Person

INGRAM, Terry

Terence Ronald Ingram was born in the English Midlands on 7th November 1929 to parents William and Alice.  Terry’s parent and sister, Alice, emigrated to Australia soon after World War II and after having completed National Service, Terry joined them in Perth on 16th July 1950.

Terry befriended clarinettist Jack Harrison and his wife Marcia and his musical family.

1953

April 1953 at the wedding of Jill Harrison and John Mowson – Terry Ingram, Marcia Chayter and Jack Harrison

1953 at the Harrison Snr family house at 24 Highway Nedlands: Thomas Wightman, William Harrison, John Mowson, Terry Ingram, Ralph Filmer
In 1954 at 11 Dodonia Gardens City Beach: Marcia Harrison, Terry Ingram, Dig and Berwyn Milner.
Terry Ingram and Marcia Chayter listening to records at 11 Dodonia Gardens

1954 at 11 Dodonia Gardens: Marcia Harrison and Terry Ingram
1954 jam session with the vibraphone at 11 Dodonia Gardens
Jam session with Terry Ingram
Party at Dodonia Gardens: Terry Ingram (seated) Peter Harrison (standing in the flowery shirt) and Marcia in the banana chair
1954 party on the crazy pavement

Through the 1950s and 1960s, he worked a variety of jobs, as well as playing in the evenings, but prowess on the piano gradually allowed him to live the life – late nights, venues full of cigarette smoke and clinking glasses – of a professional musician.  He was one of the first in W.A. to play the vibraphone.

1955 Jim Riley Show
1955 Jim Riley Show program

By the time he met his future wife Gloria, he was established. When the newly opened Sheraton Hotel wanted a resident musician he was it.  Among his other venues was the Wardroom restaurant in Subiaco.  At Channel seven in the 1970s, he worked closely with presenter Peter Dean. He was musical director on New Faces, on the variety show Anything Goes and accompanied countless singers on Telethon.

Terry died suddenly on 18th October 2000 aged nearly 71.

Instruments

Years

Symphony in Swing – 1950 – “Clarinet a la King” as played by Benny Goodman

On October 5th 1950, Jack Harrison gave the first West Australian performance of  Eddie Sauter’s “Clarinet a la King” (made famous by Benny Goodman) at the Capitol Theatre with Harry Bluck’s Dance Band and a Concert Orchestra.

Thursday, Oct. 5th – Capitol Theatre at 8pm  – 1950’s GREATEST MUSICAL SHOW

Bruce Carroll presents – Symphony In Swing

With Harry Bluck’s Concert Orchestra and Dance Band, Over 50 Leading Musicians and Radio Artists, Wendy Nash — 12-year-old Virtuoso Pianiste, Jack Harrison — Clarinet Star of the West, Ossie Sanderson — 16-year old ‘London Fantasia’ Soloist, Phyllis Frost — International Broadcasting Vocaliste, Ronald Pollastrini — W.A.’s Outstanding Lyric Tenor, Tritoff’s Trio — First appearance of Radio Vocal Trio, Kath Bass — Star Rhythm Vocaliste, Alan Golding — Leading Exponent of Hammond Electric Organ, Peter Clinch trio — Wizards of Swing, Dave Howard — and His Golden Voiced Saxophone (By Courtesy A. B.C.), Keith Connolly — Sophisticated Humorist, Laurie Croissette — Tho ‘Different’ Western Entertainer ,Symphony and Swing Club’s Entertainment Unit with West Coast Dixielanders — State’s smartest Jazz Ensemble, John Todd — 14-year-old Star Piano Accordionist, Rhythm Spinners — State’s leading Male Modern Vocal Group, Robyn Harwood — Boogie Woogie Specialiste, Beverly Beckwith — Co-Compere of S. and S. Club Group. Compere: Geoff Manion. Stage Production: Dave Howard By Courtesy A. B.C.   PRICES : 3/- 4/- 5/- (plus tax).   Box Plan at Nicholsons Limited.   

The Daily News Monday 25 September 1950 page 12

Goodman Clarinet a la King
1950 Symphony in Swing program

October 5 1950 Symphony In Swing

On October 5, a concert entitled “Symphony in Swing” will be presented in the Capitol Theatre. Produced by Harry Bluck, whose concert orchestra and dance band will give a number of items, the programme will include varied numbers by local artists, many of whom are under 20 years of age. The 12-year-old pianist, Wendy Nash, will give a classical group, Jack Harrison, the young clarinettist will give the first West Australian performance of a number entitled “Clarinet a la King” and the 16-year-old pianist Ossie Sanderson, will present “London Fantasia.” Other artists will be Ronald Pollastrini, tenor, and a new vocal group, the Tritoffs, who will be making their first public appearance. They will be associated with Phyllis Frost, the blind vocalist. There will be many other singers and instrumentalists.  Western Mail Thursday 28 September 1950 page 23

1950 Symphony in Swing orchestra list

1950 Adult Education Board Tours

The Adult Education Board (AEB) country tours were a pioneering regional outreach initiative managed by the University of Western Australia (UWA). Operating at their peak from the 1930s through the 1960s, these tours brought high-quality lectures, theatrical productions, classical music concerts, and films to remote outback towns and agricultural communities across Western Australia. They served as a vital cultural lifleline for rural communities that were otherwise isolated from metropolitan cultural hubs.

In the 1930s, the UWA Adult Education Board established the “Box Scheme”. This program sent boxes of books and accompanying educational notes written by UWA academics via the state’s railway network to rural study groups. This structural network laid the foundation for physical travelling tours.

Following World War II, under the leadership of directors like Hew Roberts, the AEB significantly expanded its geographical reach. It introduced the “Music for Everyone” spring tours, which sent renowned classical musicians and vocalists to regional halls.

1950

Jack Harrison went on Adult Education Tours in the Country to: Moora, Carnamah, Geraldton, Morowa, Goomalling and Wongan Hills representing this year’s State finalists in the A.B.C. vocal and concerto competition.

ABC Winner On Tour

Miss Elise Longwill, of Claremont, winner of the vocal section of the Australia wide concerto and vocal competition, who returned from Sydney on Friday, left Perth today on a tour of the wheat belt. On tour with her are clarinettist Jack Harrison and pianist Flora Bunning and Adult Education Assistant Director J. Birman. Their first recital will be given tonight at Moora, after which they will go to Carnamah, Geraldton, Morawa, Goomalling and Wongan Hills. The tour, which will end on Saturday night, will be the first of three tours by these artists under the auspices of the Adult Education Board. 

The Daily News Monday 10 July 1950 page 2

MOORA

EVERYMAN’S MUSIC RECITAL

Those citizens of Moora Who are Interested In the cultural advancement of the district, owe a debt of gratitude to the Adult Education Board of W.A. for giving them the opportunity to hear artists of such excellence as Flora Bunning. Elise Longwill and Jack Harrison. A representative group of people were present and they made up in enthusiasm for the many empty seats. The highlight musically speaking, of the evening, was undoubtedly Miss Flora Bunnings brilliant interpretation of the Etude in C Minor (Chopin). Probably the majority of her listeners would find it difficult to analyse accurately the course of their excessive enjoyment and appreciation. Miss Bunning’s beautiful legato playing, of the famous D flat Major Nocturne (Chopin) was greatly marred (in the opinion of the writer) by the untunefulness of the pianoforte. The untunefulness was not so apparent in either Debussy Arabesque or the modern Spanish where the clearness and neatness of the rapid passages masked the deficiencies of the instrument. Forest Murmurs (Liszt) and Unfinished Waltz, completed the player’s solo list. Miss Bunning showed herself as an admirable ensemble player in association with Miss Elise Longwill and Mr. Jack Harrison. The concerted numbers were very happily conceived, particularly pleasing being the Shepherd on the Rock by Schubert. Miss Longwill delighted us with her group of Early English Songs in the first part of the programme. The group of modern songs in the second part were also well received.

Mr. Jack Harrison (Clarinettist) in the opinion of the writer had by far the hardest task. He gave a very pleasing performance, despite the difficulty of playing with a piano of uncertain tunefulness. The Weber Concertino Opus 26 was very successfully played; also the Nocturne in E flat major (Chopin). The Debussy, however, was his star performance. A lovely bit of musicianship all round, composer, player and accompanist. Altogether, the concert, was one to be remembered in the “mind’s-ear” for many a day, worthy of a much larger audience and a much better piano —Ruth Krieg.   The North Midland Times (Moora) Thursday 20th July 1950 page 4

Tuesday 11th July 1950 (Jack in Carnamah)

Recital at Carnamah – Talented Visiting Artists – ENTHUSIASTIC HOUSE

Three gifted artists in Miss Elise Longwill (soprano), Miss Flora Bunning (pianist) and Mr. Jack Harrison (clarinettist) presented a programme —rich in sparkling gems—under the auspices of the Adult Education Board to an appreciative audience last Tuesday night at Carnamah. Fresh from her triumph in Sydney, where she won the final in the vocal section of the Australian Broadcasting Commission’s concerto and vocal competition for 1950, Miss Longwill left the impression that she has a successful career in front of her. She has talent, youth and an unspoiled personality. Her voice is strikingly melodious, with an enunciation so perfect that not a word was lost to anyone. She soared to the top notes with the ease of a lark and like that eminent personality of the concert platform (Peter Dawson) on his last tour in Western Australia showed with songs which were in English that there is a charm in them too often overlooked in the past by those who made foreign compositions a fetish. Only twenty-three years of age, Miss Longwill has already achieved distinction in her profession. Although born in Liverpool, she came to Australia when but four years old and is entitled to regard herself as “a dinkum Aussie.” Jack Harrison first saw the light of day eighteen years ago in Nedlands. He demonstrated that he is a clarinettist of unusual promise. When voice, clarinet and piano were combined he showed an admirable appreciation of all that was required of him, with delicacy, restraint and brilliance wherever needed.  The maturity in the art of Miss Flora Bunning was quickly apparent with a confident and understanding approach to her numbers, she soon had the audience captivated, her nimble fingers as they flew over the keyboard plucking the notes forth with a dexterity which had the hallmark of fine musicianship. The left hand work was especially admirable and, whether in the subdued passages or in the sprightly, she was unfailingly effective It was an evening with many enjoyable features and the visitors must have found it a pleasure, too, to discover such. manifest appreciation of their ability. Enthusiasm is contagious and it was clearly in evidence both amongst the audience and artists on Tuesday night.   The Irwin Index (Mingenew)  Saturday 15 July 1950 page 1

