Person

NEIL, Annie

Annie Neil (born Annie Kavanagh in London) is a British vocalist and session singer based in Australia.

She spent five years performing lead roles in West End and Australian stage productions, including Hair (Australia) as well as Jesus Christ Superstar and Godspell (London).

She joined the rock band Fancy in 1974 for US tours and album recordings, garnering two gold records in the U.S.A..

Annie has provided backing vocals and session work for prominent artists such as Steely Dan, Dionne Warwick, Roger Daltrey, Mick Ronson, and Jack Bruce, and supported acts like James Brown, Lew Rawls, Kiki Dee and Tom Jones.

Annie has been a session singer in both Great Britain and Australia.

Her releases include projects like Annie Neil Sings the Blues.

Annie has appear with many ensembles, including “Ladies of Jazz” and “Birdland” performing countless times around Australia.

Performing with the West Australian Symphony Orchestra: Mark Underwood, Jody Harrison, Annie Neil, Sue Bluck, Jenny Wren (“Birdland”) and Tommy Tycho

She has worked as a voice coach for institutions and programs including the Western Australian Academy of Performing Arts (WAAPA), St. Hilda’s School for Girls, and The Voice Kids (2014)

Instruments

Vocalist

Person

COOK, Nutty

1946

W. Evans’ Vaudeville Show

On Thursday evening last Mr. Evans of Perth brought his vaudeville show to Toodyay to present the “Gaieties of 1946.” Among the artists, most of whom were returned servicemen, were: “Nutty” Cook (drummer), Greta Hall (singer), Mr. Rennie (comedian), Ken Gosper (piano accordion), Yvonne Teague (ballerina), Miss Wylie (ballet mistress), Mr. Young (saxophonist, clarionet and violinist), Miss Cecilia Young (show girl and ballet dancer), Great Devante (Master of Magic), Ian Meale (female impersonator) and Eric Allen (novelty pianist and musical director). Some very interesting funnies were put over by the talented comedian and ballet dancing was also well received by the large audience. Orchestral and band musical numbers were sundered right throughout the programme, making excellent accompaniments for the well-known and most popular numbers sung by Greta Hall. This show will be presented in Kalgoorlie tomorrow night and will .be leaving for South Australia early in January. We wish Mr. Evans and all his artists the very best of luck and trust they may return at a later date with bigger shows for a much increased audience of people.

Toodyay Herald (WA : 1912 – 1954), Friday 22 November 1946, page 12

1951

1952

1953

Nutty Cook, Jack Harrison, Peter Harrison, Ted Preston

Nutty Cook at the wedding of Marcia Chayter and Jack Harrison

OLD HATS INSPIRED ‘MAD HATTER ‘ – MUSIC VOGUE

A stack of old hats in his father’s men’s wear store started Ron Jenkins on the road to success in dance band-cum-comedy work. Discarded headgear gave Ron the idea of adding a novelty angle to his band. Later, he dug deeper into the pile of old clothes which had collected in the shop since its inception in 1910, and the idea for what so many dancegoers now know as typical Jenkins’ style was born. Ron always believed patrons want something more than straight music, lust how right he was is illustrated by the way dancers will stop and gather round the stand while Bon and the boys go through their crazy caners.

The Jenkins’ humour is essentially a team effort. A title is first chosen, then all band members offer their suggestions for slapstick. Best ideas are pooled and a number is ready to split the dancers’ sides. A lot of comedy is impromptu, but for big shows the band gets together at Ron’s place — as some Melville residents know only too well— to rehearse. To back this fooling Ron has a huge store of varied clothes. Included in his ‘wardrobe’ are 50 hats, ranging from elegant bowlers’ to Yankee gob caps, 8 striped blazers of unknown vintage, parson’s coats, swallow-tailed coats, oilskins, and Indian blankets. He also has masks, spectacles, false noses, cheeks and such like by the hundreds, not to mention innumerable wigs, both male and female. Compere of ‘Jazz at the Capitol’ Peter Harrison will probably say smoke bombs and crackers should be included in the list of the Jenkins’ equipment. While Harrison was talking before Jenkins’ act last Sunday a smoke bomb exploded behind him. Amid crackers and jumping jacks he was removed from the stage in a none-too-gentle manner. Before the smoke of the battle had cleared away the boys were on their stands beating out ‘Crazy Man ‘Crazy.’ It was!! Some think Ron’s car must have elastic sides, judging from the huge bundle of clothes of one sort or another which he brings to engagements. When he opens the door out comes Ron. crazy clothes and all. The next half hour is usually spent sorting it out. Comedy is only part of the Jenkins’ group. His musicians are ton class and can turn out solid music. Group comprises Vince Cook (drums), Allan Cole (bass). and Austin Ray (piano), not to mention Ron Jenkins on sax and clarinet. When the outfit is increased to a quintet for bigger bookings Ray Reason (you should listen to Reason) adds his trumpet.

Nutty Cook, apart from his brilliant drumming, can certainly put over a vocal — particularly a semi-comedy type. Ron vouches for the fact that many of the ideas for his shows come from the Cook cranium. Pianist Austin Ray has built up a great local reputation with his keyboard work, and really enters into the spirit of things when the band goes mad. Allan Cole (bass), needs no Introduction. He used also to be with Colin Hicks. Ron Jenkins has based his band to some extent on the Fats Waller style. ‘Fats got terrific lift out of popular numbers for a small combination and we try to get something of the same effect,’ says Ron, summing up. He sticks mainly to popular numbers which please the majority. The drive the quartet gets is amazing. Ron Jenkins’ interest in dance music dates back to when he was 6. His parents used to take him to dance festivals and the like. Soon after, he started to practise on his father’s drum kit and then he switched to the sax. He started playing with his father at small dances and shows. His first big job was with Merv Rowston’s Old Time Band at Government House. Later, he formed his own group. He has had more or less the same personnel in his outfit since the end of the war.

