
Jack Harrison handing Allan Meyer Copland Clarinet Concerto score


Person
Allan Meyer is a distinguished clarinettist and Jack Harrison‘s most notable student. He succeeded Jack as principal clarinet of the West Australian Symphony Orchestra.
Allan Meyer has been Principal Clarinet with the West Australian Symphony Orchestra since 1990. His distinguished career has seen him perform in many parts of Australia. In 1997 and 1999, Allan performed and taught in Massachusetts, USA. He was also Guest Principal Clarinettist for the Springfield Symphony Orchestra and performed in the Musicorda, Mohawk Trail and Williamstown Chamber Music Festivals.
Allan was born in Perth and studied with WASO’s Principal Clarinet, Jack Harrison, graduating from UWA with a Master of Music (Performance) degree and completing postgraduate studies in London with John McCaw, Antony Pay and Jack Brymer.


After 7 years with the Adelaide Symphony Orchestra, Allan returned to Perth as Principal Clarinet. He teaches at the School of Music at the University of WA and at the WA Academy of Performing Arts. Allan has appeared as soloist in the Masters and Classics Series, Mostly Mozart Series, Symphony under the Stars and WASO Chamber Players. He has been Guest Principal Clarinet with the Melbourne Symphony Orchestra.
Allan has premiered a number of works including the Australian premiere of Richard Mills’ Concerto for Clarinet and Violin, the world premiere of James Ledger’s Clarinet Quintet and the world premiere of Blackwood by Iain Grandage and Kevin Gillam for Perth Festival in 2011. For Perth Festival in 2012 he performed with the Escher String Quartet. Most recently he performed the Mozart Concerto, a work he has performed over 12 times with WASO, as part of a regional tour conducted by his former student and associate conductor of the Colorado Symphony Orchestra, Chris Dragon.
As a performer, teacher and advocate for Australian music, he has had a profound influence on clarinet performance in Western Australia and has trained many of the state’s leading professional clarinettists.
Born in Perth, Western Australia, Meyer received his early musical education in the city’s thriving public school music system. He attended Churchlands Senior High School, graduating in 1976, and began studying the clarinet with the legendary WASO Principal Clarinet, Jack Harrison. Harrison’s teaching profoundly shaped Meyer’s artistic development and established a pedagogical lineage that has continued through several generations of Western Australian clarinettists.
Meyer completed a Master of Music (Performance) at the University of Western Australia before travelling to London for postgraduate study. There he worked with three distinguished British clarinettists:
This combination of Australian and British training gave Meyer a refined orchestral style rooted in the English clarinet tradition while retaining the flexibility required of a modern symphonic musician.
Following his studies, Meyer joined the Adelaide Symphony Orchestra, where he spent seven years developing his orchestral career. This period established him as one of Australia’s leading young clarinettists and prepared him for his eventual return to Perth.

In 1990 Meyer was appointed Principal Clarinet of the West Australian Symphony Orchestra, succeeding his mentor Jack Harrison in one of Australia’s most prestigious orchestral woodwind positions.

He has remained in that role ever since, becoming one of the orchestra’s longest-serving principal players.
During his tenure he has appeared as soloist in numerous WASO concert series, including:
He has also been invited as Guest Principal Clarinet with the Melbourne Symphony Orchestra and the Springfield Symphony Orchestra in Massachusetts, USA.

Meyer’s reputation has extended beyond Australia through teaching and performance engagements in the United States.


In 1997 and again in 1999 he taught and performed at the University of Massachusetts, Amherst. During these visits he also appeared at the:
These engagements strengthened his international reputation as both performer and educator.

A defining aspect of Meyer’s career has been his commitment to contemporary Australian composition.
Among his notable premieres are:
Blackwood holds particular significance because it was commissioned by Jody Harrison and written specifically for Allan Meyer, soprano Sara Macliver and pianist Graeme Gilling.
Alongside his orchestral career, Meyer has been an active chamber musician.
He has collaborated with the internationally acclaimed Escher String Quartet and has regularly appeared in chamber music festivals and recital series throughout Australia and overseas. His performances encompass the major works of the classical repertoire, particularly those by Mozart, Brahms and French composers, while also embracing newly commissioned Australian works.
Teacher and mentor

Meyer has had an equally important impact as an educator. and has taught at the University of Western Australia Conservatorium of Music and the Western Australian Academy of Performing Arts.
Many of his students have gone on to professional orchestral careers throughout Australia and overseas, including:
Professional leadership
Beyond performance and teaching, Meyer has played an important role in fostering the clarinet community in Western Australia.
Since its establishment in 2009 he has served as Chairperson of the Clarinet and Saxophone Society of Western Australia. Under his voluntary leadership the organisation has promoted performance opportunities, masterclasses, educational projects and professional networking for clarinettists and saxophonists across the state. https://www.casswa.com/

Jody Harrison and Allan have a son, Max.

