Person

NYLANDER, Vivian

Albert Vivian Nylander was born in 1909, the son of Richard George and Ivy Nylander and brother of Ivan, Lily (Mrs. Langley) and Elmore.

His older brother, Ivan Nylander was tutored initially by his Swedish father and then by brass band specialist Hugh McMahon. Before joining the W.A. Symphony Orchestra as principal trumpet and occasionally deputy conductor, Ivan had spent considerable time playing in and conducting brass bands winning a gold medal at the age of 16. Ivan’s brother Viv played second trumpet next to his brother.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003), p.30.

1929

INTERSTATE BAND CONTEST. FIRST BLOOD TO FREMANTLE.

Fremantleites generally should be proud of the fact that the honor of drawing first blood in the great inter-State band contest now in progress fell to that splendid young North Fremantle boy, Vivian Nylander.

In winning the amateur cornet solo last week he achieved probably the greatest success of his young career. Twenty-nine competitors entered for this event and although it is billed as the “amateur cornet “solo,” the term is misleading and somewhat of a mis-nomer. Among the competitors were bandmasters of some of the West Australian “A” grade bands and the cream of South Australian and Victorian cornetists. Viv is a scion of a well-known musical; family, his father, the late Dick Nylander, whose memory is beloved of all bandsmen, was one of the best amateur musicians in the State. Ivan, the oldest brother, has already established himself as a cornetist and successful bandmaster. The youngest brother, Elmor, is a young player of whom great things are predicted. Another pleasing feature of the competition was the securing of fourth place by W. Jose, another North Fremantle boy. All of these boys are members of the Fremantle Naval Band.

Fremantle Advocate (WA : 1926 – 1942), Thursday 3 October 1929, page 1

1931

The final of the foxtrot competition was witnessed by large gathering at the Caledonian Hall on Saturday night. The winners were Mr. J. Hogan and Miss Barron, Mr. T. and Miss I. Williams being second, and Mr. McCorry and Miss F. Turnbull third. The prizes were presented at the conclusion of the competition. The management wishes to publicly thank Miss Joan Stacy, Miss Jean Hicks and Mr. Brian Stacy, who judged the competition. Mr. Viv. Nylander‘s band has been engaged for the dances which will be conducted on Saturday and Wednesday nights.

Fremantle Advocate (WA : 1926 – 1942), Thursday 21 May 1931, page 5

1933

Writer had an Interesting chat on Tuesday with that snappy stepper Cliff Adam, a young fellow who should have a successful future ahead of him in the terpsichorean side of the vaudeville game. Cliff’s going over East with a band of 11, who leave Perth by train on Dec. 16. They have engagements with 6CL in Adelaide and 3LO in Melbourne, and are hopeful of securing theatrical engagements in Melbourne. Most of those making the trip are able to play more than one musical instrument, and there’s vocal and dancing talent in the team which should be of assistance in putting over an act in the nature of a stage band presentation. Cliff Adam does not intend to return when the others head back West, but will turn his attention to dancing in vaudeville, and judging by the exceptional promise he has revealed in the past at the Luxor he should acquit himself with distinction. It is not so long ago that he made a trip East, but met with bad luck when appendicitis upset his plans for dancing, and he came back West. Those who are going over with him next Saturday week— with Ron Moyle (well known in orchestral circles) as leader — are Wally Hadley, “Niddy” Roberts, Tom Bennett, George Caro, Alan Gough, Bobby Gibson, Charlie Thompson, Viv Nylander and Ken Fimmel.

New Call (Perth, WA : 1931 – 1934), Thursday 7 December 1933, page 21

RON MOYLE’S TOURING WESTRALIANS

The nine members of Ron Moyle’s “Westralians” — Ron Moyle, Niddy Roberts, Bob Gibson, Wally Hadley, Viv. Nylander, Geo. Caro, Allan Gough, Ken Fimmell, Chas. Thompson, Cliff Adam and Tom Bennett will be making their farewell appearance in this State on Friday next, December 15, when they will ap- pear at the Ambassadors and present a musical pot pourri of rhythm and novelty numbers. Perth, which is recognised for its capable musicians, will wish Ron and his boys a successful and happy trip.

Mirror (Perth, WA : 1921 – 1956), Saturday 9 December 1933, page 15

LOCAL BAND HONOURED – Engagements in Eastern States.

For the first time in broadcasting history a West Australian band has been engaged through the Australian Broadcasting Commission to give performances over the air in the Eastern States. Ron Moyle and his ‘Westralians,’ a combination of local performers, will leave for Adelaide by the Great Western express on Saturday, night, and will be absent for about six weeks. The ‘Westralians’ will be heard over the air from 5CL, Adelaide, on December 21 and 22, and from South Australia they will go to Melbourne, where they will broadcast from 3LO- between January 6 and 27. It is possible that the band will also visit Sydney.

Ron Moyle himself is wellknown to listeners in Western Australia, having been connected with broadcasting in this State for many years.

His band, which is composed of the following players, was heard from 6WF during last dancing season: — Ron Moyle, A.C.T.L. (pianist); Bob Gibson, L.A.B. (alto saxophone, clarinet and violin) ; George Caro, A.T.C.L. (tenor saxophone, clarinet and violin); Allan Gough, A.T.C.L. (alto saxophone, clarinet and violin); Viv. Nylander (trumpet and trombone); Kem Fimmel (trumpet); Charles Thompson (trombone and trumpet); Wally Hadley (banjo, flute and guitar); Cliff Adam (guitar, tap dancer and vocalist); Niddy Roberts (drums and vocalist); and Tom Bennett (bass). The band will give a final concert at the Ambassadors Theatre on Friday night.

West Australian (Perth, WA), Wednesday 13 December 1933, page 5

1935

SOCIAL NOTES.

The annual shareholders meeting of the Cunderdin Cooperative Co. Ltd, took place in the Cunderdin Hall library on Monday night last. Improved trading was reported over the past year and the future business outlook of the Company appeared to be encouraging. Mr. A J Carter was chairman, and Messrs. J Pascoe and S A Lundy- were re-elected directors. The co-operative movement, which apparently creates wide interest in primary producing circles, was placed before the public in no uncertain manner on Monday night by a social and dance in conjunction with the shareholders’ meeting. Dancing was enjoyed until 1 a.m, by a very large crowd to music supplied by visiting Perth musicians—Messrs. Ron Moyle, Harry Ward and Viv. Nylander. Items were also rendered by Mr. Ward (songs with banjo accompaniment), Mr Nylander (cornet solos), and by Mr. Dick Thomas, whose ventriloquist act and clever tricks provided very popular entertainment. During a supper interval the Hon. T H Bath spoke on the Co operative Movement. In a tactful and constructive address. Mr. Bath said that the success of country branches was dependant on the fair dealing of shareholders in respect to meeting their trading obligations. Mr. Bath mentioned die fact that the late Mr. Adams Kitto, of Cunderdin, had been particularly interested in co-operation, and a fact that he had often pointed out was that it was better to agree in two or more ways than to disagree in a dozen ways. Mr. A J Carter, Mr. J Pascoe and Mr, S A Lundy also spoke in support of Mr. Bath. Much credit in respect to the social side of the evening appeared to be due to Mr. Norm Clarke, who acted as M C.

Avon Argus and Cunderdin-Meckering-Tammin Mail (WA : 1925 – 1954), Saturday 4 May 1935, page 1

1939

TWENTY-FIRST BIRTHDAY – MOUNT BARKER CO-OPERATIVE CELEBRATES.

Twenty-one Years – 1918-1939.

It would seem that the district was favoured with bounteous crops and a successful year for the Company to celebrate the 21st anniversary of its formation.

To mark the occasion, the Company organised a social event in the Plantagenet District Hall to which were invited all the Shareholders, and the many district friends of the Company.

The opportunity was taken for Ron Moyle and his concert party to attend this party being drawn from the employees of the Westralian Farmers Limited, the parent body of the Cooperative Movement in Western Australia.

The entertainment commenced with a few popular community numbers, the large attendance, approximately five to six hundred guests, all joining in. An overture by the popular orchestra preluded numerous concert items by the following artists:-Eddy Kean (baritone soloist) whose numbers included that popular film melody “Old Man River,” Keith Arblaster (saxophone soloist), Miss Alpha Williams (mezzo-soprano), Miss Florrie Reid (soprano), Viv. Nylander (with the golden-voiced trumpet), Miss Joan Bridger, whose renditions of “Penny Serenade” and “Cinderella” were so enthusiastically received that during the dancing interlude which followed many requests were made for encores, Mr. “Niddy” Roberts, with his humorous stories and anecdotes, coupled with his outstanding skill with the drum sticks, both on the drums and the available furniture, provided much laughter.

During the evening several speakers came before the microphone. Mr. H. W. Soothill, the Company’s General Manager, introduced the friends present on the stage, amongst whom pride of place was given to Mrs. Booth. Mr. J. McN. Martin, the Chairman of Directors, gave a brief outline of the Company’s formation in the early days, when the industry was at a very low ebb, due to the effects of the Great War and the necessity for co-operation amongst growers to preserve any profits which could be saved in the marketing of the district’s fruit. A short resume of the Company’s extended and increasing activities followed an appeal to the younger generation to carry on the good work of their parent pioneers.

The Company was proud to have in its midst Mr. C. W. Harper, Chairman of Directors of the Westralian Farmers Limited, who heartily congratulated the Company upon attaining its majority and the progress which it had made in so doing, with the best wishes of a continuance of its services to the community in the many years to come. This speaker also pointed out that only by co-operation could such results be attained, and profits gained distributed to its members. Co-operation in Western Australia is yet in its infancy, and only in times of hardship is this more particularly emphasised.

Another old friend of many people in Mount Barker was Mr. George Parke, of Argyle, who endorsed the previous speakers’ remarks, and humorously related an early tour of Mount Barker. Expressions of respect were paid to the good work of the late Messrs. W. J. D. Thomas, Ted Thomas and A. T. Booth, for the amount of their time willingly given for the benefit of their fellow-growers.

At the conclusion of the concert Mr. J. McN. Martin was called upon the stage to be presented by Mr. T. G. Sounness, on behalf of the members of the Mount Barker Co-operative Limited, with a gold wristlet-watch, suitably inscribed, commemorating his twenty-one years of continuous service as Chairman of the Directors. Mr. Martin expressed his surprise and gratitude at this token of esteem and reiterated his hope for future prosperity, and his appeal to the fruitgrowers of the district for their continued co-operation.

Mr. H. W. Soothill, in his inimitable style then took charge of the microphone in a broadcast to the assembled Company that Mr. Ron Moyle the favourite dance band leader and his equally popular henchmen would be pleased to render the music for dancing until an early hour; an announcement which was received with great enthusiasm by all present. Supper was served in buffet style, at the conclusion of which the dancers took the floor. Assisted by Miss Joan Bridger, the popular vocalist at the microphone, dance numbers were rendered to the delighted Terpsichorean adherents until three a.m., when in spirited style “Auld Lang Syne” was rendered by old and young, bringing to a close an extremely popular and entertaining event.