The Jenkins’ Group will always be small and compact. Ron says he would never be able to put across his comedy with a big band. Things would get out of hand and it would be a shambles. He has a great admiration for the way Spike Jones can present the music be does with so many in the band, and thinks this would take a lot of practice. He doesn’t take ideas from Spike, however. During the ball season the Ron Jenkins’ Quartet or Quintet has a busy time. Apart from regular Saturday engagement at the Valray, Rockingham, he has also a number of week-night engagements. He has travelled as far north as Big Bell and as far south as Busselton to play at dances. One Australian he has a lot of time for is Bobby Limb. Both Bobby Limb and Ron Jenkins serve up a similar type of fooling. Now Ron intends to revive some of his favorites from a few years back. Among best numbers are ‘Down on the Farm,’ ‘I’m Nuts on Screwy Music’ (which naturally enough his one of his favorites) and ‘Don’t Bring Lulu.’

Current, numbers which have received a going over from the Jenkins’ group Include ‘Ugly Child,’ ‘Dear Ron (John), and ‘I See the Moon.’ Ron was in 2 minds whether to play ‘Dear Ron’ or ‘I See the Moon’ at the Capitol last Sunday. He settled for the latter as it was more topical. Applause almost brought the roof down. Looking to the future. Ron and the boys are very interested in the advent of TV in the West. A group, like theirs should do very in this medium. Band gets Just as much kick out of playing as you get from seeing and having fun.

The Mirror Saturday 3 July 1954 page 14

1955

Daily News (Perth, WA : 1882 – 1955), Saturday 2 July 1955, page 5

1961

1961 ABW2 TELEVISION To Stage Live Musical Tonight – By Keith Flanagan

ABW will stage a 25-minute programme in place of “Roundabout” at 9.35pm tonight.

It will feature the music of Jack Harrison’s new quartet in such numbers as “Dizzy Fingers”, “Misty” and “Stardust”. Harrison, a clarinettist with the W.A. Symphony Orchestra, is one of the most versatile musicians in the business. Tonight he will play the harmonica, the piano and saxophone as well as the clarinet. Leonie Martin-Smith, one of Perth’s leading radio actresses, will make her television debut on the programme – as a singer. Earlier this year, she had the leading role in the stage production of “Annie Get Your Gun”. Tonight she will sing “Cock-Eyed Optimist” from “South Pacific” and will join Nutty Cook in a duet.

1961 A Show Without A Spoken Word – By Keith Flanagan

ABW set a record of sorts for W.A. live television last night by presenting 25 minutes of entertainment in “Music Box” without a spoken word. Each item was introduced with graphics with the tinkling notes of a musical box in the background. It was a programme of pleasant rhythm and songs, with the Jack Harrison swing quartet and vocalists Leonie Martin-Smith and Nutty Cook. It was easy to listen to, and rhythm fans would have found nothing to distract them. Pictorially, it was not very lively. There were no elaborate settings, no trick lighting gimmicks. It was one of those quiet shows the ABC likes to specialise in. Repeated close ups of clarinet and piano accordion don’t make for absorbing television. They were certainly the most recurrent.

1976

QUAIRADING SCHOOL ITEMS OF INTEREST

Music lessons : Due to the organisation of Mrs Beryl Stacey, music lessons in piano, organ, guitar and drums have commenced. Forty-nine children have enrolled for the lessons and Mr ‘Nutty’ Cook (who will be remembered by many parents as the drummer for Ron Jenkins’ band) and fellow musicians will conduct lessons on Wednesdays.

Beverley Times (WA : 1905 – 1977), Thursday 26 February 1976, page 6

A number of school students who have been having regular music lessons this year from Mr ‘Nutty’ Cook have reached a stage where they apparently have sufficient confidence and musical knowhow to combine their talents and play as a group. They are Brad Gordon, Dean Carter, Hadyn Hadlow, and Bob Williams, all of whom play electric guitars, and Reid Carter (on the drums). With continued practice they hope to eventually be proficient enough to provide music for school socials.

Beverley Times (WA : 1905 – 1977), Thursday 1 July 1976, page 2

Hadyn Hadlow shared Christmas in Zurich with Jody Harrison and Leanne Glover when a bunch of homelss australians sought each other’s company.

Hadyn always was quite handy on the guitar and was a solid member of the Spooky Mens choir for 10 or so years and had a good voice. His son Sam did a jazz degree at WAAPA on trombone and is a very respected player around Perth.

Haydn tragically died in 2025.

Instruments

Years

1946

Person

HAMMER, Libby

In 1992, Libby Hammer was soloist in a WASO concert with Tommy Tycho and James Flynn and the West Australian Symphony Orchestra with performances in Perth and Esperance produced by Jody Harrison.

1992 WASO conducted by Tommy Tycho with soloists Libby Hammer and James Flynn touring Esperance

As Director of Solo to Symphony, Jody Harrison managed Libby Hammer and Hip Mo’ Toast from 2005 until 2013.

Amongst the highlights of their many gigs together were the Australia Day concerts at the Quarry amphitheatre.

2007 Quarry Australia Day Concert with Hip Mo Toast Big Band and Libby Hammer

Libby started working as a professional jazz singer in 1996, a year before her graduation from Western Australia’s Academy of Performing Arts at Edith Cowan University. Since then has enjoyed a solid schedule of performances in a variety of settings.

Libby is quite partial to the French language and brings to music lovers an impressive repertoire inspired by all things Français. From the cutesy stylings of Blossom Dearie to the raw power of Piaf, this collection of songs takes in the classics right down to a pop number or two (rrra da-da da-da). Crooning in French and English, Libby explores continental repertoire such as the jazzy “C’est Si Bon”, the incomparably famous “La Vie En Rose” and the hopelessly romantic “Darling, Je Vous Aime Beaucoup” (in Franglais). And all with lashings of “je ne sais quoi”.

Libby was a key member of the Perth Jazz Society committee from 1992 until 2006 and in 2005 won the PJS Award for Most Outstanding Individual Contribution To Jazz. In 2007 she won another PJS award – Life Membership for Outstanding Long-Term Contribution to Jazz. She is proud to be Patron of Jazz Fremantle. Libby regularly adjudicates eisteddfods and singing competitions and is sought after for her professional development workshops. She has taught jazz at the West Australian Academy of Performing Arts, and currently teaches singing at two of Perth’s leading private schools.

Libby Hammer can be booked as a vocal soloist, as well as performing in a duo, trio or quartet setting.

In addition to these line ups, Libby also performs with Hip Mo’ Toast, from a quintet to the 14-piece Big Band……plus The Hammer Nine for in-between!

