Person

JENKINS, Ron

Ronald Percival Jenkins was born 27th December 1913 in Fremantle.

He started his life on the stage as a dancer and then came to prominence in Perth as a clarinet and saxophone player who performed at hundreds of concerts, competitions and events only a few of which are highlighted on this page.

In 1937 he married Alice Mitchell in Fremantle.


1925

Master Ron. and Miss Sylvia Jenkins, who won the Three-step Competition at the recent R.S.L. Children’s Dance, were pupils of Miss Vera Stewart. 

Advertiser (Fremantle, WA : 1921 – 1932), Friday 18 September 1925, page 1

MISS VERA STEWART’S CONCERT A WONDERFUL SUCCESS

The first Annual Variety Entertainment by the pupils of Miss Vera Stewart, was held at the Fremantle Town Hall, on Saturday evening last, before an audience which occupied every seat in the Hall, and proved to be one of the best shows of its kind ever staged in the Port. The programme included no less than 36 items (every one of which was encored), and it reflects the greatest credit on the stage management that the last item was disposed of a few minutes before 11 o’clock. 1 From first to last the show went with a pleasing swing, there being none of those breaks or delays which often characterised entertainments of this kind. The mounting and dressing were splendid—in some cases magnificent —and the accompaniments, played by Miss R. Droney (piano), and Piper Lindsay, went a long way towards the success of the show. The programme is too long to be dealt with seriatem and where everyone did so well it is difficult to select the “stars.” However special mention might be made of Nita Nankervis, Connie Rumble, Beatty Crake, Coralie Condon, and Hazel Davies, for their singing (and dancing), and the Misses Jenkins, Hazel Hall. Jean Radcliffe, Master Ron. Jenkins, and babies Joan Lemmens and Evelyn Essex. Miss Stewart was rarely off the stage, her dancing being entertainingly clever, and her leadership splendid.

Advertiser (Fremantle, WA : 1921 – 1932), Friday 11 December 1925, page 4


1936

Zionist Club Dance At Log Cabin

THE West Australian Zionist Athletic Club held a most enjoyable dance at the Log Cabin on Saturday evening. Ron Jenkins’ orchestra supplied the music. Novelties added to the fun of the evening, and credit is due to the energetic committee in charge of the arrangements.

Daily News (Perth, WA : 1882 – 1955), Tuesday 18 August 1936, page 8

Fremantle Dance.

A DANCE arranged by the ladies of St. John’s Church, Fremantle, was held recently in the Victoria Hall. Ron Jenkins’s orchestra was in attendance, and supper was served on tables decorated with bowls of Iceland poppies. Mr. G. Hettick supervised the floor arrangements, and the ladies’ committee included Mesdames Baker (president), Parker, Cole, Crockett, G. Hettick, E. J. Clarke, Witherow, Greenslade, Sullivan, Solomon, Styling and Clarke. Those present included Canon Collick, the Rev. A.M. Jenkins, Mr. and Mrs. Bancroft, Mrs. Herbert; Misses C. Kerk, G. Edmonds, Phyllis Allen, Dorothy and Eunice Parkes, Loris Hettick, Bernice Everyn, Marie Turner, M. Baker, Bancroft, Joan Rolefort, Mabel Williams, Nora Jarmens, Gwen Jones. Messrs. E. Parkes, Bolton, Morrisey, Baker, Clarke, L. Hettick, 1. Matthews, I. Hades, J. Letchford. S. Smith. and G. Baker.

West Australian (Perth, WA : 1879 – 1954), Wednesday 7 October 1936, page 4


1937

Claremont Football Club – DANCE ON MONDAY

Supporters are reminded of the club dance in the Myola Hall, Claremont, on Monday, July 19. Ron Jenkins orchestra will provide the dance music.

Mirror (Perth, WA : 1921 – 1956), Saturday 17 July 1937, page 7


1939

THE staff of Cox Bros. held a social evening on Thursday at the Stir-ling Social Rooms. Music for dancing was supplied by Ron Jenkins’s band. 

West Australian (Perth, WA : 1879 – 1954), Monday 3 July 1939, page 3


1946

SPORTS ORGANISATIONS. The Claremont Football Club will hold its fortnightly dance in the Parish Hall. Claremont, tonight. Ron Jenkins’s orchestra; Popular prices. Supporters and friends welcomed.

West Australian (Perth, WA : 1879 – 1954), Tuesday 21 May 1946, page 3


1948

On July 1st 1948 “Battle of the Bands” was held at the Capitol Theatre. It was attended by His Excellency the Lieutenant-Governor, Sir James Mitchell G.C.M.G. and raised funds for Wooroloo hospital with Margot Elfverson, who was also the receptionist at the Murray St Chest Clinic, as the Public Health Candidate.

1948 Battle of the Bands program

BATTLE OF THE BANDS CONTEST – HOSPITAL AID  – Dance Band Contest Winners – Strains of boogie-woogie, jazz, jive and swing music formed the principal part of last night’s entertainment at the Capitol Theatre in connection with the Wooroloo Hospital Queen Contest. The programme was arranged by the Legion of Liberty. which is one of several bodies who together are seeking to raise £100,000 required for the establishment of a village for the after-care of discharged tuberculosis patients. The chief feature of the evening was the “battle of the bands.” with five dance bands competing for a prize comprising silver and a cheque for £25. Honours went to Jack Harrison‘s Swing Trio, one of the smaller ensembles in the competition, consisting of Jack and his twin sister, aged 16 years, and an 18-year-old brother. Ron Jenkins and his orchestra were placed second, and the Ashton Quartette third. The prizes were presented on behalf of the legion by “Miss Liberty” (Miss Elma Palmer). Judgment was based on the strength of the applause. Nearly all accommodation in the theatre was taken. Geoff Manion compered.  The West Australian Friday 2 July 1948 page 10

CAPITOL THEATRE SHOW – BATTLE OF THE BANDS CONTEST – VENTURE PROVES HUGE SUCCESS – WOOROLOO HOSPITAL QUEEN CONTEST With a theatre almost packed to capacity hundreds of enthusiasts enjoyed an evening of boogie-woogie, jive, jazz and swing music which formed the principal part of the Capitol Theatre entertainment on 1st July last.  During the evening Sammy Sharp’s fifteen piece Orchestra rendered latest numbers from overseas. The Battle of the Bands proved most interesting, the honours going to the smallest ensembles in the contest. Sixteen year old Jack Harrison, with his twin sister and eighteen year old brother took home the colours in the form of a silver cup and a cheque for £25.  Judgement of the winning band was based on applause by the audience and results were very close.  Ron Jenkins and his band ran Jack Harrison a very close second, with Mrs Ashton’s Quartette third on the list. Prizes were presented by “Miss Liberty” (Elma Palmer) who afterwards thanked many people and organisations for very valuable assistance rendered to the cause.  A good profit was the result of the evening.  The Harrisons generously donated five pounds of the prize money to “Miss Liberty’s” Appeal. Shows of this nature prove conclusively that the Legion is fully capable of running large functions, and we feel sure that this addition to the cause will be much appreciated.  To members of the Hospital Queen Committee and to all members of the Legion who rendered assistance we express our sincere thanks.  We also extend our sincere thanks and appreciation to the many firms whose assistance in various matters added tremendously to the success of the evening.  To the contesting bands we owe a particular vote of thanks.  Without the band there would not have been a contest.  We feel that this Contest stimulated interest in the jazz-band world and we hope that in the future it will be possible to organise other functions of a similar nature.  The Legion (Legion of Liberty) August 1948


AROUND PERTH in 1948 WITH HARRY BLUCK

PERTH RADIO STATIONS USING MORE BANDS  AND LIVE ARTIST SESSIONS

Quick survey of local musicians currently airing programmes in Perth shows what a keen interest is being shown by local radio stations, both national and commercial, in presenting “flesh and blood” shows, especially by members of the dance band fraternity.  Here are where a few of our leading “outfits” can be heard over the local ether.  Sammy Sharp’s Band (featuring a 15 piece combination) and vocalist Peter Boyd are prominent each Thursday evening over station 6PR with a Band Presentation and “Talent Quest” show.  Over the same network from Perth Town Hall, Chris Gosper and his “Music for Moderns” are relayed from their weekly midday sessions, which have proved a huge success, and shows signs of developing into something really big.  From the same network come many other “live” shows including pianist Warrick Lever, Henry Cochrane and Jimmy Beeson.  George Hay and his “Hawaiians”, Billy Barnes’ Hill Billys, Accordionist Harry Bluck, saxophonist Jack Pateman.

On the Nationals the weekly show features the “Rhythmettes”, a novelty outfit led by Harry Bluck, while the Jackie Harrison Quintette and Emil also give occasional broadcasts, not forgetting of course, soloist Henry Cochrane.  Quick roundup of the other stations tells us of a weekly Sunday Show by the “400 Swingtette” over 6KY, where Chris Gosper and Ralph St. Clair play solo piano sessions, while a prominent Hill Billy movement is also aired by this station.

Theatre May Use More Music

News that Sammy Sharp’s Thursday night broadcasts shift into the Ambassador’s Theatre as part of the programme etc, may mean the thin end of the wedge for some other houses to follow suit and gradually reintroduce more musicians into local theatres.  From observation it appears that Perth picture houses are not doing terrific business mid week.  Perhaps some really good musical acts and support may be the answer, as indications from the other side of the show business points to outstanding houses for all flesh-and-blood performances.

The Jazz Jamboree

Already the bands concerned in this year’s “Jazz Jamboree” are working on their numbers for this colossal programme which shows every promise of superseding last year’s magnificent turn out.  The bands listed to appear so far are – Merv Rowston’s, Jack Harrison’s, Ron Jenkins, A Jazz Group, Bill Kirkham’s, Chris Gosper’s and Sammy Sharp’s bands.  This year a box plan will be opened and so it is hoped to avoid the terrific crush and queuing that took place last year – the queue was four deep, entirely encircling a complete city block – and was there for a couple of hours in pouring rain.  Also – at last – proceeds from this year’s Jamboree go to the Musician’s own Benevolent Fund. 

Music Maker October 1948

JAZZ JAMBOREE OF 1948

Capitol Theatre, Sunday Night October 31

eight leading bands led by

Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch

Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity.

Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379


Be In the Swing on the

SWING SHIP

T.S.S. Emerald

Tonight Thursday December 16th at 8 o’clock

Price 3/6

Popular bands Ron Jenkins, Jack Harrison

Swing Master: Geoff Manion

The West Australian Perth Thursday December 16 1948. Also Daily News


1949

JAZZ JAMBOREE OF 1949

EIGHT OF PERTH’S BEST BANDS – Alvan St. Jazz Group, Harry Black’s Swingtette, Jack Harrison’s Quintette, Ron Jenkins Lido Quartette, Ken Murdoch‘s Band, Bill Kirkham’s Jive Band, Merv. Rowston’s Band, Sammy Sharpe’s Band.

CAPITOL THEATRE, SUNDAY, OCTOBER 30th

ADMISSION: 3/6 (reserved). Box Plan at Nicholsons. 

The West Australian Wednesday 19 October 1949 page 30

JIVE FANS

BIG moment in local jive lives will arrive Sunday week when another Jazz Jamboree will be held at the Capitol with 60 of Perth’s best musicians featured in 8 bands. Alvan-street Jazz Group, Harry Bluck Swingtet, Jackie Harrison’s Quintet, Ron Jenkins Lido Quartet, Bill Kirkham’s Swing 7, Ken Murdock’s Band, Merv Rowston’s Society 5 and Sammy Sharp’s Band. Fans will also appreciate a re-appearance of sensational blind singer Phyllis Frost. 

Mirror Saturday 22 October 1949 page 14

BIG JAZZ SHOW

Over 60 musicians will appear in the “Jazz Jamboree of 1949” in the Capitol Theatre on Sunday October 30.  Eight bands will feature every style from Dixieland to bop.  The concerts have been held since 1947 and have attracted very big audiences.  The proceeds for the show are donated to the musicians’ benevolent fund.  The bands taking part will be: Alvan-street Jazz Group, Harry Bluck Swingtet, Jackie Harrison’s Quintet, Ron Jenkins Lido Quartet, Bill Kirkham’s Swing 7, Ken Murdock’s Band, Merv Rowston’s Society 5 and Sammy Sharp’s Band. 