Rachmaninov’s Second Symphony (West Australian Symphony Orchestra)
Allan aged 26 at Camp Quaranup, Albany, Western Australia:
Jack Harrison performed the Australian premiere of Aaron Copland’s Clarinet Concerto with the West Australian Symphony Orchestra, presented by the Australian Broadcasting Commission.
MUSIC
3pm MARCH 11 1962 Fremantle
There will be an interesting programme at the W.A. Symphony Orchestra’s free concert in the Fremantle Town Hall at 3pm tomorrow. The orchestra and clarinettist Jack Harrison will perform a concerto by Aaron Copland and the orchestra programme will include Rossini’s “Thieving Magpie” Overture, and arrangement of Bach choral prelude and Mussorgsky’s “A Night on the Bare Mountain”. [1]
[1] The West Australian Saturday March 10 1962
COPLAND CLARINET CONCERTO – AUSTRALIAN PREMIERE
MUSIC
3pm MARCH 11 1962 Fremantle
There will be an interesting programme at the W.A. Symphony Orchestra’s free concert in the Fremantle Town Hall at 3pm tomorrow. The orchestra and clarinettist Jack Harrison will perform a concerto by Aaron Copland and the orchestra programme will include Rossini’s “Thieving Magpie” Overture, and arrangement of Bach choral prelude and Mussorgsky’s “A Night on the Bare Mountain”. [1]
CONCERT
MARCH 14th 1963
An outstanding programme by the Perth Sinfonietta will be given in Winthrop Hall at 1.10pm next Thursday under the baton of Verdon Williams. This free recital is being presented by the A.B.C. as the first in a weekly series being sponsored by the University during the year. The Sinfonietta will play works by Berger, Copland, Delius and Vaughan Williams. The soloists will be Allyne Tilsed (flute) and Jack Harrison (clarinet). Those attending the concert include Russian violinist Nelli Schkolniskova and W.A. resident conductor John Farnsworth Hall, who will be soloists and conductor in the first A.B.C. Youth Concert on March 19.
LUNCH MUSIC IS PROMISING
By Sally Trethowan
MARCH 14th 1963
The programme for this year’s free lunch-hour concert series held on Thursdays in Winthrop Hall is even more interesting and varied in type of music and number of performers than last year’s.
If the first concert given yesterday to a large audience by the Perth Sinfonietta, is any indication of the quality, the weekly programmes will be exciting musical experiences and a major contribution to musical life in W.A.
The Perth Sinfonietta always gives us an entertaining, thought-provoking programme. Conductor Verdon William’s introductory comments are instructive, to the point, and do not offend by being too technical or too long. The choice of composers in yesterday’s concert – Berger, Vivaldi, Copland, Delius and Vaughan Williams – leaned heavily towards the moderate, making the Vivaldi Flute Concerto (“The Goldfinch”) a pertinent, pleasant comment on, and exposition of, a more elegant and graceful age. The young flautist, Allyne Tilsed, who has just joined the W.A. Symphony Orchestra has a sureness of tone control which allows the most delicate innuendos without over or under emphasis. In Vivaldi’s “Goldfinch”, flute and strings chattered and trilled in animated conversation, whereas in the Copland Clarinet Concerto, a different symphonic relationship exists between orchestra and clarinet.
Clarinettist Jack Harrison interwove the sure mellowness of tone and bell-like clarity of his instrument into the orchestral texture of the work.
The brief overture of Jean Berger that began the programme and a Delius “Serenade” and Vaughan Williams “Fantasia on Greensleeves” which closed it, are works typical of the individuality of their composers, but have in common the fact that they make light and easy listening. [2]
| 15.3.1963 | Aaron Copland Clarinet Concerto (1948) AUSTRALIAN PREMIERE | Jack Harrison (clarinet) Perth Sinfonietta Verdon Williams (conductor) | Free lunchtime concert Winthrop Hall, University of Western Australia |
[1] The West Australian Saturday March 10 1962
[2] The West Australian March 15 1963
Allan Meyer performed the Copland in 2013, just after Jack Harrison passed away.