Christmas is covered with The Mistletones, an a cappella vocal quartet.

https://www.bbcentertainment.com.au/artist/libby-hammer

Libby Hammer is one of Perth’s premier jazz vocalists. With a backstory chock-full of musical theatre, acting, comedy, circus, languages, and 26 years of solid gigging, she is regarded in WA as an accomplished jazz singer, band-leader, vocal coach, and composer.

Libby’s awards include the Perth Jazz Society’s Award for Most Outstanding Individual Contribution To Jazz (2005) and Life Membership for Outstanding Long-Term Contribution to Jazz (2007). Libby’s first band, Hip Mo’ Toast, won six consecutive WAMI awards and in time grew into a collective of Perth’s best jazz musicians, performing jazz and also themed shows, such as the ever-popular Bringing Back Bacharach.

Libby is a regular presenter with the West Australian Symphony Orchestra’s Education Chamber Orchestra, and in 2017, 2021 and 2022 performed alongside UK composer and presenter Paul Rissmann in his works for children. Libby’s own original music show for children, Crazy Hat Day, won the WA Children’s Event Award at Fringe World 2017.

https://www.waso.com.au/people/libby-hammer/

Celebrity Soft Spot Libby Hammer

Instruments

Person

NEWTON, Victoria

Australian jazz vocalist Victoria Newton has delighted audiences worldwide with her unique combination of energy, spontaneity and musicianship. Her heartwarming vocal delivery and engaging stage presence are summed up by Steve Rubie (owner of London’s 606 Club) when he describes her as having “a fabulous strong clear voice with a great sense of time and an even greater sense of fun!”

Victoria began her musical career in Perth, and whilst studying towards a Bachelor of Music degree majoring in clarinet at the University of Western Australia, she discovered an enormous passion for jazz. She then went on to study jazz voice at the Western Australian Academy of Performing Arts, where she had the most amazing opportunity to support international artists such as Ray Charles, Dionne Warwick, Ray Brown and James Moody whilst singing with the Western Australian Youth Jazz Orchestra.

Victoria relocated to the UK in the early 1990s, and became recognised as one of the most exciting and dynamic jazz vocalists on the London jazz scene, initially collaborating with Acid-Jazz recording artist Ronny Jordan and supporting Terence Blanchard at the Jazz Cafe in London with her own quartet.

She has appeared at many venues and festivals in many countries including the famous Ronnie Scott’s Jazz Club in London, the London International Jazz Festival, Oxford Literary Festival, Ealing Jazz Festival, Ingolstadt Jazz Festival in Germany, and Alexis Jazz Club in Kuala Lumpur for their International Jazz Series. One of Victoria’s favourite gigs to date has been performing Brazilian songs whilst cruising up the Amazon!

Victoria also experienced international success during the mid 1990s with UK dance/pop group Strike and their massive hit ‘U Sure Do’. The success of this single followed by 4 UK top 40 hits and the critically acclaimed album ‘I Saw the Future’ lead to a whirlwind of TV appearances including MTV and BBC’s Top of the Pops, touring to many countries around the world, and sharing the stage with the likes of Jocelyn Brown, and The Spice Girls  Victoria’s vocal performance on ‘I Saw the Future’ has been described as “outstanding throughout”

(Dream Magazine) and her live performances “simply stunning”, with “staggering vocals” (M8 magazine).

Victoria released her first jazz album ‘The Song is You’ in 2004 which received regular air play in the UK and featured some of the finest British musicians including the internationally acclaimed Gwilym Simcock.

Since relocating to Perth, Western Australia, Victoria performs in a variety of musical settings which include her ‘Watercolours of Brazil’ and ‘Funky Brasilia’ projects, regular appearances at the Ellington Jazz Club, the Perth International Jazz Festival, York Jazz Festival, Fairbridge, and Jazz by the Bay. She is also one of the vocalists for Manteca and the Straight Ahead Big Band.

Victoria is also head of the jazz vocal program at the Western Australian Academy of Performing Arts.

‘Deeply into the music, a real jazz singer’ ~ Brian Blain, Jazz UK

‘A jazz singer a cut above the crowd’ ~ John Fordham, The Guardian, UK

‘Beautiful phrasing, faultless pitching and great swing throughout’ ~ Peter Quinn, Jazzwise, UK

Current as of 2026

Born in Australia, Newton developed her academic focus on jazz and classical traditions while based in Perth, completing studies in clarinet with teacher Jack Harrison at the University of Western Australia. She simultaneously enrolled in a jazz vocals program at the Conservatorium and performed regularly as a member of the Western Australia Youth Jazz Orchestra.

After entering the Australian Singing Competition she advanced to finalist status. Relocating to the UK in 1990, she rapidly gained recognition across London’s jazz, pop and Latin circuits. Early collaborators included acid-jazz guitarist Ronny Jordan and the Latin jazz fusion band Cayenne, where she took the role of lead singer; she was also the first vocalist engaged by Steve Rubie’s Latin ensemble Samara.

In late 1994 Newton joined dance-pop group Strike as lead singer, an affiliation that generated extensive touring and select studio work. The act’s debut single “U Sure Do” climbed to number 4 on the UK charts and achieved solid sales across continental Europe and Australia. Strike subsequently performed in Spain, Italy, Norway, the Netherlands, Germany and Japan, securing additional UK Top 40 singles while their album I Saw The Future earned both critical praise and strong public response.

Newton’s broad repertoire has made her a frequent choice for engagements at prominent London hotels and clubs. She performs repertoire in Spanish, Italian, French and Portuguese.

In 2002 she appeared with the London funk outfit 3 Bean Salad. Beyond those affiliations she fronts the all-female ensemble Katmandhu and participates in Oxala, a Brazilian-music collective.

Her debut jazz album under her own name appeared in 2004 and met with favorable notices from both reviewers and listeners.

Jazz artists she has accompanied include pianists Jonathan Gee, David Newton, Gwilym Simcock and Gareth Williams. In addition to her stage work, Newton instructs on the Jazz Studies course at Trinity College of Music and maintains an established practice as a vocal coach.

https://codamusic.me/artists/victoria-newton/

Victoria Newton relocated to Perth in 2008 after many years in the UK, where she was recognised as one of the most exciting and dynamic jazz vocalists on the scene. In recent times she performed at the famous Ronnie Scott’s in London, Alexis in Kuala Lumpur, for their International Jazz Series, and a dream gig performing Brazilian songs cruising up the Amazon!