Wednesday 12th July 1950 (Jack in Geraldton)

Geraldton Top of Form- Fine Town Hall Recital – Talented Visiting Artists – ENTHUSIASTIC HOUSE

With the co-operation of the Geraldton Music-Lovers’ Club, the Adult Education Board was responsible in the Geraldton Town Hall last night for the presentation of a recital which will live long in memory. Three gifted artists in Miss Elise Longwill (soprano), Miss Flora Bunning (pianist) and Mr. Jack Harrison (clarinettist) presented a programme rich in sparkling gems. Although the house was on the thin side, its enthusiasm was in inverse proportions to its numerical strength, its warm-hearted appreciation bringing the visitors back for encores. Fresh from her triumph in Sydney, where she won the final in the vocal section of the Australian Broadcasting Commission’s concerto and vocal competition for 1950, Miss Longwill left the impression that she has a successful career in front, of her. She has talent, youth, and an unspoiled personality. Her voice is strikingly melodious, with an enunciation so perfect that not a word was lost in the back rows of the Town Hall last night. She soared to the top notes with the ease of a lark, and like that eminent personality of the concert platform (Peter Dawson) on his last tour in Western Australia showed with songs which were all in English that there is a charm in them too often overlooked in the past by those who made foreign compositions a fetish. Her first four numbers were by seventeenth century composers, with words by William Shakespeare in three of them ; in the second half — again with admirable deportment and facile accomplishment — she submitted three songs by contemporary composers. The initial bracket comprised ‘It was a Lover and his Lass’ (Morley), ‘When Daisies Pied’ (Arne), ‘It Attempt From Love’s Sickness’ (Purcell) and ‘Where the Bee Sucks (Arne) and the latter group ‘Sing, Break Into Song’ (Mallinson), ‘Cloths of Heaven’ (Dunhill) and ‘Five Eyes’ (Gibbs), while an ever popular number in ‘The Road to the Isles’ was sung as an encore. Only twenty-three years of age, Miss Longwill has already achieved distinction in her profession. Although born in Liverpool, she came to Australia when but four years old and is entitled to regard herself as ‘a dinkum Aussie,’

Jack Harrison first saw the light of ‘day eighteen years ago in Nedlands. He began his contributions to the programme with a Weber selection (Concertino, Op. 26) last night and soon demonstrated that he is a clarinettist of unusual promise. When voice, clarinet and piano were combined at the close of the opening half in ‘The Shepherd on the Rock’ (Schubert), he showed an admirable appreciation of all that was required of him, with delicacy, restraint and brilliance wherever needed. Beginning the second half of the delightful programme, he submitted the Nocturne in E Flat Major (Chopin), ‘Fantaisie Miniature’ (Paquot) and ‘The Little Nigger’ (Debussy) with ‘On Wings of Song’ (Mendelssohn) as an encore. Miss Bunning, Miss Longwill and Mr. Harrison at the close offered ‘Bird Songs at Eventide’ (Coates) and ‘The Pipes of Pan’ (Lehar), the last named proving one of the outstanding successes of the evening. (The final verse was again given to a delighted house as an encore). The maturity in the art of Miss Flora Bunning was quickly apparent. With a confident and understanding approach to her numbers, she soon had the audience captivated, her nimble fingers as they flew over the keyboard plucking the notes forth with a dexterity which had the hallmark of fine musicianship. The left hand work was especially admirable and, whether in the subdued passages or in the sprightly, she was unfailingly effective. She opened with Chopin’s Study in A Flat Major before going on to two further Chopin numbers in the Nocturne in D Flat Major and the Etude in C Minor Revolutionary Study, giving Liszt’s ‘Forgotten Waltz’ as an encore. In the second half Miss Bunning was again in high favor with ‘Arabesque’ (Debussy) and ‘Concert Allegro’ (Granados). The last named was particularly impressive and in response to sustained applause the artist played ‘Clair de Lune’ (Debussy). It was aa evening with many enjoyable features and the visitors must have found it a pleasure, too, to discover such manifest appreciation of their ability. Enthusiasm is contagious and it was clearly in evidence both amongst the audience and artists last night.  Geraldton Guardian Thursday 13 July 1950 page 5

Thursday 13th July 1950 Jack in Morawa

Thursday, 13th July, 1950, At 8.15 p.m. MORAWA TOWN HALL

MAKE SURE OF YOUR SEAT – For a Magnificent Concert – Three Brilliant Artists: ELISE LONGWILL, Soprano (1950 Winner of A.B.C. Concerto and Vocal Competition),  JACK HARRISON, Clarinettist (Finalist 1950 A.B.C. Competition), FLORA RUNNING, Pianist. Box Plan at Smith’s Pharmacy, Res 4/- ; At Doors 2/6. (No Tax), Children 1 6 to all parts of Hall. Direction :—ADULT EDUCATION BOARD.   Greenough Sun Thursday 6 July 1950 page 5

Friday 14th July 1950 Jack in Goomalling

Celebrity Artists For Goomalling

A number of activities is planned this year by the Adult Education Board for country centres. The Acting Director of Adult Education (Mr. John Birman) announced in Perth that his Board is going to present to country centres a series of concerts and recitals and ballet performances in the next few months, which will bring the standard of amenities in country areas up to that prevailing in Perth. This expansion of policy in bringing good music and excellent entertainment to country people was made possible partly by the generous Contribution of the State Government, which voted a certain amount of money for this purpose. Mr. Keith George, of the Linley Wilson School of Dancing and Ballet, has just completed a preliminary tour of northern towns, during which he investigated the state of the stages and the existing facilities for the purpose of presenting the ballet group which will be touring the area late in August and early in September. Of immediate interest to the people of Goomalling is the forthcoming visit of three brilliant Perth artists, two of whom have recently successfully competed in the annual vocal and concerto competition conducted by the ABC. The party, consisting of Miss Elise Longwill, soprano (the winner of this year’s competition), Jack Harrison, clarinettist (a finalist), and Miss Flora Bunning, the well-known Perth pianist, will give a concert at Goomalling on Friday, July 14. Box plan. is open at Garnet Royal’s, and it is hoped that this and other activities will meet with the full support of the public. Local arrangements are made by a committee acting on behalf of the Adult Education Board, and all inquiries should be sent to Miss B. Hymus.  Goomalling Gazette Thursday 13 July 1950 page 2

Saturday 15th July Jack in Wongan Hills – end of tour 

Wongan Hills Hall  at 8.15pm – MAKE SURE OF YOUR SEAT – For a Magnificent Concert – Three Brilliant Artists: ELISE LONGWILL, Soprano (1950 Winner of A.B.C. Concerto and Vocal Competition),  JACK HARRISON, Clarinetist (Finalist 1950 A.B.C. Competition), FLORA RUNNING, Pianist.  Box Plan at Pelham’s Newsagency. Res. 4/ at door 2/6 (no tax). Children 1/6 to all parts of hall.   Wongan-Ballidu Budget Thursday 6 July page 2

From Monday 23rd October 1950 Jack Harrison toured to country centres under the auspices of the Adult Education Board and was accompanied on piano by and Stephanie James and vocalist Pamela Flower.

COUNTRY MUSIC TOUR

Three well-known local artists will leave on Monday on a tour of country towns under the auspices of the Adult Education Board. They are Miss Stephanie James, pianist, Miss Pamela Flower, soprano, and Mr. Jack Harrison, clarinettist. The assistant-director of Adult Education (Mr. John Birman) said yesterday that towns to be visited would include Harvey, Balingup, Donnybrook, Busselton, Boyup Brook, Kojonup, Katanning and Pingelly. This would be the last of a series of concerts in country districts presented by the board during this year. Afternoon, performances for children would be given, in conformity with the board’s policy to arrange concerts for schoolchildren whenever possible, Mr. Birman said.

The West Australian Saturday 21 October 1950 page 8

Tuesday October 24 1950 – Harvey – Outstanding Trio Of Artists

An outstanding trio of artists will present a concert at Harvey on Tuesday, October 24, under the auspices of the Adult Education Board. They are Miss Stephanie James, pianist, brilliant young West Australian, who has just returned home from overseas studies; Miss Pamela Flower, soprano, who is this year’s winner of the West Australian section of the Mobil  Quest competition and who performed last year as soloist with the Perth Symphony Orchestra; and last, but not least, a very outstanding young man, Jack Harrison, who is well known throughout the State for his ability as a clarinet player. Mr. Harrison was this year’s State finalist in the A.B.C. vocal and concerto competition. There will be a school matinee in the afternoon.

Harvey-Murray Times Friday 29 September 1950 page 2

WEDNESDAY 25 OCTOBER 1950 – BALINGUP 

A letter from the Adult Education Board which was read at the fast meeting of the CWA at Balingup intimated that there “was an opportunity of providing Balingup with a concert on Wednesday, 25th October. Three excellent Western. Australian artists will be making the trip and will include Miss Pamela Flower, soprano, this year’s winner of the WA division of the mobile quest competition. Jack Harrison, clarinettist, the finalist of this year’s ABC Vocal and Concerto competition and Miss Stephanie James who has just returned home from extensive studies abroad. There will be one evening performance and one afternoon performance for the children.

Blackwood-Warren Sentinel Thursday 5 October 1950 page 6

Thursday October 26 1950 – DONNYBROOK

The Adult Education Board advised that their next visit to Donnybrook with a group of artists would be on Thursday, October 26. The visiting group would include Pamela Flower, soprano; Jack Harrison, clarionetist; with Stephanie James, pianist. The secretary reported that the hall had been booked and preliminary arrangements made. 

