where he received a licentiate of the Royal Academy of Music.

Jonathan moved to Perth to teach at the West Australian Conservatorium of Music when he returned to Australia. In 1993 he was appointed Principal Bass Clarinet for the West Australian Symphony Orchestra (WASO). Three years later Jonathan became Associate Principal Clarinet in the same orchestra.

1994 WASO clarinet section: Allan Meyer, Lorna Cook, Jon Craven

1994 WASO wind section: Jonathan Craven, Lorna Cook, Allan Meyer

Jonathan worked freelance in Melbourne and Tasmania until he was appointed to the position of Principal Bass Clarinet with the Melbourne Symphony Orchestra in 2001.

Jonathan Craven

Originally from Liverpool in the U.K., Jonathan Craven moved to Australia in 1974. In 1984, aged 16, Jonathan began clarinet studies with Floyd Williams at the Queensland Conservatorium. After finishing school he was accepted into the Diploma of Music (Performance) course, and during this time he won several prizes for both solo performing and chamber music.

On completing this course, he furthered his studies in London where he received a licentiate of the Royal Academy of Music.

When Jonathan returned to Australia he moved to Perth to teach at the West Australian Conservatorium of Music. In 1993 he was appointed Principal Bass Clarinet in the West Australian Symphony Orchestra. Three years later he won the audition for Associate Principal Clarinet in the same orchestra.

Jonathan worked freelance in Melbourne and Tasmania until he was appointed to the position of Principal Bass Clarinet with the MSO in 2001.

https://www.mso.com.au/behind-the-music/meet-the-musicians/mso-jonathan-craven

Instruments

Clarinet

Person

MILLIER, Alexander

Alex joined WASO in 1996 and works in the clarinet section with Allan Meyer and Som Howie.

Alex Millier is the Principal Bass Clarinet with WASO and often performs as Associate Principal Clarinet. Alex graduated in 1987 from the Elder Conservatorium of Music at the University of Adelaide with a Bachelor of Music in Performance, where he studied with David Shephard.

After graduating, Alex was a member of the Australian Youth Orchestra tour to Europe, London and Singapore in 1988. He has performed with the Adelaide Symphony Orchestra, Adelaide Chamber Orchestra, Melbourne Symphony Orchestra, Malaysian Philharmonic Orchestra and the Trondheim Symphony Orchestra. Prior to his appointment at WASO, Alex was a member of the Band of the South Australia Police from 1993 to 1996.

He is passionate about good coffee and recently completed an introductory commercial barista course with the WA Barista Academy. Alex also loves engaging with audiences via social media and can be reached on twitter @AlexMillier.

Alexs’ chair is supported by Prue Ashurst through the Duet program.

https://www.waso.com.au/people/alexander-millier

Instruments

Clarinet

Person

HOWIE, Som

Som Howie joined WASO in 2024 and is the Associate Principal clarinet sitting next to Allan Meyer.

Before joining WASO, Som held the position of solo Clarinettist at the Danish Chamber Players. Originally from Sydney, Som began playing clarinet at the age of 11 with Mark Walton until he started his bachelor’s degree at the Sydney Conservatorium of Music. During his time in Sydney, Som studied with Cathy McCorkill, and Sue Newsome and completed his final years with Frank Celata. After moving to Europe in 2014, Som completed a Masters Degree with Hermann Stefánsson and Andreas Sundén at the Royal College of Music in Stockholm.

As an orchestral musician, Som has performed with major orchestras around the world including; Copenhagen Philharmonic, The Swedish Radio Symphony, Royal Stockholm Philharmonic, Swedish Chamber Orchestra, Royal Swedish Opera, Royal Liverpool Philharmonic, Royal Philharmonic Orchestra, Malaysian Philharmonic, Sydney Symphony, Australian Opera and Ballet, and the New Zealand Symphony Orchestra. Som has toured to Edinburgh with the Swedish Radio Symphony Orchestra and to India with the Australian World Orchestra.

In 2016, Som was selected for the Royal Stockholm Philharmonic Orchestra Academy. Previous to this, Som has held academy positions with the Sydney Symphony, and London Philharmonic Orchestra’s Future Firsts Scheme. Som has attended masterclasses with; Sabine Meyer, Andrew Marriner, Martin Fröst, and Yehuda Gilad.