She has appeared at many festivals and venues throughout the UK and Europe including Queille in France, The Ingolstadt Jazz Festival in Germany, The Oxford Literary Festival, Pizza Express, the 606 Club and the Jazz Cafe in London where she supported Terence Blanchard and performed with Ronny Jordan.

Victoria also experienced international success during the mid 1990s with UK dance / pop group Strike and their hit ‘U Sure Do’. This led to her appearing on MTV and the BBC’s Top of the Pops, touring throughout the world and recording the critically acclaimed album ‘I Saw the Future’.

She released her first jazz album ‘The Song is You’ in 2004 which received a great response from the press and regular air play in the UK.

In March 2009 she was the featured singer during the opening week of the Ellington Jazz Club, where she continues to perform regularly.

Her rich, sensual voice and powerful stage presence are summed up by Steve Rubie (owner of London’s 606 Club) when he describes her as having “a fabulous strong, clear voice with a great sense of time and an ever greater sense of fun!”.

VICTORIA NEWTON – Jazz Diva

Victoria Newton: Photo by; Stephen Heath Photography www.stephenheathphotography.com

https://www.waapa.ecu.edu.au/about/our-staff/profiles/music/jazz-performance/ms-victoria-newton

Instruments

Years

1990

Person

ADAM, Cliff

1932

BRIGHT AND CLEAN – Luxor Presents Snappy Show – (By “Grease Paint”)

This week’s show at the Luxor Theatre is bright, snappy and clean. The first half finale has an Hawaiian atmosphere in which Dixie and D’Raine and Cliff Adam contribute several melodious numbers on the ukulele and guitar, while Desiree Maurice, Nat Hanley and Joe ValJi supply the humor. Other bright and popular numbers in this half are songs by May Webster, Joe Valli (the Un-canny Scot), Fred Moore, Kath Esler and a male quartette, comprising Joe, Hughie, Cliff and Fred and Thelma Pittar. Cliff Adams and the ballet present “Ballet Artistique.”

The second half introduces some real clever work by popular Nat Hanley who showed his versatility on the piano (he had to give several encores), and some first class work is done by Desiree Maurice and Joe Valli in a sketch written by the latter entitled “Not a Word to the Wife.” A number that received long and sustained applause was that of the “Clifton Duo” (Bootsie Williams and Cliff Adams), step and tap dancers of outstanding ability. A clever kiddie in Thelma Barrey puts over a good contortionist act. The revue written by Nat Hanley and called “Cowboys and Clues” is built around the exploits of two comical cowboys (Nat Hanley and Joe Valli) who expose a supposedly-wealthy Mexican Don as a card-sharper and murderer. Some splendid acting is seen from Desiree Maurice, Dot D’Raine, and Charles Baker (Don Pedro Garcia); the latter’s fine voice was also heard to good effect in that one-time popular song “Marcheta.” A brightly-frocked and clever ballet, good support from the talented Luxor orchestra and colorful and artistic backgrounds (the work of Alf Maurice) help to make this week’s show one of the. best yet presented to Luxor fans.

New Call (Perth, WA : 1931 – 1934), Thursday 14 April 1932, page 17

“SHOW GAME PERSONALITIES – What They Do Outside The Theatres No. 7.— “The Versatile Duo.” (By D.M.S.).

AN act that has been receiving well-deserved applause at the Luxor Theatre is provided by that versatile couple, Bootsie Williams and Cliff Adam. Both are exceptionally fine and versatile exponents of the terpsichorean art and are comparative youngsters in both age and length of time spent in team work. But their work is well up to the standard of any yet seen in Perth. Both were born in the West and are also former pupils of Miss Emmie Gable.

“BOOTSIE” WILLIAMS had her first lesson at the age of thirteen, and besides being a classy stepper is also in a class of her own as an acrobat and wire-rope walker. V, hen fifteen she went on a two-years’ tour of the North West as a member of the Sylvester Co., and whilst on this tour, had with the other members of the company the unenviable experience of being lost for three days. Returning to Perth she and a partner appeared at Hoyts’ Regent Theatre in a dancing act which included exhibitions of the “Black Bottom,” and “Varsity Drag.”When When the Ambassadors opened she was a member of the ballet and remained with it for two and a half years. Th? last six months she has been a member of that sextette of bonny steppers around at the Luxor, and just recently teamed up with her partner.

KNOWS A LOT: Cliff Adam like his partner is not confined to dancing alone. A clever musician he plays the ukelele, guitar and banjo, and has appeared in numbers with Dixie and D’Raine (well known and popular entertainers with Luxorites), he can sing a good song and is also a good acrobat. His first stage appearance was as a juvenile in the Nellie Brainley Co. some years ago. Three years ago he received his first dancing lessons, and has appeared at the Ambassadors, Regent, Capitol and suburban theatres. He was a member of the Prince of Wales male ballet and then after a season at the Capitol Theatre joined up with the Milton and Adams Co. at the Luxor. When Brock and Thompson (whose whirlwind dance was an outstanding number in the “Golddiggers of Broadway”) were in Perth, Cliff Adams’ ability as a tap dancer was favourably commented on and both predicted that in a few years he would be among the top-notchers. Both Cliff and his partner are quiet and unassuming types of young Australians and the sort who wherever they might be will always bring credit to themselves and Western Australia. and the wish of “The New Call” is good luck, good hunting and the greatest success in the near future.

New Call (Perth, WA : 1931 – 1934), Thursday 21 April 1932, page 6

1933

LOCAL BAND HONOURED. – Engagements in Eastern States.

For the first time in broadcasting history a West Australian band has been engaged through the Australian Broadcasting Commission to give performances over the air in the Eastern States. Ron Moyle and his ‘Westralians,’ a combination of local performers, will leave for Adelaide by the Great Western express on Saturday, night, and will be absent for about six weeks. The ‘Westralians’ will be heard over the air from 5CL, Adelaide, on December 21 and 22, and from South Australia they will go to Melbourne, where they will broadcast from 3LO- between January 6 and 27. It is possible that the band will also visit Sydney.

Ron Moyle himself is wellknown to listeners in Western Australia, having been connected with broadcasting in this State for many years.

