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THROSSELL, Hugo Vivian Hope
Hugo Vivian Hope Throssell (1884-1933), soldier and farmer, was born on 26 October 1884 at Northam, Western Australia, youngest son of George Throssell, storekeeper and later premier, and his wife Anne, née Morrell. One of fourteen children, Hugo was educated at Prince Alfred College, Adelaide, where he captained the football team and became a champion athlete and boxer. He then worked as a jackeroo on cattle stations in the north of the State. In 1912 he and his brother, Frank Erick (Ric) Cottrell (b.1881), took up land at Cowcowing in the Western Australian wheatbelt. Severe drought during the next two years strengthened the bond between them; they were later described as ‘David and Jonathan’ in their devotion to one another. Hugo was tall, with a long face and strong features.
With the outbreak of war Hugo and Ric joined the 10th Light Horse Regiment, formed in October 1914. Hugo was commissioned as second lieutenant and remained in Egypt when the 10th was sent to Gallipoli in May 1915. He landed on Gallipoli on 4 August, three days before the charge at the Nek—’that FOOL charge’ as he described it—when 9 officers and 73 men of his regiment were killed within minutes. Throssell was one of the leaders of the fourth and last line of attacking troops which was recalled after having advanced only a few yards. This experience increased his eagerness to prove himself in battle. He wanted to avenge the 10th L.H.R. which, like so many of the Anzac troops, was battle-worn, sick and depleted. His chance came later that month at Hill 60 during a postponed attempt by British and Anzac troops to widen the strip of foreshore between the two bridgeheads at Anzac and Suvla by capturing the hills near Anafarta. Hill 60, a low knoll, lay about half a mile (0.8 km) from the beach. Hampered by confusion and lack of communication between the various flanks, the battle had been raging for a week with heavy losses.
At 1 a.m. by moonlight on 29 August the 10th Light Horse was brought into action to take a long trench, 100 yards (91 m) of which was held by Turkish troops on the summit of Hill 60. As a guard, Throssell killed five Turks while his men constructed a barricade across their part of the trench. When a fierce bomb fight began, ‘a kind of tennis over the traverse and sandbags’, Throssell and his soldiers held their bombs on short fuse until the last possible moment before hurling them at the enemy on the other side of the barricade. Throughout the remainder of the night both sides threw more than 3000 bombs, the Western Australians picking up the bombs thrown at them by the Turks and hurling them back. Towards dawn the Turks made three rushes at the Australian trench, but were stopped by showers of bombs and heavy rifle-fire. Throssell, who at one stage was in sole command, was wounded twice. His face covered in blood from bomb splinters in his forehead, he repeatedly yelled encouragement to his men. For his part in the battle Hugo Throssell was awarded the Victoria Cross. It was the first V.C. to be won by a Western Australian in the war, and remains the only one awarded to a Light Horseman.
Evacuated to hospital in England, Throssell was promoted captain and rejoined his regiment in Egypt. He was wounded in April 1917 at the 2nd battle of Gaza where his brother Ric was killed. On the night that Ric disappeared, Hugo crawled across the battlefield under enemy fire, searching in vain for his brother among the dead and dying, and whistling for him with the same signal as they had used when boys. Hugo returned to his regiment for the final offensives in Palestine and led the 10th Light Horse guard of honour at the fall of Jerusalem.
On 28 January 1919 in the Collins Street registry office, Melbourne, Throssell married the Australian author Katharine Susannah Prichard whom he had met in England. They settled on a 40-acre (16 ha) mixed farm at Greenmount, near Perth. His wife wrote that those early years of marriage with Hugo, whom she called Jim, were her happiest. When she became a foundation member of the Communist Party of Australia in 1920, Hugo joined her as a speaker supporting unemployed and striking workers. He claimed that the war had made him a socialist and a pacifist. The combination of her award-winning novels and Communism, and his Victoria Cross, brought them fame and notoriety. Hugo acted as soldiers’ representative on the Returned Soldiers’ Land Settlement Board, became a real estate agent and worked temporarily in the Department of Agriculture in Western Australia.
Hard times came in the Depression. Katharine believed that her political activities lost Hugo his job with the settlement board, and that his passion to own land led him to borrow recklessly from the banks. He joined the search for gold at Larkinville in the early 1930s. When that proved unsuccessful, he devised a scheme which he hoped would prove a money-spinner. While Katharine was on a six-month visit to Russia, he organized a rodeo on his Greenmount property on a Sunday, not knowing that it was illegal to charge entry fees on the sabbath. The only money Hugo raised from the 2000 people who attended was a meagre silver collection for charity. The episode plunged him further into debt and shattered his optimism.
Imagining that he could better provide for his wife and 11-year-old son if he left them a war service pension, he shot himself on 19 November 1933 at Greenmount. Friends blamed his melancholy on an attack of meningitis at Gallipoli and saw it as the cause of his suicide. He was buried with full military honours in the Anglican section of Karrakatta cemetery, Perth.
