Rudolf Pekarek (1900 – 1974) was a conductor born in Czechoslovakia in 1900.
In 1934, he founded the Film, Opera, Koncert (FOK) Symphony Orchestra in Prague, which became the Prague Symphony Orchestra in 1952. Pekarek was its chief conductor until 1941.
That year he and his wife Terry (nee Gutmann) were deported to the concentration camp in Lodz (Litzmannstadt). In 1944 they were taken to Auschwitz, and were among the few survivors liberated from the camp in January 1945.
Pekarek joined the Czecho-Slovak army advancing west under the command of the Soviet army. He was the chief conductor of the Army Arts Ensemble from 1945 to 1947.
After returning to Prague and being reunited with his wife Pekarek was again conductor of the FOK Symphony Orchestra from 1947 to 1948.
The Pekareks migrated to Australia in December 1948. Pekarek was the resident conductor of the West Australian Symphony Orchestra from 1949.
In 1954 he became the chief conductor of the Queensland Symphony Orchestra. He retired from this position in 1967 but continued working as an occasional guest conductor with orchestras around Australia.
Sir Bernard Thomas Heinze, musician and conductor, was born on 1 July 1894 at Shepparton, Victoria, fourth child of Victorian-born parents Benjamin Heinze, jeweller, and his wife Minnie Frederica, née Greenwell. Both parents were amateur musicians who encouraged their children to follow their example. Educated at St Patrick’s College, Ballarat, Bernard became a pupil of Walter Gude, the founder of the local Lyric Orchestra. At 16 he won an Australian Music Examinations Board scholarship to the Melbourne University Conservatorium (MA, 1948). He was awarded the (Sir William) Clarke scholarship at the end of his first year, enabling him to study at the Royal College of Music, London, where his teachers included the violinist Achille Rivarda, the pianist Herbert Sharpe, and the composers Frank Bridge and Sir Charles Stanford.
World War I interrupted Heinze’s studies. Commissioned on 23 September 1915 in the Royal Garrison Artillery, he served on the Western Front and as an aide-de-camp to Major General Sir Herbert Guthrie Smith, the director of artillery. After being demobilised in 1920 he wrote music criticism for the London Saturday Review while completing his term as Clarke scholar. In 1920 the Gowland Harrison scholarship took him to the Schola Cantorum, Paris: he studied history and composition under its founder, Vincent d’Indy, violin with Nestor Lejeune, and solfège with G. De Lioncourt. Having a particular interest in orchestral techniques, he attended rehearsals of the Concert Coloune under Gabriel Pierné. In 1922 he toured southern Europe as a member of the Lejeune String Quartet, but left it after only a few months to study violin with Willy Hess in Berlin.
In 1923 Heinze returned to Australia, in part to adjudicate the South Street eisteddfod, Ballarat. The following year he joined the Melbourne University Conservatorium as teacher of violin. He rapidly gained prominence and supporters as conductor of the Melbourne University Symphony Orchestra and founder of the Melbourne String Quartet. In 1925 he succeeded William Laver as Ormond professor of music: `his energy is boundless’, Table Talk noted, `his ambition, the same’.
Heinze was committed to increasing the public performance of music, and to securing the professionalism of players. In 1925 he inaugurated free concerts for schools at which he lectured and conducted; he also introduced subscription series and, after a short visit to Europe in 1928, launched celebrity concerts, featuring many outstanding overseas performers. Already the conductor of the Royal Melbourne Philharmonic Society (1927-53), after a period of competition with Fritz Hart’s Melbourne Symphony Orchestra, in 1933 he amalgamated the USO with the effectively bankrupt MSO (Victorian Symphony Orchestra after 1949), remaining with it until 1956.
As a conductor, Heinze revealed his strength in the interpretation of the Romantics, from Beethoven to Tchaikovsky and Elgar; Richard Strauss, Mahler and Sibelius were also high on his preferred list. New music featured regularly in his programs: in 1929 he gave the first Melbourne performances of works by Percy Grainger, Rimsky-Korsakov and Borodin, and in 1933 the first Australian performance of Bruckner’s symphony in C minor. In 1931 he was made a fellow of the Royal College of Music. At Newman College chapel, University of Melbourne, on 6 July 1932, he married Valerie Antonia, daughter of Sir David Hennessy.
Heinze’s influence was greatly enhanced by his appointment in 1929 as part-time director-general of music to the Australian Broadcasting Co., and consolidated by his role from 1934 as part-time music adviser to its successor, the Australian Broadcasting Commission. In these positions he supervised performance of music for broadcast, co-ordinated educational concerts, and championed the ABC’s policy, adopted in 1936, of establishing professional symphony orchestras in each State. In 1938 he toured Europe and the United States of America to investigate the role of radio in promoting music, also conducting in Paris, Berlin, Budapest and Helsinki, and serving as a juror for the Concours Ysaÿe in Brussels (for which he was appointed to the Ordre de la Couronne).
Amid the stringencies of war, in 1941-45 the university agreed to release Heinze to act as chief resident conductor for the ABC’s celebrity concert seasons. In part through wartime necessity, he included Australian artists as soloists. Music could easily have stagnated in such a climate, but instead it flourished. While staging popular festivals featuring Beethoven’s and Russian music (in Melbourne and Sydney respectively, in 1944) and challenging audiences with a radical series of symphonies by Honegger, Heinze also featured works by Australian composers of `great promise’, Roy Agnew, (H. J.) Brewster Jones, Clive Douglas, Miriam Hyde and Robert Hughes among them.
Resuming his duties as Ormond professor early in 1945, Heinze remained a pervasive force at the ABC. In 1947, after a tour as guest conductor for the Canadian Broadcasting Commission (which was to lead to an honorary doctorate of laws from the University of British Columbia, 1947), he introduced to Australia the youth concert series that would shape the musical taste of a generation. He welcomed steady increases in subscriptions to orchestral series, devising innovative programs offering works by Shostakovich, Britten and Bartōk. Critics were sometimes uneasy with the dominance of his personality and occasional lapses in direction, but none the less welcomed the freshness he brought to both the podium and the audience. Some concerts, Kenneth Hince later recalled, were `careless’ but `none was dull’. If Heinze’s frequent absences from the university provoked questions, the conservatorium still benefited from his prestige and energy. During what he called his `golden years’ as director, it produced composers of the calibre of Donald Banks, James Penberthy and Peter Sculthorpe. Heinze was knighted in 1949; later that year he received an honorary doctorate of music from the University of Western Australia.
Tall, urbane, impeccably groomed and a noted raconteur with a carefully cultivated, mellifluous voice, Sir Bernard had, at least in public, a contagious enthusiasm and cheerfulness. In 1956 he resigned from the conservatorium and succeeded (1957-67) Sir Eugene Goossens as director of the New South Wales State Conservatorium of Music. With legendary restlessness he continued to travel extensively, promoting music. In a daring initiative given the political climate of the times, he undertook a conducting tour of the Soviet Union and Eastern Europe in 1958. Across Australia audiences continued to adore him; his players, however, generally considered him dictatorial, anti-female, and someone to be feared. His extensive influence ensured that a word in the right quarter could make or break a career.
Heinze had always drawn much power from his control of strategic committees, through chairmanship or sheer gamesmanship. Beyond the ABC, these included service as a representative of education in music on the Victorian Council of Public Education (1936-57), as a close associate of the AMEB, as vice-patron of the Arts Council of Australia, Victorian division, and as an active member and international representative (Belgium, 1953) of the Australian National Advisory Committee for the United Nations Educational, Scientific and Cultural Organization. In Sydney, and with expanding public support for the arts, new opportunities arose. He served as vice-patron (1955-65) of the Arts Council of Australia, New South Wales division; on the executive committee (1957-66) and later as a trustee of the Sydney Opera House; and as foundation chairman of the advisory board of Commonwealth Assistance to Australian Composers (1967), and the music advisory committee of the Australian Council for the Arts (1968).
Without doubt the dominant musical figure of twentieth-century Australia, Heinze raised and maintained national musical standards, providing an unparalleled example of leadership to the profession. He thought of music in nineteenth-century `high art’ terms, seeing it as a moral good to which the community should aspire while using contemporary means to ensure that outcome. He also gained recognition for music teaching as an accredited profession in schools. As Felix Werder noted, Heinze `was not simply another curator-conductor, he was godfather to the Australian composer’. The fiftieth anniversary of his first public appearance as conductor was celebrated at the Melbourne Town Hall in 1974. He was named Australian of the Year in 1975, appointed AC in 1976 and in 1979 became the first Australian to receive UNESCO’s International Music Council award.
Fit and active well into his eighties, Sir Bernard Heinze remained a keen gardener and collector. He died at Bellevue Hill, Sydney, on 10 June 1982, survived by his wife and their three sons. Following a requiem Mass at St Peter’s Catholic Church, Toorak, at which Fauré’s Requiem was sung, he was buried in Brighton cemetery, Melbourne. He left behind an immense legacy, securing for serious music a permanent place in Australia, not as a remote European inheritance but as the ancestral house in which Australians could live and grow. In 1957 a portrait by Paul Fitzgerald was presented to the university conservatorium, and in 1975 the ABC televised a biographical feature, `The Bernard Heinze Story’. An annual award in his name, established in 1985, is given in recognition of an outstanding contribution to music in Australia.
Arthur Fiedler (born December 17, 1894, Boston, Massachusetts, U.S.—died July 10, 1979, Brookline, Massachusetts) was an American conductor who was maestro of the Boston Pops Orchestra for 50 seasons and the best-selling classical conductor of all time; his recordings with the Pops sold some 50,000,000 discs. (The Boston Pops Orchestra is the Boston Symphony minus its principal players.) Fiedler, whose principal aim was “to give audiences a good time,” led the Pops in performances of popular tunes, show music, and classics.
From 1911 to 1915 Fiedler studied violin, piano, and conducting at the Royal Academy of Music in Berlin before joining the Boston Symphony as a member of the second violin section. He played in the viola section from 1918 to 1930. He also was proficient on the celesta, piano, and organ. Fiedler organized the Arthur Fiedler Sinfonietta (1924), a chamber symphony, when he was refused the conductorship of the Pops. In 1929 he organized the Esplanade concerts, in which symphonic music was played outdoors in Boston for the first time. In 1930 he became conductor of the Pops, a post he held until his death in 1979.
Fiedler, Arthur Arthur Fiedler conducting the Yomiuri Nippon Symphony Orchestra, 1967.
As conductor of the Boston Pops, Fiedler developed a varied and light-hearted repertoire that struck a responsive chord with the public. He excelled at adapting popular dance music and other songs to performance by a symphonic orchestra. Fiedler was viewed by many critics as a highly able technician and a superb showman rather than as a first-rate interpreter of classical music, however.
FESTIVAL OF PERTH – ARTHUR FIEDLER – TUESDAY FEBRUARY 16 1971
Arthur Fiedler the internationally famous conductor of the Boston Pops concerts will conduct the West Australian Symphony Orchestra for two concerts during the Festival. The concerts should be known as Fiedler concerts, will be held at Winthrop Hall on Saturday, February 13 and Tuesday, February 16. Mr Fiedler’s connection with the Boston Symphony Orchestra goes back to 1915 when he joined it as a violinist. In 1930 he was appointed the 18th conductor of the Boston Pops concerts a feature of Boston musical life since 1885. Record sales which have helped to make the Boston Pops Orchestra famous now total more than 47 million. Mr Fiedler will be appearing by arrangement with the Australian Broadcasting Commission. Soloists at the Fiedler concerts will be David Bollard and clarinet and harmonica player Jack Harrison who is a Churchill fellowship winner for 1971.
Sir John Barbirolli (born Dec. 2, 1899, London, Eng.—died July 29, 1970, London) was an English conductor and cellist.
Barbirolli was the son of an émigré Italian violinist and his French wife. He began playing the violin when he was 4 (later switching to the cello) and, at the age of 10, became a scholar at the Trinity College of Music. He attended the Royal Academy of Music from 1912 to 1916 and established himself as an orchestral and solo cellist. During his mid-20s he devoted himself to chamber work. He then turned to opera as a full-time conductor, taking seasons at Covent Garden and Sadler’s Wells and making appearances at the British National Opera. He also conducted with the London Symphony Orchestra and the Scottish Orchestra. Invited for the 1936–37 season of the New York Philharmonic, he won the permanent post of music director in succession to Arturo Toscanini and held it through that organization’s memorable centenary season, 1941–42.
His subsequent appointments included conductorships (1943–70) with the Hallé Orchestra in Manchester, Eng., where he gained international recognition as a conductor. A decade of deteriorating health did not prevent him from continuing guest conducting, recording, and worldwide touring with major orchestras. He was principal conductor for the Houston Symphony Orchestra (1961–67) and was a favourite guest conductor with the Berlin Philharmonic Orchestra (1961–70). He was knighted in 1949.
David Measham was principal conductor of the West Australian Symphony Orchestra from 1974-81, and its principal guest conductor 1981-86.
1975
In 1975, he began an indoor season of three Promenade Concerts as part of the Perth International Arts Festival modelled on the London Proms.
The untimely death of Tibor Paul in 1973 gave rise to the appointment of David Measham, whose prom concerts given in the Perth Entertainment Centre attracted huge audiences (19,000 patrons over three nights in 1980).
The extension of repertoire into more popular styles caused a period of instability within the Orchestra, but later became accepted as an essential part of its work.