South Western times Thursday 28 September 1950 page 2

DONNYBROOK EDUCATION BOARD RECITAL

Visit Of Talented West Australian Artists Under the direction of the Adult Education Board Donnybrook was given the opportunity last Thursday to hear three brilliant West Australian artists, Miss Stephanie James (pianist), Miss Pamela Flower (soprano) and Mr Jack Harrison (clarinettist). The programme presented was well chosen, this being evident by the warm reception it received from a fairly large audience. Most gratifying to the local committee was the enthusiastic comments made by those who were fortunate to be present. This augurs well for the future. Mr. Jack Harrison opened the programme with Weber’s Concertino Op. 26 His control of tone and well rounded phrasing at once gave evidence of his ability. Worthy of note was the tonal work in the sustained passages of the slow movements. Later he was heard in “Hymn to the Sun” (Rimsky-Korsakov) Arabesque, an adaptation from Debussy’s No. 2 Prelude and Anita’s Dance from the Peer Gynt Suite by Grieg. Concluding both halves of the programme the voice, clarinet j and piano were heard together in “The Thrush” (Harrhy), “Bird Songs at Eventide” (Coates), “By the Waters of Minnetonka” (Lieurance), “Pipes of Pan” (Monckton). This could have been improved if the clarinet obligato was arranged and not merely the subtraction of certain passages from the piano accompaniment. Mention must be made of Miss James as the accompanist. At all times she was able to catch the mood and tempo of the soloists which is no mean feat. Her ability is remarkable. At the conclusion of the concert members of the local committee of the Adult Education Board entertained the artists at supper. Both Mr. Newton, the Adult Education Board representative and Miss Stephanie James, the leader of the artists thanked the committee. Among the audience were noticed the chairman of the Preston Road Board, Mr. J. K. Kirkpatrick and Mrs. Kirkpatrick, Mr. and Mrs. Newman (Lowden), Mr. and Mrs. R. Skinner, Mr. and Mrs. Guy Brockman, Mr. and Mrs. Cyril Skinner (Lowden), Mr. R. Trevena and Miss Trevena, Mr. A. O. W. Knight, Mr. L. Miller, Mr. T. V. Finch, Mr. and Mrs. L. Mortlock, Mr. and Mrs. G. V. Mitchell, Mrs. A. C. Fenn.

The Preston Mail and District Advocate Thursday 2 November 1950 page 3

THURSDAY October 26 1950 – CONSUMMATE ARTISTRY – Young Westralians Please – DONNYBROOK

A greatly improved patronage was afforded the Adult Education Board’s recital on Thursday evening last when the programme was presented by three brilliant young West Australian artists. The interest now being displayed in what the A.E.B. designates Everyman’s Music is most heartening to the committee which has undertaken the local arrangements. In this respect a word of thanks is due to Mr. Frank Arbuthnott who prepared an ideal stage setting, with the requisite lighting, and to Mr. L. J. Mortlock who made a new Mignon piano, from his showroom, available for the occasion. The visiting party paid glowing tributes to the way they had been received in Donnybrook and of the arrangements

made for the concert presentation. The local Adult Education Committee entertained Misses James and Flower and Messrs. Harrison and Newton (manager) at supper at the conclusion of the entertainment. During the afternoon a short matinee performance was given to about two hundred and fifty children drawn from the Donnybrook schools and the young folk evinced keen appreciation in the fare presented, especially when the mouth organ was produced by Jack Harrison. A pleasing feature of the afternoon was the way the children joined in singing the National Anthem.

The evening opened with Jack Harrison performing the clarinet solo part of Concertino Op. 26 (Weber), Stephanie James explaining that the Concertino was originally written to be played with orchestra. The clarinet was heard to good advantage in slow sustained passages and fingering left little to be desired. The first half of the programme concluded with concerted numbers for voice, clarinet and piano. This was particularly pleasing work, the numbers being “The Thrush” (Edith Harrhy) and “Bird Songs at Eventide” (Eric Coates) , the voice and clarinet harmonising to good effect. Jack Harrison again opened after the interval, choosing “Hymn To The Sun” (Rimsky- Korsakov), “Arabesque” (Debussy) and “Anita’s Dance” (Grieg). Here again the tone was beautiful and brought the audience to its toes.  The programme concluded with another concerted group by the voice, clarinet and piano. These numbers “By The Waters Of Minnetonka”  (Thurlow Lieurance) and “Pipes Of Pan” (Monckton) lent themselves admirably to the co-ordination of voice and clarinet. For the whole programme sympathetic accompaniments were given by Stephanie James. Thanks To Adult Education Board At the conclusion of the programme Mr. A. C. Frost, provisional chairman of the Donnybrook Adult Education Board Committee, on behalf of the audience, thanked the A.E.B. and the artists for the excellent programme given. Speaking on behalf of the committee he thanked the audience for their splendid response and voiced thanks to Mr. Len Mortlock for the loan of the new piano for the concert. He also expressed the hope that it would be possible to bring other artists and bigger ventures to Donnybrook. One of the requisites for more ambitious programmes was a concert grand piano and the Proton Road Board had now set in motion a proposition to purchase such an instrument for the hall. Previous generations, he said, were long sighted enough to provide a big hall and a stage of requisite size and now support from the Donnybrook people could make the completion of the whole project possible. Replying, Mr. Newton said that it was most heartening to the artists to receive such a warm reception and to have such a satisfactory setting prepared for which to give the concert. He went on to congratulate the Donnybrook civic fathers on their foresight and wisdom in securing a beautiful instrument for their hall. He promised that the A.E.B. would do everything possible to send programmes that will measure to the standard that is being set, mentioning the new State Symphony Orchestra. Finally, Mr. Newton thanked the committee for the setting they had provided on the stage for this concert\ as it was very rarely that the stage is well set and he felt sure that Mr. Arnott’s attention to these details had brought out the very best from the artists. He concluded by saying that the children’s audience at that afternoon’s matinee had been a credit to the parents of Donnybrook.

South Western Times (Bunbury) Thursday 2 November 1950 page 2

FRIDAY 27 October 1950 – BUSSELTON EVERYMAN’S MUSIC RECITAL – POPULAR VISITING ARTISTS

The programme presented in the Regal Theatre last Friday night by the artists, Stephanie James (pianiste), Pamela Flower (soprano) and Jack Harrison (clarinettist) proved to be one of the most popular and enjoyable Busselton has yet heard. The youth and charm of the performers appealed instantly to the audience, while the sincerity and quality of their work revealed them as musicians of high calibre. In turn, the warmth and appreciation of the audience inspired the artists, so that in such a pleasant, atmosphere, it was not surprising that the hours tied all too quickly. The programme opened with Weber’s Concertino, played by Jack Harrison, very ably accompanied by Stephanie James, who described. the piece beforehand as a small concerto. Jack Harrison’s artistry and tone were displayed again later in Rimsky Korsakov’s “Hymn to the Sun,” Debussy’s “Arabesque” and  Grieg’s “‘Anitra’s Dance.” The three artists combined most effectively in two groups, one at the end of the first half of the programme and the other at the conclusion. So enjoyable was this combination, with the blending of the clarinet, voice and piano, that, the audience demanded an encore. On Friday afternoon, the children of the State School and Busselton Convent attended a short concert given by the visiting artists. Judging from the warmth of the applause the children enjoyed themselves thoroughly.

The South Western News (Busselton) Thursday 2 November 1950 page 5

Saturday October 28 1950 – Celebrity Concert At Boyup Brook

On October 28, under the auspices of the Boyup Brook Chamber of Commerce, the Adult Education Board included Boyup Brook in its itinerary and gave two hours of delightful instrumental and vocal recital. Those who were unable to attend are to be sympathised with for missing a musical treat which will long be remembered by those fortunate enough to be there. At conclusion the recital, two dainty posies of roses were handed to the lady artists by Mr. R. U Graham, the President of the Chamber of Commerce, after which Mr. B. Ryan, on behalf of the Chamber and residents of the district thanked the Director, Mr. B. Newton, the artists and the Adult Education Board for the recital. He expressed the appreciation of the real music loving section of the community and hoped the Education Board would always include Boyup Brook in its future itineraries.  In responding, Mr. Newton said the Board would always include Boyup Brook in its itineraries. He emphasised how pleased he, and the artists were with the reception they had received, and made special comment on the decorations of the stage with flowers from local gardens, which he and the artists regarded as a special token of artistic appreciation. After the recital, he and the artists, accompanied by Members of the Chamber of Commerce and a few friends were entertained at “Blackwood” the home of Mr. and Mrs. R. L. Graham, to a delightful supper, at conclusion of which Mr. Newton thanked the host and hostess for their hospitality. At conclusion of supper, Mr. Harrison was persuaded to bring out his mouth organ, on which instrument he is one of Australia’s most outstanding artists, he gave two excellently rendered numbers which showed his ability with that instrument as well as with the clarinet. Noticeable features of the Director and the Artists were their sociability. They enjoyed themselves just as much as those present enjoyed their company. It was a happy conclusion to a pleasant evening and musical feast. On Sunday they, were taken on a tour round the district by Members of the Chamber of Commerce and by invitation were the guests to afternoon tea at the home of Mr. and Mrs. Frank Ritson. They were accompanied by Mr. and Mrs. R. L. Graham as host and hostess and Mr. and Mrs. A.T, Smith-Ryan. On the Monday they gave a morning concert to scholars from the Boyup Brook, Chowerup and Greenbushes schools in the Boyup Brook Town Hall. Over three hundred scholars were there.

Blackwood – Warren Sentinel (Bridgetown) Thursday 9 November 1950 page 1

ARTISTS ENTERTAINED – Saturday October 28 1950

The president of the Chamber of Commerce (Mr. R. L. Graham) and Mrs. Graham invited members of the Chamber of Commerce and their wives to a supper party at their home on Saturday evening last in honour of concert artists Miss Stephanie James, Miss Pamela Flower and Mr. Jack Harrison and Mr. Newton, of the Adult Education Board. An enjoyable supper was served, after which Mr. Jack Harrison favoured the guests with several mouth organ solos, accompanied by Miss James at the piano. On behalf of the artists, Mr. Newton thanked Mr. and Mrs. Graham for their informality and help in making the party such a success. Among those present were:  The secretary (Mr. W. Bainbridge) and Mrs. Bainbridge, Mr. and Mrs. E. L. Cummins, Mr. and Mrs. F. Proctor, Mr. and Mrs. A. Smith-Ryan, Mr. and Mrs. V. Randell, Mr. B. 0. Ryan, Miss J. Graham and Mr. E. Godfrey, Mr. P. Scammel and Mr. and Mrs. W. Drown. On Sunday Mr. and Mrs. R. L. Graham and Mr. and Mrs. A. Smith-Ryan took Miss James, Miss Flower and Mr. Harrison touring around the district and later, by invitation, they visited the farm of Mr. and Mrs. F. Ritson and had afternoon tea.

