Person

ABBOTT, Graham

Sydney-born Graham Abbott is a Music Education graduate of the Sydney Conservatorium and later studied conducting with Myer Fredman.

His forty-year conducting career saw him work with all the major Australian orchestras, opera companies and choirs. He was Conductor-in-Residence at the University of Adelaide (1986-88), Associate Conductor of the Melbourne Symphony Orchestra (1993-97), and Musical Director of Melbourne Chorale (now MSO Chorus, 1994-97).

In 1997, Graham was acting Chorus Master of the Chorus of the Royal Scottish National Orchestra, during which time he conducted concerts with the Edinburgh Royal Choral Union, the Royal Scottish National Orchestra, and the Ulster Orchestra.

Graham’s opera repertoire included The Marriage of Figaro, Don Giovanni, Fidelio, The Barber of Seville, La traviata, Il trovatore, Un ballo in maschera, Aida, L’Elisir d’amore, Don Pasquale, The Pearl Fishers and Pelléas et Mélisande. He was also Assistant Conductor for the Australian premiere season of John Adams’ Nixon in China at the 1992 Adelaide Festival.

A lifelong passion for the life and work of Handel saw Graham conduct Messiah more than 80 times in Australia, the UK and New Zealand. His repertoire also included many of the oratorios (Saul, Solomon, Belshazzar,Joshua, Israel in Egypt, Alexander’s Feast and the Australian premieres of Athalia and La resurrezione) and operas (Alcina, Julius Caesar, Orlando and the Australian premiere of Ariodante), and much of Handel’s orchestral music. He also conducted the first Australian performance of Handel’s complete Roman Carmelite music with the Adelaide Chamber Singers.

Graham Abbott retired from conducting at the end of 2024.

Graham is also one of Australia’s most highly-respected music educators. He has programmed, conducted and presented education concerts and other community outreach activities with most of the major Australian orchestras. He produced and presented Keys to Music on ABC Classic from 2003 to 2017 and has worked as a speaker, teacher and examiner around Australia. He also established Auckland Philharmonia Orchestra’s Unwrap the Music series in 2010 and continued to present and conduct that series until 2022. He has worked as a tour leader for Hayllar Music Tours since 2018 and now regularly leads tours for the company within Australia and internationally.

Graham received a Special Conductor’s Award in the 1995 Melbourne Green Room Awards marking his debut with Opera Australia conducting Handel’s Julius Caesar for the company. And in 2007 he was awarded the Sir Bernard Heinze Memorial Award by the University of Melbourne in recognition of his services to Australian music as both conductor and educator.


Graham has conducted the West Australian Symphony Orchestra on many occasions.

He made his professional opera conducting debut in 1991 conducting The Marriage of Figaro with W.A. Opera Company and WASO. Later that same year he conducted his only Perth Messiah with WASO. Some years later, Graham conducted Lindy Hume’s production of Handel’s Orlando for W.A. Opera, again with W.A.S.O. in the pit.
Graham conducted a recording of Carl Vine‘s Concerto Grosso for ABC Radio with WASO and also did a number of schools’ concerts with the orchestra.
During Graham’s tenure as the producer and presenter of Keys To Music with ABC Classic (2003-17), he conducted many Keys To Music concerts with WASO which were recorded in the PCH with a live audience for later broadcast. He particularly remembers doing educational treatments – with a single rehearsal – of amazing repertoire in Perth as WASO was especially supportive of Keys To Music and its aims. Among the works performed were Debussy La Mer, Britten Sinfonia da Requiem, Ravel G major Piano Concerto, and Stravinsky Symphony of Psalms.
Graham conducted at two Perth Festivals; in 2004 conducting the Dvorak Stabat Mater with the Prague Chamber Orchestra and the Intervarsity Choral Festival Chorus. The following year he conducted Lindy Hume’s staged version of the Bach St Matthew Passion with the Adelaide Chamber Singers and an ensemble of Perth-based instrumentalists.