Jack Harrison scrapbook


1951

1951 Jazz Jamboree program cover

CAPITOL THEATRE – SUNDAY 28th OCTOBER 1951 – JAZZ JAMBOREE

Featuring

12 of Perth’s Leading Dance Bands

Jazstars, Cliff Adam, Norm Wrightson, Merv Rowston, Ron Jenkins, Harry Bluck, Jimmy Beeson, Bill Kirkham, Peter Clinch, Ken Murdoch, Jack Harrison, Sammy Sharp.

Booking Opens at Nicholsons.  Friday 19th October 1951.

1951 Jazz Jamboree – programme

1952

On 12th August 1952 at Jack and Jill Harrison’s 21st birthday, which they celebrated at a party held at the Nedlands Tennis Club, Jack’s engagement to ABC typist Marcia Chayter was announced.

WHAT a wow of a party those young attractive, twins Jill and Jackie Harrison had on Tuesday night to celebrate getting the key of the door! Added thrill for Jackie, for he has obtained a promise from a lovely person, Marcia Chayter, who looked a dream in pale blue tulle studded with rhinestones. Jill showed off her brunette attractiveness with emerald green taffeta. Lots of attractive lasses and their partners danced to Ron Jenkins‘ orchestra. Pam Sampson looked sweet in pale blue organdie and Berwyn Allen in pale pink faille. Others there were Ann Poynton, Deirdre Schorer, Tom Twentyman, Bob Pope, Jess and John Woodland. 

Sunday Times Sunday 17 August 1952 page 9


Sunday October 26th 1952 – Jazz Jamboree

Jazz Jamboree 1952

DANCE BAND FANS! BOOK EARLY And Avoid Disappointment for the

JAZZ JAMBOREE – CAPITOL THEATRE

SUNDAY, OCTOBER 26 At 8.45 p.m.

SAMMY SHARP HARRY BLUCK

MERV ROWSTON KEN MURDOCH

BILL KIRKHAM JACKIE HARRISON

THE JAZSTARS NORM WRIGHTSON

RON JENKINS JIMMY BEESON

COLIN HICKS CLIFF ADAM

Tickets 4/-

BOX PLAN NOW OPEN AT NICHOLSONS


Ron Jenkins, who led his Lido Quartette at last Sunday night’s concert, has specialised in novelty jazz music. His combination is sometimes known as the local Spike Jones group and he has patterned his music along comedy lines. Ron, like a number of other local boys, started his career as a drummer. He later switched to the saxophone and has stuck to it ever since. His favourite bands are those which give their music novelty treatment. His ambition— to play on television if — sorry, when—it arrives in Australia.. By profession, Ron Jenkins is a tailor, who can cut a suit as well as he can ‘cut a rug’.

The West Australian Saturday 13 September 1952 page 15


1953 – wedding of Jack and Marcia Harrison – Ron Jenkins was hired as the band.

Nutty Cook and Ron Jenkins at the wedding of Jack Harrison and Marcia Chayter

1954

JAZZ AT THE CAPITOL – TEN TOP BANDS TO BEAT OUT JAZZ – SUNDAY 27 JUNE 1954

That Jazzbo Collins’ quip ‘Be you round, be you square, it’s guaranteed to curl your hair,’ could well be applied to tomorrow’s ‘Jazz at the Capitol.’ Perth fans have always rushed these shows and judging by the crowd round the box office during the week this one will be no exception. Ten of Perth’s top bands will get together to boost the Wendy Nash Appeal. And in the midst of all this jazz Wendy herself will take the spotlight and play a couple of classical numbers— Clare de Lune (Debussy) end Khatchachurian (Toccato). Organiser Harry Bluck says that though these compositions are definitely in the classical sphere he is sure they will go across well with the jazz lovers.

Listed for the program are the Harry Bluck Sextette, Ray Le Cornu’s Band, Cliff Adams’ Sextette, The Jazstars, Jack Harrison’s Quartette, Norm Wrightson’s Band, the Jimmy Beeson Group and Merv Rowsten’s Band. Popular trumpeter Sammy Sharp will be sitting in with Merv. All these outfits, with the exception of Merv Rowston, will play 3 numbers. He will present his own arrangement, ‘Merv’s Music in the Modern Manner.’ Ray Le Cornu’s Band will give out with ‘Tuxedo Junction,’ made famous by the mighty Glen Miller Orchestra. It will be interesting to see how he puts this number across. Also on Ray’s list is the ‘Woodchoppers’ Ball,’ old favorite of which Woody Herman made such a great recording. King’s Park dance-goers know what a terrific job Jackie Harrison makes of the ‘Golden Wedding.’ The hall comes to a standstill when Jackie gets up on the stool to extract those last few high notes from the liquorice stick.

Ron Jenkins has built a great reputation with his top class music and comic acts. Ron and his quartette will serve up ‘Crazy Man Crazy’— guaranteed to make everyone ‘go mad.’ Norm Wrightson has a certain touch of class about his presentations. He gets a beautiful tone out of his clarinet — which should be well to the fore. His selections are all numbers played by Benny Goodman groups —’I Got Rhythm.’ ‘South of the Border’ and ‘Undecided.’

Those who were at the Jazz Jamboree last, November will no doubt remember the great reception Martin Gieschus got when he sang ‘That Old Black Magic.’ He had to sing it again. Tomorrow night he is singing current pops-top ‘Answer Me My Love’ with the Jimmy Beeson Group. Jimmy’s other 2 items are ‘Sometimes I’m Happy’ and ‘Cheek to Cheek.’ Jazstars are billed for 2 oldies in ‘Tiger Rag’ and ‘That’s a-Plenty.’ Liza Ray provides the vocal of their third number, ‘Somebody Loves Me.’ Harry Bluck sextette will feature ‘Lullaby of Birdland,’ a number popularised by the inimitable George Shearing. Kath Bass exercises the vocal chords singing ‘The One I Love Belongs to Someone Else’ with the Bluck group. Cliff Adams’ outfit will play ‘The Continental,’ ‘Cumana’ and ‘Long John Stomp.’  It’s no wonder all seats have been taken except 200 to be sold at the door. 

The Mirror Saturday 26 June 1954 page 13


RON JENKINS – OLD HATS INSPIRED ‘MAD HATTER ‘ MUSIC VOGUE

A stack of old hats in his father’s men’s wear store started Ron Jenkins on the road to success in dance band-cum-comedy work. Discarded headgear gave Ron the idea of adding a novelty angle to his band. Later, he dug deeper into the pile of old clothes which had collected in the shop since its inception in 1910, and the idea for what so many dance goers now know as typical Jenkins’ style was born. Ron always believed patrons want something more than straight music.  Just how right he was is illustrated by the way dancers will stop and gather round the stand while Bon and the boys go through their crazy capers.

The Jenkins’ humor is essentially a team effort. A title is first chosen, then all band members offer their suggestions for slapstick. Best ideas are pooled and a number is ready to split the dancers’ sides. A lot of comedy is impromptu, but for big shows the band gets together at Ron’s place — as some Melville residents know only too well— to rehearse. To back this fooling Ron has a huge store of varied clothes. Included in his ‘wardrobe’ are 50 hats, ranging from elegant bowlers’ to Yankee gob caps, 8 striped blazers of unknown vintage. parson’s coats, swallow-tailed coats, oilskins, and Indian blankets. He also has masks, spectacles, false noses, cheeks and such like by the hundreds, not to mention innumerable wigs both male and female.   Compere of ‘Jazz at the Capitol’ Peter Harrison will probably say smoke bombs and crackers should be included in the list of the Jenkins’ equipment. While Harrison was talking before Jenkins’ act last Sunday a smoke bomb exploded behind him. Amid crackers and jumping jacks he was removed from the stage in a none-too-gentle manner. Before the smoke of the battle had cleared away the boys were on their stands beating out ‘Crazy Man ‘Crazy.’ !  It was!! Some think Ron’s car must have elastic sides, judging from the huge bundle of clothes of one sort or another which he; brings to engagements. When he opens the door out comes Ron, crazy clothes and all. The next half hour is usually spent sorting it out.

Comedy is only part of the Jenkins’ group. His musicians are ton class and can turn out: solid music. Group comprises Vinc Cook (drums), Allan Cole (bass) and Austin Ray (piano), not to mention Ron Jenkins on sax and clarinet. When the outfit is increased to a quintet for bigger bookings Ray Reason (you should listen to Reason) adds his trumpet Nutty Cook, apart from his brilliant drumming, can certainly put over a vocal — particularly a semi-comedy type.  Ron vouches for the fact that many of the ideas for his shows come from the Cook cranium.  Pianist Austin Ray has built up a great local reputation with his keyboard work, and really enters into the spirit of things when the band goes mad. Allan Cole (bass), needs no Introduction.  He used also to be with Colin Hicks.  Ron Jenkins has based his band to some extent on the Fats Waller style. ‘Fats got terrific lift out of popular numbers for a small combination and we try to get something of the same effect,’ says Ron, summing up.   He sticks mainly to popular numbers which please the majority. The drive the quartet gets is amazing.  Ron Jenkins’ interest in dance music dates back to when he was 6. His parents used to take him to dance festivals and the like.  Soon after, he started to practise on his father’s drum kit and then he switched to the sax. He started playing with his father at small dances and shows. His first big job was with Merv Rowston’s Old Time Band at Government House. Later, he formed his own group. He has had more or less the same personnel in his outfit since the end of the war. The Jenkins’ Group will always be small and compact. Ron says he would never be able to put across his comedy with a big band. Things would get out of hand and it would be a shambles.  He has a great admiration for the way Spike Jones can present the music be does with so many in the band, and thinks this would take a lot of practice. He doesn’t take ideas from Spike, however.  During the ball season the Ron Jenkins’ Quartet or Quintet has a busy time. Apart from regular Saturday engagement at the Valray, Rockingham, he has also a number of week-night engagements. He has travelled as far north as Big Bell and as far south as Busselton to play at dances. One Australian he has a lot of time for is Bobby Limb. Both Bobby Limb and Ron Jenkins serve up a similar type of fooling. Now Ron intends to revive some of his favorites from a few years back. Among best numbers are ‘Down on the Farm,’ ‘I’m Nuts on Screwy Music’ (which naturally enough his one of his favorites) and ‘Don’t Bring Lulu.’

 Current, numbers which have received a going over from the Jenkins’ group Include ‘Ugly Child,’ ‘Dear Ron (John), and ‘I See the Moon.’ Ron was in 2 minds whether to play ‘Dear Ron’ or ‘I See the Moon’ at the Capitol last Sunday. He settled for the latter as it was more topical. Applause almost brought the roof down. Looking to the future. Ron and the boys are very interested in the advent of TV in the West. A group, like theirs should do very in this medium. Band gets Just as much kick out of playing as you get from seeing and having fun. 

The Mirror Saturday 3 July 1954 page 14


1955

They’re Crazy, Man, Crazy

Recognise the faces? Well, recognise the out-fits? Ron Jenkins and his musical maniacs, no less, in their garb for “Dear Ron,” one of their most popular numbers. As the leader admits in another item, he’s “Crazy, man, crazy.” But he’s good fun.

And Ron Jenkins is only one small part of the fun at Cottesloe Civic Centre on Tues-day night when Harry Bluck gets the Lagacy Jazzaroo under way. He has all the top bands lined up, including his own two groups, Ron Jenkins, Norm Wrightson, Cliff Adams and the Rhythm Spinners. Kath Bass and Dane Gorn are on the program and Peter Harrison will compare. What a way to start the month.

Mirror (Perth, WA : 1921 – 1956), Saturday 26 February 1955, page 3

1955 Jazz Jamboree – program
1955 Jazz Jamboree Program

Ron Jenkins died on 11th April 1989 aged 75, having only retired from performing 6 years prior.

 

Instruments

Years

Gordon Jacob’s Rhapsody for Alto Saxophone and Strings – Australian premiere

Gordon Jacob‘s RHAPSODY FOR ALTO SAXOPHONE AND STRINGS was composed on October 27, 1948 and was originally written as a Rhapsody for English Horn (Cor Anglais) and Strings for the oboist Terence MacDonagh. Jacob simultaneously created the alternative arrangement for the E-flat alto saxophone, which has since become a staple in classical saxophone repertoire.

On 17th March 1963 Jack Harrison performed the Australian premiere at an ABC Free Concert with the West Australian Symphony Orchestra conducted by John Farnsworth Hall . This open-air event was part of the ABC’s Summer Orchestral Concerts series.

Jack performed it on his Henri Selmer Mark VI alto saxophone (serial number M57874, manufactured around 1954–1955.

Gordon Jacob Saxophone

Soloist: Jack Harrison (saxophonist and harmonica player)

Programme includes:

Rhapsody for Alto Saxophone and Strings (Gordon Jacob)

Romance for Harmonica and Orchestra (Vaughan Williams)

Tomorrow Night at 8pm

Supreme Court Gardens

 

17 Mar 1963 Gordon Jacob Rhapsody for Alto Saxophone and Strings (1948) AUSTRALIAN PREMIERE   Vaughan Williams Romance for Harmonica and Orchestra (1951) AUSTRALIAN PREMIERE Jack Harrison (saxophone)   Jack Harrison (harmonica)   John Farnsworth Hall (conductor)   West Australian Symphony Orchestra ABC Free Concert, Supreme Court Gardens Perth, Western Australia

Debussy Rhapsody for Clarinet and Saxophone – same performance

The Third Youth Subscription concert of the West Australian Symphony Orchestra on August 9 1956 at the Capitol Theatre will be conducted by John Farnsworth Hall with Jack Harrison, soloist, playing a Rhapsody for Clarinet and Orchestra by in the first half of the concert, and a Rhapsody for Saxophone and orchestra by the same composer in the second half. 

Youth and Music issued by the A.B.C. Concerts’ Committee No. 3 August 1956


MUSIC AND THEATRE BY “FIDELIO”

DEBUSSY RHAPSODIES

For the A.B.C.’s next Youth Concert on Thursday August 9, Mr John Farnsworth Hall will be in charge, and Jack Harrison will set up what is maybe a record for these concerts (or indeed any in the annals of the W.A. Symphony Orchestra) by appearing as soloist not merely on two occasions in the programme but playing each time a different instrument.  With the clarinet he will be heard in a Rhapsody by Debussy, and with the saxophone in – again – a Rhapsody by Debussy. 

There is no “funny business” about this: Debussy really did write a rhapsody for the clarinet and also a rhapsody for the saxophone.  The latter was commissioned by an American lady, left unfinished by Debussy and completed by Roger-Ducasse.


WN is broadcasting the ABC Youth Concert from the Capitol Theatre on Thursday and Friday evenings. 

Jack Harrison, a brilliant young Perth musician in both classical and modern spheres, will be the soloist with the W.A. Symphony Orchestra.  J. Farnsworth Hall is the conductor.  The opening half of the concert is broadcast on Thursday starting at 8pm.  Jack Harrison joins the orchestra in Debussy’s Rhapsody for Clarinet and Orchestra.  On Friday at 9.15pm, when the second half of the concert is broadcast, Harrison is featured on saxophone.


SAXOPHONE SHINES IN A HOTCH-POTCH

By “Fidelio”

“The saxophone is classified as a woodwind instrument” the Professor of Music at Harvard University tells us in a treatise published this year “despite the fact that it is entire made of brass.”  There, of course, is one proof more that musicians are an irrational folk. (For an alternative explanation read the next few sentences of Professor Piston’s book.). Professor Piston also tells us that while in serious music the saxophone gives voice with “a pure, steady tone,” in popular dance music nowadays it is “Tremulous, oversweet, sentimental and it is almost invariably played out of tune.”

We are certain that Mr Jack Harrison did not play it “almost invariably played out of tune” last night; but then, Mr Harrison was not in a dance hall but at the Capitol and devoting his skill not to jive but to Debussy’s Rhapsody for Saxophone and Orchestra.  He also played for us, and very effectively, another Debussy “Rhapsody” for clarinet, which gave him greater opportunities than the saxophone piece.  Neither is particularly good Debussy.

For this A.B.C. Youth Concert Mr Farnsworth Hall compiled a programme which achieved great variety at the cost of being rather a hotch-potch.  Among the purely orchestral works three commanded special attention – “An Outback Overture” by the Australian composer John Anthill; the wonderful pages from Berlioz’s “The Trojans” unusually labelled “Royal Hunt and Storm”; and Schumann’s rarely heard overture to “Manfred”, a welcome tribute in this centenary year, for all its sombreness.  We had some beautiful playing in the Berlioz, though the horns were not quite up to the mark.

The West Australian August 1956

Person

KIRKBY, George "Butch"

George “Butch” Kirkby Jnr was born 1st October 1912 in Perth.

1934

In aid of the Baby Week Appeal, the Regal Entertainers will give a concert tonight in the Perth Town Hall. Assisting artists will include Misses Ronie Opie, Bubbles Cooper, Edna Winter, Hazel Charles, Doris Mose, Ally Campbell, Valmai Winter and Messrs. Terry Scanlon, Bert Tomlie and Ernest Waltman. The music will be provided by Miss Carma Nagfel, and Albert Thompson, George Kirkby and Arthur Taylor. 

West Australian (Perth, WA : 1879 – 1954), Wednesday 2 May 1934, page 5


1936

MAJORITY PARTY Amid Pink Decorations

To celebrate the coming of age of their eldest daughter, Kaye, Mr. and Mrs. E. Hodges, of Ellesmere street, Mt. Hawthorn, entertained about 120 guests in the R.S.L. Hall, Oxford-street, last Monday evening. The hall was beautifully decorated with streamers and balloons, etc., the tables being well supplied and tastefully decorated by Mrs. Bowen. Dancing was enjoyed to the music supplied by Lena Mills, George Kirkby, Stan Charles and Alby Thompson. A large number of presents were received by the guest of honor, who was dressed in a beautiful gown of pink and wore a pink flower in her hair. The beautiful three-tier cake was presented to her by Mrs. Davies and Miss J. Davies. It was also pink and beautifully decorated. During supper a large key was presented to the guest of honor by her father. Items were rendered by Lena Mills (pianoforte solos), Mr. D. Thompson (comic songs), George Kirkby (saxophone solos) and Alby Thompson (violin solos). The guest of honor also gave a toe solo. The duties of chairman were ably carried out by Mr. Henry, while the usual toasts were proposed by Mr. D. Thompson, Mr. W. Weaver and Mr. T. Steadman. The programme was skilfully arranged by Albert Thompson, who also acted as master of ceremonies.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 17 May 1936, page 1


1939

Deanna Durbin Quest Awaits Vote

The highly successful quest for a local Deanna Durbin was brought to a conclusion apart from final voting at the S.T.C. concert at the Piccadilly Theatre last night. So great was public interest in the concert that every seat was occupied or sold within 10 minutes of the opening of the doors.  The principal feature of the enjoyable programme was the grand final of the Deanna Durbin quest. Seven grand finalists faced the microphone and the packed theatre. Five independent judges chose three of that number. Listeners’ votes will decide the question as to which of the selected three deserves main honours. Each of the grand finalists gave a creditable performance. In one case the contestant was extremely nervous and although she had a particularly sweet voice her nervousness spoiled her effort. In this contest there was pleasing variety of fare. Each of the grand finalists deserves commendation for her efforts. There was plenty of variety in the S.T.C. search for talent. A pianist, male and female vocalists, and instrumentalists presented good fare. One of the competitors — a vocalist — got the gong, but the length or the song rather than any reflection on his performance was responsible. There was only time for one community song.

Then came seven year old Jack Harrison, who was described beforehand as a wonder with the mouth-organ. His performance indicated that the description really applied to him. He gave encores with pleasing matter-of-factness. George Kirkby, saxophonist and Baden Fixter, violinist, gave enjoyable numbers. With the Lucas Novelty Band led by Niddy Roberts they also rendered other pleasing items. The Misses N. Sheridan and A. Hyens gave a particularly pleasing two-piano duet. The two pianists in the Lucas Novelty Band also performed excellently in a duet. Popularity of the band was well evidenced. Paul Daly was in charge of the programme and presided over the happiest concert of the series. Proceeds of the concert (as with the others held at the Piccadilly Theatre) will go to the Baby Week Appeal.  Winners of the Deanna Durbin grand final and the S.T.C. search session will be announced in The Daily News on Thursday. Votes must reach station 6PR or W.J. Lucas Ltd., Hay-street, Perth, by Wednesday at the latest. Last night’s concert was organised by the sponsors of the S.T.C. search for talent — Messrs. W. J. Lucas Ltd., Hay-street,- Perth; M. J. Bateman Ltd., Milligan-street, Perth; and Messrs. Randell and Long, Fremantle, in association with the management of the Piccadilly Theatre and Universal Pictures.  The Daily News Monday 5 June 1939 page 9


1940

SAX PLAYER WEDS COTTESLOE GIRL

Married last week at St. Hilda’s Church of England in View-street, North Perth, Miss Sylvia Page, a pretty brunette of Cottesloe, and Mr. George (‘Butch’) Kirkby of Leederville. Bridegroom has been well known to those in musical spheres for about eight years, he having played the saxophone and clarionette with such combinations as Ron Moyle’s band, the Radiola Rhythm band, and the 6WF dance orchestra. However, he is giving up his musical interests, as he finds hie work with the Crown Law Department keeping him particularly busy. Both bride and bridegroom are much esteemed and highly popular amongst those acquainted with them.

Mirror (Perth, WA : 1921 – 1956), Saturday 2 March 1940, page 2


1943

A GRAND CONCERT

Thursday night, 27th May last was a unique occasion for Moora. A popular military concert party visited the town and gave a concert to a house that was literally full to the doors. Special interest centred in this concert because it was at Moora that the Concert Party made its debut last year. W.O. S. H. Ellwood, O.C. Party and Producer, turned out a polished show with each member of the party doing his bit in a big way. The producer, himself, is an efficient and talented entertainer. He appeared during the evening in parts from Mephistopheles, the double-eyed villain, to an eastern houriairily dancing the exotic dances of the East (Middle). Under the name of Lolita he was “lofed” by Ren. Nolan, the silvery-voiced tenor, who also sang “The Holy City” and other popular songs. Ren has a cultivated voice which should take him high up in the sclae of musical achievement. For the hand of Lolita he had for a rival Billy Kerr, comedian and raconteur, who looked superb with a drooping black moustache. Billy was the life and soul of the party so to speak. His jokes, acting and sardonic explosive laughter kept the audience constantly a-twitter. Geo. (“Glory Road”) Nicholls and Ted Barton were two members of the party who appeared in numerous guises, but particularly as tenor and baritone respectively. They sang the lively duet, with lively movements, ” We Run ‘Em In.” Earl Nowotney, a fine violinist, was well received with his solos, one of which was the popular “Voices of Spring” waltz. Robert (“Dusty Road”) Symonds excelled himself as Canio, basely used by “Mepbo,” among other things in his singing of the aria from “I Pagliacci,” “On with the Motley.” A difficult song to sing but he made it and was roundly applauded for it. Les Dixon was the accomplished leader of the tuneful swingful band. The band played some excellent numbers in a manner which aroused the enthusiasm of the audience to a high pitch. Harold Taylor made his drums talk, while George Kirkby showed great talent on his clarionet and saxophone. Barnie Conlon the dulcet-toned trombone player betrayed championship style in various types, old and new, of trombone playing. Jack Diamond, illusionist and magician, gave a performance which has never been excelled on the Moora stage, and would be quite worthy on any stage. The unique part of this item was that most of his tricks were undetectable. We are still wondering how he managed to get the glass of water up his sleeve. Moora people gave the concert party a special welcome in view of its early and close association with the town. A local C.O. thanked the party at the conclusion which resulted in three hearty Australian cheers from the audience. The producer replied briefly and the assembled party on the stage smiled in sympathy.

Midlands Advocate (Perth, WA : 1930 – 1954), Friday 4 June 1943, page 1


1949

Jack Harrison augmented his swing band according to the requirements of functions, sometimes up to ten players, such as the April 22nd 1949 University of Western Australia Graduation Ball at Winthrop Hall.   Players were issued with a cheque on 5th May 1949 and were paid 3 pound 2 and 6 for the gig.  Players paid were: Norm Wrightson (saxophone), George Kirkby (saxophone), Jack Pope (trumpet), George Franklin (trumpet), Charles Thompson, Bill Hendrie (guitar), Roy Coates, Ray Harrison (drums), Jill Harrison (piano) and Jack was the tenth band member.

Jack Harrison Dance Band Winthrop Hall

GRADUATION BALL

8.30pm – 2am

April 22 1949 Winthrop Hall, University

In Aid of World Student relief

ADMISSION Double Ticket 24/7 (inc tax.)

Jack Harrison’s Ten Piece Orchestra – bookings at Nicholsons

AROUND PERTH – WITH HARRY BLUCK

Ball Season Starts Rolling in Perth – Heavy Bookings as Biz Booms

The annual outcrop of balls generally makes its presence felt about this time of the year and already some of the earliest have taken place.  This season promises to be a busier one than previously and some large-sized bands should be seen on the various stands. Already, youthful Jack Harrison has made a good start by fronting a 10 piece outfit at the University Graduation Ball, and from all accounts the ultimate sound of the band justified the Harrison judgement in selecting good players as his support.

It’s in The Family!

Jack Harrison’s Trio, winners of Perth’s “Popular Dance Band Contest” for 1948.  This talented threesome have remarkable polish, considering their extreme youthfulness, and have certainly made their presence felt in the comparatively short time for which they have been associated with the dance band business.  From L to R: Jack Harrison (saxes), Ray Harrison (drums), Jill Harrison (piano).  Jack and Jill are both aged 16 and Ray is 18.  Since this photo was taken, Jack Harrison has blossomed out with a 10 piece band, with which he played at the Perth University Graduation Ball. (Photo by Arthur Fielding Ruskin).

Music Maker and Dance Band News May 1949

JACK HARRISON CHEQUE BOOK:

5 MAY 1949

JACK Cheque to:

Norm Wrightson       Grad Ball       £3/2/6

Kirkby Grad Ball       £3/2/6

Pope Grad Ball       £3/2/6

Franklin Grad Ball       £3/2/6

Thompson Grad Ball £3/2/6

Hendrie Grad Ball       £3/2/6

Coates Grad Ball       £3/2/6

Ray Harrison             Grad Ball       £3/2/6

Jill Harrison               Grad Ball       £3/2/6


1950

All Together With A Tra-la-la

EVERY musicker of note turned up at the Jack and Dudie Pateman’s Nedlands home for the serious business of wetting baby Graeme William’s head. They packed the women off to Sylvia Caporn’s home and the ”boys’ had a right royal time. During the arvo Harry Bluck cheffed up spag. savories and what have you. Pete Sullivan (not the curly headed one) brought a can of Indian curry. A spokeshavian playlet ‘Cinderella’ was produced by Maestro Beeson, featured Alan Gough, Cliff Adam, Pete Harrison, Merv Rowston and ‘Lily of the Valley’ Roberts. It was a real classic. Kev Logan even stopped hibernating and made an attempt to hydrate himself. They nearly sold him a sax. Bam Sharp put on a happy time and the beer flowed like wine. Ray Le Cornu did a job with the kegs. Chick helped the food along. Wally Hadley, Maurice Maurice, Keith Whittle, ‘Mule Train,’ George Caro, ‘Cigarettes’ Cooke, Baden Fixter, Butch Kirkby, Bill Kirkham, Henry Cochran were ell in it. At nine o’clock sharp they drank a special toast to George Franklin— wherever he might have been between here and Curfew rang at 2 a.m and everyone departed for their homes. They tell me the Patemans have since bought a block and 3 tents in case of repercussions from neighbours who may dislike jazz, Dixieland — and just plain noise.

Mirror (Perth, WA : 1921 – 1956), Saturday 20 May 1950, page 12


1951

1951 Jazz Jamboree

1951 Jazz Jamboree program cover

1952 Jazz Jamboree

1951 Jazz Jamboree – programme

1952

Jazz Jamboree 1952


1953

RANDOM NOTES

ENJOYABLE party-cum-jam-session was held at Colin Youlden’s the other night when a number of local Jazz men and women celebrated the 8th anniversary of Wayne Handrick’s band’s engagement at the now defunct Rainbow Room. Among the participants were Greta Young, who gave out with some nice vocals as well as piano work), Mike Carbone and Hank Collins (guitars), Wayne Handricks, Colin Youlden and George Kirkby (saxes), Ralph Filmer (bass) and Roley Nash (drums). Bryn Gifford pleased with vocals a la Frankie Laine.

Mirror (Perth, WA : 1921 – 1956), Saturday 27 June 1953, page 11


1955

1955 Jazz Jamboree – program cover
1955 Jazz Jamboree Program

1994

George Kirkby died on 23rd September 1994 aged 87.

 

Instruments

Years

Person

CARO, George

George Leslie Caro was born in Perth in 1911, the son of German immigrant Emil Caro,  and was a member of the “old school” jazz musicians in Perth and played clarinet and saxophone.

1933

A Charity Concert

A second charity concert, presented by Mr. Lee McAlinden and his stage orchestra, took place at His Majesty’s Theatre last night and was well received by a small but very appreciative audience. The orchestra, under the direction of Mr. McAlinden, did pleasing work, its opening number being a vigorous march entitled ‘Call to Arms.’ This was followed by ‘The’ ‘Yea’ Man,’ a foxtrot, after which a symphonic arrangement of Gounod’s ‘Faust’ was rendered by special request. Other numbers played included ‘Lullaby of the Leaves,’ with a vocal refrain by Mr. W. Quarrell, ‘June,’ selections from ‘II Trovatore,’ ‘Marcheta’ (by request) and a medley of English’ songs. The assisting artists included Miss Edith. Simmons (soprano), Mr. W. Quarrell (baritone), the Linton Boys (patter songs and step dances), Messrs. Walter Hadley (banjoist), Ray Reason (trumpeter), Ray Le Cornu (xylophonist), George Caro (saxophonist), Edward Birnie (clarionettist) and Baby Shirley King (juvenile entertainer).

West Australian (Perth, WA : 1879 – 1954), Monday 29 May 1933, page 8

RON MOYLE’S TOURING WESTRALIANS

The nine members of Ron Moyle’s “Westralians” — Ron Moyle, Niddy Roberts, Bob Gibson, Wally Hadley, Viv. Nylander, Geo. Caro, Allan Gough, Ken Fimmell, Chas. Thompson, Cliff Adam and Tom Bennett will be making their farewell appearance in this State on Friday next, December 15, when they will ap- pear at the Ambassadors and present a musical pot pourri of rhythm and novelty numbers. Perth, which is recognised for its capable musicians, will wish Ron and his boys a successful and happy trip.

Mirror (Perth, WA : 1921 – 1956), Saturday 9 December 1933, page 15


1935

Success of Perth Orchestra in Ceylon and India

Local musicians will be interested to know that Miss Leoni (Dot) Salter and her orchestra of Western Australian professional musicians have made a sensational hit throughout their engagements in India. Leaving Perth late last year, they went to Colombo under engagement to the Hotel Mount Lavinia, and after a most successful season of several months they were then booked for the Grand Hotel, Calcutta, by appointment to His Excellency the Earl of Willingdon, Viceroy of India, where a further outstanding success was achieved. They were the highest-paid artists in any Calcutta hotel. Their performances attracted a great deal of interest, and local residents gained the impression that it was an All-American band, and great was their surprise to know that it consisted entirely of Australians.

Finishing their engagement at the Grand Hotel, they are now doing a return season at the Hotel Mount Lavinia. Accompanying Miss Salter are the Misses Edna and Leah Waterman, and Messrs. Niddy Roberts, Wally Hadley, Sam Sharp and George Caro.

Sunday Times (Perth, WA : 1902 – 1955), Sunday 8 September 1935, page 25


1936

GEO. CARO RETURNS FROM PENANG

Saxophonist George Caro returned to the West by the Centaur this week. For the past eight months he has been playing in the band of the E. and 0. I Hotel at Penang (Malaya), but when the leader of the band won a big lottery prize, that was the end of the band. Another Westerner in the band was the drummer, Harold Reid.

Mirror (Perth, WA : 1921 – 1956), Saturday 5 December 1936, page 4


1947

In 1947, George Caro married Christine Maggie Bradley and they had a son, Barry.

George Caro (saxophone), Peter Boyd (trumpet) and Sylvia Caporn (pianist)

THREE MEMBERS of a Perth band gave a noisy farewell to people who watch them leave for Collie for the first of a series of one-night performances which will take in nearly all principal country centres. Northam and Bunbury are next on the list. Left to right above are George Caro (saxophone), Peter Boyd (trumpet) and Sylvia Caporn (pianist).

Daily News (Perth, WA : 1882 – 1955), Tuesday 9 December 1947, page 12


1949

Outstanding alto and clarinet man with the Sharp combination, George Caro, has had a colourful career in the game. At 15 he commenced the sax, and as George maintains, was completely self-taught. He first came to the public notice in 1930 when he was one of 18 who competed in the saxophone competition conducted by the Brass Band Association of WA. Winner was Cas Mitchell, now of the ABC Melbourne, second George Caro, Bob Gibson (now in England) was third, and fourth position was filled by Bob Trew (Perth ABC). In 1934, when the exodus was on, George made the Eastern States tour with the Ron Movie outfit, and when this orch. returned to WA, George decided to hit out for the overseas spots. His first working port o’ call was Colombo, where he played at the Mount Lavinia Hotel. From here he went to the Grand Hotel at Calcutta, before making the Malayan Peninsula in 1936, where he played in Singapore cabarets and the Eastern and Oriental Hotel in Penang. On his return to Australia, George linked up with pit work, played for the American Marcus ‘Show, North China Troupe, Dante, and various other visiting shows. During the war he played second cornet with the 28th Battalion Band, and at a later stage, while serving in Darwin conducted a Sunday night Swing Show featuring a 5piece outfit. Returning to civvy street, he joined Chris Gosper‘s eight playing at St. Mary’s, Mt. Hawthorn. When Sammy Sharp returned from England, George moved in with Sammy and remained with him ever since. —’QUAIL.’

Mirror (Perth, WA : 1921 – 1956), Saturday 23 April 1949, page 14


Rhythm Round up

The newly-formed teenagers’ club in Perth has got everything but a name; so anyone with a brainwave might collect a guinea prize-money for suggesting an appropriate name to club president Beverley Beckwith.

The teenagers gathered on Tuesday night at the Y.A.L. and were entertained by a number of musicians including Jimmy Beeson, George Caro, Bill Hendrie, Ralph Filmer, Val Fremantle, Robin Harwood and Geoff Manion. Over 100 teenagers discussed further proposals concerning the club, which was recently formed by Beverley Beckwith. Club which caters for sport, dancing, music and other pas times, meets every Tuesday night at the Y.A.L. and all young people and interested parents are invited to attend.

Mirror (Perth, WA : 1921 – 1956), Saturday 18 June 1949, page 13

Only 18 But Has Future!

Up-and-coming exponent of the tenor sax is 18-y-o Peter Clinch, who is heard a lot— and appreciated — in city dance combinations.

Biography

18 – year – old tenor exponent Peter Clinch, of Wembley commenced taking sax lessons at the age of 13 with noted Perth reed man, George Caro. His studies on this instrument commenced along the normal classical lines and later he moved about in amateur orchestral circles until early in 1947, when he joined a group of young musicians who were training under Ken Murdoch, the back-bone of, and step-ping stone to, the majority of the city’s prospective dance band men. During Peter’s stay with Ken’s group, he filled a casual role and played with a number of small outfits around the city until he received his first break, playing 2nd. tenor with Jackie Sue’s Seven Piece outfit at the Fremantle Town Hall in the 1947 season. He remained with this com-bination for one season, playing at the port and a number of city spots, before moving his stand across to the Chris Gosper combination, which was featured at Anzac House. During the middle of 1948, Peter sat in with the Sammy Sharp outfit as 4th tenor and later accepted 2nd tenor when well known Johnny McCaughan vacated the position to go South in October, ’48. Since then he has remain-ed with the Sharp outfit and has been heard in the Jazz Jamboree with this outfit, the Battle of the Bands with Jackie Sue and was prominent In Thursday’s Round-up over 6WF, once again with Sammy’s boys. He Is a full-time dance musician , and is assured of a rosy path ahead.

Mirror (Perth, WA : 1921 – 1956), Saturday 25 June 1949, page 15


1950

MODERN DANCING TONIGHT. Easter Saturday AT  Y.A.L. BALLROOM. Music by Embassy’s Modern Band led by George Caro. This is acclaimed as the most popular Modern Dance in Perth on Saturday night. Cooling fans operating during the warm nights. Supper and cool drinks available in the Lower Supper Room. Meet you Tonight at the Y.A.L. Ballroom.