Amongst the visitors from other districts Mount Barker friends were pleased to note the following guests: Mrs. A. T. Booth, Mr. and Mrs. E. Simpson (E.S. and A. Bank, Perth), Mr. C. W. Harper (Chairman of Directors Westralian Farmers Limited). Mr. R. G. Rew (Manager Producers Markets Limited, Kalgoorlie Branch), Mr. G. Parke (Argyle), Mrs. H. W. Soothill (Perth), Mr. J. Sparkes and friend (Bridgetown), Mr. W. J. Anderson (Albano Freezing Works), Mr. and Mrs. D. Cansdale (Westralian Farmers Limited Albany), Mr. H. R. Powell (Albany).

Albany Advertiser (WA : 1897 – 1965), Thursday 3 August 1939, page 5

1940

BEACH CONCERT

Stars at tomorrow night’s concert at Scarborough beach in aid of combined local charities will include Ron Moyle, Viv Nylander, Ken Murdoch, Niddy Roberts, Hazel Shapcott and many others. A good night’s entertainment is assured.

Daily News (Perth, WA : 1882 – 1955), Saturday 14 December 1940, page 28

STARS AND THEIR SATELLITES

Tomorrow night’s S.T.C. search for talent ‘Reaching for the Stars,’ together with such notable celebrities as Miss Hazel Shapcott, Ron Moyle, Viv Nylander, Ken Murdoch, Niddy Roberts and many others, will provide entertainment never before presented at any beach concert. Proceeds of this concert will be devoted to the Combined Local Charities, whose worthy cause requires active assistance Promoters are assured of a very large audience because of the very high standard of the programme.

Mirror (Perth, WA : 1921 – 1956), Saturday 14 December 1940, page 10

1941

The 51st Meet Again.

DEAR John, Just a line to let the old “fifty-firstites” know that the battalion held its 1941 reunion quite successfully. About 100 ex-diggers were there and numerous congratulatory telegrams were read from those who were with us in spirit, including one from our beloved leader of the old days, Colonel Christie. He is back in harness again, this time with the R.A.A.F. Lieutenant-Colonel T. S. Louch of the new 11th came along and gave us some interesting accounts of the Battle of Crete, plus a few yarns in his inimitable style. I am tipping that some of those stories are passing round wherever soldiers for-gather, and will continue to bring laughs for some time to come. A welcome guest was Ron Crawford, the blind piano-accordion player, and the boys gave him a well-deserved “hand.” I had the pleasure of playing the violin, accompanying Bonnie on the “squeezebox.” “Scotty” gave several of his famous monologues, including that evergreen favourite, “When Are Yer Goin’ Away?” George Mellor and Viv Nylander gave a trumpet duet and that of course was a popular item in the hands of two such finished performers.

There were some familiar faces amongst the collection of “hard dials” round the festive board. Those fair twins “Spike and Ike” were still on deck and I saw our old friend “Joe-blow,” “Fade-away” Passmore, D.C.M., “Fish Fifty-first,” Sgt. Stokes, D.C.M., and Tommy Greer Many of the boys were back in khaki and it was good to see the-old brown and blue colour-patches again.

An eloquent appeal was made for all the old hands to rally round the 51st Association. Our secretary, Mr; R. A, Woods, can be located at Arch-deacon-street, Nedlands, and will be only too pleased to hear from exmembers of the battalion.

Western Mail (Perth, WA : 1885 – 1954), Thursday 27 November 1941, page 39

1946

Subiaco Municipal Band – VISIT TO GOLDFIELDS

Advice has been received that the Subiaco Municipal Brass Band, now demobilised, after four years of military service with the V.D.C. in Perth, intends paying a short visit to the goldfields. They will arrive here on January 26 and will leave on Monday, January 28. The band consists of 30 players, many of whom are past champions on their respective instruments. The name of their conductor, Mr. Ivan Nylander, will be recalled by the older goldfielders, as his father was a prominent trombone player in McMahon’s Boulder City Band. With his brother, Viv, another great comet player, Norm McMahon, Jack Pope and Bert Trembath, the lead is exceptionally strong. It is regretted that in the death of Mr. G. Mellor, who was to have accompanied the band, it has suffered a great loss. Most of the brass section of the A.B.C State orchestra is drawn from this band. Among others well known here as old goldfields players are Ted McMahon (recently returned from overseas), Len Woodlands, A. Martin, Chris and Alf Schofield, ‘Napper’ Wallis and George McAdams.

Kalgoorlie Miner (WA : 1895 – 1954), Tuesday 15 January 1946, page 2

Visit of Subiaco Band

The visit of the Subiaco Municipal Brass Band to the goldfields is creating a good deal of interest among music-lovers and band enthusiasts. The members of the band will arrive here on Saturday by the express and, should the train arrive near time, they will give a short programme in front of the post office before dispersing to their respective hotels. It is understood that part of their programme on Sunday night in Victoria Park will be broadcast over the national network. It is also expected that they will be accompanied by Mr. Dave Howard, who will compere the concert. Two cornet duets will, be given, by Bandmaster Ivan Nylander and Norm McMahon and Viv Nylander and Jack Pope. The duets selected will be ‘Ida’ and Dot’ and ‘Two Jolly Boys,’ items that should appeal to listeners. Further announcements’ will be made on their full programme.

Kalgoorlie Miner (WA : 1895 – 1954), Wednesday 23 January 1946, page 4

1950

1951

Wesfarmers Officially Open New Carnarvon Store

After many months of hard work in constructing, the most modern retail and general store in Carnarvon, Westralian Farmers Co-Operative Ltd, officially opened their new business at a grand ball in the building on Friday night of last week. Approximately 400 people attended the opening and found ample space to dance and make merry on this most memorable occasion. Rain which had fallen steadily at intervals since the Monday evening previously, had somewhat made all roads practically impassable, and most station people had unfortunately to decline their invitations to be present at the function.

Music, which was supplied by Mr. Ron Moyle and the old boys “Niddy” Roberts, Arthur Kirkby and Viv Nylander, was something out of the box and was thoroughly enjoyed by all present.

The official opening was performed by Mr. Walter Harper, Chairman of Directors, who was announced and introduced by Mr. C. Orr, Carnarvon Branch Manager. Mr. Harper, with very well chosen words, declared the new building open and said the doors would be opened for business within the next few days. Mr. Beckett, Mayor of Carnarvon, spoke on behalf of the gathering and thanked the Company for their very kind gesture in inviting the people of the district to witness the opening of this most important venture.

Many beautiful gowns were worn by ladies who attended and the decorations consisting of pastel shaded penants, completed a very colourful setting. At 11 p.m. a most sumptuous supper was served buffet style on long tables decorated with lovely roses and liquid refreshments were served on the patio, which was adorned with banana plants. A friendly atmosphere existed throughout the evening.

At 10 p.m. several announcements were made to the effect, that owing to heavy rains having fallen for days, and the drought being now gloriously broken the

Gascoyne River was flowing and had reached Carnarvon with a warning of danger to those people who were living on the banks of the river or on low lying country surrounded by the creeks flowing from the main water course. One by one, guests began to disperse and the feeling became one of much anxiety amongst the crowd in general as the whole town was in the midst of preparing for evacuation from what was anticipated as a record flood.

Mr. and Mrs. Clem Orr received the guests and during the evening Wesfarmers refrigeration expert, Mr. Samuels obliged with several pleasing vocal numbers.

Northern Times (Carnarvon, WA : 1905 – 1952), Thursday 14 June 1951, page 1

1950s WASO tour Viv Nylander, Jill Cooper, Louise Arndt and Tony Federici

WASO musicians toured regularly during the 1950s and 60s.

Several serious accidents occurred on these country tours one being in Kalgoorlie as a result of the highly polished floorboards at one of the towns old hotels. The shortsighted Viv Nylander (the second trumpeter) was heading for the bathroom in his stocking feet without his glasses – a fatal omission on his part. He slipped on the polished floor, grabbed for the railing, missed and hurtled down the stairs to the next floor where he was found unconscious. Viv spent a considerable time recuperating in Kalgoorlie hospital. That he survived at all was something of a miracle. That he was not eligible for workers’ compensation was a disgrace. The ABC’s rule was no compensation given for injuries sustained one hour after the conclusion of a concert. The fact that Viv was in Kalgoorlie solely because of the ABC tour did not seem to be taken into consideration.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003), p.23.

1953

An effort is being made to have a reunion of players of Ron Moyle’s old band. – These include: Ron Moyle (pianist and leader), Cliff Adam (guitar, vocals and tapdancing), Niddy Roberts (drums), Wally Hadley (banjo), Tommy Bennett (bass), Ken Pimmell and Viv Nylander (trumpets), Charles Thompson (trombone), Alan Gough, George Caro, Bob Gibson (saxes).

Mirror (Perth, WA : 1921 – 1956), Saturday 24 October 1953, page 12

WASO darts Tony Federici, Ivan Nylander, Viv Nylander, Bernie Conlon, Alan Rule Alec Black

1978

Viv died on 27^th April 1978 aged 69 of bronchial asthma.