 


1991 WASO Karratha concert with soloist Elisa Wilson and conductor Graham Abbott

Instruments

Years

The Art of Architecture: The Architectural Drawings of Iwan Iwanoff

Nichols, Duncan, Richards, Duncan, The Art of Architecture: The Architectural Drawings of Iwan Iwanoff (1919 – 1986) (The State Archives of Western Australia, 1991)

 

 

WASO families

Jill and Lochmond Haynes, Joan Wright, Jim Mann, Dorothy and John Ford

Person

MEYER, Allan

Allan Meyer is a distinguished clarinettist and Jack Harrison‘s most notable student.

In 1990 he succeeded Jack as Principal Clarinet of the West Australian Symphony Orchestra.

Allan Meyer was born in 1959 to Bruce Douglas Meyer and Elsie Willis “Willa” Sanders and grew up with his three sisters and brother at 10 South Road Shoalwater, two streets from Safety Bay Road opposite Penguin Island.  His father built the house from scratch, hand sawing the jarrah and asbestos.  

Allan attended primary school in Safety Bay and learnt the piano from his grandmother, Elsie Maley. 

In 1972, thanks to his sister Sue’s suggestion to apply, Allan won a music scholarship to Churchlands Senior High School as part of the inaugural state initiative to bring music to high schools (IMSS). Allan was very anxious about telling his Shoalwater mates he was going up to Perth for high school, especially as the school had the word “Church” in it.  

Allan was initially offered the tuba.  His father vigorously argued with Churchlands that Allan was “small enough to fit in to a tuba” and suggested instead the clarinet as “Stranger on the Shore” by Acker Bilk was one of Bruce’s favourite records.

Churchlands segregated the music students and they attended virtually all their classes together, making it challenging to make non musical friends and shake the slightly nerdy reputation of being a “muso”.

In a group class of 6 beginner students, Allan initially learnt from Peter Clinch for one year.  Peter left the responsibility of Allan’s clarinet playing future to Ted Lewis.

Allan going off to Vienna

Allan was leader of the Western Australian Schools’ Concert Band overseas tour from June 23 to July 1976 performing in London, Vienna, Innsbruck, Lucerne, Montreux and Zurich as part of the Fifth International Festival of youth and Music and the Twelth International Conference of the International Society for Music Education. 

The band was conducted by Ted Lewis and John Embleton and consisted of an amalgamation of largely Perth Modern School and Churchlands music scholarship students and a handful of representatives from other schools.

 

 

 

They made the highly sought after album “Live in Vienna”.

https://www.discogs.com/artist/15436464-The-Western-Australian-Schools-Concert-Band

Live in Vienna

During high school, Allan lived with his sisters in Perth and went down to Shoalwater on the weekends when he would often go sailing with his father.  He learnt to surf.   

Sue Rowbottam and Allan Meyer

Allan’s sister Sue Rowbottam is a professional accompanist.

Towards the end of high school, Allan enjoyed a few clarinet lessons with Alan Rule.

 

 

 

All Allan’s applications to tertiary institutions were musical ones, save his last, which was dentistry.

1977 Allan Meyer

Allan was accepted into the University of Western Australia School of Music (now Conservatorium of Music) in 1977 and completed a four year Honours degree on clarinet performance under the guidance of the Principal Clarinet of the West Australian Symphony Orchestra, Jack Harrison.

During his University years, Allan performed with the W.A. Arts Orchestra and augmented with the WASO.  He won the Margaret Bellos prize for chamber music performing with Kim Harrison (trumpet), Nigel Crocker (trombone) and Marie Bertinazzo (harp). 

He attended the Australian Youth Orchestra, National Music Camps and Camp Quaranup Music Camp in his holidays.  He befriended cellist Charles Reynolds, with whom he shared a house in Charles Street Leederville, and started running, playing squash, learnt scuba diving and water skiing.

 The West Australian Saturday March 1 1980 page 23

1985 Allan Meyer and Jack Harrison

Meyer completed a two year Master of Music (Performance) at the University of Western Australia before travelling to London for postgraduate study London having lessons with with John McCaw, Antony Pay and Jack Brymer.

Following his studies, in 1982 Meyer won the the Adelaide Symphony Orchestra job on second clarinet doubling bass.

The second clarinet chair in Adelaide Symphony Orchestra was filled by Canadian Diane Gingras.

 

 

In 1984, Allan filled in on Principal Clarinet when Greg Blackman filled in for Don Westlake in the Canberra Wind Soloists.