West Australian (Perth, WA : 1879 – 1954), Saturday 8 April 1950, page 32

All Together With A Tra-la-la

EVERY musicker of note turned up at the Jack and Dudie Pateman’s Nedlands home for the serious business of wetting baby Graeme William’s head. They packed the women off to Sylvia Caporn’s home and the ”boys’ had a right royal time. During the arvo Harry Bluck cheffed up spag. savories and what have you. Pete Sullivan (not the curly headed one) brought a can of Indian curry. A spokeshavian playlet ‘Cinderella’ was produced by Maestro Beeson, featured Alan Gough, Cliff Adam, Pete Harrison, Merv Rowston and ‘Lily of the Valley’ Roberts. It was a real classic. Kev Logan even stopped hibernating and made an attempt to hydrate himself. They nearly sold him a sax. Bam Sharp put on a happy time and the beer flowed like wine. Ray Le Cornu did a job with the kegs. Chick helped the food along. Wally Hadley, Maurice Maurice, Keith Whittle, ‘Mule Train,’ George Caro, ‘Cigarettes’ Cooke, Baden Fixter, Butch Kirkby, Bill Kirkham, Henry Cochran were ell in it. At nine o’clock sharp they drank a special toast to George Franklin— wherever he might have been between here and Curfew rang at 2 a.m and everyone departed for their homes. They tell me the Patemans have since bought a block and 3 tents in case of repercussions from neighbours who may dislike jazz, Dixieland — and just plain noise.

Mirror (Perth, WA : 1921 – 1956), Saturday 20 May 1950, page 12


1951

Square Dancing Draws Record Attendance At Pinjarra Hall

The introduction of Square Dancing to country districts proved an outstanding success at Pinjarra when representatives of the ABC, Messrs. Dave Howard, Bob Scudder, Harry Bluck, George Caro and Sylvia Caporn entertained a capacity house on Monday night. From Harvey to Armadale, Mandurah to the Hills Districts, the record crowd came. So many attended that the entrance to the street and side windows crowded as they endeavoured to see the new craze which is sweeping the country. As an introduction to country towns the success of the venture is assured. That a record crowd would be in attendance was obvious by the number who attended to receive tuition given between 6 and 8 p.m.

Popular Caller

Caller Bob Scudder carried the evening with a swing and kept the large crowd entertained with his variety and versions of old and popular songs. From toddlers to ancients who came along just for the heck of seeing the dance, from the gentleman in the dinner suit to the teenager with the gaily coloured swinging skirt it was entertainment plus. The echo of those enjoying themselves awakened residents who until the end of the evening would find sleep impossible.

Captivating

It is rarely that one dance can captivate an audience for a whole evening, normally one dance repeated throughout would become monotonous but the square dance with variety has set a precedent. Not since the Charleston swept the country has anything been seen like this. So much were the crowd enjoying themselves with laughter and song that two small children having a free for all near the entrance were passed unnoticed. As the crowd swelled into the hall endeavouring to enjoy the fun they pressed onto the stage among the musicians who didn’t seem to mind and were obviously enjoying themselves as much as anyone. When it became obvious that no more could be admitted Dave Howard forsook the ticket office for his main attraction, the saxophone, and joined the band.

South Western Advertiser (Perth, WA), Thursday 15 March 1951, page 1


1952

Jazz Jamboree 1952

 


1953

Ladies’ Night Was One To Be Remembered

Secretary Mrs. Le Cornu (Sylvia Caporn) and an energetic committee really pulled one out of the bag for Musicians’ Union Ladies’ Auxiliary’s first night at Anzac House lower hall on Tuesday.  Musical items were contributed by Phyllis Frost and Bryn Gifford, drummers Merv Rowston, Keith Whittle, Murray McKay and Max McKay, sax players George Caro, Sonny Henderson, Johnny McCaughan, trumpeter Jack Pope, pianists Nell Sheridan, Roy de la Mere and Henry Cochran, guitarist Hank Collins and Dane Gorn on bass. It was a jam session extraordinary, and it was enjoyed by all. Auxiliary’s next function is to be an afternoon tea on Aug. 29 at 2.30 in the Musicians’ Union offices, 102 Beaufort-st.

Mirror (Perth, WA : 1921 – 1956), Saturday 15 August 1953, page 13


An effort is being made to have a reunion of players of Ron Moyle’s old band. – These include: Ron Moyle (pianist and leader), Cliff Adam (guitar, vocals and tapdancing), Niddy Roberts (drums), Wally Hadley (banjo), Tommy Bennett (bass), Ken Pimmell and Viv Nylander (trumpets), Charles Thompson (trombone), Alan Gough, George Caro, Bob Gibson (saxes).

Mirror (Perth, WA : 1921 – 1956), Saturday 24 October 1953, page 12


1954

NATION HEARS ‘BARRACK STREET’ BLUES

You’ve probably heard ‘Boogie Blues’ and ‘Memphis Blues.’ You’ve certainly heard ‘St. Louis Blues.’ But have you heard ‘Barrack-st. Blues?’ This is the name of Harry Bluck’s composition heard throughout Australia on the ABC Swing Club this week. Graeme Bell’s ‘Square Dance Rag’ was one of the few standard jazz numbers play ed in the session. Another Bell number, ‘Rockinghorse Rag,’ gave Harry Bluck a chance to feature some impressive key board work as he played the piano solos. Group comprised Harry Bluck (leader and piano), El Nylander (trumpet), Charlie Thompson (trombone), Jack Pateman (tenor sax), George Caro (licorice stick). In the rhythm section were Harold Taylor (tubs), Cliff Adam (guitar and banjo), Ralph Filmer (bass). Program showed just what can be done with skilful arranging. If you wonder why Harold should have picked Barrack-st. for his blues, the answer is simple. His studio overlooks Barrack-st. Harry Bluck WA Jazz Group served up 30 minutes of Australian numbers in the Dixieland style. Some of these compositions were standard jazz compositions. Majority, however, were Australian folk songs, given a new treatment by the local group. All arrangements were by Harry himself. It must have been one of the first times that numbers such as Jack O’Hagen’s ‘Along the Road to Gundagai’ and ‘I’m Gonna Hump My Bluey’ have been heard played in the ‘real razz’ style. But the arrangements were particularly tasteful and these old numbers retained all the appeal which made them a hit for so many years. Even the old bullockies’ classic, ‘Gee Back, Woo Back, Ema,’ was given a new coat of paint by the local boys. They added a little vocal to this number. Even the old ‘When the Dog Sits on the Tuckerbox’ got a jazzing up.

Mirror (Perth, WA : 1921 – 1956), Saturday 22 May 1954, page 13


The George Watson Show

1954 George Watson Show
1954 Watson George program

George Caro died in 2002 aged 91.


National Film and Sound Archive – PHOTO – Summary

L-R: Peter Boyd (vocalist), Sam Sharp (trumpet, leader), Peter Clinch (tenor saxophone, clarinet), George Caro (alto saxophone, clarinet), Ralph Filmer (bass), Les Mackay (alto saxophone), Keith Whittle (drums), Cliff Adam (guitar), Jim Beeson (piano), Charles Thompson (trombone), Norm McMahon (trumpet), Jack Pope (trumpet), Phyllis Frost (blind English vocalist).

https://pro.nfsa.gov.au/titles/82XV9ACE

Instruments

Years

Person

TREW, Robert

Robert Walker Trew was born in 1908.

In 1929 aged 21, was working at Perth Hospital and fell 30 foot from a ladder and fractured bones in his left foot.

He performed in “Bert Howell’s Stage Band”.


1934

The musical career of second clarinet player Bob Trew, who joined the Perth Symphony Orchestra in 1934, began in 1920 in York, which at that time enjoyed both an orchestra and a brass band.  Trew was also a qualified plumber.

Harrison, Marcia. West Australian Symphony Orchestra Celebrating 75 Years. WASO Holdings Pty Ltd, 2003. P. 36


1930s Perth Studio Orchestra in front of old ABC building.

BACK L-R: Fred Flint, Tony Federici, Harry Singleton, Rima Swain, Lazar Sverdloff, Ivan Nylander, Alec Black, Vera Rees, Percy Newton, William Glassford, George Davies, Bob Trew, George Mellor.

FRONT: ?, Vaughan Hanly, Dave Kember, Harold Thornton, ?.

1938

TREAT FOR THE KIDDIES – Symphony Orchestra Pleases The children’s concert held in His Majesty’s Theatre last week was a most successful one. Sponsored by the National Broadcasting Commission, a highly educational programme was performed by the A.B.C. (Perth) Symphony Orchestra conducted by E. G. Roberts. This musical body is now delivering the goods and is comprised of the usual studio orchestra, containing as it some of the finest musicians in Australia, and all of  whom are capable of giving a most exacting performance of their instrument. This was manifested when, reinforced by other players not on the permanent staff, the various leaders were called upon to show the children their instruments and play a few classical bars or lilting little ditty. …Other woodwind soloists were Mr. Singleton (oboe) and the clarinet pair Mr. Percy Newton and Bob Trew, the latter delivering a delightful duet in a workman like fashion. Mirror (Perth, WA : 1921 – 1956), Saturday 4 June 1938, page 2

1942

SYMPHONY MEN PLAY DANCE MUSIC. An occasion unique in the history of South Australian rural entertainment, writes ”Jazzman,” was the playing of three symphony men in the dance band at the recent carnival at the Berri Co-op. Packing House. Being in a shed, the acoustics were naturally poor, but your scribe managed to get near the stand and was impressed with the sax work of Bob Trew, a clarinet player from the Perth Symphony and the A.B.C. network. He plays with a round, smooth tone, reminiscent of the American Negro, Benny Carter. Unfortunately no traditional jazz was played and this prevented his swinging improvisations. Another interesting musician was S/Sgt. V. Lombardi who played violin for part of the evening. Formerly a first violin of the Adelaide Symphony he handled the dance orchestrations deftly. The third symphonic figure was the Conservatorium pianist Frank Lellmann. His bass slapping is extremely powerful and his tremendous rhythmic drive literally kicked the melodic instruments along. A word to promoters of future “shed shows”: have the band centre of the floor. This idea has been tried in Adelaide with great success. Murray Pioneer (Renmark, SA), Thursday 10 December 1942, page 4

Entertaining the troops WWII

1944

From somewhere in camp: ABC ON PARADE.

Devised, arranged and produced by Dave Howard, with the ABC Theatre Orchestra, conducted by Ernest J. Roberts and including the following artists: Joe Brennan and Ida Newton, Sunny Day (Elsie Connoly), Olive Dunton, Jack Harrison, Eileen Moran, Vernon Sellars, Maurice Jaffey, Neil Shortland-Jones, The Paulasto Brothers. (Bob Trew 14th June)  Compered by Cyril Leighton. The Broadcaster Thursday February 24, Thursday April 20, June 14 1944

Robert Trew in 1949 Perth Symphony Orchestra clarinet section

  1946

EVERYMAN’S MUSIC – Recital Tonight An unusually varied programme is offered by the Adult Education Board in the third of the current Everyman’s Music series to be given in Winthrop Hall this evening at 8.15 o’clock. Chamber music will include the Divertimento in B Flat for two clarinets and bassoon (Mozart) with Percy Newton, Robert Trew and Jock Good and the Mozart Trio in E Flat for piano, clarinet and viola with Edward Black, Percy Newton and William Glassford. 

West Australian (Perth, WA : 1879 – 1954), Thursday 25 April 1946, page 6


1949

Outstanding alto and clarinet man with the Sharp combination, George Caro, has had a colourful career in the game. At 15 he commenced the sax, and as George maintains, was completely self-taught. He first came to the public notice in 1930 when he was one of 18 who competed in the saxophone competition conducted by the Brass Band Association of WA. Winner was Cas Mitchell, now of the ABC Melbourne, second George Caro, Bob Gibson (now in England) was third, and fourth position was filled by Bob Trew (Perth ABC). In 1934, when the exodus was on, George made the Eastern States tour with the Ron Movie outfit, and when this orch. returned to WA, George decided to hit out for the overseas spots. His first working port o’ call was Colombo, where he played at the Mount Lavinia Hotel. From here he went to the Grand Hotel at Calcutta, before making the Malayan Peninsula in 1936, where he played in Singapore cabarets and the Eastern and Oriental Hotel in Penang. On his return to Australia, George linked up with pit work, played for the American Marcus ‘Show, North China Troupe, Dante, and various other visiting shows. During the war he played second cornet with the 28th Battalion Band, and at a later stage, while serving in Darwin conducted a Sunday night Swing Show featuring a 5piece outfit. Returning to civvy street, he joined Chris Gosper’s eight playing at St. Mary’s, Mt. Hawthorn. When Sammy Sharp returned from England, George moved in with Sammy Sharp and remained with him ever since. —’QUAIL.’  Mirror (Perth, WA : 1921 – 1956), Saturday 23 April 1949, page 14

1950 Broadcaster article Perth Musicians

1951 Only three months in the South Australian Symphony Orchestra, Jack Harrison returned to Perth on 8th February 1951 to fill the second clarinet position with the West Australian Symphony Orchestra after the sudden death on January 18 1951 of second clarinettist Bob Trew aged 43.

TREW (Robert Walker); A sincere tribute to the memory of Bob deepest sympathy to Mrs. Trew and family.  Inserted by the staff of the Australian Broadcasting Commission.

TREW (Robert W.): In memory of a great friend and associate. The Moore family.

   

Instruments

Years

Person

MURDOCH, Ken

Ken Murdoch was born in 1907 in Portsmouth, England.

Early conductor of the Perth Symphony Orchestra (WASO) George Reid and his son Harold Reid gave lessons to Ken Murdoch. Ken taught Jack Harrison the saxophone.

Bisset, Andrew, Black Roots White Flowers, (Globe, 1987).  p.57


1940

BEACH CONCERT

Stars at tomorrow night’s concert at Scarborough beach in aid of combined local charities will include Ron Moyle, Viv Nylander, Ken Murdoch, Niddy Roberts, Hazel Shapcott and many others. A good night’s entertainment is assured.

Daily News (Perth, WA : 1882 – 1955), Saturday 14 December 1940, page 28


1941

6KY SOON ON THE AIR

“Spare no expense, but give us the goods,” were the instructions when orders were placed for the equipment for 6KY, the new “B” class radio station in Perth. And soon the radio audiences of Western Australia are to hear the “goods.” 6KY comes on the air on Thursday night with a specially prepared opening programme of swing and variety. Official opening ceremony will be performed by Mr. J. C. Willcocks, Premier of the State. Short speeches will be delivered by the Prime Minister (the Rt. Hon. J. Curtin), the Lord Mayor of Perth (Dr. T. W. Meagher), chairman of the A.L.P. (Mr. Needham, W.A.), the president of the A.L.P. (Mr. King, N.S.W.) and Prof. Cameron. Studios and executive offices of 6KY are at 17 James-street, and the transmission plant is on the high ground at Inglewood, with a mast towering 192 feet in the air. Wave length is 210 metres, and the station is received low on the dial and in good strength. Studios include a theatre (with accommodation for about 250), and two smaller studios. Good care will be taken of the programmes by Ken Murdoch, a walking index on music, be it the latest swing or the oldest of symphonies or concertos. Mr. L. Wilkinson, late of Broken Hill, has charge of 6KY, and he and his staff promise radio audiences all they could wish for in entertain-ment. Policy of the station is to promote local talent where possible, and on the opening night the variety units will be supplied entirely by flesh and blood performers. Hugh Hay and Des. Day are the announcers, Mavis Buck has charge of the women’s session and Billy Brown has orders to keep the children amused. Mr. W. Fuhrman is sales manager and Mr. B. Graham salesman.

Mirror (Perth, WA : 1921 – 1956), Saturday 18 October 1941, page 3


1945

Fell For Sax Appeal Of Musician’s Wife

When that old urge for rhythm enters your bones, Perth saxophone and clarinet player Ken Murdoch is the boy to escort you on a roundabout of swing. A zoot suit might help, but it wouldn’t be strictly necessary if you wanted to snare a few spine-tingles from Ken’s playing. Thousands have heard Ken’s swing, boogie-woogie and jive over the radio; thousands have danced to his melodious sax.

And Ken made a Yank face the music when he caught him wooing his attractive wife, Edith Margaret Murdoch, in Wellington-square. Ken related how his marriage had gone off-key to Mr. Justice Wolff in the divorce court, and told how he’d been given the air by his wife for a Yank named Raymond D. Krohn. Murdoch was home with his youngster one day when the boy asked: ‘Are you going to look after me when Mummy goes, Daddy?’ It didn’t take the musician long to realise that something was amiss, and later he had a chat with sleuth Arthur Nankivell, and together they kept an eye on Edith’s movements. On Dec 15, about 10.15 p.m., they saw her walk towards King-st with a Yank. From King-St, they followed them to Wellington Square. It was 12.20 before the |raiders found their target and the proceedings then were terse and to the point. But it didn’t end there! After Ken went ahead with divorce proceedings, Edith pleaded with him to take her back. He did, on the following conditions: (1) all contact with Krohn were to be avoided; (2) She was to cease her associations with a woman friend. For 11 days, things were OK and then she told Ken: ‘I have no affection for you, and I’m not likely to have in future.’ then packed her bags and walked out. Since, hubby has found out that she’s been seen with Krohn and the woman friend. Murdoch got his decree, plus custody of the child. Sailor Krohn will have to pay the costs.

Mirror (Perth, WA : 1921 – 1956), Saturday 24 March 1945, page 13


1947

In The Lair Of The Long Hairs! – Jazz Invades Winthrop Hall

Symphonic sanctity of elegant Winthrop Hall was disturbed one night this week. Occasion: A celebrity concert. But there were no evening cloaks, starched shirt-fronts, lorgnettes, rustling programmes, whispered critiques or social effrontery.

Instead there was a youthful buoyancy in the air, an exhilarating excitement and an infectious happiness which reflected easily from an audience dressed as nonchalantly as a street crowd. Indeed, as our American cousins would have said. ‘The Joint was Jumpin’ down at Carnegie Hall.’ And as truly as Carnegie Hall, as well as the world-famous Metropolitan Opera House, has been invaded by jazz musicians of high calibre, here was our own Winthrop Hall baring its soul to a jazz concert. Graeme Bell and his Jazz Group were stepping off the Asturias, en route to Europe, to let the local jazz fans hear them do a ‘bash.’ With a happy introduction by local discographer Ken Murdoch, the Jazz group (in shirt sleeves) marched onto the stage in military band style playing their instruments to the tune of ‘When the Saints Go Marching In.’ Then a few more explanatory remarks by the cornetist and away to a flying start went this 7-piece musical combination on a programme that raked jazz from the limbo of the past half century, pre- World War 1, from New Orleans, the Mississippi, old Chicago and older Negro Spirituals. A cornet flanked by an old valve-trombone and clarinet were the frontline instruments, while at the rear solid, rhythm was produced from a string bass, drums, banjo and piano. A quick glance through some of the titles played may mean nothing to the average music-lover, but to the True Jazz fan they are the concerto, the sonata and fugue— ‘Walkin’ the Streets of the City,’ ‘Tessa’s Blues’ (composed by Roger Bell), ‘Smokey Mokes’ (which Ken Murdoch identified as ‘Coon Can Rag’), Gershwin’s ‘The Man I Love,’ ‘Shreveport’ (played hi traditional honky tonk trio style), ‘Coquette,’ ‘Royal Garden Blues,’ ‘Riverside Blues,’ ‘The Darktown Strutters Ball,’ ‘Tiger Rag,’ ‘I Ain’t Gonna Give Nobody None of My Jellyroll’— plus other improvised bits and pieces. Graeme Bell and his Jazz Group are on then- way to Europe on the Asturias to attend the International Youth Festival at Prague. They have been selected by the Australian Associated Youth Committees and have been sponsored in the Eastern States by the Victorian Branch of the Eureka Youth League. They are already booked to appear in concerts hi London, Paris, Brussels, Amsterdam, Zurich and Prague. Concert at Winthrop Hall was arranged by the University Labor Club.

The Music Makers Personnel of the Group are Graeme Bell, leader and pianist; Roger Bell, cornettist; Jack Varney, banjo; Russ Murphy, drums; Don Roberts, clarinet; Adrian Monsborough, trombone; Lou Silbereisen, bass. Jazz as played by the Group is the music which is said to have reached its artistic climax in the ‘twenties, the golden era of jazz, and it has been kept alive all over the world by jazz groups, record collectors and jazz fans. Although the more modern swing and popular song music has its origins in the True Jazz, there is a distinct and very controversial breach between them and the adherents to the True Jazz form disclaim these modern styles with their accompanying zoot-suiters, bobby-soxers, swing arrangements and jive jargon. Pure jazzists hail the earliest negro and Whiteman exponents of jazz as their champions and lay extremely heavy claims to this music as a true art. Jazz has not proved itself an art of sufficient poetic or intellectual scope to take the place in civilised society occupied by the great art of concert and operatic music. But in both Its folk and popular form it is an art to be -reckoned with— and ‘there can be no doubt that the world is richer for it! This, briefly, is the creed of the True Jazz boys.


400 CHEER BELL JAZZ BAND

More than 400 young people cheered Graeme Bell’s Dixieland Jazz Band in Winthrop Hall last Monday night. “This is the biggest audience of University students we have ever played to,” said Harry Stein, leader of the EYL delegation to the World Youth Festival at Prague. “The band is part of the Australian delegation to the Festival, and we feel we are sending something that is the best of its kind in Australia,” he said. The EYL delegation, passing through Fremantle on its way to Prague, picked up WA State Chairman of the EYL, Chas. Bresland, who will attend the Festival as WA delegate. He will work as a voluntary brigader in Czechoslovakia, and on the Youth Railway in Yugoslavia. Jazz Convention Paying tribute to the band ABC jazz expert, Ken Murdoch, said that this was WA’s first jazz convention, and the audience was privileged to hear such well-known musicians. He said that a famous US record critic had named the Graeme Bell Dixieland band as among the 10 best in the world. “Do you want to hear the band on its return?” asked Henry Stein. Whistles and cheers from the audience. “Can I give greetings from the WA University to the Festival in Prague?” Four hundred young Australian lungs gave a rousing “Yes.”

Workers Star (Perth, WA : 1936 – 1951), Friday 11 July 1947, page 5


1948

JAZZ JAMBOREE OF 1948 – Capitol Theatre, Sunday Night October 31

eight leading bands led by: Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch.    Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity.  Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379

JAZZ JAMBOREE OF 1948 – Capitol Theatre  – Sunday Night October 31

eight leading bands led by: Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch.

Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity. Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379

1948

SUNDAY OCTOBER 31st – JAZZ JAMBOREE OF 1948 Capitol Theatre, Sunday Night October 31 – eight leading bands led by Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch. Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity. Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379

JAZZ CONCERT: At the Capitol Theatre on Sunday night the professional dance-band musicians of Perth will present a jazz concert. The programme, it is stated, has been planned to cover every style of modern Jazz Idiom Eight bands will be conducted by the following: Merv Rowston, Jack Harrison, Sammy Sharp, Harry Bluck, Ron Jenkins, Chris Gosper, Bill Kirkham and Ken Murdoch. The proceeds will be for charity.

West Australian (Perth, WA : 1879 – 1954), Thursday 28 October 1948, page 24


Jazz Jamboree of 1948

Jazz enthusiasts and the disciples of boogie-woogie, swing and be-bop (the translation of which has yet to be given to me) will be right in front of the eight-ball, so to speak, on Sunday night at the Capitol Theatre where the Jazz Jamboree of 1948 will take the stage as a charity concert.  Harry Bluck, who heads the A.B.C. Rhythemettes, is the brains behind the business and all proceeds will go to the Musicians’ Benevolent fund.  This year over 60 of Perth’s leading musicians will combine to make the show something for be-boppers (and others) to bop about.  Merv Rowston’s Orchestra, Jackie Harrison’s Quintette, Chris Gosper and his Concert Orchestra, Ken Murdoch’s Swing Show Quartette, Sammy Sharp’s Orchestra, Harry Bluck’s Jazz Group, Ron Jenkin’s Band and Bill Kirkham and his Jive Five will all be on stage, in addition to the “1948 Mystery Band”.  This mystery band seems to be something of a mystery to all except the musicians in it.  Harry Bluck tells me that nobody know the personnel, the music they are likely to play, the instruments they will select or even if they will “give out” from the stage or the stalls.  But it seems like a great night and the cause will be a worthy one.  It should be well worth while to go along to find out exactly what bo-peep is (sorry) bo-bep (excuse), I mean be-pop.  Won’t somebody get me out? 

The Broadcaster October 1948

Big Jazz Mystery – Perth’s hep-cats are properly mystified. No one will tell them the identity of a mystery band which will play at the big jazz jamboree at the Capitol. Anyone who solves this Top Swing Secret gets a prize— 6 swing records, no less! Eight bands will play, led by Merv Rowston, Jackie Harrison, Chris Gosper, Ken Murdoch, Sammy Sharp, Ron Jenkins, Bill Kirkham and Harry Bluck.

Mirror (Perth, WA : 1921 – 1956), Saturday 23 October 1948, page 4

JAZZ CONCERT – At the Capitol Theatre on Sunday night the professional dance-band musicians of Perth will present a jazz concert. The programme, it is stated, has been planned to cover every style of modern Jazz idiom. Eight bands will be conducted by the following: Merv Rowston, Jack Harrison, Sammy Sharp, Harry Bluck, Ron Jenkins, Chris Gosper, Bill Kirkham and Ken Murdoch. The proceeds will be for charity. 

West Australian (Perth, WA : 1879 – 1954), Wednesday 26 October 1949, page 14


1949

PERTH JAZZ MEN ARE TOPS IN EAST

Recent news about WA dance musicians who have sought to establish national reputations is good news. At least 4 who have been questing after the big-time in the Eastern States have made it, some of them ranking amongst the top-salaried musicians of the day. Currently occupying press space in musical magazines and feeling the for and, against quips of critics in Sydney is Ray Hartley, onetime popular pianist at radio lunch-hour concerts in Perth. General gossip has it that Ray is sow in the high salary range although it is rumoured that the road has been long and very rough. At present Ray is featured with Paul Lombard’s outfit at the Celebrity Club which used to be Rose’s and spare time, as little as he may have, L being turned towards arranging and holding down a couple of radio spots. In addition to this Ray contributes to the Music Maker, the Australian Dance Band Editorial and his articles on prominent keyboard men are a worthwhile contribution to that magazine. Although his name is usually associated with lunch hour concerts, Ray’s success was first assured in renditions of the Ray Hartley Trio; a combination which he has reformed in Sydney.

Without a doubt the most popular pianist in Sydney, is W. A.’s none other than Jim Riley. Jim is very highly respected both in the profession and out of it and accepts the good Samaritan role. He was originally a Fremantle boy and had a good classical background. He made his debut in dance band work with Ron Jenkins, and remained with him until approached by Merv. Rowston and Ken Murdoch. He then moved his stand and these three very prominent men upheld the music at the Miami Club for several years. In 1938, Jim became pianist with Ron Moyle at the A.B.C. It was during this time that he first attempted dance band arranging and it soon became obvious that he was much further advanced than any other dance musician here in this field. As a result of his enthusiasm, Jim managed to contact famous American arrangers in Will Hudson and Otto Cesana and it was not long before his arrangements received due recognition. During the early years of the war, Jim was the strength in Merv. Rowston’s A.B.C. old-time orchestra at Government House, and after the closing of tills hall both musicians moved across to the American Red Cross on Riverside Drive. At present, Jim is pianist and arranger in Frank Coughlan’s 14 piece Trocadero Band which plays 6 nights a week and Saturday afternoon. He does a lot of outside arranging and trio work and it is a fact that some of the leading musicians in the East now receive instruction in arranging from Jim. His exceptional ability and modesty combine to make him one of the most eagerly sought after pianists and arrangers in Sydney. He has been a perfect host to all visiting West Australians and Perth musicians are assured of a warm welcome, particularly, when he fulfils his ambition, to own a hotel.

Mirror (Perth, WA : 1921 – 1956), Saturday 19 February 1949, page 11


Union rates for dance band musicians have just increased, so when you next engage a band don’t raise your eyebrows if the quote seems higher than usual.

Minimum rate now, as set out by the union is 33/7 per head, plus 5/ bandleader’s fee to 11.30 p.m., which meant that you can’t engage a 3piece band under £5/5/9. Actually, few bands in the city will play for bare junior rates, while the demand is on for reliable dance band men and higher wages are available. Therefore, dance organisers, don’t sacrifice the evening by engaging a cheap, unreliable band.  Embassy fans will have to lie low until the new floor installations are complete. Flooring, which was removed after last Saturday night’s dancing was the original — laid some 20 years ago. Alterations will take at least 10 days to complete if all goes well. They will include sanding of the surface and sterine treatment. Sammy Sharp’s band has moved its stand into Perth Town Hall temporarily.

Biography: Merv Rowston was self taught and gained most of his tuition by listening to records. In his ‘teens, Merv played at his first paid engagement — 2 piece unit of electric pianola and drums. Merv free-lanced with small outfits around the city, including Bill Naughton’s KitKat Cabaret band, and in 1929 got his first big break when he joined Charlie’ Sheridan’s Piccadilly Cabaret Band. During the following 5 years he was in the public limelight and among leading combinations he played with were Merv Lyons, at the original Temple Court Cabaret ( Embassy  ; Knickerbocker Jazz Group, at the Luxor and Fred Nice, whose band, incidentally, featured in the first radio broadcast in 1932 In July, 1934 he went abroad and was associated with some of the leading percussionists and bands in England. After his return he formed his own band in 1937, which featured at the Miami Club. This line-up was Jim Riley piano; Ken Murdoch, sax: Merv. Rowston, drums: Pa Wagner, vocals. Tie-up of Jim, Ken and Merv is still recognised as one of the greatest combinations that Perth’s Dance Band Land has ever known. Merv’s successes since then reel off smoothly. – By AGAS

Mirror (Perth, WA : 1921 – 1956), Saturday 12 March 1949, page 14


Rhythm Round-up

It has often been said that a musician is a musician alone, and he can do nought else. However, this is not the case with Jimmy Beeson, who has proved himself a successful fisherman as well as an outstanding pianist with the Sammy Sharp outfit. It appears that Jimmy and wife are down by the seaside, and the other morning he was persuaded to go out and try his hand at fishing. At his first cast, Jimmy’s line landed about 10ft. away from him and when laughed at by his wife and younger brother, he proceeded to haul in his line. Lo and behold, he had a struggling fish on the hook end of the line, but to this day Jimmy still doesn’t know the brand of fish. * * * Perhaps: The reason why Thursday nights at the Embassy seem colourful might be at-tributed to the increasing number of evening frocks worn. Certainly adds colour to the picture. * * * Personalities: June Edwards, prettily dressed in a powder blue lace ballerina with friend Frank Larkham, of Goulburn, Sydney, were seen admiring the dancers from the balcony . . . Nellie Ellison and Thelma Fowler, of Perth and Bayswater respectively, seemed interested in the swirling mass of streamers paid out from the balcony . . . pretty brownette June Davis seen doing a rhythm foxtrot. June has recently returned from a trip to Canberra via the capitals. Guess it’s good to be home again, June . . . Dolores Ren-aux model Yvonne Slavin, of South Perth, chose an attracttive ballerina frock in light florals . . . Loge chatterers were Dot Williams of Collie with two city girl friends, Margo Brimmage and Jeanette Oliver.

Biography: Perth’s lead-ing jazz critic and record enthusiast, Ken Murdoch is classed as one of the city’s leading sax exponents. In the real sense of the word, Ken is a thorough musician and his ability is not confined to swing, as many imagine; his performances under Cripps are sufficient to testify to his legit ability. He commenced taking lessons from George Reid in 1928 and attributes any brilliance and success to his old tutor. In later years, he occupied alto chair with Fred Nice’s 6ML Cheerio Club band, 6ML Swing Trio with Merv. Rowston and Jim Riley and also with the Eon Moyle Embassy Band.— ‘QUAIL.’

Mirror (Perth, WA : 1921 – 1956), Saturday 26 March 1949, page 14


Biography Our Musician for the week is alto and tenor sax expert Jack Pateman, leading alto with the Harry Bluck Sextet. Known throughout the local dance band world as ‘Daddy’ Pateman because of his long association with the dance band profession, Jack commenced earning the sax shortly after World War I at the age of 18, and attended the same tutor as Ken Murdoch at about the same time, namely George Reid, one-time conductor, of the Perth Symphony Orchestra. His first dance band engagement came to him when he took the alto seat in his father’s orchestra (Alf Pateman’s Old Time Band) which played for Mrs. B. Richards’ old time dances at the Unity Theatre back in the 20’s. At a later stage he joined pianist Bill Naughton, now in the Eastern States, and Merv Rowston. This trio moved into the Kit Kat Cabaret Cottesloe and were there for some time. From this nightery, he moved on to the Piccadilly Ballroom where he joined Charlie Sheridan’s 10-piece combination as third alto and later toured with this outfit when it conducted a large scale tour through the wheat belt and sou-west. He was a prominent figure at the Wentworth Hotel, where he occupied alto chair with the Fred Nice trio for -years and during this time he saw 2 seasons at the ANA Boathouse with Jack Nice’s band. During the war, while in the 125 AGT, he played alto and tenor in a concert party quartet under Captain Fred Nice. After the war he took his own band into the Club Cabarita and was later joined by Harry Bluck, who later reformed the band and moved into the Pagoda, where they are now seeing their third season. Jack Pateman was a notable figure in the Jazz Jamborees and was also with the ABC show, Sunday Serenaders, under Sammy Sharp. He has always been a utility man and during his 20 odd years of experience has carried baritone, tenor and alto responsibilities. Jack, whose home is in Claremont is a full-time teacher of the alto- tenor and clarinet.  —’QUAIL.’

Mirror (Perth, WA : 1921 – 1956), Saturday 18 June 1949, page 13


Only 18 But Has Future!

Up-and-coming exponent of the tenor sax is 18-y-o Peter Clinch, who is heard a lot— and appreciated — in city dance combinations.

Biography

18 – year – old tenor exponent Peter Clinch, of Wembley commenced taking sax lessons at the age of 13 with noted Perth reed man, George Caro. His studies on this instrument commenced along the normal classical lines and later he moved about in amateur orchestral circles until early in 1947, when he joined a group of young musicians who were training under Ken Murdoch, the back-bone of, and stepping stone to, the majority of the city’s prospective dance band men. During Peter’s stay with Ken’s group, he filled a casual role and played with a number of small outfits around the city until he received his first break, playing 2nd. tenor with Jackie Sue’s Seven Piece outfit at the Fremantle Town Hall in the 1947 season. He remained with this combination for one season, playing at the port and a number of city spots, before moving his stand across to the Chris Gosper combination, which was featured at Anzac House. During the middle of 1948, Peter sat in with the Sammy Sharp outfit as 4th tenor and later accepted 2nd tenor when well known Johnny McCaughan vacated the position to go South in October, ’48. Since then he has remained with the Sharp outfit and has been heard in the Jazz Jamboree with this outfit, the Battle of the Bands with Jackie Sue and was prominent in Thursday’s Round-up over 6WF, once again with Sammy’s boys. He is a full-time dance musician , and is assured of a rosy path ahead.

Mirror (Perth, WA : 1921 – 1956), Saturday 25 June 1949, page 15


JAZZ JAMBOREE OF 1949

EIGHT OF PERTH’S BEST BANDS – Alvan St. Jazz Group, Harry Black’s Swingtette, Jack Harrison’s Quintette, Ron Jenkins Lido Quartette, Ken Murdoch‘s Band, Bill Kirkham‘s Jive Band, Merv. Rowston‘s Band, Sammy Sharp‘s Band.

CAPITOL THEATRE, SUNDAY, OCTOBER 30th – ADMISSION: 3/6 (reserved). Box Plan at Nicholsons.