Instruments

Trumpet

Years

1929

Person

DAVIS, Miles

Miles Davis was arguably the most influential jazz musician in the post-World War II period, being at the forefront of changes in the genre for more than 40 years. Born into a middle-class family, Davis started on the trumpet at age 13. His first professional music job came when he joined the Eddie Randall band in St. Louis in 1941. In the fall of 1944 Davis took a scholarship to attend the Juilliard School, a convenient passport to New York. It didn’t take him long to immerse himself in the New York scene and he began working 52nd Street gigs alongside Charlie Parker in 1945. Soon, Davis found work with Coleman Hawkins and the big bands of Billy Eckstine and Benny Carter. During the late 1940s, a number of musical contemporaries began to meet and jam regularly at the small apartment of arranger-pianist Gil Evans. Among them were saxophonists Gerry Mulligan and Lee Konitz, and pianist John Lewis. Out of this group of musicians, Davis formed the nonet to record his first major musical statement, Birth of the Cool. In addition to the standard piano, bass, and drums rhythm section, Davis’ nonet horn section used French horn and tuba along with trombone and alto and baritone saxophones, lending the band a unique harmonic sound. In 1955, Davis assembled his first important band with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, adding Cannonball Adderley in 1958. By this time Davis, influenced by George Russell‘s theories, had begun playing in modes rather than standard chord changes, which led to his most famous album (and the all-time biggest-selling jazz album), Kind of Blue, in 1959. Davis also continued an important musical partnership with Gil Evans, recording four releases in five years: Miles Ahead, Porgy and Bess, Sketches of Spain, and Quiet Nights. In 1964, Davis assembled a new band of younger musicians, which became known as his second great quintet. This included Herbie Hancock, Tony Williams, Ron Carter, and Wayne Shorter. By this time, the Miles Davis Quintet was recording mostly originals, with all the band members contributing memorable tunes. Davis’ horn playing also changed, increasing the spacing of notes to create more suspense in the music. In 1968, Davis again changed direction, leading the way for electric jazz with the release of In a Silent Way. By the 1969 release of Bitches Brew, as he deepened the electronic elements and rock rhythms of his music, the transformation was complete. By the mid- 1970s, following the debilitating effects of a 1972 auto accident, Davis went into semi-retirement. He returned to the scene in 1980 and resumed touring in 1981, attracting newer fans. From then to 1991, Davis remained vital and popular, receiving the Grammy Lifetime Achievement Award in 1990. Selected Discography Birth of the Cool, Capitol, 1949-50 Kind of Blue, Columbia, 1959 The Complete Live at the Plugged Nickel, Columbia, 1965 Bitches Brew, Columbia, 1969 Amandla, Warner Brothers, 1989 https://www.arts.gov/honors/jazz/miles-davis

https://www.milesdavis.com/

“So What” is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian. This AABA structure puts it in the thirty-two-bar format of American popular song. The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles’s first quintet (minus Cannonball Adderley, who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of “So What”. The use of the double bass to play the central theme makes the piece unusual. This arrangement was later performed and recorded as part of the album Miles Davis at Carnegie Hall. PELICAN Thursday April 23^rd 1964 Jazz by Nessia Solomons Jazz versatility in jazz No classical music this week! Instead the fresh sound of modern jazz filled Winthrop Hall as the sounds of Jack Harrison (alto sax and clarinet) Billy Clowes (piano) David Ellis (bass) and Bill Tattersall (drums) presented a program on the changing styles of jazz. The Jack Harrison Quartet features the well-known Billy Clowes Trio while Jack Harrison is also a member of the W.A. Symphony Orchestra in which he plays clarinet. Although they play other styles of music, they enjoy playing jazz with a vibrant sound that is synonymous with modern jazz today. The opening number “9.20 special” a tune written for Count Basie, was of fast tempo and made the expectant audience sit up and listen. Unfortunately, the acoustics in Winthrop Hall caused the drumming to sound a little dominant at all times, however the smooth playing of both piano and saxophone tied this over to no disadvantage. Pianist Billy Clowes composed the next number played – a 12 bar blues – a style which has been popular at all times through the evolution of jazz to the present day. As always, when a composer plays his own tune, the result is an extra special sound with an atmosphere perfectly suited to its style. Perhaps it was just the Paul Desmondish sound of the alto sax or maybe some ultramodern chord forms, yet this and a few other numbers were reminiscent of Dave Brubeck’s style. The changing styles and jazz were illustrated through five numbers, the two most popular being a swinging version of “Alexander’s Ragtime Band” and an excellent takeoff Miles Davis in “So What”. Although the group was versatile as it had to be for that program, they seem to play with much greater ease the more modern numbers, especially “Work Song”. This number was played in great style – it possessed an interesting, varied beat as the drummer and the bass player really gave forth the jazz message in their solos. The musicians pleased an obviously critical audience with their versatility, as with showing by the applause for several numbers and on the whole, the jazz concert did lift, however slightly, the cultural curtain to edge a little way through the sound barrier that divides the two cults of music in the Western world today. PELICAN Undergraduate Newspaper UWA, Vol 35 No. 5 Thursday April 23^rd 1964

1.12.1964

Miles Davis’s “So What” PERTH PREMIERE

Jack Harrison (clarinet and alto-saxophone), Billy Clowes (piano) David Ellis (bass) and Bill Tattersall (drums)

ABC TV live to air broadcast Adelaide Terrace, Perth, Western Australia

Home

Instruments

Years

1964

Person

HARRISON, Kimberley

Kimberley Harrison is the son of Jack and Marcia Harrison.

Kimberley grew up in the City Beach family home enjoying the surrounding expansive natural bushland and beaches that the suburb offered in the sixties.

He attended Wembley Kindergarten (the closest at the time), City Beach Primary School and Hale School, before studying music at the University of W.A, graduating with a Bachelor of Music Performance (Honours) on the trumpet in 1980. Kim’s trumpet teachers were Bernard Harvey, Don Johnson and Kevin Johnstone.

He played with the W.A. Arts Orchestra, augmented regularly in the West Australian Symphony Orchestra, played with the Will Upson Big Band and rock band ‘Boogie St’ and was a brass examiner for the A.M.E.B.

The fickle nature of making a living as a musician was appeased by teaching brass at several schools, leading to a career in education, which began seriously in 1983 when he was appointed to a part time position with Hale Junior School teaching music and art. In 1985 he accepted a full time position teaching secondary music at Methodist Ladies’ College , during which time he completed a Bachelor of Music Education (Honours) at University of WA in 1989.

He was appointed Director of Music at St Mary’s Anglican Girls’ School in 1995, a position he held for almost thirty years. During Kimberley’s time at St Mary’s he oversaw the building of the new Performing Art Centre and Music Department, was instrumental in the successful musical collaboration with neighbouring Hale School and was a member of the WA Curriculum Council Music Syllabus Committee for twenty years.

A keen cyclist, Kim was an inaugural rider with the Ride for Youth from Albany to Perth in 2003 and has been involved in fourteen rides.

Kimberley married percussionist Amanda Dean in December 1985. Their daughter Natasha, was born in 1994 and now works as Doctor of Environmental Conservation for the WA Government. Son Mitchell was born in 1997 and is a Chartered Accountant.

Following his recent retirement, Kimberley moved to Fremantle where he is pursuing an existence as an aging semi hippie, shoddy builder and renovator and lazy cyclist.

Instruments

Trumpet

Years

1959

Person

PIERSON, Neil

Husband and wife team Aino Neumann and Neil Pierson both studied at the Sydney Conservatorium. They married in 1952 and moved to Perth the following year, Aino to play bass with the West Australian Symphony Orchestra while Neil played trombone with a band at His Majesty’s Theatre. Later, on advice from Rudolf Pekarek, he studied french horn as a second instrument and joined the orchestra in 1956 playing that instrument.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003). p.57

1954

1956

COMPOSER IS PROVOCATIVE

February 21, 1956

By “Fidelio”

A West Australian composer, James Penberthy, offered us last night what in some ways the most adventurous Australian composition so far heard in the Art Gallery programmes. This includes, notably, his medium of expression; a wind quintet consisting of flute, oboe, clarinet, horn and two bassoons. For this unusual combination Mr Penberthy had produce a work in short, linked movements, based on the music and life of Australian aborigines. He obtained interesting effects in the way of atmosphere and drastic colourings, but his score sounded very fragmentary. It seemed often to be hovering uncertainly between outright imitative realism and the freer imaginative flight which, we felt, should not convincingly emerge. Another unusual inclusion was a set of three nicely fanciful songs for soprano and flute (no piano) by John Gordon, the words being taken from Chinese. The rest was chiefly light music, generally pretty in a conventional style. There were two pieces for flute and piano by A.C. Black (a West Australian), clarinet and piano pieces by Dulcie Holland and Moneta Eagles, songs by Horace Keats and Elizabeth Mills. The performers were Sylvia Biddle (soprano), Owen Fisenden (flute), Jack Harrison (clarinet), Neil Pierson (horn), Ron Richmond (oboe), George Dreyfus and Claude Welling (bassoons) and Phyllis Allen (accompanist).

1957

1967

MUSIC – By Peter Hellstrom

September 24 1967

There will be an all Beethoven programme at tomorrow afternoon’s recital at the A.B.C. Basil Kirke Studio beginning at 3 o’clock. It will consist of the Septet in E flat and the Serenade in D. Op.8. The performers will be Graham Wood (violin), John Dean (viola), Brian Meddemmen (cello), John Mowson (bass), Jack Harrison (clarinet), Neil Pierson (French horn) and Jill Harrison (bassoon).

1970

SWING TIME AT THE PLAYHOUSE – By Peter Hellstrom

The playhouse will really swing on February 10, 17, 24 and March 3 when four Perth’s best jazz groups go through their paces in a series that will be part of the Festival Of Perth. These late afternoon jazz concerts starting at 5:45 pm, will each consist of two widely different types of performance. There will be first class fare for those like the trad jazz and for those more attuned to mainlining. One of the groups, Don Johnson’s Octet, includes five members of the West Australian Symphony Orchestra who will thus reveal the versatility. Members of the Octet are Robert Johnson (trumpet), Neil Pierson (French horn, trumpet and trombone), Peter Clinch (alto saxophone), Jack Harrison (tenor saxophone), Harry Retting (piano) Brian Bursey (bass), Bill Tattersall (drums) and Bill Farnham (trombone). The West Australian Saturday January 31 1970

Sunday May 26 1970

The second concert in Series I of this year’s A.B.C. recitals in the Basil Kirke Studio will be given tomorrow afternoon at 3 o’clock. A Rossini Quartet For Wind will be played by flautist Owen Fisenden, clarinettist Jack Harrison, horn player Neil Pierson and bassoonist Brian Pope. A Beethoven septet will be performed by clarinettist Jack Harrison, bassoonist Brian7, violinist Vaughan Hanly, violist John Gould, cellist Ray Fraser and double bass player Aino Neumann. One of the objects of the concert is to bring the best local artists playing chamber music before the public. Symphony concerts naturally attract more people because of the grandeur and perhaps a little because of the mere occasion. But we must not let the chamber music and solo recitals die. They are part of the backbone of music in Europe, the primary source of most music.

1972

Congratulations – we’re lucky to have you, Mr Paul

By Robert Gude

If conductor Tibor Paul thought the rousing ovation he received at this week’s Youth Concert was simply urging him on for an encore, he misjudged his young audience. It is customary for audiences who want more for their money to stomp and holler hoping for a kind of bargain basement addition to the printed program. Such was not the case following the WASO’s fine performance of the titanic Fifth. Every section without exception excelled in alternating dynamics and delicacy, Mr Paul conducting without a score, was in complete command with his subtle sweeping cues and characteristically spare, precise beat. Jack Harrison was heard in a fine reading of Stanford’s Clarinet Concerto. Mr Harrison alone saved this plain, uninteresting work bearing shades of Elgar and a momentary sally in Wagner. For one brief moment, an elegant melody carried by the entire string section could have lent unusual character to this concerto – had Stanford continued variations on this theme for solo clarinet, developing and alternating this material into meaningful music. Mr Stanford chose however to leave this melody suspended in mid-air, a la Bruckner, never to be heard again. Mr. Harrison came upon this work during his recent Churchill Foundation study tour and brought it to us as an example of fine writing for clarinet. This it was beyond doubt propelled by Mr Harrison’s undoubted skill and this was reflected in the fine reception he received from a young audience which appreciates his enormous talents. The program opened with Stravinsky’s orchestral suite from the ballet “The Fairy’s Kiss” one of this great Russian, French, American’s gentler works. What could go unnoticed was the excellence of harpist, Michael Jefferies, the first chair solo quartet provided by leader Vaughan Hanly, Stanislav Kowarski (second violin) George Coleman (viola) and Raymond Fraser (cello) and, again risking reputation, the WASO’s splendid horn section led by Neil Pierson. Concert audiences in Liverpool, England still recall with awe and admiration Mr. Paul’s appearance on the podium of the Royal Liverpool Philharmonic last October. Here, beyond question, is a conductor of world standing. The A.B.C. the WASO and Perth concert audiences should appreciate the nature and global reputation of Mr. Paul while he is with us, they should count themselves fortunate.

Sunday Independent May 14 1972

Night of Russian Musical heritage – By John Meyer

Friday June 23 1972

In an evening of Russian music at the ABC orchestral subscription concert in Winthrop Hall last night three works illustrating different facets of that nations musical heritage were featured. The highlight was a controlled and well-defined performance of Tchaikovsky’s Fifth Symphony in E minor played by the West Australian Symphony Orchestra and conducted by Tibor Paul Mr. Paul’s total view of this symphony seem to be an admirable one. He did not emphasise only it’s obvious emotional qualities but gradually built up the drama from the sombre opening for clarinets to the triumphant climax of the final. In this last movement he was well supported by the Orchestra. The performance throughout was distinguished by some fine solo playing especially by Neil Pierson Horn and Jack Harrison and Peter Clinch clarinets.

The West Australian Saturday June 24 1972

1973

Albert Herring Proves to be a Bad Catch

With Robert Gude

Ten minutes late getting underway to a two-fifths empty house at the Octagon, the opening night of the W.A. Opera Company’s production of Benjamin Britten’s “Albert Herring” was already too moribund to resuscitate. The plotting in Act One induced the muse of Morpheus simply because it was virtually impossible to decipher what anyone on stage was singing about. The company threw away the key to the plot which remained undiscovered right to the last bar of Act Three. Patricia Whitbread remained prominent both vocally and socially in her role as the imperious Lady Billows. Her larger than life characterisation lent itself to projecting both voice and diction into the lifeless acoustics of the Octagon. The rest of the cast had equal opportunity but for some inexplicable reason underplayed and undersang Britten’s brilliant operatic farce. An occasional word or two was intelligible. isolated by bar after bar of baffle. The less said about Martin Clare portraying the mumbling Mayor the better. Mr Clare’s pitch was pathetic, his onstage efforts inept. Between Miss Whitbread and Mr Clare this small cast was totally inadequate for the operatic task required.

What redeems Albert Herring is the splendid production by John Milson. Act Two Scene One had the magic Milson touch: Jeffrey Weaver as Harry enduring functional discomfort during choir practice; Cliff Arndt’s bedrock boredom of wearisome waffle from windbags; John Nicholson’s stunned mullet manner and accepting homage as though facing the gallows with a recommendation for preferential treatment. Kristan Fredrickson’s articulate set and consummate costumes were colourful. Allowance should have been made, however, for a costume change amongst characters who could afford more than one ensemble thus enhancing the illusion of a passage of stage time. Conductor Geore Tintner seemed determined that Britten’s 12 member orchestra should overwhelm his singers at every opportunity. Strings were insecure throughout, with the exception of Aino Neumann, contrabass; Neil Pierson’s horn; Jack Harrison’s clarinet; Peter Randall’s oboe; James Hopkinson’s flute and most commendable, Michael Jefferies impeccable harp held Mr Tintner’s orchestra together. This festival fare is indigestible, not worth a candle and most certainly not worth the price of admission. If Britten’s Herring performed at it was on opening night is the W.A. Opera Company’s first production for the Festival Of Perth it could well be the last.

Sunday Independent February 4 1973

1975

September 15 1975 – The Alberni String Quartet

Schubert Octet in F Major Op. 166

With John McNeilly – bass; Jack Harrison – clarinet; Neil Pierson – horn; Brian Pope – bassoon.

1978

Neil Pierson retired from WASO after 22 years service.

Neil John Pierson died on 5th November 2011 aged 76.

Instruments

Years

1953

Person

MARTIN, Edward

1977

Edward Martin WASO trumpet soloist proofs

1983

Soloists West Australian Symphony Orchestra Tour to Singapore

1991

WASO Tour – Karratha

1997

Instruments

Trumpet

Person

JOHNSTON, Kevin

1976

1983

Soloists West Australian Symphony Orchestra Tour to Singapore

1997

Instruments

Trumpet

Years

1983

Person

NYLANDER, Ivan

Richard Ivan Nylander was born on 5th September 1904 in Boulder.

Ivan was tutored initially by his Swedish father and then by brass band specialist Hugh McMahon. Before joining the W.A. Symphony Orchestra as principal trumpet and occasionally deputy conductor, Ivan had spent considerable time playing in and conducting brass bands winning a gold medal at the age of 16. Ivan’s brother Viv played second trumpet next to his brother.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003), p.30.

1924

CORNET TEST SOLO.

Won by I. Nylander, of McMahon’s Concert Band, with 92 points., A gold medal was donated for tee winner of this event by Mr. W. Kaeshagen. Adjudicator’s comments: — “Robin Adair.” Maestoso: Tone rather thin -at opening. Recit. well done, though you missed top B. Another slip later. Low G rather weak at finish of movement. Andante: You should not slur bar 14. Correct playing. Slip on last bar. Thema: Nice tone and style here. Melody well played. Var. 1: Wrong notes at bar 3 and 4. Rest of variation well played. Tempo di bolero: Fine playing up to poco lento, which was also well played. Top G at bar 44 missed. This was a very clean performance. Rests not minded in the last two bars. A. With the exception of a few slips this was a very nice clean performance. No serious mistakes noticed.

South Western Times (Bunbury, WA), Saturday 5 January 1924, page 5

CHAMPIONSHIP BAND CONCERT.

In the Government Gardens tomorrow evening, Mr. Hugh McMahon’s champion band will render the numerous items which secured for him the State championship at Bunbury. His own arrangement of Verdi’s ‘Othello,’ the ‘A’ grade special selection, will be given, along with the test piece ‘Parsifal’ by Wagner. The champion hymn ‘Peace Be Still.’ and the triple duet ‘Ida and Dot’ played by two members still in their ‘teens, will be items of interest. The champion cornetist Ivan Nylander, will play ”Neath Austral Skies.’ The grand concert march ‘Twentieth Century,’ with which the band secured the highest points in music for the street march and the quickstep, will open the programme. Mr. McMahon will accompany the solos and duet at the piano. Seats are available for early patrons.

West Australian (Perth, WA : 1879 – 1954), Saturday 5 January 1924, page 12

FREMANTLE NAVAL BAND – POSTPONED CONCERT TO BE HELD NEXT SUNDAY

Owing to being called out to the South African Fallen Soldiers’ Memorial Service in King’s Park, Perth, on Sunday last, the Fremantle Naval Band were unable to give their programme in the Queens’ Gardens at the corner of High and Parry streets. The programme as advertised will be played there on Sunday afternoon next, commencing at 3.30. Roll up and hear a musical treat. Own Choice contest selection “Maritana”, contest march, “Adelaide,” triple tongue polka “The Pro,” soloist Mr. Ivan Nylander, champion cornetist of the State. Don’t miss this.

Advertiser (Fremantle, WA : 1921 – 1932), Friday 17 October 1924, page 3

1928

WILLYS-KNIGHT CLUB VISITS WOOROLOO

On Sunday, February 26, some 17 cars of the Willys-Overland-Whippet Club assembled at Shack’s Garage at 10 a.m. where 27 members of the R.A.M.R. Band, under Bandmaster E. McCormick, were picked up and conveyed to the Wooroloo Sanatorium. The institution was reached by I p.m. where a supply of hot water was made available, and the ladies of the motor club prepared lunch, which was much enjoyed by all. The programme of music was commenced at 2.30 and was a most excellent selection, and was much enjoyed by the inmates and by the visiting party. A pleasing feature of the run was that Captain Potter, M.L.C., and Mrs. Potter, came along with us and helped in the conveyance of the band. At the conclusion of the ceremony the President of the Club (Mr. W. Winfield), introduced Captain Potter, M.L.C, and in a very able address thanked the bandmaster and band for the excellent spirit, in which they had come along, assisted, of course, by the members of the motor club. Everyone was much impressed by the beautiful situation and the layout of the place. Afternoon tea was prepared by the institution for the band, and a start for home was made about 5 p.m. Among those who assisted by bringing along their instruments were Mr. Dan Egan, of Kalgoorlie; Mr. Fred Barnes, of Boulder, and Mr. Nylander, of Fremantle. The two Nylander brothers rendered a beautiful cornet solo.

Advertiser (Fremantle, WA : 1921 – 1932), Friday 9 March 1928, page 4

1928

LATE MR. ALFRED G. NYLANDER Mr. Alfred George Nylander. who was well known as a prominent bandsman throughout the State for the past 30 years, passed away on October 27 at his late residence, Pamment-street North Fremantle. at the age of 58 years. Mr. Nylander was also a member of the Painters’ Union, and was well known in the trade. He was a member of the Boulder Band, the State Implement Works Band, and the Fremantle Naval Band until overtaken by ill-health. He played with McMahon’s Concert Band when they won the competitions at Bunbury and Fremantle. Mr. Nylander is survived by a widow and a family of three sons and one daughter. The funeral took place on Monday afternoon, October 29, in the Church of England portion of the Fremantle Cemetery, and was attended by many friends. The chief mourners were: Mrs. Nylander (wife), Messrs. Ivan, Vivian, and Elmore Nylander (sons), Miss Lily Nylander (daughter), Messrs. J., H., P., and E. Caesar (brothers-in-law), Mesdames J. and E. Caesar (sisters-in-law), and Mr. E. Nylander (nephew). The pall-bearers were: Messrs. L. C. McKenzie (Fremantle Naval Band), W. Broderick and H. Day (Painters’ Union), H. Wittmer (Luxor Theatre), J. Cooper, and T. W. Alp. Many handsome wreaths were placed on the grave, and numerous communications of sympathy have been received by the bereaved relatives.

Daily News (Perth, WA : 1882 – 1955), Tuesday 6 November 1928, page 10

1929

INTERSTATE BAND CONTEST. FIRST BLOOD TO FREMANTLE.

In winning the amateur cornet solo last week he achieved probably the greatest success of his young career. Twenty-nine competitors entered for this event and although it is billed as the “amateur cornet “solo,” the term is misleading and somewhat of a mis-nomer. Among the competitors were bandmasters of some of the West Australian “A” grade bands and the cream of South Australian and Victorian cornetists. Viv is a scion of a well-known musical; family, his father, the late Dick Nylander, whose memory is beloved of all bandsmen, was one of the best amateur musicians in the State. Ivan, the oldest- brother, has already established himself as a cornetist and successful bandmaster. The youngest brother, Elmour, is a young player of whom great things are predicted. Another pleasing feature of the competition was the securing of fourth place by W. Jose, another North Fremantle boy. All of these boys are members of the Fremantle Naval Band.

Fremantle Advocate (WA : 1926 – 1942), Thursday 3 October 1929, page 1

1930

SPARKLING LUXOR SHOW

It’s a sparkling show at the Luxor where the merry musical comedy revue ‘Manicure Sir?’ is the chief attraction. Ivan Nylander before the second half kicks off does a fine cornet solo, and during the revue a wealth of fun and tuneful singing is served up. ‘Stud’ Foley is brilliant and Nat Phillips has ample comedy opportunities. Nellie Lafferty of the harmonious voice, and delightful Heather Jones, are among the stellars, and the bright Keith Connelly, Jack Delroy, Stella Lamond, Daisy Merritt and Ces Scott work hard to make the show go with a swing. There’s a happy first half, too.

Mirror (Perth, WA : 1921 – 1956), Saturday 12 July 1930, page 5

1931

Fremantle Hospital

On Sunday afternoon, the 12th inst., members of the Fremantle Town Band very kindly arranged to be present at the local institution and rendered a number of very fine selections of music for the benefit of the patients receiving treatment therein. These privileged to listen were loud in their praises for the selections chosen and the way same were rendered. The band in question is comprised of local musicians and is under the very capable directorship of Mr. Ivan Nylander, and if their recent efforts can be taken as evidence, they should develop into a particularly fine band, and become a credit to the district. Owing to the absence of the secretary, who was unavoidably prevented from being present during the performance. Dr. Bossence, the S.R.M.O.. very cordially thanked the members of the band for their kindness in giving up their afternoon for the benefit of the sick poor of the community, and expressed the hope that it would not be long before they again visited the institution for a similar purpose.

Advertiser (Fremantle, WA : 1921 – 1932), Thursday 23 July 1931, page 3

FREMANTLE CITY BAND – Broadcast Champion

Messrs. Ivan Nylander and Richard Hough, bandmaster and secretary, respectively, of the Fremantle City Band, were elated today with the success of their band, which annexed the broadcast band championship of the State. The achievement is particularly creditable considering that the band was reorganised only eight months ago, being reconstructed from the defunct Fremantle Town Band.

By dint of constant practice the bandsmen improved so that when the time came for the broadcast contest the bandmaster and his men were confident that they would secure a large number of votes and be close to the top of the poll. Mr. Nylander, though a young man, has, with his brother and late father, been prominent in band music for many years past. He was bandmaster of the Naval Band, which won the ‘C’ Grade championship in 1925, and is a brilliant cornet player. CONCERT IN PERTH

On Tuesday night next the winning band will give a concert in Government Gardens, the proceeds of which will be devoted to the Orphans’ Christmas Cheer Fund, conducted by ‘The Daily News.’ In addition to varied numbers by the band, there will be items by broadcasting favorites in Phyllis Blott, Dorothy Manning, Aileen Hart, Paul Daly and Harold Neat.

Daily News (Perth, WA : 1882 – 1955), Friday 11 December 1931, page 7

1932

Orchestral Society

The Fremantle Orchestral Society, whose concert announced for Thursday, May 12, is already creating a stir among, music-lovers at the Port, acquitted itself splendidly at the opening concert in the Winthrop Hall. The orchestra, made up of 55 instrumentalists, put forward a capital programme and, in the fitness of things, began with the march from “Tannhauser,” with its tremendous fanfare of trumpets and general magnificence of orchestral tone. The society then gave Haydn’s “Clock” symphony, which was followed by the lovely tone-poem universally known by the name of “The Unfinished Symphony,” by Schubert. This was perhaps the finest playing of the evening, the wood wind sections being faultlessly performed, Mendelssohn’s “War March of the Priests” and the melodious “Pirates of Penzance” selection were much admired, the solo by Mr. Ivan Nylander, bandmaster of the Fremantle City Band, being one of the gems of the concert. The assisting artists were Miss Betty Gravenall (piano), Miss Marcia Hodges (soprano), Mr. Leo. Chase and Miss Margaret Sharp Violinists) and Miss Phyllis Browning-Turner (contralto).

Fremantle Advocate (WA : 1926 – 1942), Thursday 21 April 1932, page 8

1936

In 1936 auditions, overseen by Ernest J. Roberts, were held in order to establish a nucleus of Perth musicians to augment the 6.W.F. Studio Orchestra for public concerts given by the Perth Symphony Orchestra.

1930s Perth Studio Orchestra in front of old ABC building

BACK L-R: Fred Flint, Tony Federici, Harry Singleton, Rima Swain, Lazar Sverdloff, Ivan Nylander, Alec Black, Vera Rees, Percy Newton, William Glassford, George Davies, Bob Trew, George Mellor.

FRONT: ?, Vaughan Hanly, Dave Kember, Harold Thornton, ?.

Those chosen for the coveted positions were: Vera Rees (Waterman) as the leader, Lazar Sverdloff and Dorothy Formby 1^st violins, Bill Glassford 2^nd violin, Bob Stirling viola, Zlata Kalmikoff cello, Freddy Flint bass, Harry Singleton oboe, Fred Payne flute, Percy Newton clarinet, George Mellor 1^st trumpet, Ivan Nylander 2^nd trumpet, Tony Federici trombone, George Reid drums and Rima Swain piano.

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003). P.11

1944

AID FOR WOOROLOO. Concert Next Sunday. Theatrical artists are expressing their goodwill towards the patients of Wooroloo with a benefit concert in aid of the Sanatorium Colony, at the Ambassadors Theatre on Sunday, commencing at 3 o’clock. The Australian Broadcasting Commission has consented to present a performance of “The ABC on Parade,” which will be the first public appearance of this broadcast show, recently returned from a tour of military camps. The producer and compere is Dave Howard, with theatre orchestra under the direction of Ivan Nylander and Tony North at the organ. Guest artists include Betty Hatfield (soprano), Eileen Moran (entertainer), Olive Dunton (xylophonist), Tony North (wizard of the wurlitzer), Vaughan Hanly (virtuoso violin), Neil Shortland-Jones (popular vocalist), Maurice Jaffey (tenor), Jack Harrison (W.A.’s miniature Larry Adler), Hannah Colley (trumpet soloist) the Paulasto Brothers (entertainers) and those nitwits of the network Joe Brennan and Ida Newton, The second half of the concert programme opens with the US Navy Band compered by Stan Gervas of 6PM-AM Professional vocalists, entertainers and vaudeville acts will also appear in sequence with a grand finale by the U.S. Band. The Ambassadors Theatre for this concert was made available to the Wooroloo Farm Colony Committee by Mr S. W. Perry, resident manager for Hoyts Theatres, Ltd. Dr Park, Commissioner of Public Health, will briefly indicate that the concert opens a week of intensified effort to interest the public in the colony development and welfare of the patients at Wooroloo. Seats for the concert may be reserved at Nicholsons, the admission prices being 4/, 3/ and 2/.

The West Australian Wednesday 13 September 1944 page 4

1945

Bandsmen Meet

THERE were no discords at Monash House on the evening of November 27, when a reunion of bandsmen organised by present members of the Western Command Band took place. Guests included ex-members of the 10th Garrison and 5th Brigade Bands, also several prominent bands-men, including Messrs Reid and Palmer (Perth Portress Band), George Mellor (R.S.L. Band), Ivan Nylander (V.D.C. Band), and exW/O Bob Denison, who was the foundation bandmaster 10th Garri-son Band.

W/02 George Pestell, the present bandmaster, was in the chair, and presided over a gathering of about 70. Approximately 100 players have served with the Western Command Band since it was formed about six years ago, and seven of the original members are now playing. A number of toasts were effectively handled, perhaps the most humorous speech of the evening being made by Cpl A. Burnham, who proposed the toast of “ex-members” and enumerated the peculiarities of many of those, present. In honouring the toast to fallen comrades, the chair-man referred to the recent demise of an original member of the band, the late Mr Frank Knight.

Drum-Major D. Chaloner proposed the toast of the visitors, which was responded to by Bandmaster W. Palmer, supported by Bandmaster Ivan Nylander. The toast of the Western Command Band was proposed by Bandmaster George Mellor, of the War Loan Council. Responses were made by W/O George Pestell, Captain J. Smith, and Bandsman J. Noble.

Western Mail (Perth, WA : 1885 – 1954), Thursday 13 December 1945, page 61

1948

Subiaco Band Hope To Go Abroad

Subiaco Municipal Band may make an overseas goodwill tour in about two years’ time. This is one of many tours planned by the band and revealed by bandmaster Ivan Nylander. The band is leaving by train tonight on a good will tour of South Australia and Victoria This tour is claimed by Mr. Nylander to be the first of its kind since 1912. In that year the Perth City Band visited the Eastern States to compete in band competitions. No Outside Aid. ‘Our Eastern States visit is rather a feather in our caps,’ Mr. Nylander said to day. ‘Finance for the trip has been raised by the band without any help from outside sources. ‘Our coming tour is only the start of many similar tours. ‘We hope to make an overseas tour in about two years’ time.’ The Subiaco band will be away for three weeks on its present tour. It will not be taking part in competitions as the Band Festival is not until October. Subiaco Municipal Band was, during the war, the V.D.C. band. It is well known to trotting followers through its regular attendance at Gloucester Park. Bandmaster Nylander is also deputy conductor of the A.B.C. Orchestra.

Daily News (Perth, WA : 1882 – 1955), Friday 2 January 1948, page 5

Down beat

IN the Daily News on January 2 you reported Ivan Nylander to have stated that his band would be the first to tour the Eastern States since 1912.

This is not quite correct; the Perth Salvation Army Fortress Band in 1927 visited Adelaide, Melbourne, Ballarat, Sydney and Newcastle, and in 1936 again went to Adelaide and Melbourne. On each occasion members paid their own fares. —EX-BANDMASTER, N. Perth. Bandmaster Nylander and Subiaco Municipal Band have left the State on their goodwill tour of South Australia and Victoria.

Daily News (Perth, WA : 1882 – 1955), Wednesday 7 January 1948, page 2

WASO: John Williams? (percussion), Ivan Nylander (trumpet), Harold Thornton (horn), Ron Richmond (oboe)

1949

BAND CONCERT The series of Sunday afternoon concerts in the Perth Town Hall by brass bands which will compete at the forthcoming Silver Chain contest was continued yesterday by the Subiaco Municipal Band under the direction of Mr. Ivan Nylander. A bright and varied programme, including selections from grand opera and light opera was presented. A trio for trumpets was played by V. and I. Nylander and RI Perry, and a cornet solo, “Lead Kindly Light,” by E. Kemp. Mrs. 1. Nylander, contributed songs, and Mr. Alan Smirke violin solos.