The Blackwood Times (Greensbushes) Friday 3 November 1950 page 8

Monday 30 October 1950 at 8.15pm – KOJONUP MEMORIAL HALL

TUESDAY, 31st OCTOBER, 1950 at 8.15 p.m. in the – KATANNING TOWN HALL

MAKE SURE AND BOOK YOUR SEATS FOR THE CONCERT Featuring three Brilliant young West Australian Artists. STEPHANIE JAMES (Pianist) (First Public appearance after return from abroad), PAMELA FLOWER (Soprano) ,(West Australian Finalist Mobil Quest Competition), JACK HARRISON (Clarinettist) (West Australian Finalist A.B.C. Concerto Competition).

Box plan at Blythe’s Newsagency; Box plan at Barkley & Gilbert’s. Prices: 4/- (No Tax); Children, 1/6 anywhere Direction : Adult Education Board.

The Great southern Herald (Katanning) Friday 20 October 1950 page 4

CONCERT ARTISTS AT KATANNING – PROGRAMME TO BE PRESENTED ON TUESDAY OCTOBER 31

The Adult Education Board has advised that three concert artists will be presenting a programme at the Katanning Town Hall on Tuesday, October 3. The artists are all well-known in musical circles and their visit to Katanning will be welcomed.  The third artist is also a West Australian, who has advanced very well in the musical world. He is Jackie Harrison who, since a very small lad, has been broadcasting over all stations. Mr. Harrison plays several instruments but is visiting Katanning as a clarinettist on this occasion. He is now only 20, but is the proud leader of his own dance band in Perth.  He is perhaps better known among the younger people for his success in the jazz band contests in Perth each year. His twin sister plays the piano and his family in general are very musical.

The Great southern Herald (Katanning) Friday 6 October 1950 page 2

 KATANNING ADULT EDUCATION CONCERT – DELIGHTFUL PROGRAMME PRESENTED AT KATANNING

Sponsored by the Adult Education Board, three concert artists presented a delightful programme of great appeal at the Katanning Town Hall on Tuesday. Miss Stephanie James, who is well known in Katanning and who recently returned from further studying abroad, is regarded as one of the most promising pianists in Western Australia. Complementary with the other artists, Miss James showed her skill as a component artist and, as a soloist, played with great sensitivity and understanding Miss Pamela Flower’s chief quality was the delicate and restrained manner in which she handled the work she had chosen. Her stage presence was remarkable for one so young. Jack Harrison has had a meteoric rise to fame as a clarinet virtuoso and gave an unusual selection which was greatly appreciated. The choice of programme was ideally suited for the audience to which it was presented and evidence of its appeal was obvious through out. PIANO NEEDED IN KATANNING At the conclusion of the “presentation, Mr. B. Newton of the Adult Education Board, expressed the appreciation of the artists for the reception they had received at Katanning. He thanked particularly Miss Rae Ricket, and those who had assisted her, for making the local arrangements for the concert and for stage decorations. In thanking Miss Russell, headmistress of “Kobeelya,” for the loan of a piano, Mr. Newton considered it possible that presentations of Adult Education concerts at Katanning might increase in the future, in which case a good piano would he required at the Town Hall. He stated that a small local authority, not very far from Katanning, had recently purchased for its town hall a £900 instrument.

The Great Southern Herald (Katanning) Friday 3 November 1950 page 2

PINGELLY WEDNESDAY NOV 1 and NOV 2 1950

Miss Pamela Flower (soprano), this year’s W.A. finalist in the Mobil Quest competition; Jack Harrison, Clarinettist (finalist in the A.B.C. vocal and concerto competition), Miss Stephanie James, pianist (just returned from studies aboard), are to visit Pingelly under the auspices of the Adult Education Board). The Pingelly Committee finalised arrangements early this week for the visit of these outstanding artists, who are to combine in a Music-Song Recital in the Pingelly Town Hall on Wednesday evening, November 1, and a special programme for district school children, on Thursday morning, November 2. Residents of Pingelly, Brookton and surrounding districts will learn with pleasure of this visit by such well-known and highly rated artists and -at the same time will accord a measure of appreciation to those resi- dents responsible for the arrangements. The box plan will open shortly at the Pingelly Newsagency and further details will be given later. 

Pingelly Brookton Leader Thursday 5 October 1950 page 2

 Pingelly Adult Education Board – Visit of Outstanding Artists. – Wednesday 1st NOVEMBER

It must have been a disappointment to those residents responsible for the visit to this centre on Wednesday evening of last week three such brilliant artists as Miss Stephanie James (pianist), Miss Pamela) Flower (soprano), and Mr. Jack Harrison (clarionetist), that the Everyman’s Music Recital in which these three artists took part should have been accorded such relatively poor patronage. The Adult Education Board, under the auspices of which the recital was made possible, is commended for its efforts in bringing top ranking artists to rural centres and when a town of the size of Pingelly is privileged to participate in these tours, it is regrettable that the audience is not as large as it should be. Those who attended Wednesday evening’s concert were indeed fortunate, for the performance of the artists was really excellent and thoroughly enjoyed by all present. Mr. Jack Harrison fully retained, if not enhanced, his reputation with delightful renditions on his clarionet.

Pingelly – Brookton Leader Thursday 9 November 1950 page 2

ADULT EDUCATION CONCERT ENJOYED – Wednesday 1st NOVEMBER

Although the attendance at the Everyman’s Music Recital on Wednesday night last, was perhaps, a little disappointing, those who went along thoroughly enjoyed the program submitted by the three Adult Education Board artistes.  Fortunately, there were sufficient patrons present to warrant a return at a later date of a similar program, which according to the manager, Mr. E. Newton, would be available in the near future. Many people attended, thinking that all the, music played would be of a classical level well above the heads of the ordinary layman. They were, however, very-agreeably surprised, to find that the majority of the program was well known and those songs which were not so well known were so well presented that they were usually as well enjoyed. Mr. Jack Harrison, who commenced the program with Concertino On. 26 by Weber literally thrilled his listeners with his uncanny technique and control of his clarinet.  The rich mellow tone which he so effortlessly produced from this tube of wood and metal won him instant favour. Trios comprising piano, voice and clarinet obligato were exceptionally well presented and proved very popular.

Blackwood – Warren Sentinel Thursday 2 November 1950 page 6

The tour ended after schools’ performances the morning of Thursday 2nd November in Pingelly, a two hour drive from Perth.

 

Concerto and Vocal / Instrumental and Vocal Competition / Young Performers Awards – A.B.C.

The ABC Young Performers Awards (historically known as the ABC Instrument and Vocal competitions) is Australia’s oldest and most prestigious classical music competition for young musicians, running continuously or through periodic revivals since 1944.

The competition evolved through several administrative eras and titles:

Year / Period Competition Name Managing Body / Notes
1944 State-based competitions Founded by the Australian Broadcasting Commission (ABC) with state symphony orchestras.
1949 Commonwealth Final introduced State winners competed nationally for the first time.
1950–1967 ABC Concerto and Vocal Competition Expanded format launching early career soloists like Max Olding (1952) and Roger Woodward (1964).
1968–1986 ABC Instrumental and Vocal Competition Standardized into four distinct categories by 1978: String, Vocal, Keyboard, and Other Instrumental.
1987–1996 ABC Young Performers Awards State finals converted into category finals (1986); rebranded to emphasize holistic young artist development.
1997–2004 Symphony Australia Young Performers Awards Management moved to Symphony Australia following the devolution of the ABC’s Concerts Division.
2001–2015 Vocal category transition The vocal section shifted to the Music & Opera Singers Trust (MOST®), while instrumental categories remained under Symphony Australia / ABC.
2016–2022 ABC Young Performers Awards (administered by MOST®) MOST® assumed full administration with the ABC remaining as media and broadcast partner.
2026–Present ABC Young Performers Awards (returned to ABC) Returned to full stewardship under ABC Classic to mark its 50th-anniversary celebrations, featuring finalists performing live with the Sydney Symphony Orchestra.

Format and Structure

  • Eligibility: Open to young classical instrumentalists and singers (traditionally under 30, and currently aged 31 and under).
  • Stages: Progresses through multiple rigorous rounds including video/live auditions, state or regional heats, semi-finals, and a grand final with a major Australian symphony orchestra.
  • Categories: Split across Keyboard, Strings, Instrumental (woodwind/brass/percussion), and Vocal.

Notable Past Winners and Finalists

Over more than 80 years, the competition has helped launch the international and national careers of many prominent Australian musicians:

  • Max Olding (Piano, 1952)
  • Donald Westlake (Clarinet, 1953)
  • Donald Thornton (Piano, 1954)
  • Charmian Gadd (Violin, 1962)
  • Roger Woodward (Piano, 1964)
  • Nathan Waks (Cello, 1968)
  • Diana Doherty (Oboe, 1985)
  • Ian Munro (Piano / Composition)
  • Simone Tedeschi (Piano)
  • Liwei Qin / Li Wei (Cello, 1993)
  • Claire Edwardes (Percussion, 1999)
  • Amy Dickson (Saxophone, 2004)
  • Lloyd Van’t Hoff (Clarinet, 2015)
  • Emily Sun (Violin, 2018)
  • Eliza Shephard (Flute, 2022)
  • 2026 Grand Finalists: Beatrice Colombis (Violin), Charlotte Miles (Cello), and Dillon Chan (Piano)

 

https://www.abc.net.au/listen/classic/read-and-watch/music-reads/about-the-abc-young-performers-awards/106050712

1947

Finalists (By “Tenori”).

Australian Broadcasting Commission’s Concerto and Vocal Competition.

Finalists: Miss Betty North. Miss Nancy Barnden, Miss Betty Wright, Miss Norecn Edwards, and Miss Stephanie James.

Tuesday, April 23, in the Capitol Theatre, the Australian Broadcasting Commission conducted a Concerto and Vocal Concert at which were heard the above dualists in the recent competitions.

The Perth Symphony Orchestra, under the baton of Mr. Ernest J. Roberts, opened with an overture, “The Marriage of Figaro,” by Mozart. Miss Betty North played “Konzertstuck in F Minor for Piano and Orchestra,” by Weber. This item was followed by Recit. and Aria, ” Dove Sono,” from ” The Marriage of Figaro,” by Mozart, rendered by soprano Miss Nancy Barnden.

Miss Betty Wright then played the first movement of ” Concerto in A Minor, Op., 16, for Piano and Orchestra.” by Grieg, which completed the first half of the

programme. After the Interval, Miss Noreen Edwards played a Concerto No. 1 in G Minor for Violin and Orchestra, first and second movements by Max Bruch. This artist, although quite young and immature, so far as orchestral associations are concerned, displayed a solidity and sympathy which makes her future musical career assured.

Miss Ray Williams, soprano, then sang “Il Est Deux, Il Est Bon” (from “Herodiade”), and the programme was brought to a close with an item from Miss Stephanie James, Symphonic Variations for Piano and Orchestra” by Franck. Of all the contestants this young lady was outstanding. She has the brilliance and poise of the accomplished artist and a promising musical future is. undoubtedly in store for her.

Music lovers throughout the Stale are appreciative of the Concerto and Vocal programmes provided by the A.B.C., which are a boon to country listeners and which provide aspiring young artists with the opportunity of displaying their talent before a public audience.

Westralian Worker (Perth, WA : 1900 – 1951), Friday 2 May 1947, page 2

1950

VOICE AND CONCERTO – Semi-Finalists In A.B.C. Contest

The West Australian semi-finalists in the concerto and vocal competitions conducted by the Australian Broadcasting Commission were announced yesterday. They are Molly McGurk, Bernise Demorest. Pamela Kott and Ina Micale (pianists), Elise Longwill and Pamela Flower (sopranos) and Jack Harrison (clarinet). They will appear at the orchestral concert to be conducted by Sir Bernard Heinze on May 25 at the Capitol Theatre, at which the two State finalists will be selected. The final will be adjudicated by Dr. A. E. Floyd, Mr. L. Kennedy and the Assistant-Director of Music of the A.B.C. (Mr. H. Cannon). Mr. Cannon said yesterday that the number of entries in Western Australia in proportion to population had been the largest in the Commonwealth. This year there had been 69 entries for the competition, the majority having come from the metropolitan area. Prizes, he said, were being given to both the instrumentalist and vocalist finalist in the State and Commonwealth finals. The aim of the competition was to give young artists an opportunity to appear with an orchestra under an experienced conductor. Mr. Cannon added that the competition had impressed many overseas conductors, mainly because of the experience gained by young artists. and several conductors had said that it was a unique competition in this respect. 

The West Australian Thursday 4 May 1950 page 7

Jack Harrison

VOICE AND CONCERTO

Semi-Finalists In A.B.C. Contest

The West Australian semi-finalists in the concerto and vocal competitions conducted by the Australian Broadcasting Commission were announced on Wednesday. They are Molly McGurk, Bernise Demorest, Pamela Kott and Ina Micale (pianists), Elise Longwill and Pamela Flower (sopranos) and Jack Harrison (clarinet). They will appear at the orchestral concert to be conducted by Sir Bernard Heinze on May 25 at the Capitol Theatre, at which the two State finalists will be selected. The final will be adjudicated by Dr. A. E. Floyd, Mr. L. Kennedy and the Assist ant-Director of Music of the A.B.C. (Mr. H. Cannon).

Mr. Cannon said on Wednesday that the number of entries in Western Australia in proportion to population had been the largest in the Commonwealth. This year there had been 69 entries for the competition, the majority having come from the metropolitan area. Prizes, he said, were being given to both the instrumentalist and vocalist finalist in the State and Commonwealth finals. The aim of the competition was to give young artists an opportunity to appear with an orchestra under an experienced conductor. Mr. Cannon added that the competition had impressed many overseas conductors, mainly because of the experience gained by young artists, and several conductors had said that it was a unique competition in this respect. 

The West Australian Friday 5 May 1950 page 5

Local Finalists Meet Conductor

State finalists in the ABC vocal and concerto competition, who will play at next Thursday’s youth concert, met their conductor, Sir Bernard Heinze, yesterday morning.

Left to right: Molly McGurk (piano), Ina Micale (piano), Pamela Kott (piano), Pamela Flower (soprano), Jack Harrison (clarinet), Elise Longwill (soprano). Bernice Demorest (piano), and Sir Bernard. 

Sunday Times Sunday 21 May 1950 page 21

Tomorrow at 8pm Capitol Theatre – 2nd YOUTH CONCERT

State Finalists in the Concerto and Vocal Competition.

PERTH SYMPHONY ORCHESTRA Conductor: Sir Bernard Heinze

Soloists: Molly McGurk, Bernice Demorest. Pamela Kott. Ina Micale (pianists); Elise Longwlll. Pamela Flower (sopranos); Jack Harrison (clarinet).

Prices: 2/1 to Youth up to 25 years 6/1 and 4/1 to adults. Plan at Nicholsons. Direction: Australian Broadcasting Commission.

The West Australian Wednesday 24 May 1950 page 35

Instrumental and Vocal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PERTH SYMPHONY ORCHESTRA

Conductor: Sir Bernard Heinze

Soloists: Molly McGurk. Bernice Demorest, Pamela Kott. Ina Micale (pianists). Elise Longwill. Pamela Flower. (sopranos). Jack Harrison (clarinet).

Prices: 2/1 to Youth up to 25 years, 6/1 and 4/1 to adults. Plan at Nicholsons until 4.30. Patrons are requested to be seated by 7.50 as the concert will commence at 8 sharp and there will be no admittance during an item.

Direction: AUSTRALIAN BROADCASTING COMMISSION

The West Australian Perth, Friday May 26 1950 page 14

Sir Bernard Heinze – signed program

 

FINALISTS CHOSEN – A.B.C. Concerto And Vocal Contest – (By ‘”Tactus.”)

Last night at the Capitol Theatre an audience which completely filled the auditorium attended the second of the Australian Broadcasting Commission’s series of youth concerts. Actually, the occasion, more than any other previous concert of the kind, fulfilled the purpose, for the young solo performers were those chosen in the West Australian concerto and vocal competition. There were seven of them, four pianists, one clarinettist (the only male to qualify) and two vocalists. Considerable interest was added by the fact that the concert was the final test to decide the choice of one instrumentalist and one singer to compete against two representatives of each State in Sydney at a later date.

HIGH PRAISE

The adjudicators were the Director of Music for the A.B.C. (Mr. W. G. James) and Dr. Edgar Bainton (former Director of the New South Wales Conservatorium of Music), Their decision, which was announced at the end of the concert, bestowed the honours on Miss Elise Longwell, soprano, whose singing of the aria, “Salce, Salce,” the Willow Song from Verdi’s opera,”Otello,” was a fine performance, and on Miss Molly McGurk, who received high praise for her playing of Liszt’s TodtcnTanz (Dance of Death). The adjudicators were so impressed also with Jack Harrison, who played the clarinet Concertino (Weber) that they announced their intention of strongly recommending his inclusion as a finalist.

The others who appeared were Miss Pamela Kott (first movement of Beethoven’s Piano Concerto No. 4, in G Major); Miss Bernice Demorest (first movement of Moszkowski’s Piano Concerto in E Major); Miss Ina Micale (first movement of Schumann’s Piano Concerto in A Minor); and Miss Pamela Flower (Jewel Song from Gounod’s opera “Faust”). A high standard was maintained by all the young musicians, and Dr. Bainton described the adjudicators’ task in arriving at their verdict as “exciting.” The orchestra, under the direction of Sir Bernard Heinze. Gave excellent cooperation to the soloists.

Saturday May 27 1950 page 11

1951

ABC CONTEST FINALISTS IN WA CHOSEN

THE eight WA finalists in the ABC Annual Concerto and Vocal competition were selected today. They are Sheila Hines (piano) ; Ian Conochie (baritone) ; Barbara Smith (viola) ; Molly McGurk (piano) ; Ina Micale (piano) ; Jack Harrison (clarinet) ; Valerie Wynne (soprano); Bernice Demorest (piano). They will all appear with the WA Symphony Orchestra in the Capitol Theatre on Thursday. A State finalist from each of the vocal and the instrumental sections will be selected.

These two winners will be eligible for the Australia-wide competition, which will be held in Sydney on July 7. The winner of this competition will be booked for a tour of Australia under the ABC. 

THE WORLD OF MUSIC – State Finalists In. A.B.C. Competition

Seven young West Australians were chosen yesterday to appear at the Capitol Theatre on Thursday night as the State finalists in the Australian Broadcasting Commission’s concerto and vocal competitions. They are Miss Sheila Hines (pianist), Miss Barbara Smith (violist), Miss Molly McGurk (pianist), Miss Ina Micale (pianist), Miss Valerie Wynne (soprano), Miss Berniece Demorest (pianist), Mr. Jack Harrison (clarinettist), and Mr. Ian Conochie (baritone). They will all appear with the W.A. Symphony Orchestra under the baton of Mr. Rudolf Pekarek. The judges at the concert will be Dr. A. E. Floyd and Messrs. Lauri Kennedy, H. Cannon and Pekarek. From these finalists they will select one artist from the vocal section and one instrumentalist These will have the chance of appearing with other State finalists in Sydney on July 7 when the Australian winner of each section will be announced. The winners will then tour Australia under the direction of the commission. 

The West Australian Saturday 28 April 1951 page 4

Bookings also open for CONCERTO & VOCAL FINALS. Featuring: SHEILA IINES, IAN CONOCHIE, BARBARA SMITH, MOLLY McGURK, INA MICALE, JACK HARRISON, VALERIE WYNNE, BERNIECE DEMOREST, With W.A. Symphony Orchestra conducted by RUDOLF PEKAREK. Capitol Theatre Next Thursday. PRICES: 4/-, 6/-, plus booking fee. Direction A.B.C. 

The West Australian Monday 30 April 1951 page 21

ABC CONTEST 3rd MAY 1951 – WINNERS IN MUSIC A.B.C.’s Vocal And Concerto Finals – (By “Fidelio.”)

Finalists in the A.B.C.’s concerto and vocal contest for this State played and sang before the judges and a big audience at the Capitol Theatre last night. Sheila Hines, pianist, and Valerie Wynne, soprano, were placed first in the respective sections.  Jack Harrison, clarinettist, was specially commended.  Of the eight contestants heard with the W.A. Symphony Orchestra four were pianists. There were only two singers, and the remaining instrumentalists were a violist and a clarinettist. Miss Hines played a Mendelssohn con certo, Miss Wynne sang “Elsa’s Dream” (Wagner), Mr. Harrison played two movements of Mozart’s Clarinet Concerto. The judges were Dr. A. E. Floyd, Mr. Lauri Kennedy, Mr. Herbert Cannon (the A.B.C.’s Assistant Director of Music) and Mr. Rudolf Pekarek, conductor of the Perth orchestra. Four of the contestants had been among the finalists in previous years, one (Ina Micale, pianist) three times, two (Molly McGurk and Berniece Demorest, pianists) twice, and Mr. Harrison once; but last night’s winners were appearing for the first time in that role. The ages of the contestants ranged from 19 to 26. Whether one or both of the winners will go to the Eastern States, there to compete with winners in other State contests in the Commonwealth, finals, has still to be decided.

The West Australian Friday 4 May 1951 page 4

ABC CONTEST FINALISTS IN WA CHOSEN

The eight WA finalists in the ABC Annual Concerto and Vocal competition were selected today. They are Sheila Hines (piano); Ian Conochie (baritone) ; Barbara Smith (viola) ; Molly McGurk (piano) ; Ina Micale (piano) ; Jack Harrison (clarinet) ; Valerie Wynne (soprano); Bernice Demorest (piano). They will all appear with the WA Symphony Orchestra in the Capitol Theatre on Thursday. A State finalist from each of the vocal and the instrumental sections will be selected. These two winners will be eligible for the Australia-wide competition, which will be held in Sydney on July 7. The winner of this competition will be booked for a tour of Australia under the ABC.

The Daily News Friday 27 April 1951 page 6

WINNERS IN MUSIC – A.B.C.’s Vocal And Concerto Finals (By “Fidelio.”)

Finalists in the A.B.C.’s concerto and vocal contest for this State played and sang before the judges and a big audience at the Capitol Theatre last night. Sheila Hines, pianist, and Valerie Wynne, soprano, were placed first in the respective sections. Jack Harrison, clarinettist, was specially commended. Of the eight contestants heard with the W.A. Symphony Orchestra four were pianists. There were only two singers, and the remaining instrumentalists were a violist and a clarinettist. Miss Hines played a Mendelssohn concerto, Miss Wynne sang “Elsa’s Dream” (Wagner), Mr. Harrison played two movements of Mozart’s Clarinet Concerto. The judges were Dr. A. E. Floyd, Mr. Lauri Kennedy, Mr. Herbert Cannon (the A.B.C.’s Assistant Director of Music) and Mr. Rudolf Pekarek, conductor of the Perth orchestra. Four of the contestants had been among the finalists in previous years, one (Ina Micale, pianist) three times, two (Molly McGurk and Berniece Demorest, pianists) twice, and Mr. Harrison once; but last night’s winners were appearing for the first time in that role. The ages of the contestants ranged from 19 to 26. Whether one or both of the winners will go to the Eastern States, there to compete with winners in other State contests in the Commonwealth, finals, has still to be decided. 

The West Australian Friday 4 May 1951 page 4

1953

1953 A.B.C.’s Concerto and Vocal Competition

Next Thursday evening the finals of the A.B.C.’s Concerto and Vocal Competition will take place at the Capitol. The contestants, with their chosen items, are as follows: Donald Thornton, pianist (first movement of Tschaikowsky concerto); Molly McGurk, soprano (air from “Louise”); Brenda Cullity, violinist (first movement of Beethoven concerto); Laurie Devine, pianist (Franck’s “Symphonic Variations”); Patricia Wyatt, soprano (Meyerbeer aria); Jack Harrison, clarinettist (movements from Weber concerto). The adjudicators will be the A.B.C.’s Director of Music (Mr. W. G. James) and Mr. H. Portnoj. 

The West Australian Saturday 2 May 1953 page 20

Finalists Will Be Selected The State finalists in the Concerto-Vocal Competition will be selected tomorrow when the State semi-finalists are called for re-audition. The finalists will appear with the West Australian Symphony Orchestra in the Concerto Vocal Concert to be held on May 7. The semi-finalists are: Pianists. Laurie May Devine, Donald William Thornton. Sheila Hines and Angela Travia: violinists, Brenda Cullity and Barbara Tyler; clarinet, Jack Harrison: sopranos, Patricia Wyatt, Lynette Howieson, Beth Banks and Molly McGurk, mezzo-soprano. Vella Timewell; baritone, John Little and bass-baritone, Douglas Glendinning.  The West Australian Friday 10 April 1953 page 6

ABC FINALISTS ANNOUNCED For MAY 7 1953 THE Australian Broadcasting Commission today announced the State finalists in its 1953 concerto and vocal competition. The six finalists are: Sopranos; Patricia Wyatt and Mollie McGurk. Pianists: Laurie Devine and Donald Thornton. Violinist: Brenda Cullity, Clarinet: Jack Harrison.  An ABC spokesman said that the finalists would be heard at a youth concert in the Capitol on May 7, with the State Symphony orchestra. They will compete in the Australian final in Melbourne in July.  The Daily News Saturday 11 April 1953 page 3

1953 ABC I&V finals

ABC STATE FINALISTS State finalists in the ABC Concerto and Vocal competition for 1953 are: Sopranos: Molly McGurk, Patricia Wyatt. Pianists: Laurie Devine, Donald Thornton. Violinist: Brenda Cullity. Clarinet: Jack Harrison. They will take part in the finals on May 7 when they appear with the State Symphony orchestra in the Capitol.  Sunday Times Sunday 12 April 1953 page 8

Music Under Fire – Youth Concert Reviewed

Pianist Donald Thornton, who was judged winner of the instrumental section, opened the concert with the first movement of Tchaikovsky’s Piano concerto No. 1.  Soprano Molly McGurk, winner of the vocal section, with a lovely poetic rendering of Charpenter’s “Depuis de Jour”.  Jack Harrison opened the second half of the programme with the second and third movements of Weber’s Concerto in E Flat for clarinet and orchestra.  He played with imperturbable technique and in places genuine artistry.  I should like to hear him play a Mozart work, which might give scope for a more sensitive and musical approach than Weber.  PEGASUS. The Pelican (UWA Guild Journal) – Jack Harrison’s scrapbook

Winners In Music Test Are Chosen (By “Fidelio.”)

Donald Thornton, a 20-year old science student at the University of Western Australia, won first place in the instrumental section of the A.B.C.’s concerto and vocal finals at the Capitol last night. It was his first appearance in these competitions. He played the opening movement of the Tschaikovsky No. 1 Piano Concerto and pleased the judges (and others) with his “musical approach” to a work which, as the A.B.C’s Director of Music (Mr. W. G. James) said, is so often “banged out from end to end.” In the vocal section, Molly McGurk, who sang the well-known soprano air from “Louise,” was named the winner, thereby achieving a feat probably without precedent here. For hitherto Miss McGurk has figured in the list of finalists – three times – as pianist. Her win last night, which was her first, comes at her first attempt as vocalist. The remaining contestants were Brenda Cullity, violinist (second time in these concerts); Laurel Devine, pianist, and Patricia Wyatt, soprano, both newcomers; and Jack Harrison, clarinettist, who for the third time had gained a place in the finals. High Standard The adjudication was in the hands of Mr. James, Mr. Henry Portnoj, and the W.A. Symphony Orchestra’s conductor, Mr. Pekarek. Mr. James introduced Mr. Portnoj as a musician from Vienna, now settled in Melbourne, and formerly closely associated with the Vienna State Opera. Mr. James said that the all-round standard was high, and he gave well deserved praise to Mr. Pekarek for his sympathetic help to the competitors by way of the orchestral ac-companying. Hitherto the “grand finalists” from the several States, chosen to appear in Sydney, have been selected from the State winners. Mr. James said this had been changed. From now on, the eight to appear in Sydney will be selected from the finalists in the States, that is, they will not necessarily be the winners in the States. So far this year, finalists have been heard only in W.A. After the Hobart adjudication, on June 6, when all State finals will have been completed, the choice of winners to go to Sydney will be made. As usual at these events, there was a very large audience last night.

West Australian (Perth, WA : 1879 – 1954), Friday 8 May 1953, page 8

Jack Harrison was, again, highly commended, but didn’t win. He was always tremendously impressed that Molly McGurk had won on two occasions – once on piano then as a vocalist and enjoyed working with Molly in both roles during their careers.  To make matters worse, clarinettist Don Westlake came into prominence in the 1953 to be the first wind player to win the ABC’s Instrumental and Vocal Competition.

1954

Scooped the Pool – W.A. MUSICIANS’ SUCCESS

Sydney, Aug. 17.—Two West Australian musicians who scooped the pool in the final round of the A.B.C. vocal and concerto competitions last night said that they did not want to win “We only wanted honourable mentions,” they said. The two—Donald Thornton, pianist, and Patricia Wyatt, soprano—are both 21 and for the next four years could have entered the A.B.C competition. “Now we have won it seems that we cannot enter any more,” Miss Wyatt said. “We can only go back-stage and wish competitors the best of luck.” Mr Thornton won the instrumental section. He played Rachmaninov’s “Paganini Rhapsody” with the Sydney Symphony Orchestra. Miss Wyatt, who sang the “Bell Song” from Delibes’ “Lakme,” won the vocal section. Nine young musicians took part in the final concert. The adjudicator was the noted European conductor, Walter Susskind, and the orchestra was conducted by Eugene Goosens.

Kalgoorlie Miner (WA : 1895 – 1954), Wednesday 18 August 1954, page 8

1958

Once again, the State finals of the Concerto and Vocal Competition on June 12 showed the strength of talent in young Western Australian musicians.  The finalists were WA Symphony Orchestra violinist Robert Ingram, tenor Lloyd Masel, pianists Michael Bertram and Josephine McKimmie, sopranos Elayne Sibritt, Margot Robertson and Lynette Howieson and violinist Geoffrey Michaels.

Harrison, Marcia. West Australian Symphony Orchestra Celebrating 75 Years. WASO Holdings Pty Ltd, 2003. Page 46.

1959

Margot Robertson was the soloist when the West Australian Symphony Orchestra travelled south in March, returning in time to take part in the Shell Aria Contest held in Canberra.  In the eisteddfod held in conjunction with the main contest, Margot won champion lady’s solo.  In June 1959, Margot and pianist Alan Speer won their sections in the state finals of the Concerto and Vocal Competition.

Harrison, Marcia. West Australian Symphony Orchestra Celebrating 75 Years. WASO Holdings Pty Ltd, 2003. Page 46.

 

 

 

TALENTED ARTISTS TO VISIT YORK

An all star cast of leading Commonwealth and State artists will give a Concert in the York Town Hall on Saturday, 30th August. The occasion is the one hundred and sixth Anniversary of the York Methodist Church. Geoffrey Michaels, the fourteen year old violin prodigy, who last month, playing with the Sydney Symphony Orchestra, won the A.B.C’s Commonwealth Concerto Competition will be featured. Miss Patricia Connop who was last year’s winner and is at the present the star of the “Mikado” now playing at the Capitol Theatre, together with George Idle who plays opposite her in the same show, will be among vocalists. Miss Dianne Hosking, one of Perth’s leading actresses, will present speech items and John Dean and Bob Ingram, of the Perth Symphony Orchestra, will contribute instrumental items. Miss Margo Robertson, a West Australian finalist of Mobil Quest and Mr Ian Conochie, a leading base soloist in the “Messiah”, will also be vocalists. Duo-pianists of State fame who will perform are Josephine McKimmie and Michael Bartram; Wendy Prosser and Alan Speer. This is the finest line up of talent this State and York has enjoyed for such moderate charges. To make the evening a social success fitting for the occasion supper will be served the admission fee of six shillings will cover this. To obtain a good seat it is advisable to book at Efford’s Pharmacy, Beverley.

Beverley Times (WA : 1905 – 1977), Friday 22 August 1958, page 4

1961

Miller, Vicki, The Sixties, (West Australian Newspapers Limited), p.14

1962

In 1962, Lyn Tilsed won the instrumental section of the New South Wales Final of the ABC Concerto and Vocal Competition playing the flute, and in the following year, won both the Keyboard (flute)and Wind/Brass (flute) sections of the West Australian Finals.

1968

In 1968, Lyn Tilsed entered the ABC Concerto and Vocal Competition once more, winning the keyboard section of the WA Finals and was runner – up in the Commonwealth Finals playing the harpsichord, an instrument for which she developed a great love and interest.

1984

The West Australian Thursday May 17 1984

Cathie Travers

In 1984, Bruce Gillam was named a State Winner of the ABC Instrumental and Vocal Competition, performing Nielsen’s Clarinet Concerto with the West Australian Symphony Orchestra.  Elisa Wilson won the Vocal section and Cathie Travers the Piano.

Mirth and Music

Mirth and Music was a popular light entertainment radio program broadcast by the Australian Broadcasting Commission (ABC) on station 6WF on Tuesday nights during 1948, 1949 and 1950.

 

Mirth and Music

ARTISTS

Members of Dave Howard’s Mirth and Music Show met last week and extended best wishes to Miss Betty Bahen, one of its members, prior to her marriage to Mr. Geoff Hammond.  On behalf of the troupe, Miss Nell Shortland-Jones presented Miss Bahen with a wedding gift.  Those present were Miss Betty Whittaker, Miss Olwyn Thomas, Miss Rhoda Allen, Miss Sylvia Caporn, Mr. Ernest Paulasto, Mr. Fred Paulasto, Mr. Albert Chappelle, Mr. Harry Bluck, Mr. Dave Howard, Mr. Geoff Wilbur, Mr. Ralph Filmer, Mr. Bill Hendrie, Mr. Harold Malcolm, Mr. James Congdon, Mr. Jack Harrison, Mr. Billy Edwards and Mr. Harry Graham.   

Western Mail Thursday 9 December 1948 page 37

Rhythmettes

The Rhythmettes: A combination regularly featured in “Mirth and Music” from 6WF on Tuesday nights.  Left to right: Harry Bluck (leader, piano accordionist and arranger), Jack Harrison (clarinet), Sylvia Caporn (pianist), Ralph Filmer (bass), George Hay (guitar) and Bill Hendrie (guitar).

The Broadcaster Saturday July 2 1949 Vol. 16. No. 796

Jack Harrison broadcasted weekly by 6WF on Tuesday nights from Tuesday 3rd January 1950.

Jack Harrison’s photo of the staff of “Mirth and Music” in ABC Studio 7. Cliff Adam (guitar), Bill Hendrie (guitar), Ralph Filmer (bass) Dave Howard (producer), Muriel Costigan (singer), Sylvia Caporn (pianist) and Harry Bluck.

Marcia Chayter Diaries

Marcia Harrison (nee Chayter) was a prolific writer and published author.

From the end of December 1949 through to late 1950 she kept a diary detailing her mundane household chores, study records and social outings, including every date she went on with Jack Harrison who, she would later marry.

She studied creative writing at the W.A. Insititue of Technology (now Curtin University) and wrote anecdotal reminiscences about her life.

She wrote “The Muckadilla Story” from the oral history of her mother, Norma Chayter.

Particularly fond of poetry, Marcia wrote “Poems for Smalls” which remained unpublished due to her untimely death in 2005.

From 1998 Marcia researched, compiled and wrote the history of the West Australian Symphony Orchestra, published in 2003 for their 75th birthday celebrations.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003).

 

Person

FISENDEN, Owen

Born in 1927, Owen Fisenden was Principal Flute of the West Australian Symphony Orchestra from 1950 until 1977.

He married soprano Sylvia Biddle and they had two children, Anne and Neil.

A daily schedule of exercises for the flautist: Authored this well-known instructional music book for flute players, published in 1976. 

Teaching: Mentored many prominent Australian musicians, including his son Neil Fisenden (who also became WASO Principal Flute) and Wendy Clarke (Associate Principal Flute of the Melbourne Symphony Orchestra).

Owen Fisenden Award: Honored posthumously through an annual Australian Music Examinations Board (AMEB) award in Western Australia given to top-achieving flute students.

1977

1977 Proms program – 3 Fisendens in the flute section

Owen died of cancer aged 56 in 1984.

Owen Fisenden biography 1979

Sacks, Margaret. The Way 79 Who is Who. Crawley Publishers Pty Ltd, 1979. page 123

 

1967 Owen Fisenden, WASO Principal flute
1967 Owen Fisenden WASO flute
Owen at ABC party

Instruments

Years

Person

WHITTLE, Keith

REHEARSAL FOR SAMMY SHARP’S JAZZ FANTASIA

Saturday September 16 1950

(photo) from left to right: Jack Harrison, Jim Beeson, Betty Wittaker, Sammy Sharp and Keith Whittle.

The Broadcaster Saturday September 16 1950

 

Keith Whittle, drummer with Jimmy Beeson’s combination, first began playing percussion instruments in a small way when he was 3. Whittle became a band leader in his own right at the age of 10. He organised an outfit at the Mt. Hawthorn School — two paper and comb experts, a mouth organ, tin whistle and a set of drums consisting of kerosene tins and bottles filled with water. It proved a great success with the other pupils but was rather frowned upon by the more conservative teachers. Not disheartened, Keith graduated from the tin can era and a few years later joined Chris Gosper’s Australian All Stars. When this combination went overseas he became a free-lance drummer with a number of Perth bands. Now employed by one of Perth’s leading music stores, Keith Whittle is a recognised authority on jazz records. His favourite drummer — Gene Krupa.

Mirror Sat 1 November 1952 page 6

 

Ladies’ Night | Was One To Be Remembered

Secretary Mrs. Le Cornu (Sylvia Caporn) and an energetic committee really pulled one out of the bag for Musicians’ Union Ladies’ Auxiliary’s first night at Anzac House lower hall on Tuesday. Musical items were contributed by Phyllis Frost and Bryn Gyfford, drummers Merv Rowston, Keith Whittle, Murray McKay and Max McKay, sax players George Caro, Sonny Henderson, Johnny McCaughan, trumpeter Jack Pope, pianists Nell Sheridan, Roy de la Mere and Henry Cochran, guitarist Hank Collins and Dane Gorn on bass. It was a jam session extraordinary, and it was enjoyed by all.

Mirror (Perth, WA : 1921 – 1956), Saturday 15 August 1953, page 13

 

Rare Disc  – GENE KRUPA’S long awaited disc of  ‘Dark Eyes,’ which has not been available in Australia for 8 months, is now selling well, according to Keith Whittle, of Nicholons. Flip side is ‘After You’ve Gone,’ featuring Roy Eldridge, coloured trumpeter, late of Duke Ellington’s Band. Connoisseurs of jazz will remember Roy’s ‘Trumpet in Spades’ which caused a sensation before the war and is still a prized disc. ‘O Happy Day,’ by Lawrence Welk and Ork, is best seller in the pop field. Vocals by gravel voiced Larry Hooper, whose sore throat will be better soon, we hope.

Mirror (Perth, WA : 1921 – 1956), Saturday 20 June 1953, page 12

 

 

Instruments

Years

Person

RILEY, Jimmy

Suburban Theatres Tonight – Ritz Mt Hawthorn – Reserves B7697 – A Night of Fun, Pep and Harmony

MONSTER BIRTHDAY GALA NIGHT. On the stage: Jack Samuels (The Singing Cowboy),  Jack Harrison (W.A,’s own Harmonica Prince), Jimmy Riley (Wizard of the Piano Accordion).  THREE TIER BIRTHDAY CAKE AND THREE PRIZES TO BE WON. [4]

Repertoire: Nursie, Ferry Boat Serenade, Whispering

[4] The West Australian Monday 19 May 1941

19 February 1949

PERTH JAZZ MEN ARE TOPS IN EAST

Recent news about WA dance musicians who have sought to establish national reputations is good news. At least 4 who have been questing after the big-time in the Eastern States have made it, some of them ranking amongst the top-salaried musicians of the day. Currently occupying press space in musical magazines and feeling the for and, against quips of critics in Sydney is Ray Hartley, onetime popular pianist at radio lunch-hour concerts in Perth. General gossip has it that Ray is sow in the high salary range although it is rumoured that the road has been long and very rough. At present Ray is featured with Paul Lombard’s outfit at the Celebrity Club which used to be Rose’s and spare time, as little as he may have, L being turned towards arranging and holding down a couple of radio spots. In addition to this Ray contributes to the Music Maker, the Australian Dance Band Editorial and his articles on prominent keyboard men are a worthwhile contribution to that magazine. Although his name is usually associated with lunch hour concerts, Ray’s success was first assured in renditions of the Ray Hartley Trio; a combination which he has reformed in Sydney.

Without a doubt the most popular pianist in Sydney, is W. A.’s none other than Jim Riley. Jim is very highly respected both in the profession and out of it and accepts the good Samaritan role. He was originally a Fremantle boy and had a good classical background. He made his debut in dance band work with Ron Jenkins, and remained with him until approached by Merv. Rowston and Ken Murdoch. He then moved his stand and these three very prominent men upheld the music at the Miami Club for several years. In 1938, Jim became pianist with Ron Moyle at the A.B.C. It was during this time that he first attempted dance band arranging and it soon became obvious that he was much further advanced than any other dance musician here in this field. As a result of his enthusiasm, Jim managed to contact famous American arrangers in Will Hudson and Otto Cesana and it was not long before his arrangements received due recognition. During the early years of the war, Jim was the strength in Merv. Rowston’s A.B.C. old-time orchestra at Government House, and after the closing of tills hall both musicians moved across to the American Red Cross on Riverside Drive. At present, Jim is pianist and arranger in Frank Coughlan’s 14 piece Trocadero Band which plays 6 nights a week and Saturday afternoon. He does a lot of outside arranging and trio work and it is a fact that some of the leading musicians in the East now receive instruction in arranging from Jim. His exceptional ability and modesty combine to make him one of the most eagerly sought after pianists and arrangers in Sydney. He has been a perfect host to all visiting West Australians and Perth musicians are assured of a warm welcome, particularly, when he fulfils his ambition, to own a hotel.

Mirror (Perth, WA : 1921 – 1956), Saturday 19 February 1949, page 11

Union rates for dance band musicians have just increased, so when you next engage a band don’t raise your eyebrows if the quote seems higher than usual.

Minimum rate now, as set out by the union is 33/7 per head, plus 5/ bandleader’s fee to 11.30 p.m., which meant that you can’t engage a 3piece band under £5/5/9. Actually, few bands in the city will play for bare junior rates, while the demand is on for reliable dance band men and higher wages are available. Therefore, dance organisers, don’t sacrifice the evening by engaging a cheap, unreliable band.  Embassy fans will have to lie low until the new floor installations are complete. Flooring  which was removed after last Saturday night’s dancing was the original — laid some 20 years ago. Alterations will take at least 10 days to complete if all goes well. They will include sanding of the surface and sterine treatment. Sammy Sharp’s band has moved its stand into Perth Town Hall temporarily.

Biography: Merv Rowston was self taught and gained most of his tuition by listening to records. In his ‘teens, Merv played at his first paid engagement — 2 piece unit of electric pianola and drums. Merv free-lanced with small outfits around the city, including Bill Naughton’s KitKat Cabaret band, and in 1929 got his first big break when he joined Charlie’ Sheridan’s Piccadilly Cabaret Band. During the following 5 years he was in the public limelight and among leading combinations he played with were Merv Lyons, at the original Temple Court Cabaret ( Embassy  ; Knickerbocker Jazz Group, at the Luxor and Fred Nice, whose band, incidentally, featured in the first radio broadcast in 1932 In July, 1934 he went abroad and was associated with some of the leading percussionists and bands in England. After his return he formed his own band in 1937, which featured at the Miami Club. This line-up was Jim Riley piano; Ken Murdoch, sax: Merv. Rowston, drums: Pa Wagner, vocals. Tie-up of Jim, Ken and Merv is still recognised as one of the greatest combinations that Perth’s Dance Band Land has ever known. Merv’s successes since then reel off smoothly. – By AGAS

Mirror (Perth, WA : 1921 – 1956), Saturday 12 March 1949, page 14

On 17th  January 1950, William Harrison (aged 52), Jack and Jill Harrison (aged 18) set sail from Fremantle aboard the Strathaird to Adelaide where Jill had won a scholarship to study bassoon and piano at the Adelaide Conservatorium.  William and Jack then continued on to Melbourne and Sydney.  William had written and liaised with venues and artists to ensure Jack got as much exposure and experience during the trip.  During his stay in Sydney Jack performed with Frank Coughlan’s band in a series of swing concerts at the Trocadero and received an offer to stay with the band as a permanent member.  Jack also received lessons from Clive Amadio. They returned to Perth on 2nd March 1950.

JACK HARRISON‘S DIARY 1950

Thu 26th Jan 1950 (arrive Sydney)

Got up at 6.15am because we wanted to see the boat coming in.  It was in the heads.  It was quite a good sight but it was quite foggy and you could not see very far away.  The best part was going under the bridge. 

Got into Sydney at 7.45am and got a taxi to the YMCA.  Wandered around town a bit with Mr Whitelock, Mr Anthill and the Chappells.  Had lunch at the YMCA and messed around in the afternoon.  Had early tea and went out to Kurt Jacob’s place but he was not home.  Waited for about an hour then gave up and went to the Trocadero where there was a swing concert.  It was very good.  The band was Frank Coughlan’s.  Went up and spoke to Jim Riley (ex Perth boy) and told him the WA news.  At half time I saw George Franklin and sat with him the rest of the concert.  Got to bed at 11pm.

Fri 27th Jan 1950

Had breakfast which was very poor after the boat.  Met Colin de Groot (cousin and professional golfer) who took us for a drive in his new Hillman.  First we went to Slazengers where we saw tennis rackets, golf clubs & cricket bats being made, then drove around the place, coffee at King’s Cross.  Had lunch at Bondi Beach and went for a swim.  Came home then Colin and I looked around the shops at suits.  Had tea & went for a walk.  Rang up Clive Amadio and arranged to meet him on Sunday.  Went down to Trocaderas at 7.30pm, met Jim Riley & had a talk.  Dad and I went to the theatre and got to bed at 10.30pm.

Sat 28th Jan 1950

Got up about 8am, had breakfast and went out looking for a bootmaker shop.  I found one but it was shut and we went to a place where they repaired mouthorgans, but they were shut.  Went up to King’s Cross & met Butch Kirkby.  Had an early tea and went up to the Cross to the Roosevelt and met Wally Norman (trombone), came back into town to the Celebrity and met Paul Lombard.  Got home and found a note from Jim Riley to go and see him so we went to the Trocadero. And met Frank Coughlan and he told me I could play a number on his sound show next Tuesday.  Got to bed 11.30pm.

Tues 7th Feb 1950

Got up early and caught what we thought was the right bus to Clive Armadio’s place (go to enquiry desk, 2nd floor) but finished up in the other side of town – called the 12 midday lesson off until tomorrow.  After lunch met Willie Fennell [Australian radio, television, stage and film actor, comedian, producer and writer who appeared in many Australian television series] and had a few drinks with him and had a good yarn.  Messed about until tea.  After tea went around to the Trocadero and played “The 29 Special” and “Carrioca” on the mouthorgan and went very well.  Had a yarn with Frank Coughlan and Jim Riley.  Saw representative of the Tempo (magazine).  Came home and got to bed 11.30pm.

Mon 13th Feb 1950

Stayed at Peter’s again.  Had breakfast and did some clari practice for two hours got in to town at 12 and had lunch.  Lay down a while and then went for a walk. Went to bank, Music Conservatory and met Willie Fennell and had a few drinks.  Had tea and went to theatrette with Dad for an hour.  After, I went around to Trocaderos and had a yarn to Frank Coughlan and made arrangements with Jimmy Riley to have a blow with him tomorrow.  Got to bed 10.45pm

Tue 14th Feb 1950

Went to ABC in King’s Cross and met Mr Paling, bassoonist and heard the Symphony Orchestra rehearse.  Came home and did some washing.  Had lunch.  Went down to the Trocadero and met Jimmy Riley who gave me a lesson on bop chords. Had an early tea and did some ironing, read a bit, had a bath and in bed by 10pm

Sun 19th Feb 1950

Had breakfast and a shave.  Met Jim Riley at 11am.  Met his father and went to the Tobruk Club, gave a Claris and mouthorgan act.  Played Dixie with Bob (Graeme?) Bell: baritone horn, grand piano, trumpet and drums.  Had a yarn until 3pm.  Jim ran us home.  6pm went to Clive Armadio’s show – took photos.  Had a yarn to Clive and got to bed at 8.10pm

JACK HARRISON RETURNS TO PERTH

Jack Harrison is back in Perth after having spent  two months in Adelaide, Melbourne and Sydney. It is Jack’s opinion that the standard of dance bands in the Eastern States, particularly Sydney, is very high. During his stay in Sydney, the young music maker played solo with Frank Coughlan’s band in a series of swing concerts at the Trocadero and received an offer to remain with the band as a permanent member. Coughlan’s band plays mostly specially arranged numbers from the pen of the ex-Perth pianist Jimmy Riley. Other band leaders whom Jack met in Sydney were Dennis Collinson who has a 15 piece dance band as well as his Radio Orchestra, Les White at Princess, Paul Lombard at the Celebrity Club and Wally Norman at the Roosevelt.  In Melbourne, he met George Watson, Splinter Reeves, Abe Romain and Horry Dargi; and in Adelaide, Colin Bergenson who was playing at the Palais Royal. Jack feels that the highlight of his tour was his association with Clive Amadio.  This artist, in his friendly way, gave Jack lessons and invited him to the radio studio during the presentation of the well-known Amadio broadcasts. Watching these, and also rehearsals gave the young player experience he could not have gained elsewhere, he says. Jack says that Amadio spends the whole week perfecting his Sunday session. Nothing is too much trouble. A staff of arrangers, stopwatch timing, a tape measure as an aid to balance and even a musician and technician with a musical score in the panel room. A photo described “to Jack, my rival from the West, Clive Amadio” now hangs in the music room of the Harrison household. Questioned regarding his plans for the future. Jack said that there appeared to be a shortage of young clarinettists in some of the Eastern States and there was a possibility of his being offered a position with one of the ABC Symphony Orchestras. He was practising hard. 

Broadcaster  Jack Harrison scrap book

Sunday, October 9, 1955 – JIM RILEY SHOW – Capitol Theatre

No. 4. – JACK HARRISON’S GROUP

Numbers –

  • “Thou Swell”
  • “Lullaby of Birdland”
  • “K.P. Capers”

PERSONNEL: Jack Harrison, Sax, Clari-Leader, Terry Ingram, Piano, Ray Harrison, Drums, Alex McMillan, Bass.

 

 

 

Instruments

Years