As a soloist, Som has performed concertos with the Adelaide Symphony Orchestra, West Australian Symphony Orchestra, Willoughby Symphony Orchestra, the Southbank Sinfonia in the UK, and, in 2016, he recorded English composer Geoffrey Hanson’s Clarinet Concerto with the London Mozart Players.

In 2015, Som was a prize winner for the Royal Overseas League (ROSL) Annual Competition, and as a result toured with his trio, the Dolmen Ensemble on behalf of ROSL to; Malta, Scotland, and New Zealand. In the same year, Som recorded his first solo album with his Father, David Howie. The album is titled ‘Premiere Rhapsody’ and was produced by UK based record label, Cala Records. Som is a Buffet Crampon Artist and a scholar of the Australian Elizabethan Theatre Trust.

In his spare time Som loves spending time at the beach, playing cricket and soccer, and looking for all the best coffee spots.

https://www.waso.com.au/people/som-howie

Instruments

Clarinet

Person

EVERALL, Philip

Philip Everall is Lecturer in Classical Music at WAAPA, where he is Head of Woodwind, Musical Director of the Symphonic Wind Ensemble, and lecturer in performance, ensembles, and music history. An internationally recognised bass clarinettist, he has performed with ensembles including the Ebony Band of the Concertgebouw, The Schoenberg Ensemble, ASKO, Bang on a Can All-Stars, and Sequitur, among many others. As an orchestral clarinettist and bass clarinettist, Philip performs regularly with the West Australian Symphony Orchestra, and has been a guest with the Adelaide, Tasmanian, and Melbourne Symphony Orchestras, Orchestra Victoria, and the Malaysian Philharmonic Orchestra.

Philip completed his PhD at ECU, developing a digital resource for contemporary bass clarinet performance techniques. His research continues to focus on extended techniques, performer-centred approaches to new repertoire, and the relationship between notation, acoustics, and performance practice. Alongside this work, he also undertakes research in music history pedagogy, exploring ways to reconnect historical study with artistic practice so that music history becomes an active component of performance, interpretation, and musicianship for tertiary students.

Awards and recognition

University and National Teaching Awards

2016 – ECU WAAPA Research Medal

Research areas and interests

Bass Clarinet extended techniques
Contemporary performance practices
Music History pedagogy

Qualifications

Doctor of Philosophy, Edith Cowan University, 2016.
Masters programme of Music, Netherlands, 2005.
Bachelor of Music, The University of Western Australia, 2003.

https://www.waapa.ecu.edu.au/about/our-staff/profiles/music/classical-performance/dr-philip-everall

Instruments

Clarinet

Person

KIRKBY, George "Butch"

George “Butch” Kirkby Jnr was born 1st October 1912 in Perth.

1934

In aid of the Baby Week Appeal, the Regal Entertainers will give a concert tonight in the Perth Town Hall. Assisting artists will include Misses Ronie Opie, Bubbles Cooper, Edna Winter, Hazel Charles, Doris Mose, Ally Campbell, Valmai Winter and Messrs. Terry Scanlon, Bert Tomlie and Ernest Waltman. The music will be provided by Miss Carma Nagfel, and Albert Thompson, George Kirkby and Arthur Taylor.