West Australian (Perth, WA : 1879 – 1954), Monday 8 August 1949, page 17

BAND CONCERT The series of band concerts given on Sunday afternoon by metropolitan bands was continued in the Perth Town Hall yesterday. The entertainments are a prelude to the brass and pipe band contests promoted by the Silver Chain District and Bush Nursing Association to be held on October 8 and 9. The programme yesterday was given by the Subiaco Municipal Band, under Mr. Ivan Nylander. It consisted of bright popular numbers, which included a selection from Gilbert and Sullivan’s opera “The Gondoliers,” a wedding waltz in which was featured a glockenspiel, and a trio for trumpets. Next Sunday, the Perth City Band will give a concert.

West Australian (Perth, WA : 1879 – 1954), Monday 29 August 1949, page 9

1950

BRASS BAND CONCERT Under the baton of the honorary conductor (Ivan Nylander) the Subiaco Municipal Band gave a concert in the Perth Town Hall yesterday afternoon. This was the penultimate of a series of twelve Sunday concerts provided by three senior, bands of the metropolitan area. On October 7 and 8 band contests, organised by the Silver Chain District and Bush Nursing Association, will be held.

West Australian (Perth, WA : 1879 – 1954), Monday 28 August 1950, page 22

1951

NOTED BAND CONDUCTOR Concert At Subiaco On April 8

At Subiaco Oval on the afternoon of April 8, massed bands under the direction of Lieut.Col. H. E. Adkins, who recently retired from the position of director of Kneller Hall, the Royal Military School of Music in England, will give a jubilee concert. The bands participating will be Western Command (conductor, Warrant-Officer C. P. James), Subiaco Municipal (I. Nylander), Perth City (H. Halvorsen) and R.S.L. Memorial (C. W. Court). Items by the massed bands will include the entrance fanfare “Coliseum,” composed by Col. Adkins himself. The bands will also play individually. The concert will be broadcast over national and regional stations from 3 p.m. to 4.30 p.m. Lieut-Col. Adkins, who will arrive from the Eastern States on Saturday, was one of the principal conductors at the Coronation of the present King and Queen. He is in Australia as one of the A.B.C.’s jubilee visitors. Since he came to this country in 1933 to conduct the A.B.C. Military Band, which was formed specially for his visit, he has twice toured Canada with the renowned Kneller Hall band, has appeared in America and has given many concerts in London and other British cities, as well as conducting at Paris and Brussels. He will return to England in the Orontes on April 10.

West Australian (Perth, WA : 1879 – 1954), Thursday 29 March 1951, page 15

Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003). P.22

1952

Stimulating Symphony – By Dr. B. V. Pusenjak

Eugene Goosens presented last night at the Capitol a quite unusual program featuring, among others, Shostakovich’s Concerto for piano, trumpet and strings.

This Concerto is a pleasing contrast to his so disappointing fifth symphony, heard last year and shows Shostakovich at its best, not yet bowing his art to the dictator.

Pianist, Igor Hmelnitzky’s interpretation was filled with caressing nuances and brilliant phrasing but the Lento particularly required a more delicate touch. Ivan Nylander, the trumpeter, showed strong technical capacity. Brahms F Major Sym-phony which followed, is certainly in overall construction, the most impressive of the four as well as the shortest. Mr. Goosens and the orchestra gave it poise and shapeliness.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 21 September 1952, page 7

MUSIC ROMANTIC AND MIRTHFUL (By “Fidelo.”)

Wagner, brooding: Tschaikowsky, passionately eloquent, in that order; on their heels a skittish Shostakovitch: “A truce to sentiment and seriousness! Pouf! Let’s away!”

Thus his frivolous challenge one fancied, and in a flash off we were-or rather, young, slender Igor Hmelnitsky was, scampering up and down the keyboard, while Ivan Nylander stood by with trumpet for bits, of popular tune and irreverent flourishes. This was the order of things for the first half of last night’s concert at the Capitol. There is a lot of good entertainment in the Shostakovitch concerto. (composed in 1933), provided by a nimbly inventive, bright mind, but the lively finale goes on too long, we thought. In the slow movement the composer becomes serious, and conjures up “atmosphere” quite compellingly. The soloist team of Igor and Ivan–happy conjunction of names-was entirely admirable. Brahms To Mr. Goossens we were indebted for choosing a well-balanced, well-varied programme, and drawing from the W.A. Symphony Orchestra some exceptionally good performances. Among the evening’s pleasures was the “singing” of the upper strings, notably in the lovemusic of Tschaikowsky’s “Romeo and Juliet” (which was stirringly done) and in the second movement of Brahms’s Symphony No. 3. We have now heard all four Brahms symphonies in Perth, two of them in this current season. None is more endearing and warmly romantic than No. 3. Its appealing second movement, a mingling of tenderness and solemnity, was beautifully rendered last night. But indeed Mr. Goossens maintained throughout the work a high level-in clarity (notwithstanding the typical Brahmsian complexities), in breadth of outline and sensitive. expressive articulation. Study Of Faust The Wagner of “A Faust Overture,” opening the programme, is rather different from the Wagner of richer, better-known masterpieces. In the nature of the case this study of the aged Faust and his longings is subdued in colouring; but there are fine, imaginative strokes in the work and its revival was welcome. In the concert’s second part, to take us forthwith from the symphonic voice of Brahms to a pair of Slavonic dances (closing the evening) was a little unorthodox. But who, hearing these piquant. effervescent and entirely delightful things of Dvorak’s, could find it in his heart to cavil?

West Australian (Perth, WA : 1879 – 1954), Saturday 20 September 1952, page 4

FINE PERFORMANCE OF “MESSIAH” (By P.)

Many times during the performance of the “Messiah” at His Majesty’s Theatre on Tuesday night we were given fine music that brought to us the full magnificence of Handel’s work. Some of the loveliest music came from Florence Taylor in her arias “He Shall Feed the Flock” and “He Was Despised.” She sang in a true Handel style with smooth phrasing and effortless production and her contralto voice, with its beautiful, almost husky quality, was admirably controlled to give g moving effect of restrained emotion. The bass, T. C. Miller, also seemed at his ease in the Handel sphere. He gave us strong singing with broad phrases and assured notation. In his recitatif “For Behold Darkness Shall Cover the Earth” he introduced drama most successfully and later gave us a fine vigorous rendering of the famous air “Why Do the Nations.” The other two soloists were not so successful. Betty Hooper, the soprano, has a powerful voice which is capable of a very beautiful tone. Unfortunately, last night she seemed to lack direction in her singing and gave us too many “scoops” and not enough of the easy sweeping periods we would have liked. Fred Williamson, the tenor also did not achieve the right style and consequently made his singing rather uneven, with a far too slow tempo in his solos at the end of the section “Death of the Messiah.” Nevertheless, his voice, with its pleasing resonant quality, contributed many beautiful notes. The choir of the Perth Philharmonic Society is large and was admirably controlled by the conductor, Mr. E. S. Craft. Some of the choruses were splendid in their vigour and full tone, especially “All They That See Him Laugh Him to Scorn” and the final “Worthy is the Lamb.” However, the members had a tendency to sing loudly all the time and this produced a strained tone and prevented the parts blending. The orchestra was very competent and we had some skilled woodwind playing in the Pastoral Symphony. Now and again a preponderance of brass produced an unbalanced ensemble but the trumpeter, Ivan Nylander, made amends for this fault with his fine solo. The organist, Thelma Bassett, also contributed to the success of the performance with competent accompaniments. There was a large attendance.

West Australian (Perth, WA : 1879 – 1954), Thursday 11 December 1952, page 6

1954

An impromptu pre rehearsal trombone solo is given by W.A. Orchestral player Bernie Conlon for the entertainment of trumpeter Ivan Nylander and flautist Owen Fisenden. All three players will accompany the Orchestra when it makes its Great Southern tour in the middle of September. Concerts will be given in York, Wagin, Narrogin and Beverley.

Narrogin Observer (WA : 1918 – 1955), Thursday 9 September 1954, page 1

1965

1967

Ivan retired from the WASO in 1968 and was recognised with a bronze medallion in 1970 for over 20 years service.

Ivan died on the 16th June 1996 aged 91.

Instruments

Trumpet

Person

FRANKLIN, George

Perth Musician and World War Two veteran George Franklin was the longest serving member of the City of Perth band, living to over 104. He started playing the cornet at the age of seven, before joining the City of Perth Band in 1934. Mr Franklin served in the Royal Australian Air Force during World War Two, and after that, he joined a military band until he was retired. He died in 13 July 2026 aged 104.

1931

YOUTH TO THE FORE – Y.A.L. Band Contest

From comments he made subsequent to the contest it is apparent that Mr. G. Mellor, adjudicator of the Y.A.L. Band contest which was held last night, was well satisfied with the performances he had heard. He said that the standard of the playing was much improved on that of last year and he was much impressed with the band presentation. While some of the individual soloists were not quite up to the standard of last year, the younger players were a great improvement on previous years. Also in attendance at the contests were Mr. George Reid, first musical director, and Mr. Val Smith, second musical director. They too- expressed appreciation of the contest, and in course of a few remarks, observed that it brought back some happy rmemories of the day when they held positions with the band. The finals for the champion of the league solo for all finalists will be held on July 23, when the championship of the league will also be decided. The winner will be entitled to hold the cup presented by the officers of the league. The contest last night was conducted by Mr. Ron Rees, musical director of the Y.A.L. RESULTS. The results were: — Trumpeters’ Solo (‘Fanfare’): Norman Williams (35 points), 1. Drummers’ Solo (own choice) : Douglas King (40), 1. ‘B’ Grade Cornet Solo (‘Sweet Spirit Hear My Prayer’): Billy Weston (35), 1. ‘A’ Grade Cornet Solo (Raff’s ‘Cava-tin’) : Norman Law (30). 1. Champion Solo: (”’Neath .Austral Skies’): Charles Thompson (40). Tenor Horn Solo (‘Goodbye, Sweetheart’): Clarie Gray (3G), 1. Baritone Euphonium Solo (‘Melody in T’): Roy Facey (36), 1. Trombone Solo (‘Kathleen Mavourneen’) : Robert Lockwpod (33). 1. Bass Solo (‘Flower That Bloometh’) : Em Negus (33). 1. ? ‘B’ Grade Duet (‘Ever of Thee’): George Franklin and Billy Mangini (33). ‘A’ Grade Duet – ‘Robin Adair’) : Norman Law and Fred Brunsgard (33).

Daily News (Perth, WA : 1882 – 1955), Saturday 4 July 1931, page 3

1934

In 1934, George Franklin joined the City of Perth Band.