Allan Meyer, Diane Gingras and Greg Blackman – Adelaide Symphony Orchestra

Allan renovated his house in Largs Bay, learnt woodwork, how to cook and played squash.

Peter Whish-Wilson (tuba), David (trumpet), Allan Meyer, Grant Scobie (bassoon), Bob Hutchinson (timpani)

Greg Blackman and Allan Meyer

After 7 years with the Adelaide Symphony Orchestra, Allan returned to Perth as Principal Clarinet.

Allan Meyer Adelaide 1989

In 1990 Meyer was appointed Principal Clarinet of the West Australian Symphony Orchestra, succeeding his mentor Jack Harrison who stepped down to bass clarinet toward the end of his retirement in 1993.

 
 
1990: Allan Meyer, Lorna Cook, Jack Harrison
1990 WASO: Jack Harrison on bass, Lorna Cook, Allan Meyer

 

 

Allan has remained Section Principal Clarinet with WASO ever since, becoming one of the orchestra’s longest-serving principal players.  

Allan has appeared as soloist in the Masters and Classics Series, Mostly Mozart Series, Symphony under the Stars and WASO Chamber Players. He has been Guest Principal Clarinet with the Melbourne Symphony Orchestra.

    2003 Allan on WASO Board
    left footer

    Allan was appointed the player representative on the WASO Board when Catherine Ferrari was C.E.O.

     

     

    He was also on the WASO footy team.

    WASO football team

    In 1997 and again in 1999 Allan initiated the inaugural player job swap for WASO with American clarinettist Michael Sussman.  

    Allan taught and performed at the University of Massachusetts, Amherst. During these visits he also appeared at the Musicorda Festival, Mohawk Trail Concerts and Williamstown Chamber Music Festival.

    1994 WASO clarinet section: Allan Meyer, Lorna Cook, Jon Craven
    1995 Mozart Sinfonia Concertante for Four Winds: WASO with soloists Allan Meyer, Heidi Kepper, Joel Marangella, Anne Henderson
    1997 WASO clarinets: Allan Meyer, Lorna Cook and Alex Millier

    EChO

    Allan has performed with the WASO’s Education Chamber Orchestra and toured the Kimberley with them in 2002.

    EChO: Allan Meyer and Libby Hammer

    In 2001 he toured with the ensemble to Sydney to participate in Education workshops with Matthew Barley.  He was mugged in Wooloomooloo on his way to the hotel and his clarinets were ripped from his shoulder and stolen.  The Kings Cross Police Station retrieved the case from a street sweeper and luckily, aside from his precious mouthpieces, his clarinets were intact.


    SOLOIST

    Allan has appeared as soloist with WASO on multiple occasions.

    Allan has enjoyed performing the Mozart Concerto many times with WASO mostly on basset clarinet. The basset clarinet extension was made for him by well known woodwind technician & woodwind maker Tony Ward in Adelaide.

    Most recently Allan performed this conducted by his former student Chris Dragon who is now Resident Conductor of the Colorado Symphony Orchestra and Music Director of the Wyomong and Greensboro Symphony Orchestras.

    In 2013 he performed the Copland Clarinet Concerto, a work premiered in Australia by Jack Harrison, who sadly never got to hear him play it, passing away just a month before on 1st April 2013.

    Jack Harrison passing the Copland Clarinet score to Allan Meyer

    PREMIERES

    Among Allan Meyer’s notable premieres are:

    • the Australian premiere of Richard Mills‘ Concerto for Clarinet and Violin
    • the world premiere of Andrew Schultz‘s Maali
    • the world premiere of James Ledger’s Clarinet Quintet – Rashomon confessions for clarinet quintet (First performance 13 December 2009, Utzon Room, Sydney Opera House WASO Chamber Players (Allan Meyer – clarinet) . Commissioned by Sydney Opera House with funds provided by Regina Ridge Trust.
    • the world premiere of Blackwood by Iain Grandage and Kevin Gillam at the Perth Festival in 2011.

    Blackwood holds particular significance because it was commissioned by Jody Harrison and written specifically for Allan Meyer, soprano Sara Macliver and pianist Graeme Gilling, and featuring the art of Brendon Darby.