His band, which is composed of the following players, was heard from 6WF during last dancing season: — Ron Moyle, A.C.T.L. (pianist); Bob Gibson, L.A.B. (alto saxophone, clarinet and violin) ; George Caro, A.T.C.L. (tenor saxophone, clarinet and violin); Allan Gough, A.T.C.L. (alto saxophone, clarinet and violin); Viv. Nylander (trumpet and trombone); Kem Fimmel (trumpet); Charles Thompson (trombone and trumpet); Wally Hadley (banjo, flute and guitar); Cliff Adam (guitar, tap dancer and vocalist); Niddy Roberts (drums and vocalist); and Tom Bennett (bass). The band will give a final concert at the Ambassadors Theatre on Friday night.

West Australian (Perth, WA), Wednesday 13 December 1933, page 5

1934 – Melbourne

CLIFF ADAM DOING WELL – Perth Boy’s Success

Cliff Adam, a Perth boy, is doing exceptionally well in Melbourne just now. Cliff will be remembered for his supers dancing turns at the Luxor and elsewhere. Some time ago he went East, but was compelled to break his engagement and return West owing to illness. He is now at his top again in Melbourne, and is one of the most popular performers at the New Embassy in that city, where his items on the guitar and his clever dance numbers ARE A FEATURE of the programme. Cliff, who is a son of Mr. and Mrs. W. Adam, of Beaufort street. Perth, is the cleverest stepper of his type that this State has yet produced, and ‘The Mirror’ predicts a big future for him. His many W.A. friends will be delighted to hear of this unassuming young Perth lad’s progress.

Mirror (Perth, WA : 1921 – 1956), Saturday 14 April 1934, page 7

1949 – Mirth and Music

Jack Harrison’s photo of the staff of “Mirth and Music” in ABC Studio 7. Cliff Adam (guitar), Bill Hendrie (guitar), Ralph Filmer (bass) Dave Howard (producer), Muriel Costigan (singer), Sylvia Caporn (pianist) and Harry Bluck.

“COMMAND PERFORMANCE”

Capitol Theatre Next Sunday Night (Sun 2 Oct 1949)

In old of Legacy War Orphans’ Appeal.

Dick Fair, of Amateur Hour fame.

Anew McMaster and Company.

Gaved, Chinese Magician.

Albert Chappelle.

Billy Edwards and The Specialty Harmonists.

Y.A.L. Boys in Jack Anstey’s “Cuban Fair.”

Jack Harrison‘s Swing Quartette.

The Wrightsons.

Betty Whittaker and Phil. Moran.

Wally Hadley.

Laurie Croisette of London.

Billy Clowes, Blind Pianist.

Charlie Court.

Cliff Adam.

Pamela Flower.

Phyllis Blott and Winnie Walker, Accompanists.

Caledonian Pipe Band.

ANEW McMASTER, Producer.

Lounge 10/-, Front Stalls 7/-, Circle 5/-, Back Stalls 3/-.

The West Australian Wednesday 28 September 1949 page 30

On October 6 1949, Jack Harrison played the first performance in W.A. of the Artie Shaw Clarinet Concerto with the Jazz Symphony Orchestra conducted by John Nugent Haywood at the Capitol Theatre.

JAZZ SYMPHONY OF 1949

CAPITOL THEATRE

THURSDAY, OCT. 6 1949

(One Night Only).

1949’s BIGGEST MUSICAL SHOW

Surprise Exclusive Engagement of Australia’s Topline Film, Radio Actor and Producer Star of “Overlanders” Film, Founder and First Conductor of Perth Symphony Orchestra

JOHN NUGENT HAYWARD

Conducting

THE JAZZ SYMPHONY ORCHESTRA IN GERSHWIN’S “RHAPSODY IN BLUE”

Featuring LOUISE D’ARCY – A.B.C. Concerto SOLOIST.

HUGE LINE-UP OF THE STATE’S BEST PROFESSIONALS ! ! !

SAMMY SHARP’S JAZZ SYMPHONY ORCHESTRA of 28 Leading Musicians.

ALBERT CHAPPELLE Dramatic Baritone in W.A.’s first presentation of the famous “SOLILOQUY” with Orchestra.

JACKIE HARRISON First Performance in W.A. of the thrilling ARTIE SHAW “CONCERTO FOR CLARINET” with Orchestra.

PHYLLIS FROST Sensational Blind B.B.C. Singer.

CLIFF ADAMS and “NIDDY” ROBERTS hilarious Comedy Duo.

“SOPHISTICATED LADIES” STRING ENSEMBLE All-femme String ensemble heard with success over A.B.C.

PETER HARRISON Well-known Radio Personality and Announcer, also prominent “Old'” Jazz Authority.

HARRY BLUCK Producer who successfully directed the “Jazz Symphony of 1948”, “Jazz Jamboree,” “Battle of Bands” and other successes.

ADMISSION – 3/-, 4/-, 5/- (plus tax)

BOX PLAN AT NICHOLSONS.

BOOK EARLY TO AVOID DISAPPOINTMENT.

The West Australian Friday 30 September 1949 page 37

BLIND SINGER GIVES BIG AUDIENCE THRILL

I don’t think I was the only one that got a kick out of Jazz Symphony of 1949 which packed the Capitol Thursday night. I really believe the audience enjoyed themselves thoroughly. In a grand show it’s hard to single out any particular artist but I hand the palm to blind singer Phyllis Frost (she’s ex-BBC). Her St. Louis Blues was outstanding. Jackie Harrison’s Concerto for Clarinet and Albert Chappelle’s Soliloquy (with full Sammy Sharp orchestra) we’re 2 other winners. So, too, was the big orchestra’s Rhapsody in Blue, in which Louise D’Arcy, piano, and John Nugent Hayward, conducting, were in splendid form. For humor, a talented musical trio in Niddy Roberts, Cliff Adam and Harry Bluck did a top-ranking job. Judging by the size of the audience, jazz concerts are the vogue. Should be a big gathering at the jamboree on October 30.