1935

Anzac Commemoration Broadcasts.This evening at 8 o’clock a special Anzac programme will be relayed by €WF from Anzac House, where the Perth’ Symphony Orchestra (under Mr. G. J. Reid) will be assisted by Isobel Reith (soprano), WiU Savage (baritone), and George Franklin (cornetist).

West Australian (Perth, WA : 1879 – 1954), Wednesday 24 April 1935, page 3

1939

6PR – 6TZ – Jack Harrison, Winner (final) Charlie Carter’s Juvenile Amateur Trials conducted by Stations 6AM-6PM. Jack will broadcast from stations 6PR-6TZ Sunday morning November 26 Radiola Rhythm Program. Don’t fail to hear this remarkable broadcast. Jack plays a Harmonica stocked by Nicholsons Ltd. Hear George Franklin, Solo Cornetist with Perth City Band in Special Broadcast from Stations 6PR-6TZ Sunday evening November 26, 9 o’clock. George plays a Boosey and Hawkes Bb cornet. Sole agent Nicholsons Ltd. The CHAMPIONS PREFER the N.V.A. (New Valve Action) CORNET. Illustrated catalogue: Boosey and Hawkes Cornets post free!

The Mirror Saturday Night November 25 1939

1940

When World War II broke out, George served five a half years service from 1940 aged 18 in the Royal Australian Air Force. George was pulled from air crew duties once he discovered he was colourblind. He was then sent to Noonkanbah Station in Western Australia’s north where he re-fuelled and re-armed US heavy bombers, which were fighting the Japanese, but was glad he did not “see any action” on the front line.

1946

After finishing his military service, Mr Franklin went on to join the Army Band, playing the trumpet. He said he has since played the Last Post at funerals for other veterans more times than he could remember.

“So, I wouldn’t mind a pound for every time I’ve played the Last Post somewhere,” he said.

Mr Franklin said it was difficult to say goodbye to so many comrades, as the number of living veterans declines rapidly. “You see it in a different light when you’re in the band … when you’re playing the dead march to bury a guy,” he said. “You’re playing the Last Post when he’s in there [the coffin], you’ve got to forget about it.”

PHOTO Aged 18, Mr Franklin joined the Royal Australian Air Force during World War Two. (ABC News: Bridget McArthur)

It was then that he joined the City of Perth Band, where was only months away from becoming the new Guinness World Record holder for the title of the world’s oldest band conductor.

https://www.cityofperthband.org.au/about-us/band-history

1949

In 1949 the main dance music influences at the time were Glenn Miller, Benny Goodman and Artie Shaw. Old time dancing was interspersed with the new swing and jazz movement and the big names performing around town were Harry Bluck, Colin Hicks, Ron Jenkins and Jack Harrison. Jack augmented his swing band according to the requirements of functions, sometimes up to ten players, such as the April 22^nd 1949 University of Western Australia Graduation Ball at Winthrop Hall. Players were issued with a cheque on 5^th May 1949 and were paid 3 pound 2 and 6 for the gig. Players paid were: Norm Wrightson (saxophone), George Kirkby, Jack Pope (trumpet), George Franklin (trumpet), Charles Thompson (trumpet), Bill Hendrie (guitar), Roy Coates, Ray Harrison (drums), Jill Harrison (piano) and Jack Harrison (band leader, sax, clarinet) was the tenth band member.

GRADUATION BALL – 8.30pm – 2am – April 22 1949 Winthrop Hall, University

In Aid of World Student relief. ADMISSION Double Ticket 24/7 (inc tax.)

Jack Harrison’s Ten Piece Orchestra – bookings at Nicholsons

AROUND PERTH – WITH HARRY BLUCK

Ball Season Starts Rolling in Perth – Heavy Bookings as Biz Booms

The annual outcrop of balls generally makes its presence felt about this time of the year and already some of the earliest have taken place. This season promises to be a busier one than previously and some large-sized bands should be seen on the various stands. Already, youthful Jack Harrison has made a good start by fronting a 10 piece outfit at the University Graduation Ball, and from all accounts the ultimate sound of the band justified the Harrison judgement in selecting good players as his support. It’s in The Family! Jack Harrison’s Trio, winners of Perth’s “Popular Dance Band Contest” for 1948. This talented threesome have remarkable polish, considering their extreme youthfulness, and have certainly made their presence felt in the comparatively short time for which they have been associated with the dance band business. From L to R: Jack Harrison (saxes), Ray Harrison (drums), jill Harrison (piano). Jack and jill are both aged 16 and Ray is 18. Since this photo was taken, Jack Harrison has blossomed out with a 10 piece band, with which he played at the Perth University Graduation Ball. (Photo by Arthur Fielding Ruskin). Music Maker and Dance Band News May 1949

JACK HARRISON’S CHEQUE BOOK:

5 MAY 1949

JACK Cheque to: Norm Wrightson Grad Ball £3/2/6

George Kirkby Grad Ball £3/2/6

Jack Pope Grad Ball £3/2/6

George Franklin Grad Ball £3/2/6

Charles Thompson Grad Ball £3/2/6

Bill Hendrie Grad Ball £3/2/6

Roy Coates Grad Ball £3/2/6

Ray Harrison Grad Ball £3/2/6

Jill Harrison Grad Ball £3/2/6

Bands “JOHN” writes: I am 18 and I would very much like to play a trumpet. Could you tell me of any band I could join and learn to play? The obvious reply to your question is the Y.A.L. band, but I understand there are no instruments to spare in that band just now. There is the North Perth Police Boys’ Club band, the R.S.L. junior band, the Perth City band, and the Nedlands military band, just to mention a few of them. For the North Perth Band and the Perth City Band, you could make inquiries by visiting the band room on the corner of Fitzgerald-st., and Stuart-st., during practices on Thursday evenings or Sunday morning. For the Nedlands military band, you should inquire from Mr. F. Kendall, care of the Nedlands Road Board. Mr. Charles Court, 125 St. George’s-ter., Perth, will give details of the R.S.L. band. Inquiries for the Y.A.L. band should be made to the bandmaster, Mr. George Franklin, at Y.A.L. headquarters, Murray-st. — MARY FERBER.

Daily News (Perth, WA : 1882 – 1955), Thursday 12 May 1949, page 16

George travelled to Eastern States and met a soprano singer…

1950 DIARY OF JACK HARRISON – SYDNEY

Thu 26^thJan 1950 (arrive Sydney)

Got up at 6.15am because we wanted to see the boat coming in. It was in the heads. It was quite a good sight but it was quite foggy and you could not see very far away. The best part was going under the bridge. Got into Sydney at 7.45am and got a taxi to the YMCA. Wandered around town a bit with Mr Whitelock, Mr Anthill and the Chappells. Had lunch at the YMCA and messed around in the afternoon. Had early tea and went out to Kurt Jacob’s place but he was not home. Waited for about an hour then gave up and went to the Trocadero where there was a swing concert. It was very good. The band was Frank Coughlan’s. Went up and spoke to Jim Riley (ex Perth boy) and told him the WA news. At half time I saw George Franklin and sat with him the rest of the concert. Got to bed at 11pm.

Wed 1^stFeb 1950

After I did some mouthorgan practice, had a spell and did some clari. Went and booked TAA to get home (19 pounds) and drew money out of the bank. Went to 2UE and met Mr Dawe who told us to come and see the Palmolive show [variety and quiz shows for the Colgate-Palmolive Radio Unit.] in rehearsal on Friday. After lunch went for a walk and met George Franklin. At 3pm we went to the Celebrity to find that the auditions were yesterday. Went around a few picture shows. Caught the train at 5pm to Bankstown and met Colin and then had tea. Colin showed us pictures and on the way home we called into Colin’s shop at the Course. Got to bed 11pm.

1953

PERTH MUSICIANS PLAN BIG WELCOME FOR RAY HARTLEY

ON HIT PARADE

Local-boy-made-good Ray Hartley will step off the Strathnaver onto the proverbial red carpet rolled out by WA musicians when he arrives in Fremantle Tuesday week. Busy drawing up plans and specifications for a monster concert featuring local artists at the Capitol is band leader Sammy Sharp. Many other suggestions about ways and means to honor the writer pianist must be shelved until Ray has been consulted, but certain it is that Ray’s rapid rise in the entertainment world will be appropriately recognised. Present vague information about his ‘working holiday’ stay in Perth will not allow the mapping of any schedule. In fact, it’s thought that the concert at the Capitol will have to wait til a week or so after his arrival because of theatre bookings. How polished pianist Ray broke through the formidable barrier to success with his catchy ‘Let’s Do It Again’ soon after his arrival in London is well known. For some weeks the local radio hammered Donald Peers’ rendition of the number, and it was the same in England and America, where the tune topped the hit parade. Ray’s is truly a ‘rags-to-riches’ story— from a laundry hand to a celebrity in a few years, which seem incredibly short. He put his RAAF discharge in his pocket and went to work in a Perth laundry. Seven years ago he was 6 PM’s station pianist and supplemented his income with odd engagements at the ABC and a dancing school. He made steady local progress and moved across to Sydney in early 1948. There his services were in demand on radio and stage, and in his spare time he collected his A.Mus.A. at Sydney Conservatorium. This was the signal for his departure for London, where he quickly got his feet on the ladder of success. It’s almost 4 years now since Ray landed in London full of hopes and ambition, and since then he’s had at least 16 tunes published, including 2 best sellers. BBC and Radio Luxembourg have sought out his services, and he has made the screen with M-G-M and Pathe. Definite it is that Ray will be heard in 4 broadcasts from the ABC while in his home town. A week after his arrival he will appear in ‘What Next?’ ?

This well – known Perth band is heard weekly in Hit Parade all over Australia and by the troops in Korea. It is the noted combination of Harry Bluck and the conductor-arranger himself is shown at the far left, front row, Next to him in front, from left: Sylvia Caporn, Johnny McCaughan, Mario Burlini, George Franklin, Cliff Adam. Back row: Ralph Filmer, George Caro. Jack Pateman, Ted Mc-Mahon. Arch Waddell.

Mirror (Perth, WA : 1921 – 1956), Saturday 18 July 1953, page 12

1955 – Jazz Jamboree

No. 9 – “Hot and Cool” – KEITH WHITTLE’S DIXIELANDERS WITH JOHNNY REGAN’S MODERNIQUES.

Personnel: George Franklin (Trumpet)

1965

George was the Corporal 1st cornet leader of a very good group of four outstanding cornet soloists in the Western Command Band when Bob Keatch was posted to Perth.

1974 – Conductor Perth City Band

Mr Franklin was the conductor of the City of Perth brass band from 1974

In 1978, City of Perth Band were state A Grade champions.