In 1954 a memorial to him was unveiled at Greenmount, opposite his home. In 1983 his son Ric presented Hugo’s Victoria Cross to the People for Nuclear Disarmament. The Returned Services League of Australia bought the medal and presented it to the Australian War Memorial, Canberra. A pencil portrait of Hugo Throssell by the Australian war artist, George Lambert, is also held there.
Saturday 4th August 1917 – CAIRO via KANTARA on leave
Arrived at Kantara West at 4oc. We caught a motor bus across the pontoon bridge which spans the Suez Canal. Had a wash and breakfast at Mrs Chisholm’s. Met Hugo Throssel and spoke to him for some time.
Saturday 9th March 1918 – MOASCAR / ISMALIA
Marched into Ismalia and rehearsed for inspection by Prince Arthur, Duke of Connaught. Hugo Throssell is in charge.
Thomas William Jones was born 1st January 1890 to Susannah (nee Groves) and Fredrick Jones
He enlisted no.3121 in the 24th / 5th Light Horse on 11th May 1916 aged 25, a carpenter from Warwick Queensland. His NOK was his mother Susannah, whose address was Boswell Terrace, Manly.
Jones embarked on 3rd February 1917 for the Middle East.
In August 1917, the Anzac Mounted Division was resting at Marakeb, a camp on the Mediterranean coast about three miles north of Khan Yunis. After months of campaigning, the men were given a rare opportunity to rest, swim in the Mediterranean, train and prepare their horses for the coming offensive.
Lieutenant John Crosby-Browne of the 5th Light Horse had previously served as a military band conductor in the British Army. Recovering from malaria, he was approached by Lieutenant Colonel John Arnott, commanding officer of the 7th Light Horse Regiment, and asked to form a band to entertain and raise the morale of the troops.
The response was rapid and the band grew steadily in numbers for the next month.
When Lieutenant General Harry Chauvel inspected the 20 member ANZAC Mounted Division Band at Desert Column on 22 September 1917 he was impressed. The band was seconded to Anzac Mounted Divisional Headquarters and ordered to accompany the Division into the field. Additional instruments and music were obtained from London by Crosby-Browne in late September.
Jones joined the ANZAC Mounted Division Band on 2nd February 1918.
He departed for Australia on 28th June 1919. Following his return to Australia, Jones was officially tasked by the military with looking after and preserving several of the division band’s brass instruments, including an E-flat tuba.
Jones was married on 27.10.1923 to Elsie Eileen Elliot and they had children Gordon, Trevor, Rex, and Gwen.
Jones died on 11.11.1959.
THE Queensland Services Heritage Band Association (QSHBA), based in Wynnum, is set to pay tribute at the annual Anzac Day Parade in Brisbane. The band, known for its distinctive light horse uniforms, has been a proud participant in the parade since 2013.
“The Light Horse Historical Band wears the uniform of the WW1 QLD Light Horse but is a living and mobile memorial to all our veterans, past and present,” Band Master and President Paul Jones said.
Following the traditional Dawn Service, the parade will start at 10am on the corner of Elizabeth and George Sts in the CBD.
The Anzac Day march is a solemn event that honours all Australian and New Zealand defence forces who have served and sacrificed in various conflicts to protect our country.
It is a day to remember the bravery and patriotism of our servicemen and women, past, present, and emerging, and to celebrate the mateship and freedom they fought to preserve.
The QSHBA will be showcasing its heritage-listed instruments, including a World War I euphonium and an E-flat tuba, both of which were played by the Anzac Mounted Division Band in the Middle East during World War I.
Incredibly, both the restored instruments were played by Mr Jones’s grandfather, 3121 Trooper Thomas Jones, during his time in the 11th Light Horse AIF.
“Our family has held these two instruments and Grandad’s bugle (which I still play), for many years, and to see now, the completion of the restoration project in conjunction with QSHBA’s 20th anniversary is overwhelming,” Mr Jones said.
QSHBA, based at the Wynnum Community Centre on Florence St, is led by Mr Jones, who holds numerous musical qualifications and, as a former curator of the Light Horse Regiment Museum at Enoggera Army Base, has been instrumental in preserving and promoting the band’s traditions.
Mr Jones added that “the band is prepared to travel to remote areas where funding can be raised.”
Family, friends and QSHBA band members new Year BBQ. The bass was played by 3121 Trooper Thomas Jones of the 5th Light Horse, 11th Light Horse and Anzac Mounted Division Band in the Middle East during WW1, Pictured with the now restored Bass (restored by Better Sounds, Cost $13,500), far right to left: 1 – senior descendant, Thomas’ youngest son Trevor (Ex RAAF); 2 – Grandson of Tom, Greg Jones ( Ex drummer Wynnum State High School Cadet Unit Band, ex RAAF and ex 2/14 Light Horse Regiment (Queensland Mounted Infantry); 3 – Val Jones, mother of Greg Jones and Paul Jones and, wife of Thomas’ son, Rex Jones (Ex RAAF and, ex Bandmaster, 9th Battalion AKA 1RQR, AKA 9RQR , Royal Australian Infantry, and, ex Bandmaster some Australian Army Cadet Bands e.g. Nudgee College; 4 – Thomas Jones, Great grandson of Thomas Jones (ex 121 Army Cadet Unit, and currently member of Queensland Services Heritage Band, the Queensland Light Horse Heritage Band) and, Son of Paul Jones; 5 – Malcolm Bell, Thomas’ senior Grandson ( ex Bandmaster of several Australian Army Band Corps Bands and, ex instructor at Defence Force School of music; 6 – Paul Jones – grandson of Thomas and, Ex Drum Major, Wynnum State High School Cadet Unit Band, Ex member Australian Army Band Darwin, Ex 42RQR, Ex Bandmaster Queensland University Regiment Band, Ex Bandmaster 2/14 Light Horse Regiment (Queensland Mounted Infantry) Band, ex Curator 2/14LHR(QMI) Museum and, current Bandmaster, Queensland Services Heritage Band, the Queensland Light Horse Heritage Band. No photo, but one of Thomas’ Great grandsons was in 9RAR when it deployed to the middle East.
Frederick Charles Bridge was born in 1892 to John Thomas Bridge (born c. 1861) and Mary Elizabeth Pickering (born c.1863).
He was a cadet in the 20th Infantry Parramatta for 4 years and married Emma Ridley (1890 – 1964) in Granville NSW in 1913. At the time of his enlistment had been a cabinet maker for 5 ½ years with Murray Brothers in Parramatta.
Bridge front right of drum. Photo courtesy Bridge family
1915
Frederick enlisted No. 3110 in the 6th Australian Light Horse Regiment on 5.9.1915 aged 23 – a cabinet maker from Parramatta.
He embarked for the Middle East on 10.5.1917 on HMAT Boorara.
In August 1917, the Anzac Mounted Division was resting at Marakeb, a camp on the Mediterranean coast about three miles north of Khan Yunis. After months of campaigning, the men were given a rare opportunity to rest, swim in the Mediterranean, train and prepare their horses for the coming offensive.
Lieutenant John Crosby-Browne of the 5th Light Horse had previously served as a military band conductor in the British Army. Recovering from malaria, he was approached by Lieutenant Colonel John Arnott, commanding officer of the 7th Light Horse Regiment, and asked to form a band to entertain and raise the morale of the troops.
The response was rapid and the band grew steadily in numbers for the next month, including Frederick Bridge who joined on 2nd September 1917.
When Lieutenant General Harry Chauvel inspected the 20 member ANZAC Mounted Division Band at Desert Column on 22 September 1917 he was impressed. The band was seconded to Anzac Mounted Divisional Headquarters and ordered to accompany the Division into the field. Additional instruments and music were obtained from London by Crosby-Browne in late September.
ANZAC Mounted Division Band Palestine 1917 – Bridge front right of drum
One of the band’s earliest major assignments was a sports afternoon on 6 October 1917 organised by the 2nd Light Horse Brigade, commanded by Brigadier General Ryrie with Generals Allenby and Chaytor present.
Photo courtesy of the Bridge familyANZAC Mounted Division Band Palestine – Bridge on bass drum. Photo courtesy William Edward Harrison – bugler second from the right.
The ANZAC Band became known for riding on white sudanese donkeys.
ANZAC Mounted Division Band parading on donkeys, 1917 Palestine – photo courtesy The Australian War Memorial P00061.008photo courtesy Paul Jones
Bridge suffered from malaria and persistent ear problems during his service in the Middle East.
1919
He departed on 28.6.1919 per the “Madras” from Kantara and brought his drums sticks home with him.
July 1919
Mrs. Bridge,Lansdowne-street, Parramatta South has been notified that her husband, Trooper F. C. Bridge is returning home by the troopship Madras, due in Melbourne on the 28th inst and in Sydney a few days later. Trooper Bridge has been away two years and four months, most of the time being spent in Egypt and Palestine.
Cumberland Argus, 26 July 1919
1927
Frederick performed with Dame Nellie Melba for the Duke and Duchess of York at the opening of the Old Parliament House, Canberra.
Provisional Parliament House in Canberra was officially opened on May 9, 1927.
Frederick Charles Bridge at the Opening of Old Parliament House Canberra 1927. Photo courtesy Bridge family
His Royal Highness the Duke of York (later King George VI), accompanied by the Duchess of York, unlocked the front doors using a large gold key. Prime Minister Stanley Melbourne Bruce delivered the inaugural address. A formal message was read aloud from His Majesty the King declaring the parliament open.
Renowned Australian soprano Dame Nellie Melba sang the national anthem (God Save the King) on the front steps, followed by the crowd and the Canberra Philharmonic Society. Thousands of spectators cheered, Royal Australian Air Force (RAAF) planes flew overhead, and attendees enjoyed festivities including turtle soup and Canberra pudding inside, with meat pies and scones served to the crowds outside.
John “Jack” Crosby-Browne was the band master and conductor of the ANZAC Mounted Division Band in Palestine formed in 1917.