Mirror Saturday 8 October 1949 page 12

TEST MATCH CONTEST

Offer Of Visit To Adelaide

A trip to the fourth Test match in Adelaide, one week’s accommodation and £25 spending money is a prize offered by “The Broadcaster” this week. Competitors are required to name the English and Australian elevens and12th men, for the third Test but need not place them in batting order. Full details are in this week’s issue. Other features include photographs and details of eight world famous artists who will come to Australia this year to take part in the jubilee celebrations. At the jubilee “Festival of Light,” in Supreme Court Gardens on New Year’s Eve, much of the cream of the State’s musical talent will be heard. An unusual story about a Perth pianist is presented by Robert Boyle. Quips from “Take it from Here” and “Much-Binding-in-the Marsh” appear, and “Narvis” on his dance band page states that Cliff Adam has been commissioned to record for the Australian Broadcasting Commission and tells of the Harrison Trio’s separate plans. A well-written short story, “Firstin Foster,” by Roger Walford, is illustrated by Ronald Bocking. The West Australian Thursday December 28 1950 page 2

1951

CAPITOL THEATRE – SUNDAY 28^th OCTOBER 1951 – JAZZ JAMBOREE

Featuring 12 of Perth’s Leading Dance Bands

Jazstars, Cliff Adam, Norm Wrightson, Merv Rowston, Ron Jenkins, Harry Bluck, Jimmy Beeson, Bill Kirkham, Peter Clinch, Ken Murdoch, Jack Harrison, Sammy Sharp.

Booking Opens at Nicholsons. Friday 19^th October 1951.

1952

In 1952, Jack’s jazz ensemble (now consisting of Jack, Jill, Ray, John Mowson (bass) and Cliff Adam (guitar) was broadcast nationally on the ABC’s Swing Club. Jazz gigs and concerts were juggled between classical concerts and broadcasts with W.A.S.O. Live jazz gigs often consisted of Jack’s band which he joined for the final bracket after a symphony performance. Remembering to put all of his instruments in the car was sometimes a challenge!

W.A. BAND ON NATIONAL HOOK-UP EARLY IN APRIL 1952

Thursday night Swing Club listeners in all States of the Commonwealth are to hear a broadcast by Jack Harrison’s Swing Quintette, one of Perth’s most outstanding modern style outfits. The group recently recorded a session for the Australian Broadcasting Commission, which is now due for an early airing.

This band is to some extent a family concern, with Jack himself, alto, tenor and clarinet; twin sister, Jill Harrison, piano; and Ray Harrison, drums. The remaining members of the group are one-time Brokensha bass man John Mowson and Cliff Adams guitar. Cliff is a well known Sydney musician and has played for many years at the Trocadero – the harbour city’s number one dance hall. In 1949 the family group won the “Battle of the Bands” in Perth and has been doing regular broadcast work since, in addition to its usual dance engagements. An interesting fact regarding Jack and Jill Harrison, and also John Mowson, is that they are still under twenty one years of age. In addition to this all three are members of the West Australian Symphony Orchestra. The group’s manager is yet another member of “the family” – William E. Harrison. –(TOM STERNE).

Music Maker Magazine April 1952

Radio Broadcast May 17 1952

The A.B.C.’s Thursday Night Swing Club is almost a family affair for there are three

Members of the Harrison family in the Jack Harrison Swing Quintette. Twenty year old Jack is on the saxophone and clarinet, twin sister Jill is pianist and Ray is drummer. Other members are John Mowson (bass) and Cliff Adam (guitar). Jack has been associated with radio shows for 12 years having appeared as a mouth organist in an amateur hour in 1940. Jack and Jill have graduated through swing music to the W.A. Symphony Orchestra. John Mowson is also a permanent member of the orchestra and Cliff Adam is well-known in Sydney as a member of the Trocadero Band.

The Broadcaster Saturday May 17 1952 Vol. 19 No. 946

Wednesday 28^th May 1952 – Jazz At The Capitol

Lena Horne. Spike Jones. Mills Brothers. Harry Eddison. Lester Young. Ella

Fitzgerald. Ray Brown . . .

They’re just a few big names of modern music in the long list of acquaintances claimed by Ron Stanton, now in Perth. Ron, a Sydneysider, is a genuine young man of music. American tours have given him an intimate knowledge of techniques over there — and he’s bringing them to Perth.

Particularly impressed with the annual festival Jazz at the Philharmonic, he has formed a “leaders group” in Perth for Jazz at the Capitol. Group includes Harry Bluck, Sammy Sharp, Cliff Adam, Bill Kirkham, John Mowson, Charlie Thompson and Ron Stanton himself.

Program— at the Capitol on Wednesday night— will also include the “name bands” of Perth, Chung Doo, Stanton’s sextet and Jack Harrison’s quartette. Mirror Saturday 24 May 1952 page 8

Sunday October 26^th 1952 – Jazz Jamboree

DANCE BAND FANS! – BOOK EARLY And Avoid Disappointment for the

JAZZ JAMBOREE – CAPITOL THEATRE

SUNDAY, OCTOBER 26 At 8.45 p.m.

SAMMY SHARP HARRY BLUCK

MERV ROWSTON KEN MURDOCH

BILL KIRKHAM JACKIE HARRISON

THE JAZSTARS NORM WRIGHTSON

RON JENKINS JIMMY BEESON

COLIN HICKS CLIFF ADAM

Tickets 4/- BOX PLAN NOW OPEN AT NICHOLSONS

Cliff Adam, who led his own outfit at last Sunday’s Jazz Jamboree, begun in show business as a tap dancer. An operation put an end to that and Cliff took up the guitar. He left Perth in 1938 to try his luck in the Eastern States. Recognition soon came and he was a member of the band of the Capitol Theatre, Melbourne, and later, Sydney’s Prince Edward Theatre. Some years ago Cliff had the distinction of playing at a ball at Government House, Melbourne, in honour of the Duke and Duchess of Gloucester. Royal party’s official entrance had to be timed to the split second. Afraid to trust the watches of the boys in the band, the Duke’s ADC produced an alarm clock. According to Cliff, the inevitable happened — some- one set the alarm clock to synchronise with the Duke’s entrance. He says it is surprising how difficult it is to switch off an alarm clock sometimes! Cliff names Andre Segovia and George Van Epps as the world’s greatest exponents of the guitar.