    Alongside his orchestral career, Meyer has been an active chamber musician.  In 2012 Allan collaborated with the internationally acclaimed Escher String Quartet and has regularly appeared in chamber music festivals and recital series throughout Australia and overseas. His performances encompass the major works of the classical repertoire, particularly those by Mozart, Brahms and French composers, while also embracing newly commissioned Australian works.


    Teacher and mentor

    Allan Meyer and Christine Reitzenstein in a Healthway sponsorship promotion
    Catherine Cahill and Allan Meyer

    Meyer has had an equally important impact as an educator and has taught at the University of Western Australia Conservatorium of Music and the Western Australian Academy of Performing Arts.

    Many of his students have gone on to professional orchestral careers throughout Australia and overseas, including:

    • Ashley William Smith 
    • Nicola Boud 
    • Benjamin Pallagi 
    • Christopher Dragon 
    • Liam Kinson – is in TAK ensemble in New York:Liam Kinson was born in Perth, Western Australia, in 1988, and began playing the clarinet at the age of 12. He studied at the University of Western Australia, where he holds a Bachelor in Music, Australian National Academy in Melbourne, and Manhattan School of Music where he received his Masters in Contemporary Music. Liam has performed with Wet Ink, International Contemporary Ensemble, Ecce Ensemble, and is a founding member of TAK ensemble. He has collaborated with dancers and actors and artists alike, and thrives on exploring new methods of expression through interdisciplinary means.
    • Lachlan Skipworth 
    • Jarrad Linke A clarinettist originally from Perth, Jarrad is an active freelance musician currently based in Melbourne. He completed a Bachelor of Music in Performance at the Queensland Conservatorium, Griffith University prior to three years of study at the Australian National Academy of Music (ANAM). He has studied with renowned Australian clarinettists David Thomas, Paul Dean and Allan Meyer and performed in masterclasses with international soloists Michael Collins, Sabine Meyer and Julian Bliss. Jarrad has performed with the West Australian, Queensland and Melbourne Symphony Orchestras, as well as numerous Opera Australia productions with Orchestra Victoria including The Phantom of the Opera, Tosca and Lohengrin. Jarrad also took part in Opera Australia’s 2022 National Tour of The Barber of Seville. When Jarrad is not playing his clarinet, you’ll find him studying his Bachelor of Nursing or strolling around with a vintage film camera in his hands.
    • Alex Roberts 
    • Eljo Agenbach  
    • Jane Pankhurst 
    • Alex McCracken – clarinettist and educator, active as a performer and teacher.
    • Oliver Crofts 
    • Matthew Kidd – freelance orchestral and chamber musician who has performed with the Adelaide Symphony Orchestra, West Australian Symphony Orchestra and Perth Symphony Orchestra.
    • Geoff Bourgault – freelance orchestral and chamber musician who has performed with the Adelaide Symphony Orchestra, West Australian Symphony Orchestra and Perth Symphony Orchestra.
    • Rosalind Appleby

    CASSWA

    Beyond performance and teaching, Meyer has played an important role in fostering the clarinet community in Western Australia.

    Allan Meyer CASSWA

    Since its establishment in 2009 he has served as Chairperson of the Clarinet and Saxophone Society of Western Australia. Under his voluntary leadership the organisation has promoted performance opportunities, masterclasses, educational projects and professional networking for clarinettists and saxophonists across the state.  https://www.casswa.com/

     

     


    Allan plays on Buffet Crampon R13 Prestige & RC Prestige clarinets. His preferred mouthpieces are a customised Dan Johnston ‘J’ facing and a Gleichweit 10-2 facing.

    Allan has a black tip in Tae kwon-do, enjoys running, swimming, skiing, going to the gym, playing terrible golf and reading.  He’s handy around the house and loves gardening, particularly knowledgable about Australian natives and his organic vegetable patch.

    Allan is a passionate Dockers supporter.


    Jody Harrison and Allan have a son, Max.

    Solo to Symphony press release- birth of Max
    2014 Max Meyer, Jack drawing behind, Allan Meyer
     
     
    Allan, baby Max and grandfather Jackpa Harrison
     

    Rachmaninov’s Second Symphony (West Australian Symphony Orchestra)

     

    Allan aged 26 at Camp Quaranup, Albany, Western Australia: