Person
Peter Randall was Principal Oboe of the West Australian Symphony Orchestra and taught Jay Harrison.
In his spare time he did weight lifting.
He was known for his pickled broad beans and curry pastes.
He was known as “Rabbits” by his colleagues after receiving a spray of criticism from a conductor and simply replying “Eat more rabbit”.
Person
William Boissevain was born in New York in 1927 his father was in the diplomatic service and consequently the family travelled the world. He trained in both London and Paris.
He was influenced by some of the greatest painters in European modern history such as Degas, Toulouse-Lautrec and Matisse, Boissevain recollects the time he spent wandering the vast corridors of the Louvre, studying works by such masterful artists. His drawings reflect the precision and skill of the great French masters while also embedded with the spontaneity of colour, line, and form.
After WW11 in 1947, Boissevain decided to join his mother in Perth, who like many postwar migrants had emigrated to Australia. He was naturalised in 1949. From 1951 to 1955 he taught drawing and French at Wesley College in Perth and, later he taught art at Perth Technical College.
The worldwide influences Boissevain experienced as a child can be seen in his bird and flower studies and his evocative Australian landscapes which have an almost oriental beauty. In 1959 he won the Claude Hotchin Art Prize. Claude Hotchin was a businessman and art dealer who had a residence “Chartwell Gardens” in Mundaring.
In 1967, Jack and Marcia commissioned Wim to paint their four year old daughter Jody.
Wim had painted his own daughter, Daisy, around the same time.
Dodonia neighbours, John and Donna Coleman, likewise commissioned him to paint their daughter, Lisa.
In 1978 he was awarded the Order of the British Empire for ‘Services to the Arts”.
Boissevain’s works are held in Collections across Australia, including the National Gallery of Australia, the National Portrait Gallery in Canberra, the Art Gallery of W.A. and the Art Gallery of Tasmania. His works are also held in many important private collections, including King Charles lll, Baroness Bentinck – Switzerland, the Emir of Bahrain and many more prestigious collections.
He lived in various homes in the Shire, first on Old York Road in Greenmount and in the 70’s the bottom of Smith St in Glen Forrest where he also had a studio. In later years he exhibited his work at White Peacock Studios in Glen Forrest.
William Boissevain died in 2023 at the age of 96.