Mirror Sat 1 November 1952 page 6

1953

PERTH MUSICIANS PLAN BIG WELCOME FOR RAY HARTLEY ON HIT PARADE

Local-boy-made-good Ray Hartley will step off the Strathnaver onto the proverbial red carpet rolled out by WA musicians when he arrives in Fremantle Tuesday week. Busy drawing up plans and specifications for a monster concert featuring local artists at the Capitol is band leader Sammy Sharp. Many other suggestions about ways and means to honour the writer pianist must be shelved until Ray has been consulted, but certain it is that Ray’s rapid rise in the entertainment world will be appropriately recognised. Present vague information about his ‘working holiday’ stay in Perth will not allow the mapping of any schedule. In fact, it’s thought that the concert at the Capitol will have to wait til a week or so after his arrival because of theatre bookings. How polished pianist Ray broke through the formidable barrier to success with his catchy ‘Let’s Do It Again’ soon after his arrival in London is well known. For some weeks the local radio hammered Donald Peers’ rendition of the number, and it was the same in England and America, where the tune topped the hit parade. Ray’s is truly a ‘rags-to-riches’ story— from a laundry hand to a celebrity in a few years, which seem incredibly short. He put his RAAF discharge in his pocket and went to work in a Perth laundry. Seven years ago he was 6 PM’s station pianist and supplemented his income with odd engagements at the ABC and a dancing school. He made steady local progress and moved across to Sydney in early 1948. There his services were in demand on radio and stage, and in his spare time he collected his A.Mus.A. at Sydney Conservatorium. This was the signal for his departure for London, where he quickly got his feet on the ladder of success. It’s almost 4 years now since Ray landed in London full of hopes and ambition, and since then he’s had at least 16 tunes published, including 2 best sellers. BBC and Radio Luxembourg have sought out his services, and he has made the screen with M-G-M and Pathe. Definite it is that Ray will be heard in 4 broadcasts from the ABC while in his home town. A week after his arrival he will appear in ‘What Next?’ ?

Harry Bluck and the conductor-arranger himself is shown at the far left, front row, Next to him in front, from left: Sylvia Caporn, Johnny McCaughan, Mario Burlini, George Franklin, Cliff Adam. Back row: Ralph Filmer, George Caro. Jack Pateman, Ted Mc-Mahon, Arch Waddell.

This well – known Perth band is heard weekly in Hit Parade all over Australia and by the troops in Korea. It is the noted combination of Harry Bluck and the conductor-arranger himself is shown at the far left, front row, Next to him in front, from left: Sylvia Caporn, Johnny McCaughan, Mario Burlini, George Franklin, Cliff Adam. Back row: Ralph Filmer, George Caro. Jack Pateman, Ted Mc-Mahon, Arch Waddell.

Mirror (Perth, WA : 1921 – 1956), Saturday 18 July 1953, page 12

NOTES ON THE DANCE BANDS

Thursday 27 August 1953

The Inkspots, not the famed colored outfit, but a group of well-known business, sporting and musical folk who usually gather at popular Clive McMillan’s home, held a ladies’ night at the Continental, Claremont, on Thursday last. Guests included the following: Clive McMillan, Steve McHenry, Murray Church, Merv Rowston, Morry Maurice, Cliff Adam, Jim Beeson, Wally Hadley, Roy Delamere, Reg Benjamin, Jack and Jill Harrison, Johnny Mowson, Dr. Willington, Cyril Bird and Reg North. Mine host Harry Ward entertained on the banjo and joined the boys on trombone in several jam sessions.

Mirror Saturday 29 August 1953 page 13

An effort is being made to have a reunion of players of Ron Moyle’s old band. – These include: Ron Moyle (pianist and leader), Cliff Adam (guitar, vocals and tapdancing), Niddy Roberts (drums), Wally Hadley (banjo), Tommy Bennett (bass), Ken Pimmell and Viv Nylander (trumpets), Charles Thompson (trombone), Alan Gough, George Caro, Bob Gibson (saxes).

Mirror (Perth, WA : 1921 – 1956), Saturday 24 October 1953, page 12

1954

JAZZ AT THE CAPITOL

TEN TOP BANDS TO BEAT OUT JAZZ

SUNDAY 27 JUNE 1954

That Jazzbo Collins’ quip ‘Be you round, be you square, it’s guaranteed to curl your hair,’ could well be applied to tomorrow’s ‘Jazz at the Capitol.’ Perth fans have always rushed these shows and judging by the crowd round the box office during the week this one will be no exception. Ten of Perth’s top bands will get together to boost the Wendy Nash Appeal. And in the midst of all this jazz Wendy herself will take the spotlight and play a couple of classical numbers— Clare de Lune (Debussy) end Khatchachurian (Toccato). Organiser Harry Bluck says that though these compositions are definitely in the classical sphere he is sure they will go across well with the jazz lovers.

Listed for the program are the Harry Bluck Sextette, Ray Le Cornu’s Band, Cliff Adam Sextette, The Jazstars, Jack Harrison’s Quartette, Norm Wrightson’s Band, the Jimmy Beeson Group and Merv Rowsten’s Band. Popular trumpeter Sammy Sharp will be sitting in with Merv.

All these outfits, with the exception of Merv Rowston, will play 3 numbers. He will

present his own arrangement, ‘Merv’s Music in the Modern Manner.’ Ray Le Cornu’s Band will give out with ‘Tuxedo Junction,’ made famous by the mighty Glen Miller Orchestra. It will be interesting to see how he puts this number across. Also on Ray’s list is the ‘Woodchoppers’ Ball,’ old favorite of which Woody Herman made such a great recording. King’s Park dance-goers know what a terrific job Jackie Harrison makes of the ‘Golden Wedding.’ The hall comes to a standstill when Jackie gets up on the stool to extract those last few high notes from the liquorice stick. Ron Jenkins has built a great reputation with his top class music and comic acts. Ron and his quartette will serve up ‘Crazy Man Crazy’— guaranteed to make everyone ‘go mad.’ Norm Wrightson has a certain touch of class about his presentations. He gets a beautiful tone out of his clarinet — which should be well to the fore. His selections are all numbers played by Benny Goodman groups —’I Got Rhythm.’ ‘South of the Border’ and ‘Undecided.’