West Australian (Perth, WA : 1879 – 1954), Wednesday 2 May 1934, page 5

1936

MAJORITY PARTY Amid Pink Decorations

To celebrate the coming of age of their eldest daughter, Kaye, Mr. and Mrs. E. Hodges, of Ellesmere street, Mt. Hawthorn, entertained about 120 guests in the R.S.L. Hall, Oxford-street, last Monday evening. The hall was beautifully decorated with streamers and balloons, etc., the tables being well supplied and tastefully decorated by Mrs. Bowen. Dancing was enjoyed to the music supplied by Lena Mills, George Kirkby, Stan Charles and Alby Thompson. A large number of presents were received by the guest of honor, who was dressed in a beautiful gown of pink and wore a pink flower in her hair. The beautiful three-tier cake was presented to her by Mrs. Davies and Miss J. Davies. It was also pink and beautifully decorated. During supper a large key was presented to the guest of honor by her father. Items were rendered by Lena Mills (pianoforte solos), Mr. D. Thompson (comic songs), George Kirkby (saxophone solos) and Alby Thompson (violin solos). The guest of honor also gave a toe solo. The duties of chairman were ably carried out by Mr. Henry, while the usual toasts were proposed by Mr. D. Thompson, Mr. W. Weaver and Mr. T. Steadman. The programme was skilfully arranged by Albert Thompson, who also acted as master of ceremonies.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 17 May 1936, page 1

1939

Deanna Durbin Quest Awaits Vote

The highly successful quest for a local Deanna Durbin was brought to a conclusion apart from final voting at the S.T.C. concert at the Piccadilly Theatre last night. So great was public interest in the concert that every seat was occupied or sold within 10 minutes of the opening of the doors. The principal feature of the enjoyable programme was the grand final of the Deanna Durbin quest. Seven grand finalists faced the microphone and the packed theatre. Five independent judges chose three of that number. Listeners’ votes will decide the question as to which of the selected three deserves main honours. Each of the grand finalists gave a creditable performance. In one case the contestant was extremely nervous and although she had a particularly sweet voice her nervousness spoiled her effort. In this contest there was pleasing variety of fare. Each of the grand finalists deserves commendation for her efforts. There was plenty of variety in the S.T.C. search for talent. A pianist, male and female vocalists, and instrumentalists presented good fare. One of the competitors — a vocalist — got the gong, but the length or the song rather than any reflection on his performance was responsible. There was only time for one community song.

Then came seven year old Jack Harrison, who was described beforehand as a wonder with the mouth-organ. His performance indicated that the description really applied to him. He gave encores with pleasing matter-of-factness. George Kirkby, saxophonist and Baden Fixter, violinist, gave enjoyable numbers. With the Lucas Novelty Band led by Niddy Roberts they also rendered other pleasing items. The Misses N. Sheridan and A. Hyens gave a particularly pleasing two-piano duet. The two pianists in the Lucas Novelty Band also performed excellently in a duet. Popularity of the band was well evidenced. Paul Daly was in charge of the programme and presided over the happiest concert of the series. Proceeds of the concert (as with the others held at the Piccadilly Theatre) will go to the Baby Week Appeal. Winners of the Deanna Durbin grand final and the S.T.C. search session will be announced in The Daily News on Thursday. Votes must reach station 6PR or W.J. Lucas Ltd., Hay-street, Perth, by Wednesday at the latest. Last night’s concert was organised by the sponsors of the S.T.C. search for talent — Messrs. W. J. Lucas Ltd., Hay-street,- Perth; M. J. Bateman Ltd., Milligan-street, Perth; and Messrs. Randell and Long, Fremantle, in association with the management of the Piccadilly Theatre and Universal Pictures. The Daily News Monday 5 June 1939 page 9

1940

SAX PLAYER WEDS COTTESLOE GIRL

Married last week at St. Hilda’s Church of England in View-street, North Perth, Miss Sylvia Page, a pretty brunette of Cottesloe, and Mr. George (‘Butch’) Kirkby of Leederville. Bridegroom has been well known to those in musical spheres for about eight years, he having played the saxophone and clarionette with such combinations as Ron Moyle’s band, the Radiola Rhythm band, and the 6WF dance orchestra. However, he is giving up his musical interests, as he finds hie work with the Crown Law Department keeping him particularly busy. Both bride and bridegroom are much esteemed and highly popular amongst those acquainted with them.