He was born on 5th July 1886 at St George Hanover Square, London, England and was schooled at the Duke of York’s Royal Military College, London.
On 4.10.1915, aged 29 Lieutenant John Crobsy-Browne enlisted in the A.I.F. 5th Light Horse Regiment at North Quay, Qld, citing his profession as Musician.
In August 1917, the Anzac Mounted Division was resting at Marakeb, a camp on the Mediterranean coast about three miles north of Khan Yunis. After months of campaigning, the men were given a rare opportunity to rest, swim in the Mediterranean, train and prepare their horses for the coming offensive.
Lieutenant John Crosby-Browne of the 5th Light Horse had previously served as a military band conductor in the British Army. Recovering from malaria, he was approached by Lieutenant Colonel John Arnott, commanding officer of the 7th Light Horse Regiment, and asked to form a band to entertain and raise the morale of the troops.
The response was rapid and the band grew steadily in numbers for the next month.
When Lieutenant General Harry Chauvel inspected the 20 member band at Desert Column on 22 September 1917 he was impressed. The band was seconded to Anzac Mounted Divisional Headquarters and ordered to accompany the Division into the field. Additional instruments and music were obtained from London by Crosby-Browne in late September.
One of the band’s earliest major assignments was a sports afternoon on 6 October 1917 organised by the 2nd Light Horse Brigade, commanded by Brigadier General Ryrie with Generals Allenby and Chaytor present.
ANZAC Mounted Division Band Palestine 1917 – Crosby-Browne seated front middle row
The band was famous for riding on white sudanese donkeys played over 140 performances.
ANZAC Mounted Division Band parading on donkeys, 1917 Palestine – photo courtesy The Australian War Memorial P00061.008
At the conclusion of the war Crosby-Browne returned to Australia on 27 June 1919.
In his non service life he was a Musical Director and Conductor of the NSW Police Band. He was the Band Director at the 1938 Sydney Empire Games. He also worked as a teacher of the clarinet at the Sydney Conservatorium of Music and where the John Crosby-Browne Scholarship was created allowing annual free tuition for the winning student.
His last rank was Captain in WWII – Service Numbers N60178, N278378.
1940
Crosby-Browne Is Man Of Many Parts
Light-Horseman; Police Inspector ; and Professor
RECENTLY Sydney Police Band – 40 men strong — set out from headquarters to give a mid-day performance in a city park. When band arrived at the park, there were only 39 men present.
MYSTERY of missing bandsman was left unsolved during performance. On return to headquarters puzzled bandmaster was relieved to learn that the absentee had been found. Unnoticed by his companions, he had slipped from band ranks, had made a quick and silent arrest on the footpath, and had taken the culprit away to lay a charge. Which only shows that a police-bandsman is a policeman first of all. Not so, however, the director of the police band — Captain J. Crosby-Browne, known as “Bing” when at home.
Versatile Officer
He is three things in one — a captain in the army, an inspector in the police force, and a professor at Sydney’s Conservatorium of Music. He holds his rank of captain as senior bandmaster of Commonwealth armed forces. At present he is also officer-in-charge of bands of the Eastern Command. As director of police band, he Is “honorary” first-class inspector, entitled to wear three “pips.”
And for last 20 years he has been professor of clarionet playing at Conservatorium. But the director is the one exception In the band. All other members must be
fully graduated policemen. Sometimes this makes captain — he prefers this title — Crosby-Browne’s task difficult: “It is not always easy to find musicians who have required height and weight for policemen,” he told “Smith’s.” “So most recruits for the band must come from inside the force.” Only rarely does he choose a musician from outside. Even if musician has outstanding ability, he must first be eligible to join the force, prove himself as a policeman, before he is admitted. Fortunately for standard of band, musical and police temperaments seem to have something in common. With exception of that of Australian Broadcasting Commission, Sydney Police Band is only full military band in Australia. It Is modern. In conformity with present trend, full- set of low-pitch instruments was obtained in 1936. And it has perhaps a more thorough training than any other band of its kind in Australia. On an average 60 performances are given every year, apart from the regular mid-day performances each week-day,” and the two rehearsals each week.
In Palestine
Captain Crosby-Browne has been with band now for more than 14 years. Born in England, he received his early band training in the British Army, with the crack 21st Lancers and First Life Guards. He then studied at the London Academy of Music. Crosby-Browne migrated to Australia in 1912, and, when war broke out two years later, joined the 5th Light Horse, A.I.F., as an officer. He saw service In Palestine, and later became bandmaster of Anzac Mounted Division Band there. At the moment he divides his time between police headquarters and Ingleburn barracks. He has trained all the bands that have so far gone away with the new A.I.F. Though he has been for a long time with the Police Band, he is by no means the oldest member. Sergeant J. Anderson, clarionet player, and Sergeant Mclntyre, French horn, have both been with the band for 30 years; and Sergeant B. L. Caesar for 25 years. Distinguished bandsman Is Sergeant R. Prowse, who for three years in succession won the N.S.W. “B” flat Bass championship, which in 1938 included the All-Australia championship.
Opposition To Band
Band was established in 1894, and at first met with opposition from many quarters, even from inside Police Department, where view was widely held that a good policeman would never be a musician. But as band showed it could produce good policemen — two Commissioners, Mitchell and Childs, came from its ranks – it won favor in official eyes. Today N.S.W. Police Commissioner (W. McKay) is a keen supporter, gives every assistance in permitting members to attend rehearsals and performances. Band members receive no extra pay for their services, and band itself does not accept fees. Performances are only given at functions of purely charitable or patriotic character. It Is not yet decided whether band will take an active part in new recruiting campaign, but, since the war, midday park performances have been given at request of civic authorities.
In the Divorce Court to-day, Mrs. Inez Lois Crosby-Browne was granted a decree nisi for divorce from John Crosby-Browne, former police band-master, on the ground of his misconduct with Lillian Grimsley.
The suit was undefended. Mrs Crosby-Browne said she saw her husband and Grimsley on the back seat of his car in Fairlight-crescent, Manly. She recognised the woman as a student at the Conservatorium of Music, where her husband had appeared in a concert. “I told Crosby-Browne that he should be ashamed of himself, taking girls out from the Conservatorium.” Joseph Barker, Inquiry agent, told the Court he admonished Crosby-Browne at Manly.
Sun (Sydney, NSW : 1910 – 1954), Wednesday 23 April 1941, page 3
Musician’s Wife Seeks Alimony;
Reference To Caesar Divorce
Mention of the Caesar divorce case, which resulted in the dismissal from the police force of Detective-Sergeant McRae of the C.I.B., was made today before the Deputy-Registrar in Divorce (Mr. Doughan). CAPTAIN JOHN CROSBY BROWNE, military band leader and former leader of the N.S.W. Police Band, and who was a professional, musician employed prior to his divorce by the Conservatorium, defended an application brought by his wife, Mrs. Inez Crosby Browne, for alimony. Crosby Browne admitted that he had been married four times, but denied that he was now engaged to be married again. Mrs. Crosby Browne, of Northbridge, divorced her husband last year on the ground of his adultery with Miss Lillian Grimsley. She also named three other girls, but did not proceed with the cases against them. Two of the girls, it was stated today, had been pupils at
the Conservatorium under Crosby Browne. Herself a professional violinist, Mrs. Crosby Browne told the court that she estimated her husband’s income from all sources at £1500 a year. Heavy Tax Payment’s Crosby Browne denied this, and said it was only £813, of which £473 was military pay, the balance being private income. Out of this he had to pay £230 in taxes, while the 4 per cent, limitation on profits if enacted would also hit him hard. He said his wife was one of the best professional musicians in Sydney and could find employment anywhere as a violinist. Browne said that following the Caesar divorce case, and also his own divorce, the Police Commissioner had a conversation with him, and as a result he resigned from his position of police band leader. The hearing is not finished.
Mr. Howard Beale (by W. Boland) for the wife; Mr. J. Smyth for the husband.
The New. South Wales Police Bandmaster, John Crosby Browne, 54, was found guilty in the Divorce Court yesterday of misconduct with a student
of the Conservatorium of Music. The petitioner was1 Mrs. Inez Lois Crosby Browne (formerly Lang), 33, of Bay Street, Mosman. She charged her husband, who did not defend the suit, with having committed adultery with Lilian Grimsley, Conservatorium student, at Manly on December 13, 1940. The names of three other women were Included as Interveners in the petition, but Mr. G. Barwick (for the wife) said he did not propose to offer any evidence against them. Mr. Justice Edwards dismissed them from the suit.
Mrs. Crosby Browne said she was married in Sydney in April, 1932, and she and her husband lived together at Battle Boulevarde. Seaforth, until the time of the misconduct. Her husband was formerly a “professor at the Conservatorium on the clarinet.” On the night of December 13 she attended a concert at the Conservatorium, where her husband was playing, and later she and a private detective, and others, followed him and a girl to Bollngbroke Parade, Manly, In a car. She walked up to his cat and found misconduct taking place between him and Lilian Grimsley. ‘ Joseph Barter; inquiry agent, .said that Crosby Browne “went berserk” when discovered, and tried to punch him. The judge granted Mrs. Crosby Browne a decree nisi.
Married four times, Captain John Crosby Browne told the Deputy-Registrar in Divorce today that he was divorced last August when his fourth wife charged him with adultery with three women.
Now a band leader, with the AMF, Captain Crosby Browne denied that he had become engaged again. One of his former wives had died, he said. Crosby Browne’s fourth wife, Inez Lois Crosby Browne, to day sought an order for permanent alimony and maintenance for their son. Crosby Browne said he was formerly leader of the Police Band. Following the Caesar divorce case and Detective-Sergeant McRae’s dismissal from the police force, the Commissioner said something to him, in consequence of which he resigned. At Conservatorium, Crosby Browne said he was a professional musician and had been dismissed from the Conservatorium after his wife divorced him in August. Two of the three women named by his wife were pupils at the Conservatorium. Income £813 , Crosby Browne told the Deputy-Registrar (Mr. Doughan) that his gross annual income was £813, including £473 military pay and allowances. Out of this he had to pay £230 State and Federal tax and mortgage payments of £352 a year. The 4 per cent, profit limitation would reduce his income further. He also had to pay £100 to support his mother, who was a widow aged 83 he added. His former wife was 34 and in good health, he said. She was one of the best professional musicians in Sydney, and could at any time find employment as a violinist with theatre or orchestras, the ABC or the Conservatorium, In a theatre she could earn £6 a week. Mr. H. O. Beale (by Mr. W. Boland) for the wife: Mr. J. Smyth for the husband.
Sun (Sydney, NSW : 1910 – 1954), Thursday 30 July 1942, page 2
Musician To Find Notes For Wife’s Alimony
WELL-KNOWN musician John Crosby Browne, now a bandmaster and captain in the A.I.F., and formerly of Seaforth, has been associated with the production of millions of the kind of notes that blend into melody, but from now on the maestro will be required to produce some notes of a more material kind. They are to be produced in accordance with an order made last week by the Deputy-Registrar
in Divorce (Mr. J. Doughan), and in the shape of permanent alimony for his wife, Inez Lois Crosby Browne, and maintenance of their 10 year old child, now in the custody of Mrs. Browne. Mr Doughan. in a reserved judgment, directed that Crosby Browne pay his wife alimony at the rate of £4 5s a week and that he also cough up £1 I5s a week for the support of the child. For many years Crosby Browne has loomed large in the musical world. For some time he was prominently associated with the Conservatorium of Music, and at one time he was leader of the Police Band. Since 1941 he has been in the Army as a District Bandmaster with the rank of Captain. It was indicated, during the hearing recently of the wife’s alimony application, that Crosby Browne, whom she divorced in May, 1941, on the ground of his adultery, was pretty well ‘ribbed’ in the matter of cash. ft was revealed that he has assets amounting at least to £9500. comprising shares £7500, a house at Seaforth valued at £1550, a car valued at £300 and £300 in cash. His income was assessed at £1010 s year. Mr. Doughan was apparently of the opinion that Crosby Browne was actually somewhat better off than the above figures would indicate. “I think, on the evidence, there is a strong suspicion that the respondent might have other assets. During the last four or five years he has sold various shares and a motor cruiser, about which he was cross-examined. His answers were vague and unsatisfactory and he has made no real attempt to present a clear statement of his transactions during recent years.” the Deputy-Registrar said.
Mr Beale for Mrs Crosby Browne: Mr Smyth for the husband.
PHOTOS CAPTAIN CROSBY BROWNE, whose alimony payments to his former wife (top right) were fixed last week.
Truth (Sydney, NSW : 1894 – 1954), Sunday 27 June 1943, page 19
Ex-Police Band Chief Fined Over Revolver
FROM TRUTH’S BULLI REPRESENTATIVE.
JOHN CROSBY-BROWN (61), former bandmaster of the N.S.W. Police Band, was fined £10 at Bulli Court on Friday on a charge of having had an unlicensed revolver in his possession.
Police alleged that the revolver was found in his car at Woonona on September 10. When the revolver was found he told police that someone must have planted it in his car, it was stated. Crosby-Brown, of 41 Seaforth Crescent, Seaforth, pleaded not guilty, and told the court that he did not know the pistol was in his car. He said he had been married five times. During the past 12 months he had been worried by anonymous telephone calls and threatening letters, he said. Detective R. H. Marsh said that after receiving an anonymous telephone call on September 10, 1947. he went to the house where Crosby-Brown was staying. When he told Crosby-Brown that he had been informed that he had an unlicensed pistol in his possession, Crosby-Brown replied: ‘That’s ridiculous. I haven’t any firearms,’ he said. ‘I searched the car and found a 22 calibre revolver, loaded in four chambers,’ said Marsh. ‘Crosby-Brown said, ‘It’s not mine. I’ve never seen it before,” he said.
Crosby-Brown told him, he said, that no one else had been driving the car, but someone must have planted the revolver in it. Det. V. Marriot said that when the revolver had been found the hammer was jammed and the trigger could not be pulled. Crosby-Brown said he was of independent means. Outlining his life from the time he joined the Life Guards in England at the age of 17 years, and from which he was discharged in 1911, he said he was a lieutenant in the Anzac Mounted Division in World War I., and was Professor of the Clarinet at the Sydney Conservatorium from 1920-40. He was appointed Musical Director of the N.S.W. Police Force in 1925 with the honorary rank of Inspector First Class and organised the police bands throughout the State, he said. Prom 1940 to 1946, he said, he served in World War with the rank of captain, and the appointment of senior Army Bandmaster. He retired in 1946 with the rank of major and was awarded the Efficiency Decoration. He said that a day or two after his discharge from the Army he was walking in Martin Place when he saw a woman. He passed her as it was his impression that she did not wish to speak. After that, he said, he received an anonymous telephone call and later two police officers called at his home and found two revolvers. One was a service revolver and the other he had not seen before. He was charged at Manly Court with having had unlicensed revolvers in his possession and was convicted, he said. The day after his conviction, he received another anonymous phone call from a man who said: ‘What you got yesterday is nothing to what you will get in the future.’ ‘From then on I was worried with telephone calls every other day and in the middle of the night. I complained to the Manly Police and the Postal Investigation Department, but they could not locate the callers,’ Crosby-Brown said. He said he also received anonymous letters. Two witnesses gave evidence that Crosby-Brown bore an excellent character. Crosby-Brown was allowed 21 days to pay the fine.
Truth (Sydney, NSW : 1894 – 1954), Sunday 2 November 1947, page 43
1980
John Crosby-Browne died of natural causes on 21.2.1980 in Drummoyne, New South Wales, Australia aged 93.
William Harrison with his septic knee bandaged in front of his bivvie with camels in the background
1914 – 1918 World War I
World War I was a global conflict centred in Europe that pitted the Allied Powers against the Central Powers.
World War I went from July 28th 1914 until November 11th 1918 (Armistice Day).
The trigger for this war was the assassination of Archduke Franz Ferdinand of Austria-Hungary by Gavrilo Princip on June 28th 1914.
Allied Powers: Great Britain, France, Russia (until 1917), Italy, Japan, and the United States (from 1917)
Central Powers: Germany, Austria-Hungary, the Ottoman Empire, and Bulgaria
There was an estimated 15 to 22 million military and civilian deaths.
It involved Trench Warfare with prolonged stalemates along the Western Front fought from muddy, fortified ditch networks.
New military technology meant widespread use of machine guns, poison gas, tanks, military aircraft, and submarines (U-boats).
The aftermath was the collapse of four major dynasties (German, Austro-Hungarian, Russian, and Ottoman) and the signing of the Treaty of Versailles in 1919.
Western Australia, as part of the Commonwealth of Australia, was officially committed to World War I on August 4, 1914.
When Britain declared war on Germany at 11 p.m. on 4 August 1914 (London time), all dominions of the British Empire, including Australia, were automatically at war. The official enlistment age for the Australian Imperial Force (AIF) was generally 18 to 45 years. While volunteers could join at 18 with parental consent, the standard minimum age was often 21, and some younger men falsified their age to fight. Initial 1914 requirements were stricter, but upper age limits were raised to 45 by 1915.
A total of 32,231 individuals from Western Australia enlisted, representing 37.5% of males aged 18 to 44.
Nearly 6500 West Australians were killed as a result of their service in World War I, accounting for roughly 20 percent of those from the state who enlisted. This number does not include those who died after returning from the war.
Many soldiers stayed on after Armistice Day to assist with clean up and demobilisation – the massive global process of returning millions of soldiers to civilian life, dismantling wartime economies, and shifting nations back to peacetime conditions.
By 1916, the pressure on the men of Subiaco to enlist was immense, with twice as many West Australians in favour of conscription as were against it as reflected in the 1916 and 1917 referendums. Those who did not enlist were often harassed by the families of those who did with white feathers deposited in letter boxes to indicate cowardice. At recruitment drives, they would sing “We Don’t Want to Lose You, but We Think You Ought to Go” and there was an unwritten consensus that at least one member of a family should enlist. It is estimated that ten percent of Subiaco’s entire population enlisted and therefore absent from the district throughout the war years.
Spillman, Ken,Identity Prized: A History of Subiaco, (University of Western Australia Press for the City of Subiaco, 1985). p. 203
Many Senior Cadets or those turning 18 began enlisting.
Horace Andrew (Horrie) Dargie (1917–1999), musician, entertainer, and production director, was born on 7 July 1917 at Footscray, Melbourne, younger son of Andrew Dargie, tally clerk, and his wife Adelaide Mary, née Sargent, both Victorian born. Horrie attended Footscray Technical School. At the age of ten his father had given him a basic diatonic mouth organ. The boy was inspired by the American entertainer Larry Adler who in the mid-1930s achieved worldwide renown through recordings and Hollywood films, playing a more sophisticated and versatile Hohner brand chromatic harmonica. Dargie acquired a chromatic and developed his own unique style. He also became a proficient clarinettist and saxophonist.
In 1937 Dargie won the P. and A. (Professional and Amateur) Parade competition on the Melbourne radio station 3KZ and began to work professionally in local dance bands. He toured for the Australian Broadcasting Commission as a soloist, and in May 1938 was a guest artist with the Jim Davidson ABC Dance Band. After the tour he moved to Sydney, where Davidson’s Dandies provided the accompaniment for Dargie’s first solo recording, ‘There’s a Goldmine in the Sky’ and ‘Rosalie’/’In the Still of the Night’ (Regal Zonophone). More solo performances followed in Brisbane before he toured New Zealand, then returned to Sydney where he established the Horrie Dargie Harmonica School. He continued to play and promote the Hohner brand harmonica in advertisements for the next twenty years through the company’s Australian agent, Kurt Jacob and Co. Pty Ltd.
On 5 February 1940 Dargie married New South Wales-born Julie Babette Cheffirs, a journalist, at the Wesley Chapel, Sydney. That year he also formed the Rocking Reeds, a six-piece band which achieved immediate success on stage and radio. Harmonica jazz ensembles were becoming popular in Europe, and the group was one of the pioneers of the genre in Australia. The Rocking Reeds released six recordings in 1940 and 1941.
With the outbreak of World War II, many in Dargie’s group joined the armed forces. He enlisted in the Australian Imperial Force on 13 November 1942, serving with the 3rd Armoured Division Concert Party then, from April 1945, the 1st Australian Entertainment Unit as musical director and variety performer. His engagements included New Guinea (1943–44) where Adler, who was entertaining American troops, invited the Australian on stage to perform, the pair having met in Australia when Adler was touring in 1938. Dargie also served in Darwin (1945) and, as a warrant officer, class two (1946), with the British Commonwealth Occupation Force in Japan (1946–47).
After his discharge in March 1947, Dargie returned to Melbourne where he formed the Horrie Dargie Harlequintet. The group became famous in Australia and Europe, their shows featuring a variety of harmonica types, as well as vocals, guitar, bass, and comedy sketches. Their performance at the Sydney Town Hall in November 1952 was recorded and released on a ten-inch album, Horrie Dargie Concert (Diaphon), which sold seventy-five thousand copies and was recognised as Australia’s first gold album. In 1952 the band embarked on a five-year tour of Europe, based in England under the management of the Lew Grade Organisation. They appeared on radio and television, toured the Moss Empire Group’s chain of theatres in Britain, and performed in Austria, France, Italy, the Netherlands, and West Germany. After his divorce from Julie, on 13 March 1955 he married Betty Winifred Glew, a Victorian-born variety artiste, in the Hitchin registry office, Hertfordshire, England. That year he also contracted a serious case of polio and was hospitalised for six months in England. He eventually recovered sufficiently to rejoin the tour.
Back in Australia from 1958, Dargie’s group, variously called the Horrie Dargie Quintet or Quartet, or The Dargies, resumed performing in concerts and on television. In all, the group released sixteen ten- and twelve-inch albums, two of which featured Dargie as a harmonica soloist. Their 1957 cover of ‘The Green Door’ (Festival) was the group’s biggest selling recording. Dargie also took on new roles at Melbourne television station GTV-9 as a performer and manager of the talent division. There, and later at HSV-7, he compered national series The BP Super Show (1959–61) and The Price Is Right (1963), and having formed the production company DYT Productions, served as the production director on The Price Is Right, The Delo and Daly Show, Daly at Night, and The Go!! Show. He also composed and arranged music for shows and advertisements.
Betty died from breast cancer in August 1972, and on 22 May 1975 Dargie married Victorian-born Catherine Agnes Pattinson, an accounts clerk, in a civil ceremony at Wynnum, Queensland. Moving again to Sydney, he performed regularly as a soloist in clubs and aboard cruise ships. On his final cruise in February 1986, the liner MS Mikhail Lermontov sank off the coast of New Zealand. All passengers survived.
A modest man who described his many recordings as ‘just a way to make a living’ (Jinman 1996, 5), Dargie was nevertheless an exceptional musician and performer. Adler regarded him as one of the best four harmonica players in the world, and by one local account he was ‘Australia’s wizard of the harmonica’ who possessed ‘an appreciation of melody and an understanding of style that gives his numbers quality as well as musical beauty’ (Cumberland Argus and Fruitgrowers’ Advocate 1939, 4). In 1996 he was inducted into the Australian Recording Industry Association Hall of Fame for the Horrie Dargie Concert album. His daughters from his second marriage, Lynne and Anne, followed him into show business, performing as the Dargie Sisters. He died of pulmonary emphysema on 30 August 1999 at Campbelltown, and was cremated; he was survived by Catherine, and Anne. Lynne had predeceased him in August 1997.
Research edited by Peter Woodley
Select Bibliography
Cumberland Argus and Fruitgrowers’ Advocate (Parramatta, NSW). ‘Australia’s Wizard of the Harmonica.’ 22 February 1939, 4
Dargie, Horrie. Interview by Bill Stephens, 23 June 1992. Sound recording. National Library of Australia
Grieve, Ray. A Band in a Waistcoat Pocket: The Story of the Harmonica in Australia. Sydney: Currency Press, 1995
Grieve, Ray. Boomerangs and Crackajacks: The Harmonica in Australia, 1825 to 1960. Macgregor, ACT: Ray Grieve, 2019
Jinman, Richard. ‘Hall of Fame Beckons Horrie and His Harmonica.’ Australian, 21–22 September 1996, 5
Wireless Weekly (Sydney). ‘First Got Break in P. and A. Parade.’ 8 March 1941, 10
Citation details
Ray Grieve, ‘Dargie, Horace Andrew (Horrie) (1917–1999)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, https://adb.anu.edu.au/biography/dargie-horace-andrew-horrie-33979/text42586, published online 2024, accessed online 22 September 2026.