Those who were at the Jazz Jamboree last, November will no doubt remember the great reception Martin Gieschus got when he sang ‘That Old Black Magic.’ He had to sing it again. Tomorrow night he is singing current pops-top ‘Answer Me My Love’ with the Jimmy Beeson Group. Jimmy’s other 2 items are ‘Sometimes I’m Happy’ and ‘Cheek to Cheek.’ Jazstars are billed for 2 oldies in ‘Tiger Rag’ and ‘That’s a-Plenty.’ Liza Ray provides the vocal of their third number, ‘Somebody Loves Me.’ Harry Bluck sextette will feature ‘Lullaby of Birdland,’ a number popularised by the inimitable George Shearing. Kath Bass exercises the vocal chords singing ‘The One I Love Belongs to Someone Else’ with the Bluck group. Cliff Adam’s outfit will play ‘The Continental,’ ‘Cumana’ and ‘Long John

Stomp.’ It’s no wonder all seats have been taken except 200 to be sold at the door.

The Mirror Saturday 26 June 1954 page 13

Jazz Concert – George Watson Show – Sunday 7 November 1954 – Popular

The Capitol theatre was packed last night when six local bands and a combined band led by George Watson, a former West Australian, gave a jazz concert. Mr. Watson is regarded in Melbourne as one of Australia’s foremost drummers and bandleaders.

The young audience heard jazz classics played by Neil Boon’s Quartet; Cliff Adam’s Show Band; Harry Phillips’ Quartet; Ossie Sanderson’s Trio; Jack Harrison’s Quartet; and the Dixieland Group.

The West Australian Monday 8 November 1954 page 15

1955

Cliff Adam Band one of best on WA radio

Heard and enjoyed often on local stations are popular members of the Cliff Adam Band (below from left to right) Jack Pope, Harry Wicks, Cliff Adam, and John McCaughan. Leader Cliff Adam -something special with a guitar, a song, and formerly a tap dance – is among the most experienced of WA musicians.

Cliff Adam Band (left to right) Jack Pope, Harry Wicks, Cliff Adam, and John McCaughan

He left Perth to tour the Eastern States with. Ron Moyle’s “Westralian” in 1933 and, finding things over that way to his liking, stayed for several successful years.

He played in famous Melbourne cabarets and toured with the Bert Howell band, one of Australia’s best in Sydney. He played with the tuneful Jay Whidden unit and had success on the air with the Colgate – Palmolive, Fred Hartley and other well-known radio bands. Now he broadcasts with his Hawaiian ensemble,, the 55-60 Show with the ABC Variety Band and. of course, his own Cliff Adam show.

Drummer and vibraphone player Harry Wicks moved here from Sydney two years back with the smash-hit Moreton and Kaye show He liked the place, decided to stay, and is heard in many local commercial shows. Harry hails originally from New Zealand but he has the Australian “bounce” in abundance.

Trumpeter Jack Pope, a member of Harry Bluck’s ABC Melodians, is heard also on commercial stations. So does tenor-sax maestro John McCaughan, a momentous Melodian with the ABC. The quartet play together several times weekly in Cliff’s dance band. Other members of the band, pictured, are Russ Shepgeard pianist, and Ralph Filmer, bass.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 9 January 1955, page 20

Instruments

Years

1951

Person

KERR, Edna May

Edna May Kerr was Jack Harrison‘s mother.

Edna May Kerr was born in Midland Junction to railway carriage painter William “Walter” Kerr and Swan River Pioneer Amy Louisa Gane.

She attended Bayswater Primary School and in her teenage years began performing with her sister Bessie Amelia Kerr in the entertainment troop the Rainbow Pierrots where she met her future husband William Edward Harrison in June 1922.

1924 article Rainbow Pierrots with William and Edna Kerr

1920 Edna Kerr’s 14th birthday, Bayswater

She worked in a photography shop hand colouring photographs prior to getting married.

On Sunday 10 August 1924 the engagement was announced in the Sunday Times of:

Edna May, younger daughter of Mr. and Mrs. W. Kerr of Leake Street, Bayswater, to William Edward, eldest son of Mr. and Mrs. A. D. Harrison, of Merriwa Street, Nedlands.

Amy, Edna and Wally Kerr on Edna’s wedding day

1925 Edna Kerr on her wedding day getting into the car

At the age of 27 on the 25^th July 1925 at St Mary’s Church of England West Perth William Edward Harrison was married to the eighteen year old EDNA MAY KERR.

They lived at 64 Bruce Street Nedlands until their own house at 24 Highway (later Kingsway) Nedlands was completed.

Edna and William had four children:

William Arthur (1926 – 2000)

Ramon Kerr (1929 – 2023)

Jill Lois (1931)

Jack Louis (1931 – 2013)

1937 Amy Kerr, Edna, Ray, Jack and Jill Harrison

1937 Kalamunda shack: Bill Jnr, Edna, Bill Snr. Front: Jill, Jack, Ray Harrison

From her home at 24 Highway Nedlands (later renamed Kingsway) Edna and her sister Bessie ran a catering business, often providing suppers for the performances at which her husband and children performed.

1949 Jill & Edna in 24 Highway Nedlands kitchen

1939 At around this time Edna Harrison and her sister Bessie started a catering business called George Harrison Caterers.

Both their houses had large areas set up mass cooking (pastry made by hand using lard).

1935 Shirley George, Bill and Edna Harrison and Bessie George

Grand daughter Lois remembers: I use to scrub the cake tins out in the backyard drain for a shilling, I’d say I was about 6. So maybe 60 years ago. They never advertised it was all word of mouth. They used the back outside room to Bessie’s house to do a lot of prep. All the dishes etc were kept in the second garage/shed they had 3 at 3 Croydon St shenton park. They always made trifles for dessert. I am sure there was always a beef curry with keens curry powder and rice and probably a tuna mornay. They had little bacon cheese savouries. Ross George’s wife was an expert wedding cake decorator and most likely contributed. Doug: “I recall Grandad Bill George making bricks and building the small kitchen at the back of the house and it probably was 60 years ago. I did a couple of waiter jobs for them. They would be in the kitchen cooking for hours on end. Think they also made sausage rolls.”

R.A.A.F. COMFORTS FUND.

In connection with the march through Perth today by men of the Royal Australian Air Force, a street appeal will be conducted by the R.A.A.F. Comforts Fund. Stalls will be situated as follows: Mrs. Harrison: City Mutual building (St. George’s-terrace).

The West Australian Friday 18 October 1940 page 6