1975 Measham “Pop Goes the Weasel” with guitarist Ray WalkerVaughan Hanly and David Measham with WASO1975 Measham “Pop Goes the Weasel” in the Basil Kirke Studio
1982 WASO with David Measham1982 WASO at Parkerville Amphitheatre
1983
1983 WASO Singapore Tour
1984
1984 Proms Measham
1984 WASO MeashamMeasham and the Follington Sisters article1984 WASO Measham
1986
WASO The America’s Cup Album conducted by David Measham
1993
1993 Jody Harrison, Ian McNamara and David Measham: WASO Macca Australiana concert
He presented a radio series for ABC Classic FM called “Both Sides Of The Podium”, where orchestra players discussed their experiences working with various conductors.
At one rehearsal, Measham took over when the conductor, Leonard Bernstein, said he wanted to hear what the orchestra sounded like from the back of the hall and called for a volunteer conductor. He then had further assistance in conducting from Bernstein. Subsequently, in his conducting career, Measham was music director of Phoenix Opera, and chief conductor of the Stetson University Summer Institute in Florida. In 1971, Measham made his Royal Festival Hall conducting debut with the LSO, when he took over from Hans Schmidt-Isserstedt at the last minute on one 2-hour rehearsal.[2]
In 1971, Measham emigrated to Western Australia and was based in Perth. He was principal conductor of the West Australian Symphony Orchestra 1974-81, and its principal guest conductor 1981-86. There he gave many first performances, and took the orchestra on its first overseas tour, to Singapore, and to the Sydney Festival, before an audience of 120,000. In 1975, he began an indoor season of three Promenade Concerts as part of the Perth International Arts Festival, modelled on The Proms. He presented a radio series for ABC Classic FM called “Both Sides Of The Podium”, where orchestra players discussed their experiences working with various conductors. His other interests in Perth included yachting, and he was a member of the Claremont Yacht Club and then Mounts Bay Sailing Club where he raced his own keel-boat.
Measham died of cancer of the pancreas, in Perth. His early marriage to the soprano Susan Shoemaker ended in divorce. His two children from his marriage, Aaron and Guenevere, survive him.
George Reid was an early Australian music director and conductor. He played a fundamental role in the region’s orchestral history before the Australian Broadcasting Commission (ABC) introduced its “Celebrity” orchestral structure in 1936, a lineage that ultimately evolved into the modern-day West Australian Symphony Orchestra (WASO). Additionally, he was known for directing other local groups during that era, such as the Perth City Band.
Last Saturday evening the city was full of entertainment. Among the various shows not the least interesting was that given in the Town Hall by some of the members of the Y.A.L. The show was conducted in a very capable manner, and interest was added by the fact that the proceeds were to go towards the institution of a Y.A.L. stall at the Ugly Men’s Wonderwork appeal. Mr. George J. Reid batonned the Y.A.L. orchestra band, and provided some very spirited music. A couple of good solos were rendered by J. McCusker and St. Elmo Vaughan. Bert Fisher gave a good violin rendering of the intermezzo from “Cavalleria Rusticana, ” and W. Berry supplied some Highland dance selections. There was a little sketch by T. Marie, Chester Bond and George Zeplin that was well carried out. Martin Stott gave a monologue and some Dickens recitations, while Chester Bond made a hit as an ‘ ‘ Sun-Raysed ” schoolboy. The company finished off the entertainment with two scenes from “A Midsummer Night ‘s Dream. ‘
W.A. Family Sphere (Perth, WA : 1919 – 1920), Friday 16 January 1920, page 5
1924
FREMANTLE ORCHESTRAL SOCIETY.
At the Fremantle Town Hall on Thursday night in the presence of a large audience, the Fremantle Orchestral Society gave their a concert. The orchestra, which consisted of about thirty performers, rendered a number of selections, both popular and classical, which were much appreciated, and Miss E. Ross and Mr. Rhys Francis, in vocal offerings, contributed in no small measure to the success of the entertainment.
West Australian (Perth, WA : 1879 – 1954), Saturday 20 September 1924, page 10
1925
Top left: George Reid, conductor of Perth City Band. Right: Charles Toll, Drum Major, Perth City Band. Centre insert: Subiaco Band, winners of the Hymn Section. Bottom left: Perth City Band, winners of the Street March. Bottom right: McMahon’s. Courtesy State Library of W.A. BA2811/10
The Perth City Band, under Conductor George Reid, will render an enjoyable programme to-morrow (Sunday) afternoon in the Government Gardens, commencing at 3.45 o’clock.
Mirror (Perth, WA : 1921 – 1956), Saturday 2 May 1925, page 2
From comments he made subsequent to the contest it is apparent that Mr. G. Mellor, adjudicator of the Y.A.L. Band contest which was held last night, was well satisfied with the performances he had heard. He said that the standard of the playing was much improved on that of last year and he was much impressed with the band presentation. While some of the individual soloists were not quite up to the standard of last year, the younger players were a great improvement on previous years. Also in attendance at the contests were Mr. George Reid, first musical director, and Mr. Val Smith, second musical director. They too- expressed appreciation of the contest, and in course of a few remarks, observed that it brought back some happy memories of the day when they held positions with the band. The finals for the champion of the league solo for all finalists will be held on July 23, when the championship of the league will also be decided. The winner will be entitled to hold the cup presented by the officers of the league. The contest last night was conducted by Mr. Ron Rees, musical director of the Y.A.L. RESULTS. The results were: — Trumpeters’ Solo (‘Fanfare’): Norman Williams (35 points), 1. Drummers’ Solo (own choice) : Douglas King (40), 1. ‘B’ Grade Cornet Solo (‘Sweet Spirit Hear My Prayer’): Billy Weston (35), 1. ‘A’ Grade Cornet Solo (Raff’s ‘Cavatin’) : Norman Law (30). 1. Champion Solo: (”’Neath .Austral Skies’): Charles Thompson (40). Tenor Horn Solo (‘Goodbye, Sweetheart’): Clarie Gray (3G), 1. Baritone Euphonium Solo (‘Melody in T’): Roy Facey (36), 1. Trombone Solo (‘Kathleen Mavourneen’) : Robert Lockwood (33). 1. Bass Solo (‘Flower That Bloometh’) : Em Negus (33). 1. ‘B’ Grade Duet (‘Ever of Thee’): George Franklin and Billy Mangini (33). ‘A’ Grade Duet – ‘Robin Adair’) : Norman Law and Fred Brunsgard (33).
Daily News (Perth, WA : 1882 – 1955), Saturday 4 July 1931, page 3
1932
In 1932, timpanist George Reid, who also conducted the City of Perth regimental Band, took over as the resident conductor of the Perth Symphony Orchestra when from Harold T. “Duffy” Newton left for England. Reid held the position of resident for one year after which he was succeeded by Nelson Burton (1933-1935). He was invited back as guest conductor of P.S.O on many occasions. The orchestra gave 10 outside broadcasts during 1932, conducted in the main by Reid. “It seems that the committee of the Perth Symphony Orchestra was unwilling to reinstate Harold Newton, retaining the less flamboyant but more reliable George Reid as the conductor.” Harrison, Marcia, West Australian Symphony Orchestra Celebrating 75 Years, (WASO Holdings Pty Ltd, 2003). P.8
The Perth (professional) Symphony Orchestra is to commence its series of concerts for the season at His Majesty’s Theatre on Sunday evening, May 8. Mr. H. T. Newton, foundation conductor of the orchestra, is at present on leave, and Mr. G. J. Reid is acting as honorary conductor. A large and influential committee has been appointed and it is hoped to place the organisation on a sound and permanent basis so that the public will have the opportunity of hearing the orchestra in fortnightly concerts.
West Australian (Perth, WA : 1879 – 1954), Saturday 23 April 1932, page 5
A charity concert, organised by the Government Electricity Supply Department in aid of the Railway, Tramway and Electricity Supply Ray, was held in His Majesty’s Theatre on Tuesday last. There was a good attendance and all items were enthusiastically received. The well balanced programme opened with an overture by the Perth Symphony Orchestra under the baton of Mr. George Reid, followed by vocal numbers by Irene Stancliffe. Will Savage, Gertrude Hutton, David Lyle, the Bel Canto Choristers and the Select Four, a cornet solo by Charles Court, violin solos by Horace Dean, ballets by the pupils of Miss Estelle Anderson, and humorous monologues by W. E. Talbot. The concluding item was an amusing one-act play (produced by Miss Pat Hanna), and capably enacted by Miss Muriel Bird and Messrs. H. Bagot and J. Stillwell. Mrs. J. W. Stancliffe was the official accompanist, the hon. organiser. Mr. R. C. West and the hon. secretary. Mr. H. H. G. Clarke.
Sunday Times Sunday 9 October 1932 page 2
1933 Perth Symphony Orchestra conducted by George Reid in His Majesty’s Theatre
1933
The musical adjudicator for the forthcoming State championship band contests, which will open at Subiaco Oval on February 24 is Mr. George J. Reid. Mr. Reid has been closely identified with the musical life of Perth for the past 25 years. He held the position of conductor to the Perth City Band for several periods, was the musical director of the Young Australian League for a number of years, and led the band of that organisation on its first overseas tour. He is now the conductor of the Perth Symphony Orchestra
West Australian (Perth, WA : 1879 – 1954), Saturday 18 February 1933, page 5
1934
1934 Perth Symphony Orchestra Season – conducted by George Reid
PERTH SYMPHONY ORCHESTRA – Mr. Grainger as Guest Conductor.
The appearance of Mr. Percy Grainger as conductor lent a special interest) to last nights concert by the Perth Symphony Orchestra at His Majesty’s Theatre which was enjoyed by an enthusiastic audience. Mr. Grainger had charge of the orchestra in his own setting of the old English ‘Shepherd’s Hey.’ He proved a Vigorous conductor, and obtained from the: players a dashing and spirited performance in which every member of the orchestra had a share, with special mention deserved by the players of the brighter percussion instruments. Under the regular conductor, Mr. George Reid, the orchestra opened the programme with a powerful performance of Beethoven’s great ‘Egmont’ overture. Its most satisfying work, however, was in Massenet’s ‘Scenes Pittoresque’ suite a feature of which was the excellent showing by the woodwinds. In particular was this noticeable in the third movement in which a wonderfully bell like effect was achieved. The fine legato playing of the strings at the close jot this movement provided a good contrast to the final ‘Fete Boheme,’ in which all the fun of the fair was presented with great gusto. The well-known ‘Faust’ ballet music, by Gounod demonstrated the orchestras wealth of violins, to the extent that a lessening of tone in the more light and graceful passages would have resulted in greater contrasts being obtained. To close the programme the orchestra gave a spirited performance of Glinka’s ‘Russlan and Ludmilla’ overture. Miss Mercia de Mamiel, the assisting vocalist, brought beauty of tone to Mendelssohn’s ‘Wings of Song’ and Logan’s ‘Pale Moon’. As an encore the Brahm’s Lullaby was added. Mr. Harold Reid, xylophonist, gave a brilliant performance of Suppes ‘Morning, Noon and Night.’ which aroused such enthusiasm that arrangements of ‘Liebestraume’ and ‘Believe me, if all those endearing charms’ had to be played before Mr. Reid was allowed to leave. The President of the orchestra (Professor A. D. Ross) announced that at its next Sunday night concert, on June 10, Mr. John Bishop, of Melbourne, would be guest conductor.
West Australian (Perth, WA : 1879 – 1954), Monday 28 May 1934, page 11
The next programme to be presented by the West Australian State Symphony Orchestra, at the Prince of Wales Theatre on Sunday evening September 9, will include the overture to ‘The Merry Wives of Windsor’ (Nicolai), a further extract from the ‘Scheherazade’ suite of Rimsky Korsakov— ‘The Young ‘Prince and Princess’; and one of German’s ‘Henry VIlI.’ dances. Supporting artists include Miss Tess Smallpage, soprano, and Miss Evelyn Landells, pianist. The Perth Professional Symphony Orchestra, under the conductorship of Mr. G. J. Reid, will give its next concert at His Majesty’s Theatre on Sunday week, September 16. In response to numerous requests, the first two movements of Tchaikowsky’s ‘Pathetique’ Symphony will be included in the programme. Other numbers will include ‘Son and Stranger’ overture (Mendelssohn), ‘From the Countryside’ suite (Eric Coates), ‘Entry of the Gods into Valhalla’ (Wagner), ‘Henry VIII. Dances’ (German), ‘Handel in the Strand’ (Percy Grainger), and ‘Imperial March’ (Elgar). The assisting vocalist will’ be Miss Lulu Potter, soprano, who will be heard in songs by Mozart and Puccini.
West Australian (Perth, WA : 1879 – 1954), Saturday 8 September 1934, page 23
The Perth Professional Symphony Orchestra’s concert tomorrow evening at His Majesty’s Theatre will be the concluding concert of the 1934 season. As the occasion is the anniversary of the Armistice, the first half of the programme will be devoted to remembrance music. Under the conductorship of Mr. G. J. Reid, the orchestra will play the march ‘Power and Glory’ (Sousa, arranged by M. H. J. Otto), ‘Marche Funebre’ (Chopin), ‘Land of Hope and Glory’ (Sir Edward Elgar) and ‘Last Post’ and ‘Reveille’ will be sounded on the trumpets. Mr. C. L. Jenkins (baritone) will sing ‘Red Poppies’ (a poem by ‘Dryblower,’ the music by W. S. Fotheringham) , and ‘Verborgenheit’ and ‘Fussreise’ (Hugo Wolf). The remainder of the programme will be devoted to request items, which will include the overture to ‘William Tell’ (Rossini), ‘Serenata’ (Toselli) and the ballet music to ‘Faust’ (Gounod). Finally, the orchestra will take their farewell for the season by playing the fourth movement of the Haydn ‘Farewell Symphony.’ In this number the various members of the orchestra complete their parts seriatim, and, one after the other, blowing out their candles, leave the stage. The conductor, left alone, extinguishes his candle, leaving the theatre in complete darkness. The concert will be given in the presence of His Excellency the Lieutenant Governor and Lady Mitchell, naval and military representatives and office bearers and members of the R.S.L.
West Australian (Perth, WA : 1879 – 1954), Saturday 10 November 1934, page 23
1935
In 1935, the Perth Symphony Orchestra, conducted mainly by George Reid, gave most of its performances in the newly completed Anzac House in St George’s Terrace, and one special Jubilee Concet in the Capitol Theatre.
Sir William Lathlain presided at the annual general meeting of the Metropolitan Symphony Orchestra, which was held during the week. The election of office-bearers resulted as follows — Patron, The Lieutenant-Governor, Sir James Mitchell; President, Sir William Lathlain; Vice-Presidents, Messrs- Cecil Dent, A. H. Dickson, R. H. Goodman, A. J. Leckie, Eugene Levinson, W. H. Vincent; hon. conductor, Mr. Edward Black; hon. deputy conductor, Mr. C. Court; hon. secretary, Miss Pixie Pretty; hon. asst. secretary, Miss E. G. Pretty; hon. treasurer, Mr. C. Court; hon. librarian, Mr. K. Jones; hon. auditor, Mr. M. H. J. Otto; hon. concert secretary, Mr. R. R. Jones; committee, Misses E. Crabtree and E. Shotter, and Messrs. D. Powell, R Perrin, W. A. Smith and K. Jones. The financial statement showed that losses had been incurred at the orchestra’s 69th, 70th and 71st concerts. The next concert is .to be held early in June when, In the absence of Mr. Black on a broadcasting engagement in the Eastern States, Mr. George Reid will conduct.
West Australian (Perth, WA : 1879 – 1954), Saturday 23 March 1935, page 23
The fourth concert of the Perth Symphony Orchestra’s winter series, with Mr. G. J. Reid as conductor, will be given tomorrow evening, June 30, at Anzac House. Mendelssohn’s youthful masterpiece, the overture to ‘A Midsummer Night’s Dream,’ and the overture to ‘The Magic Flute’ (Mozart) are the opening and concluding numbers respectively of an otherwise cosmopolitan programme, which includes two ‘Polovtsian Dances’ from the opera ‘Prince Igor’ (Borodin), some ‘Hiawatha’ music by Coleridge-Taylor, Mozkowski’s ‘Spanish Dances,’ and Kreisler’s ‘Caprice Viennois.’ Miss Gertrude Hutton (contralto) will contribute ‘Armez-Vous’ (Gluck) and songs by Travers and Ivor Novello.
West Australian (Perth, WA : 1879 – 1954), Saturday 29 June 1935, page 23
INSPIRED MUSIC –Symphony Orchestra’s Concert
On Sunday evening, August 25, the Perth Professional Symphony Orchestra, conducted by Mr. G J. Reid, will give the eighth of its winter concerts at Anzac House. A particularly fine programme include works by some immortal masters of orchestral composition as Wagner, Weber, Brahms, Grieg and Coleridge-Taylor. The ‘Oberon’ overture is to be followed by the four movements — ‘Morning,’ ‘Death of Ase,’ ‘Anitra’s Dance’ and ‘In the Hall of the ‘Mountain King’ — of Grieg’s suite ‘Peer Gynt,’ Op. 64: and by the celebrated arrangement by Weingartner of Weber’s ‘Invitation to the Waltz,’ ‘Three Hungarian Dances’ (Brahms) and ‘The Procession of the Grail’ (Wagner). That BEAUTIFUL MELODY ‘The Willow Song,’ will be heard in its context as the fourth movement of the suite ‘Othello’ by Coleridge-Taylor, which includes also a ‘Dance,’ ‘Children’s Intermezzo,’ ‘Funeral March’ and ‘Military March.’ The programme will conclude with the overture from ‘Zampa’ (Herold). The assisting, artist, Signor Ugo Mina (tenor), will contribute songs by Verdi and others.
Mirror (Perth, WA : 1921 – 1956), Saturday 24 August 1935, page 23
1936
1936 Perth Concert Orchestra
1943
Description
GERALDTON, WA. 1943-08-15. MR GEORGE J. REID (RIGHT), ADJUDICATOR OF THE TRIANGULAR BAND CONTEST BETWEEN THE BANDS OF THE 1ST AUSTRALIAN ARMOURED DIVISION, THE 35TH BATTALION AND THE 54TH BATTALION, CONGRATULATES WARRANT OFFICER 2 A. H. BAILE (CONDUCTOR) OF THE BAND OF THE 1ST AUSTRALIAN ARMOURED DIVISION, ON HIS BAND WINNING EVERY PRIZE IN THE CONTEST.
Biography Our Musician for the week is alto and tenor sax expert Jack Pateman, leading alto with the Harry Bluck Sextet. Known throughout the local dance band world as ‘Daddy’ Pateman because of his long association with the dance band profession, Jack commenced earning the sax shortly after World War I at the age of 18, and attended the same tutor as Ken Murdoch at about the same time, namely George Reid, one-time conductor, of the Perth Symphony Orchestra. His first dance band engagement came to him when he took the alto seat in his father’s orchestra (Alf Pateman’s Old Time Band) which played for Mrs. B. Richards’ old time dances at the Unity Theatre back in the 20’s. At a later stage he joined pianist Bill Naughton, now in the Eastern States, and Merv Rowston. This trio moved into the Kit Kat Cabaret Cottesloe and were there for some time. From this nightery, he moved on to the Piccadilly Ballroom where he joined Charlie Sheridan’s 10-piece combination as third alto and later toured with this outfit when it conducted a large scale tour through the wheat belt and sou-west. He was a prominent figure at the Wentworth Hotel, where he occupied alto chair with the Fred Nice trio for -years and during this time he saw 2 seasons at the ANA Boathouse with Jack Nice’s band. During the war, while in the 125 AGT, he played alto and tenor in a concert party quartet under Captain Fred Nice. After the war he took his own band into the Club Cabarita and was later joined by Harry Bluck, who later reformed the band and moved into the Pagoda, where they are now seeing their third season. Jack Pateman was a notable figure in the Jazz Jamborees and was also with the ABC show, Sunday Serenaders, under Sammy Sharp. He has always been a utility man and during his 20 odd years of experience has carried baritone, tenor and alto responsibilities. Jack, whose home is in Claremont is a full-time teacher of the alto- tenor and clarinet. —’QUAIL.’
Mirror (Perth, WA : 1921 – 1956), Saturday 18 June 1949, page 13
Australian conductor Ron Spigelman is an honors graduate of the Royal Academy of Music, London.
Ron Spigelman conducting a WASO “Zoo” concert
He began his career in Australia in 1992 as a conductor-in-training with the West Australian Symphony, the Queensland Symphony Orchestra in 1993 and then assistant conductor of the Adelaide Symphony Orchestra in 1994 – with who he recorded an album entitled Dream Children that was nominated for an ARIA award and still receives radio play on the ABC. His career moved to the United States in 1994 when he won the position of Associate Conductor of the Fort Worth Symphony (Texas) and then the Buffalo Philharmonic (New York), subsequently becoming Music Director of the Fort Worth Dallas Ballet, the San Angelo Symphony, Texas Chamber Orchestra, Springfield Symphony (Missouri), and the Lake Placid Sinfonietta (NY) where he is now conductor emeritus. He has also served as Principal Pops Conductor of the Fort Worth and Syracuse Symphonies and is now in his second season as Principal Pops Conductor of the Buffalo Philharmonic developing and conducting approximately 12 programs each season.
Guest conducting appearances have included the Atlanta, St. Louis, Baltimore, Utah, Oregon, Kansas City, Vancouver, Milwaukee, Grand Rapids, Colorado, Dallas and Nashville Symphonies, as well as the Florida Orchestra, Louisville Orchestra and the Minnesota Orchestra.
Ron Spigelman
He has conducted Symphonic, Ballet, Opera, Musical Theatre and Pops plus over 30 live-to-film productions including all eight of the Harry Potter films. Guest artists he has accompanied include Horacio Gutierrez, Rachel Barton Pine, Richard Stoltzman, Marvin Hamlisch, Peter Paul & Mary, James Taylor, Leslie Odom Jr., Vanessa Williams, Gladys Knight, Arturo Sandoval, and many others.
Career highlights include the world premiere of Pegasus by Lowell Liebermann with the Dallas Symphony, his Carnegie Hall debut with the Buffalo Philharmonic in 2004, and the world premiere recording of Sylvan by Michael Torke with the Lake Placid Sinfonietta for their centennial season in 2017.
Ron lives in Tulsa, Oklahoma with his wife Laura, and they have a combined 6 children. He is board president of Harmony Project Tulsa, bringing instrumental instruction to underserved youth in collaboration with the Tulsa Public Schools and he is a frequent conductor of the Tulsa Symphony Orchestra. In 2024 he graduated summa cum laude with a bachelor’s degree in Family and Human Development at Arizona State University receiving the dean’s medal for academic excellence and in May of 2026 completed his Master of Liberal Studies degree – also from ASU – graduating with academic distinction. His applied project was a graduate course for conductors in the vital communication, leadership and social skills needed to become a resonant leader and effective music director on and off the podium.
Local musicians will be interested to know that Miss Leoni (Dot) Salter and her orchestra of Western Australian professional musicians have made a sensational hit throughout their engagements in India. Leaving Perth late last year, they went to Colombo under engagement to the Hotel Mount Lavinia, and after a most successful season of several months they were then booked for the Grand Hotel, Calcutta, by appointment to His Excellency the Earl of Willingdon, Viceroy of India, where a further outstanding success was achieved. They were the highest-paid artists in any Calcutta hotel. Their performances attracted a great deal of interest, and local residents gained the impression that it was an All-American band, and great was their surprise to know that it consisted entirely of Australians.
Finishing their engagement at the Grand Hotel, they are now doing a return season at the Hotel Mount Lavinia. Accompanying Miss Salter are the Misses Edna and Leah Waterman, and Messrs. Niddy Roberts, Wally Hadley, Sam Sharp and George Caro.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 8 September 1935, page 25
1946
Fresh from European triumphs, trumpeter Sammy Sharp brought plaudits from old Perth colleagues with his “Out of Nowhere” at a musicians’ get-together.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 4 August 1946, page 8
1947
A.B.C. CONCERT Conductor and Pianist Triumph (By “Atticus.”)
It was reasonably expected that the second of this season’s A.B.C. Perth Symphony Orchestral concerts at the Capitol Theatre on Saturday would attract a large audience. There was the alluring prospect of two celebrities and a programme containing two important works, hitherto unperformed in Perth, but with which many had gained an acquaintance through recorded versions. In all respects hopes were realised, for the auditorium was filled with what must have been a record assemblage of music lovers. The visiting artists established themselves in the warm appreciation of the audience, the orchestra made a fine response, and an evening of musical enjoyment, interspersed with many thrilling moments, resulted. Warwick Braithwaite impressed as a man of personality with a comprehensive outlook on music whose meticulous care of detail leads on to a realisation of the full pictorial value of the work in hand. The melodic grace of Schubert’s “Rosamunde” overture was achieved with finely drawn legato under the influence of a free and expressive handling of the baton. A Pleasant Surprise. The overshadowing effect of war conditions doubtless explains why the rise to fame of the Chilean pianist, Claudio Arrau was comparatively unknown to many Australians. The brilliance and artistry of his playing, therefore, came as a startling and very pleasant surprise. He possesses an extraordinary technique and uses it to express consummate art. His presentation of the Liszt Concerto in E Flat Major was a musical experience that will be long remembered. He was accorded a great reception and was recalled to the platform many times.
Midday Programmes At The Capitol Tomorrow, from 1 p.m. till 2.30 p.m., and on Thursday, at the same time, lunch-time recitals of a popular type will be given in the Capitol Theatre by the A.B.C. Orchestra, with the tenor Ante Soljanic, Dave Howard, saxophonist, and Jack Mortimer (clarinet). On Wednesday, from 12.30 p.m. till 2 p.m., Sammy Sharp‘s band (of “Sunday Serenade” note) will provide a programme in which Les’ Raphael will give songs at the piano.
West Australian (Perth, WA : 1879 – 1954), Monday 19 May 1947, page 13
MIDDAY CONCERTS
Large Audience Shows Enthusiasm The lunch-hour concert by the Australian Broadcasting Commission‘s orchestra, conducted by Ernest J. Roberts, attracted a large audience to the Capitol Theatre yesterday and aroused such enthusiasm that the future popularity of similar entertainments seems assured.
Today, from 12.30 p.m. till 2 p.m. Sammy Sharp‘s band will provide the programme, and tomorrow from 1 p.m. till 2.30 p.m. another concert will be given by the A.B.C. orchestra and associated artist.
West Australian (Perth, WA : 1879 – 1954), Wednesday 21 May 1947, page 10
LUNCH-HOUR MUSIC
Despite the wet weather, there was another good attendance at the Capitol Theatre for yesterday’s lunch hour concert which was provided by Sammy Sharp‘s Dance Band, with Les Raphael as associate artist.
Today, at 1 p.m., the last concert for the week will take place, the programme to be provided by the Perth Symphony Orchestra, under the baton of Ernest J. Roberts, and by the Yugoslav tenor, Ante Soljanic.
West Australian (Perth, WA : 1879 – 1954), Thursday 22 May 1947, page 13
Monster Concert TONIGHT – 8.45 – CAPITOL – 2/
Stanley Clarkson, Perth Symphony Orchestra, Ante Soljanic, Perth Highland Pipe Band, Sammy Sharp‘s Band, C.T.A. Choir, Betty Wright, Vaughan Hanly, Subiaco Brass Band, Henry Cochran, Radio Players, Lorna McKean, and “MISS RADIO”.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 17 August 1947, page 13
Ice Skating Star
TWEED-CLAD, with a gay painted Jacgmar scarf knotted casually around her neck, London style, Mrs. Wally Hadley, formerly Miss Joan Lovell, one of England’s ice skating stars called in last week. This tall, slight young woman with ashblonde hair, her West Australian banjoist husband and three young sons are among recent arrivals from England. Staying at Cannington with Mr. and Mrs. George Hadley, they had come up to spend the day with dance-band leader Sammy Sharpe and bis wife, old friends whom they had not seen for eight or nine years. Mrs. Hadley who began her ice skating career at 19, said she had given it up five years ago when her third child was born; looking after a family in wartime England was a full-time job on its own, she declared. With the Phil and Meagan Taylor Winter Sports Show for a number of years, Mrs. Hadley said she had skated in almost every town , in England, as well as touring Holland. But for family responsibilities, Australia would have met her years ago when the Phil and Meagan Taylor Company toured the Commonwealth. The Hadleys will probably settle in Perth, when Mr. Hadley’s Australian tour is over, but with plans so indefinite, Mrs Hadley seemed content to wave off the future while concentrating on adjustments to a life “so completely different” to that which she had known. Change of environment had apparently been no setback to the three young Hadley hopefuls aged 12, 10 and five. The elder two are already settled down in Cannington school and hoping to take part in local show day events, while the five year old, although he had completed a year’s schooling in England, was able to revel in an unexpected holiday, still being below school age here.
Western Mail (Perth, WA : 1885 – 1954), Thursday 9 October 1947, page 4
NORTHAM, MONDAY, DECEMBER 15, 1947 “THE SAMMY SHARP SHOW“
A MUSICAL TREAT FOR BOTH DANCERS AND LISTENERS NORTHAM’S BIGGEST MUSICAL SENSATION ! ! ! After terrific success in Perth’s leading Ballrooms and Radio Studios. Professional Musicians straight from the recent “Jazz Jamboree” which overflowed the Capitol Theatre. The “Sammy Sharp Show” includes Sammy Sharp with his Sunday Serenaders,” “Rhumba Band,” “Jazz, Group,” “Embassy Ballroom Band.” Also featuring the following well-known Dance-band and Radio Artists:— HARRY BLUCK—Well-known Radio artist and Compere PETER BOYD—Crooner from the Embassy and A.B.C. SYLVIA CAPORN—From Commercial & National Stns. JIMMY BEESON—Sensational Boogie-Woogie pianist. KEITH WHITTLE—The “Gene Krupa” of the West and Drummer-man from the Embassy and A.B.C., NORM and TED McMAHON—of the famous McMahon Cornet-playing family, GEORGE CARO—the famous Multi-instrumentalist. SAXOPHONE QUARTETTE. DANCING—Modern & Old Time, from 8 o-clock until midnight. JAZZ — JIVE — BOOGIE-WOOGIE — SWING — JAM SESSION DIXIELAND AND THE WHOLE WORKS ! ADMISSION.—Main Floor, 3/6 (incl. tax); Gallery, 2/7 (incl. tax)
At the Northam Town Hall on Monday night the “Sammy Sharp Show,” which has become a firm favourite w.th West Australian radio audiences over the past year, will make a first appearance here. The show is being brought to Northam and other country centres by Sammy Sharp and Harry Bluck, but the operations of the shows are being carried out on a cooperative basis by all the members of the band of whom there are fifteen. The show will comprise of specialty presentation musical number s with instrumental and vocal solos and throughout the whole programme dancing to modern and Old-time music will be a main feature. Of the fifteen members of the band, there are twelve ex-servicemen and full-time professional musicians. Sammy Sharp himself, who is the conductor of the Australian Broadcasting Commission’s W.A. Danceband and popular “Sunday Serenades,” was throughout the War in London and other parts of Great Britain. He served as a Fire-watcher and A ambulance-driver during the ‘blitz and- later toured England and the Continent with ENSA, entertaining the troops with Geraldo’s band. He was also a member of Eric Winstone’s band which was the first concert party to follow the troops into Germany after D-Day. Many others in the show are well known radio personalities and among them are Harry Bluck—compere and entertainer, Sylvia Caporn —radio pianist, the famous McMahon brothers—Trumpet and trombone, Peter Boyd—Crooner, a saxophone quartette. The programme should be equally of interest to listeners and music-lovers as it will be to dancers. The visit will be an opportunity for musiclovers to hear a big radio-band in the flesh and sec many of their favourite entertainers.
JIVE TONIGHT – Hot music’s deepest groove in years will lead to the Capitol to-night, when 8 leading bands will stage Perth’s first Jazz jamboree. Outstanding combinations of Merv Rowston, Chris Gosper,Sammy Sharp, John Stirling, Henry Cochrane, Ray Harley, Bill Kirkham and the Hounslow group will present a programme ranging from earliest jazz to modern swing.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 12 October 1947, page 11
JAZZ JAMBOREE PLANS FOR PERTH – With 8 leading hot outfits galloping the groove, Perth will have its first public jam session at next Sunday’s Capitol theatre jazz jamboree. Boogie, jive, swing, Dixieland styles will tangle the tempo in high powered arrangements and streamlined solos. Bands taking part will be the combinations of Merv Rowston, Chris Gosper, Sammy Sharp, John Stirling, Henry Cochrane, Ray Harley, and Bill Kirkham, with the Hounslow jazz group giving an unusual first concert performance of old style hep. Compere will be Harry Bluck of radio and dance band fame. Over 50 musicians will give jazz a symphonic-scale entourage. Ray Hartley’s trio will play arrangements based on American King Cole’s guitar, bass and piano combinations.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 5 October 1947, page 11
1947 DANCE MUSIC – Thursday November 13 – 8.0 Sammy Sharpe’s Dance Band
Assisting Artists: Jack Harrison (harmonica), June Phillips (soprano), Phyllis Blott (pianist). Continuity by Valerie Sisson.
The Broadcaster November 13 1947
Erica Drake-Brockman
1947 BEAUTY QUEST ENDS “Miss Press” Wins State Contest With the choice of greyeyed, brunette Miss Erica Drake-Brockman (“Miss Press”) as “Miss Western Australia,” three West Australian-born girls will now compete for the title of “Miss Australia.” The names of the finalists in the State quest were announced last night to a hushed and expectant audience at the Capitol Theatre. Long before the doors opened, a long queue waited for cancelled seats and when the show started at 8.45 p.mn., the theatre was filled to its seating limit of 2,500. The compere, Dick Fair, flew to Perth for the show. No one–not even the contestants themselves knew the names of the finalists until the sealed envelopes containing the judges’ decisions were opened on the stage. The second place went to “Miss Radio” (Gloria Swain) and third was “Miss Motoring” (Joan Higgs). Winner of £50 for raising the most money, apart from the first three finalists, was “Miss Entertainment” (Beryl Appelt).l The other three finalists were “Miss: Perth” (Mary Ryan), “Miss Silver! Chain” (Marina Nicholas) and “Miss Jockey” (Alison Thomas).’ Altogether 21 contestants qualified for the judging. The contest, which has been running for nearly six months, has raised a total of £ 10,000. The final amount will be equally divided between the Silver Chain and Bush Nursing Association and the Kindergarten Union of W.A. As the entrants walked on to the stage they were greeted with prolonged applause from the audience and the finalists were given a tremendous ovation. During the show each contestant was presented with a posy of fresh flowers and a powder compact with her name engraved on it. At the conclusion, Dick Fair received a presentation in recognition of his services. Apart from the announcement of the finalists’ names, a programme was presented by many artists, including Betty Hatfield and Ante Soljanic (vocalists), Phyllis Blott (accompanist) and a dance band under the direction of Sammy Sharp. Miss Drake-Brockman, who is 18 years old, is a member of the “Sunday Times” staff. She is slightly built. A member of an old West Australian family, she is used to both town and country life, having spent part of her childhood in the South-West. As winner of the contest she received a cheque for £250, a gold cup valued at £25 and a swimsuit, and will have a trip to Sydney, where she will face the final judging. Miss Swain received £100, in addition to a swimsuit and Miss Joan Higgs a cheque for £50.
Holiday makers in Bunbury will be well catered for during the holiday season commencing on December 24 when a dance will be held every night , at the Lyric Theatre. ‘ Prior to that date a weekly dance on Saturday night will be conducted with a six-piece band providing the music. A special feature “has been arranged for December 29 when Sammy Sharp‘s 15-piece orchestra which has been touring the South-West will arrive in Bunbury, and present a four hour programme of dancing interspersed with items by members of the band.
South Western Times (Bunbury, WA : 1932 – 1966), Thursday 18 December 1947, page 16
Lyric Packed With 900 Dancers – Approximately 900 people thronged the Lyric Ballroom on Monday night, representing the largest crowd ever seen in that hall. The attraction was Sammy Sharp‘s 15-piece band which entertained with brackets of swing numbers between each dance. Individual vocalists rendered items of a standard comparable with overseas bands and the huge crowd were obviously delighted with the feast of swing music, The management hopes to bring Sammy Sharp’s band down again, so enthusiastic was the response on Monday evening.
South Western Times (Bunbury, WA : 1932 – 1966), Wednesday 31 December 1947, page 1
On The Beach. Boogie woogie, jazz, jive, swing music and request items will be given in popular musical recitals which will be held on the beach at Scarborough on Sunday afternoons this summer. The first of the series will take place tomorrow at 3 p.m., with Sammy Sharp conducting a 16-piece orchestra. The recital will be compered by Harry Bluck, and Peter Boyd will sing at the microphone. It will be broadcast by a commercial radio station.
West Australian (Perth, WA : 1879 – 1954), Saturday 27 December 1947, page 8
1948
Music While You Swim – Sammy Sharp’s 16-piece dance band will play on the beach at Scarborough tomorrow. The show, which will start at 3 p-m., will be compered by Harry Bluck.
Daily News (Perth, WA : 1882 – 1955), Saturday 3 January 1948, page 14
Dance Music – Wednesday Jan 7 1948 at 8pm
Sammy Sharp’s Dance Band with Mary Malone and Peter Boyd (vocalists); Jack Harrison (clarinettist), The Paulasto Brothers (comedians), Betty Bahen, Betty Hooper (soprano), Jimmy Condon (compere), Phyllis Blott (pianist). -6WF
The Broadcaster January 1948
1948 May – APPEAL CONCERT
Donations to Funds by Audience. An audience which filled the Capitol Theatre attended a concert last night organised by the Highgate Sub branch of the R.S.L. in aid of the Food for Britain and the Red Cross Funds Appeal. The entertainment consisted of a programme of numbers by leading local artists and bands…. The artists were R.S.L. Band (conductor Charles Court), W.A. Caledonia Pipe Band; Sammy Sharp’s Dance Band with Henry Cochran (King of the Keyboard) and Jack Harrison (Ace Clarionetist) …Several hundred pounds was donated in the theatre at the close of the performance…
The West Australian Monday May 3 1948
MISS HARMONY (NANCY BAIRD) – Sponsored by Civilian Maimed and Limbless Association Presents
Harmony Highlights
HARMONY HIGHLIGHTS OF 1948
Star bands from the “Jazz Jamboree” with Western Australia’s leading concert artists in one combined colossal programme of music for all tastes… Including Sammy Sharp’s Swing Band, Jack Harrison’s Quintette, Harry Bluck’s Swing Group. His Majesty’s Theatre Thursday December 9th Box Plan at Nicholsons Admission 3/3 4/6 Unreserved 2/-
Tuesday April 6 1948 VARIETY SHOW
7.15pm: featuring Sammy Sharp’s Orchestra with Betty Whittaker, vocalist; Jack Harrison, clarionette, Harold Morrow, entertainer; George Wallace Jnr., and Al Reynolds, comedians; and Stella Wilson, soprano.
1948 APPEAL CONCERT – Donations To Funds By Audience
An audience which filled the Capitol Theatre attended a concert last night organised by the Highgate Sub-branch of the Returned Servicemen’s League in aid of the Food for Britain and Red Cross Funds Appeals. The entertainment consisted of a programme of numbers by leading local artists and bands, and several members of the “No, No, Nanette” company, and was as varied as it was excellent. Several hundred pounds was donated in the theatre at the close of the performance as a result of an appeal made from the stage by Fred Murray. The president of the Highgate sub branch of the R.S.L. (Mr. Gordon Hack), who thanked all who had contributed to the success of the concert, said it was the first of a series of functions arranged for the cause during the present month, and he stressed the worthiness of both objects. The artists were: R.S.L. Band (conductor, Charles Court); W.A. Caledonian Pipe Band, and Helen Reni Campbell, highland dancer (directed by Pipe-Major Campbell); Sammy Sharp‘s Dance Band, with Henry Cochran and Jack Harrison; the Eight Rascals (acrobatics); Ante Soljanic, Dawn Hack, Albert Chappelle, Betty Hatfield (vocalists); Phil Lewis, Lily Moore, Fred Murray and Miriam Lester (entertainers Frances Moran (solo pianist Carmel Burrows (violinist George McDonald (flautist); Sylvia Caporn, Frances Moran, Keith Carter and Mrs. McDonald (accompanists).
The West Australian Monday May 3 1948 page 10
Part of printed programme
Presentation, featuring
SAMMY SHARP’S DANCE BAND
Henry Cochrane – King of the Keyboard and in paper demoing, Jack Harrison – Ace Clarionetist And By Courtesy of J.C. Williamson Ltd.: FRED MURRAY AND MIRIAM LESTER Tivoli
June 1948 Popular Dance Band Contest
CAPITOL THEATRE. Thursday, July 1, 8 p.m. Guest Band .. .. Sammy Sharp and his Boys. Compere: Geoff Manton.
PROCEEDS IN AID HOSPITAL QUEEN CONTEST
The West Australian Monday 28 June 1948 page 12
August 1948 CAPITOL THEATRE SHOW – VENTURE PROVES HUGE SUCCESS
WOOROLOO HOSPITAL QUEEN CONTEST
With a theatre almost packed to capacity hundreds of enthusiasts enjoyed an evening of boogie-woogie, jive, jazz and swing music which formed the principal part of the Capitol Theatre entertainment on 1st July last. During the evening Sammy Sharp’s fifteen piece Orchestra rendered latest numbers from overseas. The Battle of the Bands proved most interesting, the honours going to the smallest ensembles in the contest. Sixteen year old Jack Harrison, with his twin sister and eighteen year old brother took home the colours in the form of a silver cup and a cheque for £25. Judgement of the winning band was based on applause by the audience and results were very close. Ron Jenkins and his band ran Jack Harrison a very close second, with Mrs Ashton’s Quartette third on the list. Prizes were presented by “Miss Liberty” (Elma Palmer) who afterwards thanked many people and organisations for very valuable assistance rendered to the cause. A good profit was the result of the evening. The Harrisons generously donated five pounds of the prize money to “Miss Liberty’s” Appeal. Shows of this nature prove conclusively that the Legion is fully capable of running large functions, and we feel sure that this addition to the cause will be much appreciated. To members of the Hospital Queen Committee and to all members of the Legion who rendered assistance we express our sincere thanks. We also extend our sincere thanks and appreciation to the many firms whose assistance in various matters added tremendously to the success of the evening. To the contesting bands we owe a particular vote of thanks. Without the band there would not have been a contest. We feel that this Contest stimulated interest in the jazz-band world and we hope that in the future it will be possible to organise other functions of a similar nature.
The Legion (Legion of Liberty) August 1948
1948 AROUND PERTH WITH HARRY BLUCK – PERTH RADIO STATIONS USING MORE BANDS
AND LIVE ARTIST SESSIONS
1948 Jack Harrison Quintet with Jill Harrison, Ralph Filmer, Bill Hendrie, Jack and Ramon Harrison.
Quick survey of local musicians currently airing programmes in Perth shows what a keen interest is being shown by local radio stations, both national and commercial, in presenting “flesh and blood” shows, especially by members of the dance band fraternity. Here are where a few of our leading “outfits” can be heard over the local ether. Sammy Sharp’s Band (featuring a 15 piece combination) and vocalist Peter Boyd are prominent each Thursday evening over station 6PR with a Band Presentation and “Talent Quest” show. Over the same network from Perth town Hall, Chris Gosper and his “Music for Moderns” are relayed from their weekly midday sessions, which have proved a huge success, and shows signs of developing into something really big. From the same network come many other “live” shows including pianist Warrick Lever, Henry Cochrane and Jimmy Beeson. George Hay and his “Hawaiians”, Billy Barnes’ Hill Billys, Accordionist Harry Bluck, saxophonist Jack Pateman. On the Nationals the weekly show features the “Rhythmettes”, a novelty outfit led by Harry Bluck, while the Jackie Harrison Quintette and Emil also give occasional broadcasts, not forgetting of course, soloist Henry Cochrane. Quick roundup of the other stations tells us of a weekly Sunday Show by the “400 Swingtette” over 6KY, where Chris Gosper and Ralph St. Clair play solo piano sessions, while a prominent Hill Billy movement is also aired by this station. Theatre May Use More Music News that Sammy Sharp’s Thursday night broadcasts shift into the Ambassador’s Theatre as part of the programme etc, may mean the thin end of the wedge for some other houses to follow suit and gradually reintroduce more musicians into local theatres. From observation it appears that Perth picture houses are not doing terrific business mid week. Perhaps some really good musical acts and support may be the answer, as indications from the other side of the show business points to outstanding houses for all flesh-and-blood performances.
The Jazz Jamboree
Already the bands concerned in this year’s “Jazz Jamboree” are working on their numbers for this colossal programme which shows every promise of superseding last year’s magnificent turn out. The bands listed to appear so far are – Merv Rowston’s, Jack Harrison’s, Ron Jenkin’s, A Jazz Group, Bill Kirkham’s, Chris Gosper’s and Sammy Sharp’s bands. This year a box plan will be opened and so it is hoped to avoid the terrific crush and queuing that took place last year – the queue was four deep, entirely encircling a complete city block – and was there for a couple of hours in pouring rain. Also – at last – proceeds from this year’s Jamboree go to the Musician’s own Benevolent Fund.
Music Maker October 1948
Sunday Night October 31 – JAZZ JAMBOREE OF 1948 – Capitol Theatre
eight leading bands led by Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch. Box plan at Nicholsons. Adm 2/6 Proceeds to Charity. Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.
The Mirror Saturday October 23 1948 Vol 25. No. 1379
JAZZ JAMBOREE Of 1948 CAPITOL THEATRE SUNDAY night October 31 1948
Eight leading bands led by Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch. Box Plan Nicholson’s. Adm 2/6. Proceeds to charity
1948 JAZZ CONCERT – Sunday 31st October 1948
To raise funds for the Musicians Benevolent Fund, of WA, a concert under the name of Jazz Jamboree of 1948 will be held in the Capitol Theatre tomorrow night Sunday 31st October.
The Daily News Saturday October 30 1948 page 9
Jazz enthusiasts and the disciples of boogie-woogie, swing and be-bop (the translation of which has yet to be given to me) will be right in front of the eight-ball, so to speak, on Sunday night at the capitol theatre where the Jazz Jamboree of 1948 will take the stage as a charity concert. Harry Bluck, who heads the A.B.C. Rhythemettes, is the brains behind the business and all proceeds will go to the Musicians’ Benevolent fund. This year over 60 of Perth’s leading musicians will combine to make the show something for be-boppers (and others) to bop about. Merv Rowston’s Orchestra, Jackie Harrison’s Quintette, Chris Gosper and his Concert Orchestra, Ken Murdoch’s Swing show Quartette, Sammy Sharp’s Orchestra, Harry Bluck’s Jazz Group, Ron Jenkin’s Band and Bill Kirkham and his Jive Five will all be on stage, in addition to the “1948 Mystery Band”. This mystery band seems to be something of a mystery to all except the musicians in it. Harry Bluck tells me that nobody know the personnel, the music they are likely to play, the instruments they will select or even if they will “give out” from the stage or the stalls. But it seems like a great night and the cause will be a worthy one. It should be well worth while to go along to find out exactly what bo-peep is (sorry) bo-bep (excuse), I mean be-pop. Won’t somebody get me out?
The Broadcaster October 1948
1948 JAZZ CONCERT
At the Capitol Theatre on Sunday night the professional dance-band musicians of Perth will present a jazz concert. The programme, it is stated, has been planned to cover every style of modern Jazz idiom. Eight bands will be conducted by the following: Merv Rowston, Jack Harrison, Sammy Sharp, Harry Bluck, Ron Jenkins, Chris Gosper, Bill Kirkham and Ken Murdoch. The proceeds will be for charity.
The West Australian Thursday 28 October 1948 page 24
THURSDAY DEC. 9 1948 HIS MAJESTY’S THEATRE – MISS AUSTRALIA QUEST
MISS HARMONY (Nancy Baird) presents: HARMONY HIGHLIGHTS OF 1948 featuring the following top line artists:
SAMMY SHARP‘S BAND, BETTY WRIGHT Pianist, GWEN READ Light Dramatic Soprano, HARRY BLUCK’S JAZZ GROUP, JACK HARRISON’S QUINTETTE, WALLY BADLEY Internationally famous banjoist, GRAY BARNDON Baritone, IRENE STANCLIFFE Coloratura Soprano, PHIL GREEN Light Comedy, JOHN WALDECK Violinist, Duo pianists: MONA SANDELL AND KATHLEEN McDONALD, Associate artists: JEAN BREDE, GWYN BROCKWAY, MADAME ROSENTHALL. Compere: GEOFF MANION. Producer: HARRY BLUCK. Booking Nicholsons: Prices 3/3 (no tax) 4/6 (no tax); Unreserved seats. 2/. Sponsors: Civilian Maimed and Limbless Association.
The West Australian Wednesday 8 December 1948 page 33
1948 APPEAL CONCERT
Donations to Funds by Audience
An audience which filled the Capitol Theatre attended a concert last night organised by the Highgate Sub branch of the R.S.L. in aid of the Food for Britain and the Red Cross Funds Appeal. The entertainment consisted of a programme of numbers by leading local artists and bands…. The artists were R.S.L. Band (conductor Charles Court), W.A. Caledonia Pipe band; Sammy Sharp’s Dance Band with Henry Cochran (King of the Keyboard) and Jack Harrison (Ace Clarionetist) …Several hundred pounds was donated in the theatre at the close of the performance…
The West Australian Monday May 3 1948
Billy Clowes (piano), Sammy Sharp (trumpet), Ray Harrison (drums)
AROUND PERTH in 1948 WITH HARRY BLUCK – PERTH RADIO STATIONS USING MORE BANDS
AND LIVE ARTIST SESSIONS
Quick survey of local musicians currently airing programmes in Perth shows what a keen interest is being shown by local radio stations, both national and commercial, in presenting “flesh and blood” shows, especially by members of the dance band fraternity. Here are where a few of our leading “outfits” can be heard over the local ether. Sammy Sharp’s Band (featuring a 15 piece combination) and vocalist Peter Boyd are prominent each Thursday evening over station 6PR with a Band Presentation and “Talent Quest” show. Over the same network from Perth town Hall, Chris Gosper and his “Music for Moderns” are relayed from their weekly midday sessions, which have proved a huge success, and shows signs of developing into something really big. From the same network come many other “live” shows including pianist Warrick Lever, Henry Cochrane and Jimmy Beeson. George Hay and his “Hawaiians”, Billy Barnes’ Hill Billys, Accordionist Harry Bluck, saxophonist Jack Pateman. On the Nationals the weekly show features the “Rhythmettes”, a novelty outfit led by Harry Bluck, while the Jackie Harrison Quintette and Emil also give occasional broadcasts, not forgetting of course, soloist Henry Cochrane. Quick roundup of the other stations tells us of a weekly Sunday Show by the “400 Swingtette” over 6KY, where Chris Gosper and Ralph St. Clair play solo piano sessions, while a prominent Hill Billy movement is also aired by this station.
Theatre May Use More Music News that Sammy Sharp’s Thursday night broadcasts shift into the Ambassador’s Theatre as part of the programme etc, may mean the thin end of the wedge for some other houses to follow suit and gradually reintroduce more musicians into local theatres. From observation it appears that Perth picture houses are not doing terrific business mid week. Perhaps some really good musical acts and support may be the answer, as indications from the other side of the show business points to outstanding houses for all flesh-and-blood performances.
The Jazz Jamboree
Already the bands concerned in this year’s “Jazz Jamboree” are working on their numbers for this colossal programme which shows every promise of superseding last year’s magnificent turn out. The bands listed to appear so far are – Merv Rowston’s, Jack Harrison’s, Ron Jenkin’s, A Jazz Group, Bill Kirkham’s, Chris Gosper’s and Sammy Sharp’s bands. This year a box plan will be opened and so it is hoped to avoid the terrific crush and queuing that took place last year – the queue was four deep, entirely encircling a complete city block – and was there for a couple of hours in pouring rain. Also – at last – proceeds from this year’s Jamboree go to the Musician’s own Benevolent Fund.
Music Maker October 1948
JAZZ JAMBOREE OF 1948
Capitol Theatre, Sunday Night October 31 eight leading bands led by Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch. Box plan at Nicholsons. Adm 2/6 Proceeds to Charity. Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.
The Mirror Saturday October 23 1948 Vol 25. No. 1379
1949
RHYTHM ROUNDUP
Rumour has it that ABC’s musical program director Dave Howard proposes to present 4 city bands in a rhythm program. Believe the 4 proposed bands will include Sammy Sharp‘s 10 piece outfit, Harry Bluck’s sextet, Jack Harrison and a Dixieland Group. It is to be hoped that this session will be the forerunner of many to follow. Congratulations, Dave! Wednesday night’s Embassy was a picture of color. HMAS Australia sailors were present in convincing manner. Charming Betty McNalr and Pat Bradley, both of Belmont, were discussing the band from the balcony . . . Engrossed in a quiet chat, saw Kath Coonan of Perth with Jack Richardson of Subiaco . . . Jill and Jack Harrison of Nedlands were there with Dave Hilliard and Lois Matthews, respectively. Jack agreed with me that it’s good to have a night off for a spot of dancing . . . Loge party consisted of Bob and Marj Long of Bayswater, Jeff Watts and Pat Atkinson of South Perth, Gladys and Lorna Wetters of Bayswater. Bob and Jeff are ex-members of Z Special force … Seen on the floor, Sue Anders of North Perth.
Mirror Saturday 14 May 1949 page 13
Four bands will be featured for the first time by the Perth A.B.C. in a studio jazz presentation on Jun 23 at 7.15pm from 6WF and regionals. Entitled “Rendezvous with Rhythm”, the programme will be given by the W.A. Jazz Group, Jack Harrison Swing Quartet, Harry Bluck’s Rhythmettes and Sammy Sharp’s Swing Band. Continuity will be by Valerie Sisson and Dave Howard will produce.
Harry Bluck’s ABC Rhythmettes
Swing Show – 9 June 1949
Organised by A.B.C.’s Dave Howard on Thursday evening at the Burt Memorial Hall from 7.15 to 7.45pm was attended by a mixed crowd of more than 300, who thoroughly appreciated the program broadcast over WF. The four bands which took part were as follows: WA Jazz Group (Dixieland outfit), the Jack Harrison Quartet, Harry Bluck’s ABC Rhythmettes and Sammy Sharp’s 10 piece outfit. Among the dance band fans was Dorothy McMeikan of Nedlands and Joan Bullmore also of the Nedlands district.
The Mirror Saturday June 11 1949, Vol. 26, No. 1412.
Swing Show Thursday 23 June 1949
Organised by A.B.C.’s Dave Howard on Thursday evening at the Burt Memorial Hall from 7.15 to 7.45 p.m. was attended by a mixed crowd of more than 300, who thoroughly appreciated the program broadcast over WF. The four bands which took part were as follows: WA Jazz Group (a Dixieland outfit), the Jack Harrison Quartet, Harry Bluck’s ABC Rhythmettes and Sammy Sharp‘s 10 piece outfit. Among the dance band fans saw Dorothy McMeikan, of Nedlands and Joan Bullmore also of the Nedlands district. A family group was present in Judy Grace and brothers Don and Doug of Mt. Lawley, who were discussing the show with Barbara Swift of Nedlands. Visitor Margaret Jacobs of Narrogin noticed chatting with Betty and Bill Clowes of Perth and Yvonne Bell of Bassendean. Ardent swing fan and record collector Ann Poynton, of Nedlands was one of many who thought that there should be more of this type of show. This is the first occasion in which a program has been presented by local bands over the air in this State, and it should be a forerunner to others along the same lines.
The Mirror Saturday 25 June 1949 page 15
On October 6 1949, Jack Harrison played the first performance in W.A. of the Artie Shaw Clarinet Concerto with the Jazz Symphony Orchestra assembled and rehearsed by Sammy Sharp and conducted by John Nugent Haywood at the Capitol Theatre.
Jack Harrison and Sam Sharp studying the score of Artie Shaw Clarinet Concerto
THURSDAY, OCT. 6 1949 – JAZZ SYMPHONY OF 1949 – CAPITOL THEATRE (One Night Only).
1949’s BIGGEST MUSICAL SHOW
Surprise Exclusive Engagement of Australia’s Topline Film, Radio Actor and Producer Star of “Overlanders” Film, Founder and First Conductor of Perth Symphony Orchestra JOHN NUGENT HAYWARD Conducting THE JAZZ SYMPHONY ORCHESTRA IN GERSHWIN’S “RHAPSODY IN BLUE” Featuring LOUISE D’ARCY – A.B.C. Concerto SOLOIST. HUGE LINE-UP OF THE STATE’S BEST PROFESSIONALS ! ! ! SAMMY SHARP‘S JAZZ SYMPHONY ORCHESTRA of 28 Leading Musicians. ALBERT CHAPPELLE Dramatic Baritone in W.A.’s first presentation of the famous “SOLILOQUY” with Orchestra.
PHYLLIS FROST Sensational Blind B.B.C. Singer. CLIFF ADAM and “NIDDY” ROBERTS hilarious Comedy Duo. “SOPHISTICATED LADIES” STRING ENSEMBLE All-femme String ensemble heard with success over A.B.C., PETER HARRISON Well-known Radio Personality and Announcer, also prominent “Old'” Jazz Authority. HARRY BLUCK Producer who successfully directed the “Jazz Symphony of 1948”, “Jazz Jamboree,” “Battle of Bands” and other successes. ADMISSION – 3/-, 4/-, 5/- (plus tax) BOX PLAN AT NICHOLSONS. BOOK EARLY TO AVOID DISAPPOINTMENT.
The West Australian Friday 30 September 1949 page 37
1949 – BLIND SINGER GIVES BIG AUDIENCE THRILL
I don’t think I was the only one that got a kick out of Jazz Symphony of 1949 which packed the Capitol Thursday night. I really believe the audience enjoyed themselves thoroughly. In a grand show it’s hard to single out any particular artist but I hand the palm to blind singer Phyllis Frost (she’s ex-BBC). Her St. Louis Blues was outstanding. Jackie Harrison’s Concerto for Clarinet and Albert Chappelle’s Soliloquy (with full Sammy Sharp orchestra) we’re 2 other winners. So, too, was the big orchestra’s Rhapsody in Blue, in which Louise D’Arcy, piano, and John Nugent Hayward, conducting, were in splendid form. For humor, a talented musical trio in Niddy Roberts, Cliff Adams and Harry Bluck did a top-ranking job. Judging by the size of the audience, jazz concerts are the vogue. Should be a big gathering at the jamboree on October 30.
Mirror Saturday 8 October 1949 page 12
JAZZ JAMBOREE OF 1949 – CAPITOL THEATRE, SUNDAY, OCTOBER 30th
EIGHT OF PERTH’S BEST BANDS – Alvan St. Jazz Group, Harry Black’s Swingtette, Jack Harrison’s Quintette, Ron Jenkins Lido Quartette, Ken Murdoch’s Band, Bill Kirkham’s Jive Band, Merv. Rowston’s Band, Sammy Sharp’s Band. ADMISSION: 3/6 (reserved). Box Plan at Nicholsons.
The West Australian Wednesday 19 October 1949 page 30
1949 – BIG JAZZ SHOW
Over 60 musicians will appear in the “Jazz Jamboree of 1949” in the Capitol Theatre on Sunday October 30. Eight bands will feature every style from Dixieland to bop. The concerts have been held since 1947 and have attracted very big audiences. The proceeds for the show are donated to the musicians’ benevolent fund. The bands taking part will be: Alvan-street Jazz Group, Harry Bluck Swingtet, Jackie Harrison’s Quintet, Ron Jenkins Lido Quartet, Bill Kirkham’s Swing 7, Ken Murdock’s Band, Merv Rowston’s Society 5 and Sammy Sharp‘s Band.
Some of Perth’s leading jazz musicians were asked whether they agreed with caustic comment on bebop by the king of jazz trumpeters Louis Armstrong in Paris last week. Armstrong said that bebop was nothing but friction and squeezing notes out of a bad trumpet. “They play only mistakes and made weird sounds” he said.
Band leader-trumpeter Sammy Sharp, who has played all over the world, thinks that Armstrong is the greatest jazz musician that has ever breathed. “Bebop leaves me cold” he said. “It’s an ultra modern idea of excitement in music, The music itself has a terrific construction with plenty of liberty with chords.” Bandleader and radio swing session compere Ken Murdoch (clarinet and saxophone). Finds bebop “an interesting study”. Band leader-saxophonist Bill Kirkham agrees with Armstrong’s criticism. “It’s surrealism in music and the public doesn’t understand it. I have music for bebop in my library, but my band never plays it,” Kirkham said. Australia’s youngest band leader, clarinettist Jackie Harrison (18) likes listening to the style.
Daily News Saturday 1949
April 1949
Outstanding alto and clarinet man with the Sharp combination, George Caro, has had a colourful career in the game. At 15 he commenced the sax, and as George maintains, was completely self-taught. He first came to the public notice in 1930 when he was one of 18 who competed in the saxophone competition conducted by the Brass Band Association of WA. Winner was Cas Mitchell, now of the ABC Melbourne, second George Caro, Bob Gibson (now in England) was third, and fourth position was filled by Bob Trew (Perth ABC). In 1934, when the exodus was on, George made the Eastern States tour with the Ron Movie outfit, and when this orch. returned to WA, George decided to hit out for the overseas spots. His first working port o’ call was Colombo, where he played at the Mount Lavinia Hotel. From here he went to the Grand Hotel at Calcutta, before making the Malayan Peninsula in 1936, where he played in Singapore cabarets and the Eastern and Oriental Hotel in Penang. On his return to Australia, George linked up with pit work, played for the American Marcus ‘Show, North China Troupe, Dante, and various other visiting shows. During the war he played second cornet with the 28th Battalion Band, and at a later stage, while serving in Darwin conducted a Sunday night Swing Show featuring a 5piece outfit. Returning to civvy street, he joined Chris Gosper’s eight playing at St. Mary’s, Mt. Hawthorn. When Sammy Sharp returned from England, George moved in with Sammy and remained with him ever since. —’QUAIL.’
Mirror (Perth, WA : 1921 – 1956), Saturday 23 April 1949, page 14
1950
JACK HARRISON’S DIARY : Wed 15th Feb 1950 SYDNEY
Did some clari practice and went for a walk. Read till half past then went to Clive Armadio’s place and had a lesson and learnt quite a lot. Came home, quickly got changed and then went to Martin Place and met Mr Reid [George Reid conducted the original Perth Symphony Orchestra and his son Harold gave lessons to Sammy Sharp, Ken Murdoch and Merv Rowston*]. Went to the Reid’s for tea by ferry. Met Nancy and Valma. Played the clari and Valma sang. Had supper and came home – got to bed 11.30pm.
A party of 40 YAL boys will be visiting Toodyay on Saturday. August 26, with their band and concert party presenting a bright musical revue, “The Fleet’s In’* at the Toodyay Town Hall during the evening.
This show has earned unstinted applause and appreciation during a recent tour of the South Western districts. The big audiences who have viewed the show each night were most enthusiastic in their applause.
Producer, John Anstey has created a show that no one can afford to miss. Amongst the musical highlights on the attractive program will be a trumpet solo with band accompaniment by the State’s foremost trumpeter, Sammy Sharp and the big orchestra contributes in no small measure to the success of the presentation.
The brilliant and colorful ensembles have a pleasing effect and amongst the outstanding young artists are Brian Percival, Kevin Regan, Brian Carlisle and Bert Shaw.
A feature of the programme is the brilliance of the female impersonations. The various items include vocal and instrumental numbers, dancing and colorful song scenes and comedy sketches The comedy is provided by Jack Cotterill, who is very ably supported in such items as “The Rest Cure,” “The Operation,” and “The Hypnotist.”
The frocking throughout is perfect and the lighting and scenic effects most spectacular. The entire production is in the capable hands of John Anstey with Sammy Sharp in charge of the band, whilst the whole party is under the personal direction of League secretary, Jack Cotterill.
Three bands will be a feature of the Movie Ball at the Embassy Monday, Aug 20 – Sammy Sharp‘s, Cliff Adam’s and Highland pipers. Novelties include Disney. Terrytoon and Tom and Jerry Cartoons and Sing Songs. 2000 extra lights are being installed and decora-tions will be lavish. A few tickets aro available at the Embassy.
Sunday Times (Perth, WA : 1902 – 1955), Sunday 12 August 1951, page 4
1950 Jazz Fantasia rehearsal
Saturday September 16 1950 – REHEARSAL FOR SAMMY SHARP’S JAZZ FANTASIA
(photo) from left to right: Jack Harrison, Jim Beeson, Betty Wittaker, Sammy Sharp and Keith Whittle.
The Broadcaster Saturday September 16 1950
October 1 1950 “JAZZ FANTASIA” – The Young Australia League – will present Sammy Sharp and his orchestra of 25 in the third annual Jazz Fantasia at the Capitol Theatre on October 1. Supporting artists will include Louise D’Arcy, Jack Harrison, Betty Whittaker, Bryn Gifford, Phyllis Frost and Keith Hounslow. The compere will be Peter Harrison.
The West Australian Tuesday 19 September 1950 page 12
Jack Harrison and Sam Sharp studying the score of Artie Shaw Clarinet Concerto
Sunday, October 1 1950 – A BLITZ IN MUSIC WILL FOLLOW THE BAND
The Young Australia League band will march through the city as a prelude to Perth’s third Jazz Fantasia at the Capitol Theatre on Sunday, October 1.
Sammy Sharp and his Jazz Symphony Orchestra, with many supporting artists will provide the programme at the theatre. One of the featured works will be a performance of London Fantasia, with pianist Louise Darcy as soloist. It is a musical story of the spirit of London during the blitz. Other artists will include clarinettist Jack Harrison; a State finalist in the concerto and vocal competition this year, Phyllis Frost; a blind singer who has been featured with Claude Brampton’s All Blind Orchestra in- London; and Betty Whittaker, star of the Repertory Club’s Maritza. The show will be’ produced by Sammy Sharp and compered by Peter Harrison and Terry Scanlon.
With SAMMY SHARP and his 25-piece Jazz Symphony Orchestra. Comperes; TERRY SCANLAN, compere Ice Follies (by courtesy David N. Martin, Mgr. Dr. Tiv. Circuit Aust. Pty. Ltd.); PETER HARRISON (by courtesy A.B.C.). Guest Artists Include- LOUISE D’ARCY. Soloist of “London Fantasia”: Jack Harrison in “Clarinet Concerto” and Betty Whittaker, Bryn Gifford, Phyllis Prost, Jimmy Beeson. SAMMY SHARP will be featured in Harry James’s arrangement of “Concerto for Trumpet.” Prices 5/ 4/ 3/ plus tax. Box plan at Nicholsons.
The West Australian Wednesday 27 September 1950 page 37
1949 Sammy Sharp and Jack Harrison rehearsing forArtie Shaw Clarinet Concerto
1951
‘ASTAIRE’ & ‘CROSBY’ WILL BE SEEN IN PERTH
On August 7 at the Capitol Astaire’ and ‘Crosby’ will present the first public performance in Perth of ‘A Couple of Song and Dance Men.’ At least, Peter ‘Astaire’ Harrison and Rolf ‘Crosby’ Harris will deputise for their world-famous namesakes.
Occasion is the annual concert presented by Sammy Sharp and his orchestra, which will be augmented to 35 musicians, including a string section of 29 players. A choir of 70 girls, trained Pv Mrs Leah Sharp end based on the same tines as the Luton Girls Choir, will be a feature. Comedy promises to be most diverting. Musical arrangements have been scored fur the orchestra by George Melsrhrino and Wally Hadley and for the showcase of modern music Sammy Sharp has selected the classic El Alamein Concerto Sparkling new bracket of dance numbers will be presented, and 2 spotlights are a trumpet solo, Dark Eyes, by Sammy Sharp, and I the stirring ever-popular Sabre I Dance by Khatchaturian played by pianist Louise D’Arcy.
Mirror (Perth, WA : 1921 – 1956), Saturday 21 July 1951, page 8
1951 Jazz Jamboree program
SUNDAY 28th OCTOBER 1951 – CAPITOL THEATRE – JAZZ JAMBOREE Featuring 12 of Perth’s Leading Dance Bands Jazzstars, Cliff Adams, Norm Wrightson, Merv Rowston, Ron Jenkins, Harry Bluck, Jimmy Beeson, Bill Kirkham, Peter Clinch, Ken Murdoch, Jack Harrison, Sammy Sharp. Booking Opens at Nicholsons. Friday 19th October 1951.
1951 Jazz Jamboree – programme
1952
Sammy Sharp and Wally Hadley
Wednesday 28th May 1952 – Jazz At The Capitol
Lena Horne. Spike Jones. Mills Brothers. Harry Eddison. Lester Young. Ella Fitzgerald. Ray Brown . . . They’re just a few big names of modern music in the long list of acquaintances claimed by Ron Stanton, now in Perth. Ron, a Sydneysider, is a genuine young man of music. American tours have given him an intimate knowledge of techniques over there — and he’s bringing them to Perth. Particularly impressed with the annual festival Jazz at the Philharmonic, he has formed a “leaders group” in Perth for Jazz at the Capitol. Group includes Harry Bluck, Sammy Sharp, Cliff Adams, Bill Kirkham, John Mowson, Charlie Thompson and Ron Stanton himself. Program— at the Capitol on Wednesday night— will also include the “name bands” of Perth, Chung Doo, Stanton’s sextet and Jack Harrison’s quartette.
Mirror Saturday 24 May 1952 page 8
GOVERNOR WILL ATTEND DONNYBROOK BALL
The Debutantes’ Ball to be held in the Donnybrook Memorial Hall on Tuesday, June 17, promises to be one of the outstanding social events of the South-West this season. The ball is being organised by the Donnybrook sub-centre of the St. John Ambulance Association in aid of funds to buy an ambulance vehicle. His Excellency, the Governor (Sir Charles Gardner) has accepted an invitation to be present and the presentation of the debutantes will take place at 9 pm.
Sammy Sharp‘s Orchestra The ball will be noteworthy for the featuring of Sammy Sharp’s Embassy Ballroom Orchestra from Perth and also for the extra special supper. Dancing will be from 8 p-m. to 2 am. The hall, which will be specially decorated, is being re-wired and lit throughout with fluorescent lighting by the Preston Road Board at a cost of approximately £1,000. Tickets, are limited and intending patrons are advised to obtain their ticket before coming to the ball. Tickets can be obtained in Collie from McGeachie’s and McGurk’s newsagencies.
Collie Mail (WA : 1908 – 1966), Thursday 5 June 1952, page 6
September 14 1952 – GRAND VARIETY CONCERT – Capitol Theatre, Sunday, Sept. 14, 8.45 p.m.
Proceeds in aid Musicians’ Benevolent Fund. Artists Appearing. Include Sammy Sharp, Jack Harrison, Vaughan Hanly, Irene Stancliffe, Harry Bluck’s Melodians, Laurie Croisette, Westernairs, Louise d’Arcy, Edgley and Dawe. Madelon Garnier, A.B.C. Perth Singers together with full concert orchestra. 2 bands and 2 dance teams. Book Tomorrow at Nicholsons Price 4/2 (incl.).
The West Australian Wednesday 3 September 1952 page 19
1952 – EIGHTY IN VARIETY
At least 80 musicians will take part in a variety concert at the Capitol Theatre on September 14. Bands include the W.A. Symphony Orchestra, the Perth City Band and the Caledonian Pipe Band and two dance bands. Jack Harrison will play the Artie Shaw Concerto for clarinet and trumpeter Sammy Sharp will feature in a solo item. James Bailey and company will feature in a sketch and Edgley and Dawe will provide the comedy in another act while vocals will come from Harry Bluck and the Melodians. Violinist Vaughan Hanly and pianist Louise D’Arcy will both appear with the W.A. Symphony Orchestra.
The Broadcaster Saturday August 30 1952
Sunday October 26th 1952 at 8.45pm – Jazz Jamboree – DANCE BAND FANS!
Jazz Jamboree 1952
BOOK EARLY And Avoid Disappointment for the JAZZ JAMBOREE CAPITOL THEATRE
SAMMY SHARP, HARRY BLUCK, MERV ROWSTON, KEN MURDOCH, BILL KIRKHAM, JACK HARRISON, THE JAZSTARS, NORM WRIGHTSON, RON JENKINS, JIMMY BEESON, COLIN HICKS, CLIFF ADAM. Tickets 4/- BOX PLAN NOW OPEN AT NICHOLSONS
1952: Sammy Sharp, who led a 17 piece band at last Sunday night’s jamboree, is the man who first introduced the idea to Australia. Sammy, one of our leading trumpeters, left Perth for overseas in the early 30’s. With Wally Hadley he toured a number of Eastern countries before eventually settling in England. Here he played with many world famous orchestras, including Eric Winstone, Ted Heath and Louis Levy. Impressed with the interest created in London by the annual Jazz Jamboree, Sammy Sharp decided to organise a similar concert In Perth in 1946. Held in connection with the Miss Australia contest, it was an instantaneous success. Since then the Jazz Jamborees have gone from success to success. Sammy Sharp is one of the few who works full time at music. He teaches trumpet and is also band master for the YAL band.
1953
Sammy Sharp, Jack and Jill Harrison, Shirley Browne, Niddy Roberts, Stan Grey present: Crazy Capers at the Trocadero, Rockingham, Saturday, May 30. Entries for Marathon and Endurance Dances. Ring B2141. Rockingham 232.
The West Australian Saturday 30 May 1953 page 27
Saturday, May 30th 1953 – CELEBRATE CORONATION at the TROCADERO Rockingham,
Marathon Endurance, Novelty Dancers, Knockout competition — Barbecue Supper. Crazy caper entertainments by Sammy Sharp, Jack and Jill Harrison, Niddy Roberts Ted Miles etc.
The Daily News Tuesday 26 May 1953 page 14
SATURDAY MAY 30th 1953 ROCKINGHAM DANCE
Last Saturday night a Coronation Dance for teenagers was held at the Trocadero Ballroom, when about 150 young people gathered and made merry. The organiser. Mr. Stan Grev. had made all arrangements for a marathon dance around the main town block but was unable to get any starters ~ he even had the band wagon ready with piano and drums set up to supply the music for the dancers. Attempts by comedian Niddy Roberts to drum up some contestants resulted in him getting a well aimed custard pie in the face. Jivey music was supplied by Sammy Sharp his band. A competition was held among the dancers to select a couple to attend the Rockingham Bowling Club’s Ball on the following night. This was won by Graham Burket and Val Burkett who danced the Pride of Erin and won 2 complimentary tickets by popular acclaim. Jack and Jill Harrison, professional dancers from Perth, gave a floor show including a Mexican song and dance to the “Love Song of Rainoldi”. Miss Harrison’s Mexican costume was a red skirt with a lavishly embroidered and towelled blouse, designed and made by her mother and herself. After the dance, dancers attended a barbecue organised by Mr. Grev. when chops were grilled over braziers and served with rolls. Teeners voted the night the best ever.
Coastal Districts Star Thursday 11 June 1953 page 3
1953 – LISTENERS WILL HEAR GIBSON
An agreement reached between the W.A. Musicians’ Association and the ABC resulted in last Sunday’s Jazz Jamboree (featuring The Bob Gibson Show) being recorded for broadcasting from 6WF. When the ABC heard that ace band leader Gibson would be the guest artist for the second part of Jazz Jamboree, it came to an agreement with organisers Sam Sharp and Harry Bluck for Gibson’s show to be recorded, and also agreed to pay the W.A. Musicians’ Association a fee for the right to record the show. The date of the broadcast will be published shortly. Gibson is now musical director for 2UW. Recently Gibson signed an agreement with the Columbia Recording Company. The first of his releases to be heard in Perth will probably be “Wild Horses” and “My One and Only Heart”. Gibson, who went to England in 1948 and returned in 1950, now favours big band. He records with a 28-piece band, and for concert and radio work he uses anything from 16 to 20 musicians. Two of his most popular programmes, heard from 2UW and Sportsman’s Parade and Musically Yours. Gibson said that any young musicians who hoped to go abroad needed plenty of capital and lucky breaks. He said that there were too many instances of a bandleader casually approaching a popular tune without having any idea of presentation. Of the orchestra he conducted at the Jazz Jamboree on Sunday night, Gibson commented “They are a first class bunch of musicians. Considering they had such short notice to get together they gave a truly remarkable performance.” The band leader also praised individual performances. He believes that 17 year old Neil Boon could develop into a top line artist. Jack Harrison displayed plenty of versatility and gave a smooth performance, he said. Gibson also praised the responsiveness of the audience. “In modern music there is no greater encouragement” he said.
The Broadcaster Saturday November 7 1953 Vol .20 No. 1023
1954
SUNDAY 27 JUNE 1954 – JAZZ AT THE CAPITOL – TEN TOP BANDS TO BEAT OUT JAZZ
That Jazzbo Collins’ quip ‘Be you round, be you square, it’s guaranteed to curl your hair,’ could well be applied to tomorrow’s ‘Jazz at the Capitol.’ Perth fans have always rushed these shows and judging by the crowd round the box office during the week this one will be no exception. Ten of Perth’s top bands will get together to boost the Wendy Nash Appeal. And in the midst of all this jazz Wendy herself will take the spotlight and play a couple of classical numbers— Clare de Lune (Debussy) end Khatchachurian (Toccato). Organiser Harry Bluck says that though these compositions are definitely in the classical sphere he is sure they will go across well with the jazz lovers. Listed for the program are the Harry Bluck Sextette, Ray Le Cornu’s Band, Cliff Adams’ Sextette, The Jazstars, Jack Harrison’s Quartette, Norm Wrightson’s Band, the Jimmy Beeson Group and Merv Rowsten’s Band. Popular trumpeter Sammy Sharp will be sitting in with Merv. All these outfits, with the exception of Merv Rowston, will play 3 numbers. He will present his own arrangement, ‘Merv’s Music in the Modern Manner.’ Ray Le Cornu’s Band will give out with ‘Tuxedo Junction,’ made famous by the mighty Glen Miller Orchestra. It will be interesting to see how he puts this number across. Also on Ray’s list is the ‘Woodchoppers’ Ball,’ old favorite of which Woody Herman made such a great recording. King’s Park dance-goers know what a terrific job Jackie Harrison makes of the ‘Golden Wedding.’ The hall comes to a standstill when Jackie gets up on the stool to extract those last few high notes from the liquorice stick. Ron Jenkins has built a great reputation with his top class music and comic acts. Ron and his quartette will serve up ‘Crazy Man Crazy’— guaranteed to make everyone ‘go mad.’ Norm Wrightson has a certain touch of class about his presentations. He gets a beautiful tone out of his clarinet — which should be well to the fore. His selections are all numbers played by Benny Goodman groups —’I Got Rhythm.’ ‘South of the Border’ and ‘Undecided.’ Those who were at the Jazz Jamboree last, November will no doubt remember the great reception Martin Gieschus got when he sang ‘That Old Black Magic.’ He had to sing it again. Tomorrow night he is singing current pops-top ‘Answer Me My Love’ with the Jimmy Beeson Group. Jimmy’s other 2 items are ‘Sometimes I’m Happy’ and ‘Cheek to Cheek.’ Jazstars are billed for 2 oldies in ‘Tiger Rag’ and ‘That’s a-Plenty.’ Liza Ray provides the vocal of their third number, ‘Somebody Loves Me.’ Harry Bluck sextette will feature ‘Lullaby of Birdland,’ a number popularised by the inimitable George Shearing. Kath Bass exercises the vocal chords singing ‘The One I Love Belongs to Someone Else’ with the Bluck group. Cliff Adams’ outfit will play ‘The Continental,’ ‘Cumana’ and ‘Long John Stomp.’ It’s no wonder all seats have been taken except 200 to be sold at the door.
The Mirror Saturday 26 June 1954 page 13
AMATEUR NIGHT IN THE DANCE – BAND WORLD
Next Thursday a dozen dance bands will battle it out for the title of WA’s top amateur group at die annual dance-band contest. As well as the prizes, there is the added incentive for the winner of playing as the house band at the Musicians’ Ball later this year. This will be the winner’s first professional engagement. Bands range from trios to 8-piece outfits. Every phase of dance-band work from Latin-American to Dixieland is covered. Idea of the contest is to boost the music business I generally, as well as giving these youngsters a good start in the music world. From these contests will come the new blood so essential to keep up the standard of local modern music. Many musicians who play on Thursday will be recruited by established bands; some groups will enter the professional field as a unit. Not only does this concert help the newcomer, but it also spurs the old hand on to greater efforts. If, for instance, a clarinet man shows out at the contest, all licorice stick exponents here will endeavour to give their best all the time for fear they are given the axe in preference to these newcomers. Age of the players range from 16-20. A few are older. Bands are not restricted in any way in their choice, and this freedom adds much to the show. Each band can select any 3 numbers, only stipulation being that it has to have a set for dancing. Speaking about the advantages of the contest during the week, trumpeter Sammy Sharp said: ‘We feel that there is no back-door to the music business. It’s no good a musician spending his time in a dead-end job hoping that a big break will come some day. Often it doesn’t arrive and WA loses many prospective stars.’ Many Perth maestros donate prizes for the show for instruments as well as for combinations. Among them is one donated by Harry Bluck for the night’s top pianist. Sammy Sharp donates the trumpet prize. Way the popularity of the band contest has grown is illustrated by the number competing. When initiated 3 years ago, there were only 5 entrants, made up to 7 just before the show. This year, apart from the 13 competing bands, many had to be turned away because of lack of time to fit them in! High hopes are held for a further increase over the next year or so. Last year’s winners, the West Coast Dixielanders, lost little tune in getting established in the professional dance world. In a matter of a few months they worked their way into the Jazz Jamboree, which is now looked upon as the showcase of our I dance bands. Unfortunately, this group has now broken up because a couple of its personnel had to leave Perth. Contest has been referred to by some musicians as a minor edition of the Melody Makers’ Poll. This famous dance band contest covers the whole of Britain and assures the winners permanent employment in the music world.
PHOTO: Gathered round Sammy Sharp are the new bloods of the WA Dance Band world. Picture was taken while they were being briefed for the dance band contest (see story left). Happy smiles belie the fact that on Thursday they will be in deadly earnest to win the competition and get a break with some of the bigger bands around town.
*VISITING drummer, Buddy Rich and band leader Artie Shaw, on clarinet, rehearsing at their Sydney hotel this week.”
Mirror (Perth, WA : 1921 – 1956), Saturday 31 July 1954, page 12
KRUPA NOT FOR PERTH
AMERICAN drummer Gene Krupa will not be coming to Perth. Perth orchestra leader Sammy Sharp said today that he received a telegram to this effect. It had been hoped that Krupa would give a performance in Perth on Wednesday, August 25. But Krupa’s reception in Melbourne and Sydney had been so overwhelming that he was giving a return concert in Sydney on August 24 and two return concerts in Melbourne on August 26. If he flew to Perth he would not be able to appear in Sydney on the Tuesday night. a Mr. Sharp said that it would have cost £2000 to bring Krupa to Perth.
Daily News (Perth, WA : 1882 – 1955), Monday 16 August 1954, page 1
1954 George Watson Show1954 Watson George program
1955
1955 Jazz Jamboree – program cover1955 Jazz Jamboree Program1955 Jim Riley Show1955 Jim Riley Show program
BUGLER (10) TO STILL CITY
PHILLIP Mulcahy (10) will be one of nine buglers who will sound in tomorrow’s Armistice Day silence at 11 a.m. Phillip, who lives at Evandale-st., Floreat Park, has been taught the cornet for the past year or more by musician Sammy Sharp. Now Phillip— about 4ft. 3in.— plays first cornet and solo for the Young Australia League brass band . Tomorrow he will be at the Murray-Barrack-sts. .intersection to play the Last Post and Reveille marking the two minutes’ silence which commemorates the end of a World War I. J Eight other buglers will be stationed at other major city T intersections. Phillip is also a singer and his voice is regularly heard over radio children’s sessions.
Daily News (Perth, WA : 1882 – 1955), Thursday 10 November 1955, page 18
SUNDAY, 20TH NOVEMBER 1955 THE YOUNG AUSTRALIA LEAGUE presents
Another “JAZZ FANTASIA” with Sammy Sharp and his Orchestra.
35 of the State’s Finest Musicians featuring …Louise D’Arcy — Jack Harrison — Jimmy Beeson — Horrie King, Jack Pope — Martin Gischus — Colin Youlden — Lisa Ray — Keith Whittle — Ralph Filmer — Evelyn Wilson. SPECIAL FEATURE ATTRACTION A NOVEL PARADE OF MEN’S FASHIONS By ELWOODS PAN AMERICAN “STYLE STORE FOR MEN” CAPITOL THEATREBox Plan Now Open at Nicholsons. Adm. 5/.
L-R: Peter Boyd (vocalist), Sam Sharp (trumpet, leader), Peter Clinch (tenor saxophone, clarinet), George Caro (alto saxophone, clarinet), Ralph Filmer (bass), Les Mackay (alto saxophone), Keith Whittle (drums), Cliff Adam (guitar), Jim Beeson (piano), Charles Thompson (trombone), Norm McMahon (trumpet), Jack Pope (trumpet), Phyllis Frost (blind English vocalist).
Sammy Sharp conducting the Y.A.L Band on a Sunday in the park – photo courtesy Robert MatthewsY.A.L. Band circa 1965 – Sammy Sharp conductor – photo courtesy Robert Matthews
The youngest of the four children of Archibald Charles Callaway, an electrical engineer, Frank Adams Callaway was born in Timaru, New Zealand, on 16 May 1919.
When war broke out he enlisted for overseas service. He was rejected because of his poor eyesight, but the Royal New Zealand Air Force recognised his musical potential – he joined its Central Band as a bassoonist and arranger.
The Pied Piper Towards the end of his long life, his colleagues at the International Society for Music Education had this to say about Sir Frank Callaway: ‘It is probably true that Sir Frank Callaway must know, and be known by, more people in music education throughout the world than anyone else. The list of countries he has visited is staggering: at a modest estimate he must have covered well over a million miles – a feat which these days is only surpassed by astronauts. His vision for music education in its broadest sense is respected internationally.
It is unlikely that anyone else has devoted as much time and energy to the cause of music education and given such support and encouragement to musicians, music educators, composers and many others, as Sir Frank Callaway. His generosity of spirit and his seemingly endless vitality – despite his age – is still an inspiration to music educators regardless of the sphere in which they work or the generation to which they belong.’
The youngest of the four children of Archibald Charles Callaway, an electrical engineer, Frank Adams Callaway was born in Timaru, New Zealand, on 16 May 1919. His uncle, Sidney Callaway, played cricket for Australia in the 1890s, and passed on his passion for the game to young Frank, but it was music that the boy loved best. His parents had him taught the violin.
‘As a child, I simply loved being involved in music-making’, he recalled, ‘and after first experiencing the thrill of music-making as leader of an early children’s orchestra, this sort of activity became central to my life.’
Because of the depression, Callaway left school when he was 15. He started his working life with a firm of commercial stationers, eventually becoming a travelling salesman. Evening studies at Christchurch Technical College led to Otago University at Dunedin, where he set his sights on a Bachelor of Commerce degree. In 1939 he abandoned this and entered the Dunedin Teachers’ Training College. When war broke out he enlisted for overseas service. He was rejected because of his poor eyesight, but the Royal New Zealand Air Force recognised his musical potential – he joined its Central Band as a bassoonist and arranger.
In 1942 the Air Force gave Callaway leave so that he could succeed the inspirational Vernon Griffiths as Head of Music at King Edward Technical College in Dunedin. At the same time, Callaway played viola and bassoon in the New Zealand Broadcasting Services’ Orchestra, and continued his music studies music part-time at the University of Otago. He eventually gained his Bachelor of Music degree, plus sundry prizes, including the Phillip Neil Prize for New Zealand composers. In 1947 the university’s Fanny Evans Travelling Scholarship financed his trip to London – but the funds would not stretch to allow Callaway to take his young wife, the brilliant pianist Kathleen Allan.
At the Royal Academy of Music he studied conducting, general musicianship and composition, forwhich he won the Battiston Haynes and Cuthbert Nunn prizes. A Carnegie Travel Grant enabled him to explore music education in the United States, where he met people who shared and shaped his international vision for music education. In 1949 he resumed his work with King Edward Technical College, and also directed a regular series of orchestral concerts and large scale music festivals in Dunedin.
In 1953 Callaway accepted the post of Reader in Music within the Faculty of Education at the University of Western Australia. Six years later he became the university’s Foundation Professor of Music.
Starting with a staff of one (himself), a desk, an upright piano, and a small pile of music, Callaway built up a thriving Department of Music. When he retired at the end of 1984, he was farewelled by 14 full-time staff-members and a large team of part-time teachers. On the way he had developed what is widely regarded as Australia’s finest Music Library – the Wigmore.
Outside his university commitments, Callaway had created and edited Australia’s leading musicological journal, Studies in Music, and other scholarly publications. In association with the West Australian Symphony Orchestra he had organised a series of Composers’ Workshops that attracted many young forward-looking composers.
He had been appointed by the prime minister to serve with Bernard Heinze and John Hopkins on the first Advisory Board of the Commonwealth Assistance to Australian Composers scheme, organising national seminars and workshops for young composers. He had been the foundation president of the Australian Society for Music Education, and had edited its journal. He had served for many years on the Festival of Perth committee.
For a quarter of a century he had conducted the University Choral Society, making it one of Australia’s finest large choirs. He led it in many memorable performances with the West Australian Symphony Orchestra and visiting soloists, and he had been guest conductor for ABC orchestras in Western Australia and other states. In 1979 and 1984 he was organising chairman of the Indian Ocean Arts Festival in Perth.
Internationally, Callaway had been a member of the International Society for Music Education since it was founded in 1953 by many of the people he had met on his visit to the United States in 1949. He was its president from 1968 to 1972, then its treasurer and, in 1988, was elected honorary president, succeeding the celebrated composers Zoltán Kodály and Dimitri Kabelevsky. He was also founding editor of its journal.
As a member of the Australian Commission for UNESCO, Callaway represented Australia on the International Music Council; in 1980 he followed violinist Yehudi Menuhin as its president, establishing a close and lasting friendship with him. He was elected a life member in 1985. His UNESCO work took him to General Assemblies and Congresses in Moscow, Lausanne, Toronto, Montreal, Bratislava, Prague, Melbourne, Budapest, Stockholm and Dresden. In 1995 he received the UNESCO Medal, which rewards musicians who have contributed to the enrichment and development of music and who have promoted peace and understanding between peoples.
Other recipients have included Yehudi Menuhin and Russian composer Dmitri Shostakovich and Indian musician Ravi Shankar. At the time, Callaway was only the second person to be awarded this prize for music education (the other was Nadia Boulanger, in 1979). The organisation’s director-general hailed Callaway as ‘one of the great pioneers and ambassadors of music education in our time’.
Callaway was the dedicatee for Australian composer Peter Sculthorpe’s short orchestral piece Sun Song (1984), and for Dmitri Kabalevsky’s Fanfare for Brass Ensemble. Incredibly, in so full a life, Callaway found time to indulge his passions for gardening, and, all too rarely, composing. His Theme and Diversions for Strings, Theme and Variations for Strings and Prelude and Fugue for Violin and Organ won awards and were publicly performed, but in his later years Callaway preferred to forget them.
Callaway retired from the University of Western Australia in 1984. In his honour the university established the Frank Callaway Foundation for Music, with contributions from Callaway’s friends and admirers. The foundation supports musical activities at the university and works to enhance the strong community and professional associations of the School of Music. Its patrons include Lord Menuhin, Sir Charles Court and Janet Holmes a Court.
The foundation organises the annual Callaway Lecture and stimulates music and music education in Australia and internationally through the non-commercial and co-operative Callaway Centre for Research in Music and Music Education. The centre houses a number of significant collections including those of Callaway himself (including a number of autographed letters and scores by composers such as Liszt, Elgar and Delius), ethnomusicologist John Blacking, Percy Grainger (whom Callaway met during his first overseas study tour and whose ideas on music’s universality impressed him deeply), conductor Verdon Williams, pianist Eileen Joyce (a personal friend of Callaway’s), and music historian Peter Burgis. The Burgis Collection includes significant holdings of Dame Nellie Melba and Peter Dawson memorabilia.
Many of Callaway’s former students and colleagues participated in a joyous gala concert in the Perth Concert Hall on 16 May 1999 to celebrate their mentor’s 80th birthday. After a long period of ill health, Sir Frank Adams Callaway died in Perth on 22 February 2003. He was survived by his wife, Kathleen, who had accompanied him to many overseas conferences, and had a notable career of her own: she was an acclaimed pianist and harpsichordist, and a fine accompanist, particularly for lieder. She was active for many years in concerts and radio broadcasts.
David Measham was principal conductor of the 
1975 WASO Family Concert with coloured skivvies
1978 Prom concert Perth Entertainment Centre
WOOROLOO HOSPITAL QUEEN CONTEST
PHOTO: Gathered round Sammy Sharp are the new bloods of the WA Dance Band world. Picture was taken while they were being briefed for the dance band contest (see story left). Happy smiles belie the fact that on Thursday they will be in deadly earnest to win the competition and get a break with some of the bigger bands around town. 