Mirror (Perth, WA : 1921 – 1956), Saturday 2 March 1940, page 2

1943

A GRAND CONCERT

Thursday night, 27th May last was a unique occasion for Moora. A popular military concert party visited the town and gave a concert to a house that was literally full to the doors. Special interest centred in this concert because it was at Moora that the Concert Party made its debut last year. W.O. S. H. Ellwood, O.C. Party and Producer, turned out a polished show with each member of the party doing his bit in a big way. The producer, himself, is an efficient and talented entertainer. He appeared during the evening in parts from Mephistopheles, the double-eyed villain, to an eastern houriairily dancing the exotic dances of the East (Middle). Under the name of Lolita he was “lofed” by Ren. Nolan, the silvery-voiced tenor, who also sang “The Holy City” and other popular songs. Ren has a cultivated voice which should take him high up in the sclae of musical achievement. For the hand of Lolita he had for a rival Billy Kerr, comedian and raconteur, who looked superb with a drooping black moustache. Billy was the life and soul of the party so to speak. His jokes, acting and sardonic explosive laughter kept the audience constantly a-twitter. Geo. (“Glory Road”) Nicholls and Ted Barton were two members of the party who appeared in numerous guises, but particularly as tenor and baritone respectively. They sang the lively duet, with lively movements, ” We Run ‘Em In.” Earl Nowotney, a fine violinist, was well received with his solos, one of which was the popular “Voices of Spring” waltz. Robert (“Dusty Road”) Symonds excelled himself as Canio, basely used by “Mepbo,” among other things in his singing of the aria from “I Pagliacci,” “On with the Motley.” A difficult song to sing but he made it and was roundly applauded for it. Les Dixon was the accomplished leader of the tuneful swingful band. The band played some excellent numbers in a manner which aroused the enthusiasm of the audience to a high pitch. Harold Taylor made his drums talk, while George Kirkby showed great talent on his clarionet and saxophone. Barnie Conlon the dulcet-toned trombone player betrayed championship style in various types, old and new, of trombone playing. Jack Diamond, illusionist and magician, gave a performance which has never been excelled on the Moora stage, and would be quite worthy on any stage. The unique part of this item was that most of his tricks were undetectable. We are still wondering how he managed to get the glass of water up his sleeve. Moora people gave the concert party a special welcome in view of its early and close association with the town. A local C.O. thanked the party at the conclusion which resulted in three hearty Australian cheers from the audience. The producer replied briefly and the assembled party on the stage smiled in sympathy.

Midlands Advocate (Perth, WA : 1930 – 1954), Friday 4 June 1943, page 1

1949

Jack Harrison augmented his swing band according to the requirements of functions, sometimes up to ten players, such as the April 22^nd 1949 University of Western Australia Graduation Ball at Winthrop Hall. Players were issued with a cheque on 5^th May 1949 and were paid 3 pound 2 and 6 for the gig. Players paid were: Norm Wrightson (saxophone), George Kirkby (saxophone), Jack Pope (trumpet), George Franklin (trumpet), Charles Thompson, Bill Hendrie (guitar), Roy Coates, Ray Harrison (drums), Jill Harrison (piano) and Jack was the tenth band member.

GRADUATION BALL

8.30pm – 2am

April 22 1949 Winthrop Hall, University

In Aid of World Student relief

ADMISSION Double Ticket 24/7 (inc tax.)

Jack Harrison’s Ten Piece Orchestra – bookings at Nicholsons

AROUND PERTH – WITH HARRY BLUCK

Ball Season Starts Rolling in Perth – Heavy Bookings as Biz Booms

The annual outcrop of balls generally makes its presence felt about this time of the year and already some of the earliest have taken place. This season promises to be a busier one than previously and some large-sized bands should be seen on the various stands. Already, youthful Jack Harrison has made a good start by fronting a 10 piece outfit at the University Graduation Ball, and from all accounts the ultimate sound of the band justified the Harrison judgement in selecting good players as his support.

It’s in The Family!

Jack Harrison’s Trio, winners of Perth’s “Popular Dance Band Contest” for 1948. This talented threesome have remarkable polish, considering their extreme youthfulness, and have certainly made their presence felt in the comparatively short time for which they have been associated with the dance band business. From L to R: Jack Harrison (saxes), Ray Harrison (drums), Jill Harrison (piano). Jack and Jill are both aged 16 and Ray is 18. Since this photo was taken, Jack Harrison has blossomed out with a 10 piece band, with which he played at the Perth University Graduation Ball. (Photo by Arthur Fielding Ruskin).