PHOTO:

Mr Franklin was the conductor of the City of Perth brass band from 1974. (ABC News: Lauren Smith)

2013 – aged 103

Band Leader George Franklin

Fremantle’s famous old barber shop, Norm Wrightson’s Hairway, is celebrating its 80th year and marking the occasion with a variety packed concert called ‘Salute to Fremantle’. The Magic Dream Big Band were one of the main acts performing in the Fremantle Town Hall.

https://www.flickr.com/photos/simon_corston/10513007923

Franklin old veteran ABC news Chloe Henville

George Franklin is a World War II veteran. (ABC News: Chloe Henville)

Franklin 104 conducting City of Perth swing band

https://www.abc.net.au/news/2025-11-11/veterans-mark-rememberance-day-as-numbers-dwindle/105997254

2026 – aged 104

Legendary Perth big band conductor George Franklin passes away

RIP George Franklin – 104 year old legendary Perth Big Band conductor decided it was finally time to hang up his baton. A great trumpeter in his day. Retired Perth cornet player and brass repairer, Max Douglas told me once “I never heard him miss”.

https://www.facebook.com/groups/perthbigbands/posts/3172814449593169/

https://www.facebook.com/reel/1025055272853262

https://www.facebook.com/watch/?v=1199218768257717

https://www.abc.net.au/news/2026-03-26/george-franklin-months-away-from-oldest-conductor-record/106496114

Vale – George Franklin by Bob Keatch

Greetings OLD CONTEMPTIBLES.
Some sad news. George Franklin passed away last week. He was surrounded by family and at peace. A fall recently saw him in hospital with broken bones and some complications. A sad end after a brilliant life very well lived. George was well regarded, much admired and deeply loved far and wide. George was the Corporal 1st cornet leader of a very good group of four outstanding cornet soloists in the Western Command Band when I was posted here in 1965. Lots of excellent memories over the years including my time as his big band Drummer in more recent times.

Funeral arrangements:
2 pm Wednesday 29th July 2026
Norfolk Chapel. KARRAKATTA.

Vale – George Franklin

Instruments

Years

1931
2026

Person

POPE, Jack

1949

Jack Harrison augmented his swing band according to the requirements of functions, sometimes up to ten players, such as the April 22^nd 1949 University of Western Australia Graduation Ball at Winthrop Hall. Players were issued with a cheque on 5^th May 1949 and were paid 3 pound 2 and 6 for the gig.

Players paid were: Norm Wrightson (saxophone), George Kirkby, Jack Pope (trumpet), George Franklin (trumpet), Charles Thompson, Bill Hendrie (guitar), Roy Coates, Ray Harrison (drums), Jill Harrison (piano) and Jack was the tenth band member.

5 MAY 1949

JACK HARRISON Cheque Book – to:

Norm Wrightson Grad Ball £3/2/6

George Kirkby Grad Ball £3/2/6

Jack Pope Grad Ball £3/2/6

George Franklin Grad Ball £3/2/6

Charles Thompson Grad Ball £3/2/6

Bill Hendrie Grad Ball £3/2/6

Roy Coates Grad Ball £3/2/6

Ray Harrison Grad Ball £3/2/6

Jill Harrison Grad Ball £3/2/6

4 JULY 1949

JACK Cheque to: Jack Pope Womens College £5/3

Colin Youlden Womens College £2/11/8

Bill Kirkham Womens College £2/11/8

Charlie Thompson Womens College £2/11/8

George Franklin Womens College £2/11/8

Bill Hendrie Womens College £2/11/8

Roy Coates Womens College £2/11/8

1950

MUSICAL INSTRUMENTS.

TRUMPET for sale, Conn. Silver plated, excellent condition. Jack Pope. 41 Somerset-st., Vic. Park.

West Australian (Perth, WA : 1879 – 1954), Saturday 21 October 1950, page 40

WESLEY BALL Tuesday 18^thJuly 1950

Jack Harrison Band – Wesley Ball 8pm – 1am

Friday 4^th August 1950

Jack: Cheque to: Jack Pope Wesley £7/12/9

1953

Ladies’ Night Was One To Be Remembered

Secretary Mrs. Le Cornu (Sylvia Caporn) and an energetic committee really pulled one out of the bag for Musicians’ Union Ladies’ Auxiliary’s first night at Anzac House lower hall on Tuesday. Musical items were contributed by Phyllis Frost and Bryn Gyfford, drummers Merv Rowston, Keith Whittle, Murray McKay and Max McKay, sax players George Caro, Sonny Henderson, Johnny McCaughan, trumpeter Jack Pope, pianists Nell Sheridan, Roy de la Mere and Henry Cochran, guitarist Hank Collins and Dane Gorn on bass. It was a jam session extraordinary, and it was enjoyed by all. Auxiliary’s next function is to be an afternoon tea on Aug. 29 at 2.30 in the Musicians’ Union offices. 102 Beaufort-st.

Mirror (Perth, WA : 1921 – 1956), Saturday 15 August 1953, page 13

1954

To the followers of the WEDNESDAY NIGHT DANCE QUEENS HALL, BICTON You are advised that commencing WEDNESDAY, 9th FEBRUARY, the weekly dance will be held as usual until the return of your popular promoter. Five-Piece Orchestra Featuring: Nev. Moderate (Piano) Al Cole (Bass) John Regan (Drums) Horrie King (Sax. and Clarinet), Jack Pope (Trumpet and Leader) MODERN MUSIC AS YOU LIKE IT Lucky Spots — Dancing 8-11.30 ADMISSION 2/10

Daily News (Perth, WA : 1882 – 1955), Monday 8 February 1954, page 10

1955

Cliff Adam Band one of best on WA radio

Heard and enjoyed often on local stations are popular members of the Cliff Adam Band (below from left to right) Jack Pope, Harry Wicks, Cliff Adam, and John McCaughan. Leader Cliff Adam -something special with a guitar, a song, and formerly a tap dance – is among the most experienced of WA musicians.

He left Perth to tour the Eastern States with. Ron Moyle’s “Westralian” in 1933 and, finding things over that way to his liking, stayed for several successful years.

He played in famous Melbourne cabarets and toured with the Bert Howell band, one of Australia’s best in Sydney. He played with the tuneful Jay Whidden unit and had success on the air with the Colgate – Palmolive, Fred Hartley and other well-known radio bands. Now he broadcasts with his Hawaiian ensemble,, the 55-60 Show with the ABC Variety Band and. of course, his own Cliff Adam show.

Drummer and vibraphone player Harry Wicks moved here from Sydney two years back with the smash-hit Moreton and Kaye show He liked the place, decided to stay, and is heard in many local commercial shows. Harry hails originally from New Zealand but he has the Australian “bounce” in abundance.

Trumpeter Jack Pope, a member of Harry Bluck’s ABC Melodians, is heard

also on commercial stations. So does tenor-sax maestro John McCaughan, a momentous Melodian with the ABC. The quartet play together several times weekly in Cliff’s dance band. Other members of the band, pictured, are Russ Shepgeard pianist, and Ralph Filmer, bass.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 9 January 1955, page 20

1955 THE YOUNG AUSTRALIA LEAGUE

Presents Another

“JAZZ FANTASIA”

with Sammy Sharp and his Orchestra.

35 of the State’s Finest Musicians featuring …

Louise D’Arcy — Jack Harrison — Jimmy Beeson — Horrie King, Jack

Pope — Martin Gischus — Colin Youlden — Lisa Ray — Keith Whittle

— Ralph Filmer — Evelyn Wilson.

SPECIAL FEATURE ATTRACTION

A NOVEL PARADE OF MEN’S FASHIONS

By ELWOODS

PAN AMERICAN

“STYLE STORE FOR MEN”

CAPITOL THEATRE

SUNDAY, 20TH NOVEMBER

Box Plan Now Open at Nicholsons. Adm. 5/.

The Daily News Wednesday 16 November 1955 page 26

PHOTO: Summary

L-R: Peter Boyd (vocalist), Sam Sharp (trumpet, leader), Peter Clinch (tenor saxophone, clarinet), George Caro (alto saxophone, clarinet), Ralph Filmer (bass), Les Mackay (alto saxophone), Keith Whittle (drums), Cliff Adam (guitar), Jim Beeson (piano), Charles Thompson (trombone), Norm McMahon (trumpet), Jack Pope (trumpet), Phyllis Frost (blind English vocalist).

https://pro.nfsa.gov.au/titles/82XV9ACE

Instruments

Trumpet

Years

1949

Person

SPIGELMAN, Ron

Australian conductor Ron Spigelman is an honors graduate of the Royal Academy of Music, London.

Ron Spigelman conducting a WASO “Zoo” concert

He began his career in Australia in 1992 as a conductor-in-training with the West Australian Symphony, the Queensland Symphony Orchestra in 1993 and then assistant conductor of the Adelaide Symphony Orchestra in 1994 – with who he recorded an album entitled Dream Children that was nominated for an ARIA award and still receives radio play on the ABC. His career moved to the United States in 1994 when he won the position of Associate Conductor of the Fort Worth Symphony (Texas) and then the Buffalo Philharmonic (New York), subsequently becoming Music Director of the Fort Worth Dallas Ballet, the San Angelo Symphony, Texas Chamber Orchestra, Springfield Symphony (Missouri), and the Lake Placid Sinfonietta (NY) where he is now conductor emeritus. He has also served as Principal Pops Conductor of the Fort Worth and Syracuse Symphonies and is now in his second season as Principal Pops Conductor of the Buffalo Philharmonic developing and conducting approximately 12 programs each season.

Guest conducting appearances have included the Atlanta, St. Louis, Baltimore, Utah, Oregon, Kansas City, Vancouver, Milwaukee, Grand Rapids, Colorado, Dallas and Nashville Symphonies, as well as the Florida Orchestra, Louisville Orchestra and the Minnesota Orchestra.

He has conducted Symphonic, Ballet, Opera, Musical Theatre and Pops plus over 30 live-to-film productions including all eight of the Harry Potter films. Guest artists he has accompanied include Horacio Gutierrez, Rachel Barton Pine, Richard Stoltzman, Marvin Hamlisch, Peter Paul & Mary, James Taylor, Leslie Odom Jr., Vanessa Williams, Gladys Knight, Arturo Sandoval, and many others.

Career highlights include the world premiere of Pegasus by Lowell Liebermann with the Dallas Symphony, his Carnegie Hall debut with the Buffalo Philharmonic in 2004, and the world premiere recording of Sylvan by Michael Torke with the Lake Placid Sinfonietta for their centennial season in 2017.

Ron lives in Tulsa, Oklahoma with his wife Laura, and they have a combined 6 children. He is board president of Harmony Project Tulsa, bringing instrumental instruction to underserved youth in collaboration with the Tulsa Public Schools and he is a frequent conductor of the Tulsa Symphony Orchestra. In 2024 he graduated summa cum laude with a bachelor’s degree in Family and Human Development at Arizona State University receiving the dean’s medal for academic excellence and in May of 2026 completed his Master of Liberal Studies degree – also from ASU – graduating with academic distinction. His applied project was a graduate course for conductors in the vital communication, leadership and social skills needed to become a resonant leader and effective music director on and off the podium.

Instruments

Years

1994