Music Maker and Dance Band News May 1949

JACK HARRISON CHEQUE BOOK:

5 MAY 1949

JACK Cheque to:

Norm Wrightson Grad Ball £3/2/6

Kirkby Grad Ball £3/2/6

Pope Grad Ball £3/2/6

Franklin Grad Ball £3/2/6

Thompson Grad Ball £3/2/6

Hendrie Grad Ball £3/2/6

Coates Grad Ball £3/2/6

Ray Harrison Grad Ball £3/2/6

Jill Harrison Grad Ball £3/2/6

1950

All Together With A Tra-la-la

EVERY musicker of note turned up at the Jack and Dudie Pateman’s Nedlands home for the serious business of wetting baby Graeme William’s head. They packed the women off to Sylvia Caporn’s home and the ”boys’ had a right royal time. During the arvo Harry Bluck cheffed up spag. savories and what have you. Pete Sullivan (not the curly headed one) brought a can of Indian curry. A spokeshavian playlet ‘Cinderella’ was produced by Maestro Beeson, featured Alan Gough, Cliff Adam, Pete Harrison, Merv Rowston and ‘Lily of the Valley’ Roberts. It was a real classic. Kev Logan even stopped hibernating and made an attempt to hydrate himself. They nearly sold him a sax. Bam Sharp put on a happy time and the beer flowed like wine. Ray Le Cornu did a job with the kegs. Chick helped the food along. Wally Hadley, Maurice Maurice, Keith Whittle, ‘Mule Train,’ George Caro, ‘Cigarettes’ Cooke, Baden Fixter, Butch Kirkby, Bill Kirkham, Henry Cochran were ell in it. At nine o’clock sharp they drank a special toast to George Franklin— wherever he might have been between here and Curfew rang at 2 a.m and everyone departed for their homes. They tell me the Patemans have since bought a block and 3 tents in case of repercussions from neighbours who may dislike jazz, Dixieland — and just plain noise.

Mirror (Perth, WA : 1921 – 1956), Saturday 20 May 1950, page 12

1951

1951 Jazz Jamboree

1952 Jazz Jamboree

1952

1953

RANDOM NOTES

ENJOYABLE party-cum-jam-session was held at Colin Youlden’s the other night when a number of local Jazz men and women celebrated the 8th anniversary of Wayne Handrick’s band’s engagement at the now defunct Rainbow Room. Among the participants were Greta Young, who gave out with some nice vocals as well as piano work), Mike Carbone and Hank Collins (guitars), Wayne Handricks, Colin Youlden and George Kirkby (saxes), Ralph Filmer (bass) and Roley Nash (drums). Bryn Gifford pleased with vocals a la Frankie Laine.

Mirror (Perth, WA : 1921 – 1956), Saturday 27 June 1953, page 11

1955

1994

George Kirkby died on 23rd September 1994 aged 87.

Instruments

Years

1934

Person

APPLEBY, Rosalind

Rosalind Appleby is a Perth-based arts journalist, author and speaker. She uses words to champion, document and critique the arts and its practitioners. She also learnt the clarinet from Allan Meyer.

Rosalind’s book Women of Note (Fremantle Press, 2012) reveals startling discoveries about Australian women composers, completing the missing jigsaw pieces in Australia’s music history.

Rosalind was Managing Editor and founding board member of Western Australia’s leading arts magazine Seesaw (2018 – 2023). She was music critic at The West Australian newspaper for 16 years and has contributed to numerous publications including Opera Magazine (London), Limelight Magazine, The Australian newspaper, The Financial Times (London) and The Sunday Times.

Rosalind advocates for the arts through her lectures, author talks, artist interviews, pre-concert talks, program notes, awards judging and school seminars. She has presented at the Perth Writer’s Festival (2013, 2018, 2019) and at the national Women in the Creative Arts Conference (2017) in Canberra. For several years she produced and broadcast the experimental program Difficult Listening for RTRFM. She has been interviewed by Andrew Ford on The Music Show and for programs on 3MBS, 2MBS, Radio Fremantle and RTRFM.

http://rosalindappleby.com/

Facebook: RosalindApplebyArtsJournalist

LinkedIn: Rosalind Appleby

Current to 2026.