The West Australian Wednesday 19 October 1949 page 30


They Asked Seaman In New York If He Knew Perth ‘s Ken Murdock

It’s a very small world, according to a Perth musician. In Sydney about 2 years ago, top flight sax player Ken Murdock chummed up with a young Sydneysider who was due to sail from Australia as refrigeration engineer on a Norwegian cargo vessel. Ken met him again later in Perth when the freighter berthed at Fremantle, showed him the sights and treated him to a good time generally. Young Eastern Stater then shoved off for America and, when he was in New York, he visited a theatre to listen to Benny Goodman’s swing outfit in action. Later he dropped backstage to chat with a few of the musicians. When he said he’d been there, he was asked if he knew Ken Murdock. The pianist was Buddy Herman, who was stationed here in 1943 and was pianist on the sub-tender Clytee. Ken Murdock knew him quite well, because he ‘sat in’ with most of the American bands when they were here. Buddy, incidentally, is doing a double-piano act with the Goodman gathering these days.

Mirror (Perth, WA : 1921 – 1956), Saturday 17 December 1949, page 12


1950

DIARY OF MARCIA CHAYTER

MARCIA: Sunday 15th January 1950

Stayed home and tidied the house. went to Jack’s place for tea with Anne, Jim, Bob and Ken Murdoch and had luscious jam session after tea. Got home at 12.30am after super time. Jack gave me a super beach bag for my birthday.

DIARY OF JACK HARRISON: Wed 15th Feb 1950

Did some clari practice and went for a walk.  Read till half past then went to Clive Armadio’s place and had a lesson and learnt quite a lot.  Came home, quickly got changed and then went to Martin Place and met Mr Reid [George Reid conducted the original Perth Symphony Orchestra and his son Harold gave lessons to Sammy Sharp, Ken Murdoch and Merv Rowston] [1].  Went to the Reid’s for tea by ferry.  Met Nancy and Valma.  Played the clari and Valma sang.  Had supper and came home – got to bed 11.30pm.

MARCIA: Monday 27th March 1950

Met Jack for lunch. Went to see Ken Murdoch. Practise one and a half hours.

MARCIA: Sunday 16th April 1950

Went to Ken Murdoch’s with Jack, Billy Clowes and Stan for a jam session and had a luscious time.


THE BIGGEST DANCE BAND SHOW of the YEAR — ALL YOUR FAVORITES

JAZZ JAMBOREE of 1950 – CAPITOL THEATRE – SUNDAY, OCTOBER 29th

NINE OF THE STATE’S LEADING DANCE BANDS

Bill Kirkham’s Embassy Band

Ken Murdoch’s Ensemble

Ron Jenkins Band

Peter Clinch Boptette

Merv Rowston’s Band

Colin Hicks and His Musk

Wayne Hendrick’s Modernaires

Norm Wrightson’s Band

Harry Bluck’s Music in the Modern Manner

ALL YOUR SWING, JAZZ AND BEBOP PAVORITES

500 Unreserved Seats on Sale at Doer

GFOFF MANION and PETER HARRISON. Comperes

JAZZ MUSIC: Nine dance bands combined to present the “Jazz Jamboree of 1950” in the Capitol Theatre on Sunday night to raise money for the W.A. Musician’s Benevolent Fund. Every seat was filled and the audience had an op portunity of comparing different styles. Warm applause greeted special efforts by the bands or their vocalists. The programme was produced by Harry Bluck and the comperes were Geoff Manion and Peter Harrison.

West Australian (Perth, WA : 1879 – 1954), Tuesday 31 October 1950, page 9


1951

AUSTRALIAN BAND PLAYS AT PALACE – Graeme Bell

Graeme Bell’s Australian Jazz Band recently became the first jazz band to play in a Royal Palace, according to an English newspaper just received by airmail by Perth musician-bandleader Ken Murdoch. The band gave two lunch hour recitals on its way through Perth for England. All members are Australians, The band was invited to St. James’ Palace by the King’s 26-year-old nephew. Gerald Lascelles, a keen musician and an ardent jazz fan. Accompanied by band manager Mel Langdon and the wives of six of the band members, the band entered the palace at 6 p.m. and did not leave until almost midnight. It played Australian jazz compositions.

Daily News (Perth, WA : 1882 – 1955), Thursday 4 January 1951, page 5


1951 – JACK HARRISON’S SEXTET OPENS ON 6WN

On September 2 Jack Harrison’s Sextet opens on 6WN.  The programme will probably consist of light classics, arranged modern ballads, and bright numbers of the samba, tarantella and bolero type. Last year Jack studied under the Sydney musician Clive Amadio and it is quite likely that Jack’s sessions will resemble the well-known Amadio Quintet.   Jack reports that the members are James Drummond (violinist), Stephanie James (pianist) who recently returned from Europe, Kenneth Murdoch (saxophonist) John Mowson (bass) and his father, William Harrison (organ and vibes).    Jack will play first clarinet and second saxophone.  He will have a guest singer for each session.  Kath Bass, Phyllis Blott and Elise Longwill would probably be the first three he says.  Each number will be arranged for the sextet.  Jack and his father are doing some of this work.  Some work by an Eastern States arranger is available provided it is copied.  Sister Jill is doing this in her spare time in Adelaide.

The Broadcaster Saturday August 18 1951 Vol. 18 No. 907.


1951 Jazz Jamboree program cover

CAPITOL THEATRE – SUNDAY 28th OCTOBER 1951 – JAZZ JAMBOREE

Featuring 12 of Perth’s Leading Dance Bands

Jazzstars, Cliff Adams, Norm Wrightson, Merv Rowston, Ron Jenkins, Harry Bluck, Jimmy Beeson, Bill Kirkham, Peter Clinch, Ken Murdoch, Jack Harrison, Sammy Sharpe.

Booking Opens at Nicholsons.  Friday 19th October 1951.

The Broadcaster Saturday November 24 1951 (Jack Harrison scrapbook)

 

 

1951 Jazz Jamboree – programme


1952

Jazz Jamboree 1952

 


1953

Ken Murdoch ad

INVENT of the week brought with it many big social ‘do’s’ and the Lord Mayor’s Coronation Ball was amply provided for by the music of Ken Murdoch and his band. This follows another event for Ken, inasmuch as he was elected union president this week.

Mirror (Perth, WA : 1921 – 1956), Saturday 6 June 1953, page 12


Dance Band Notes

Bob Gibson was guest of honour at a farewell party at the Hotel Continental on Monday Among the musical friends who gathered to wish him bon voyage were Harry Waddell, Harry Bluck, Athol Hill, and of course, mine host popular, genial Harry Ward. Before departing on the plane that evening Bob was the recipient of a pen and pencil set presented by Ken Murdoch on behalf of the WA Musicians’ Association as a memento of a very enjoyable reunion with friends and musicians in his own State during Jazz Festival week.

Mirror (Perth, WA : 1921 – 1956), Saturday 7 November 1953, page 12


DRUMMER RETURNS Perth musicians welcome back Ken Harvey, who has had an extensive tour of the British Isles. Ken started drumming under tuition from Merv Rowston, and played for some time as a freelance before joining the Ken Murdoch band, with whom he was associated for about 2 years. While in England to further his knowledge of electronics, hearing aids and radio, Ken took the opportunity to study with the famous teacher of drumming, Max Abrams. A keen observer of dance band talent in the UK and Europe, one of Kens most interesting experiences was seeing the ‘Jazz at Philharmonic’ shows conducted by Norman Grantz. We hope to see Ken back soon in the ranks with the local boys and giving out on that new drum kit and set of vibes which he brought back with him.

Mirror (Perth, WA : 1921 – 1956), Saturday 28 November 1953, page 12


 

 

 

 

 

 

 

Instruments

Years

Person

KIRKHAM, Bill

1947

JIVE TONIGHT

Hot music’s deepest groove in years will lead to the Capitol to-night, when 8 leading bands will stage Perth’s first Jazz jamboree. Outstanding combinations of  Merv Rowston, Chris Gosper, Sammy Sharp, John Stirling, Henry Cochrane, Ray Harley, Bill Kirkham and the Hounslow group will present a programme ranging from earliest jazz to modern and swing.Sunday Times (Perth, WA : 1902 – 1955), Sunday 12 October 1947, page 11


1948

JAZZ JAMBOREE OF 1948

Capitol Theatre

Sunday Night October 31

eight leading bands led by

Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch

Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity.

Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379


Jazz enthusiasts and the disciples of boogie-woogie, swing and be-bop (the translation of which has yet to be given to me) will be right in front of the eight-ball, so to speak, on Sunday night at the capitol theatre where the Jazz Jamboree of 1948 will take the stage as a charity concert.  Harry Bluck, who heads the A.B.C. Rhythemettes, is the brains behind the business and all proceeds will go to the Musicians’ Benevolent fund.  This year over 60 of Perth’s leading musicians will combine to make the show something for be-boppers (and others) to bop about.  Merv Rowston’s Orchestra, Jackie Harrison’s Quintette, Chris Gosper and his Concert Orchestra, Ken Murdoch’s Swing show Quartette, Sammy Sharp’s Orchestra, Harry Bluck’s Jazz Group, Ron Jenkin’s Band and Bill Kirkham and his Jive Five will all be on stage, in addition to the “1948 Mystery Band”.  This mystery band seems to be something of a mystery to all except the musicians in it.  Harry Bluck tells me that nobody know the personnel, the music they are likely to play, the instruments they will select or even if they will “give out” from the stage or the stalls.  But it seems like a great night and the cause will be a worthy one.  It should be well worth while to go along to find out exactly what bo-peep is (sorry) bo-bep (excuse), I mean be-pop.  Won’t somebody get me out? 

The Broadcaster October 1948


JAZZ CONCERT

At the Capitol Theatre on Sunday night the professional dance-band musicians of Perth will present a jazz concert. The programme, it is stated, has been planned to cover every style of modern Jazz idiom. Eight bands will be conducted by the following: Merv Rowston, Jack Harrison, Sammy Sharp, Harry Bluck, Ron Jenkins, Chris Gosper, Bill Kirkham and Ken Murdoch. The proceeds will be for charity. 

The West Australian Thursday 28 October 1948 page 24


AROUND PERTH in 1948 WITH HARRY BLUCK

PERTH RADIO STATIONS USING MORE BANDS

AND LIVE ARTIST SESSIONS

Quick survey of local musicians currently airing programmes in Perth shows what a keen interest is being shown by local radio stations, both national and commercial, in presenting “flesh and blood” shows, especially by members of the dance band fraternity.  Here are where a few of our leading “outfits” can be heard over the local ether.  Sammy Sharp’s Band (featuring a 15 piece combination) and vocalist Peter Boyd are prominent each Thursday evening over station 6PR with a Band Presentation and “Talent Quest” show.  Over the same network from Perth town Hall, Chris Gosper and his “Music for Moderns” are relayed from their weekly midday sessions, which have proved a huge success, and shows signs of developing into something really big.  From the same network come many other “live” shows including pianist Warrick Lever, Henry Cochrane and Jimmy Beeson.  George Hay and his “Hawaiians”, Billy Barnes’ Hill Billys, Accordionist Harry Bluck, saxophonist Jack Pateman.

On the Nationals the weekly show features the “Rhythmettes”, a novelty outfit led by Harry Bluck, while the Jackie Harrison Quintette and Emil also give occasional broadcasts, not forgetting of course, soloist Henry Cochrane.  Quick roundup of the other stations tells us of a weekly Sunday Show by the “400 Swingtette” over 6KY, where Chris Gosper and Ralph St. Clair play solo piano sessions, while a prominent Hill Billy movement is also aired by this station.

Theatre May Use More Music

News that Sammy Sharp’s Thursday night broadcasts shift into the Ambassador’s Theatre as part of the programme etc, may mean the thin end of the wedge for some other houses to follow suit and gradually reintroduce more musicians into local theatres.  From observation it appears that Perth picture houses are not doing terrific business mid week.  Perhaps some really good musical acts and support may be the answer, as indications from the other side of the show business points to outstanding houses for all flesh-and-blood performances.

The Jazz Jamboree

Already the bands concerned in this year’s “Jazz Jamboree” are working on their numbers for this colossal programme which shows every promise of superseding last year’s magnificent turn out.  The bands listed to appear so far are – Merv Rowston’s, Jack Harrison’s, Ron Jenkin’s, A Jazz Group, Bill Kirkham’s, Chris Gosper’s and Sammy sharp’s bands.  This year a box plan will be opened and so it is hoped to avoid the terrific crush and queuing that took place last year – the queue was four deep, entirely encircling a complete city block – and was there for a couple of hours in pouring rain.  Also – at last – proceeds from this year’s Jamboree go to the Musician’s own Benevolent Fund. 

Music Maker October 1948


JAZZ JAMBOREE OF 1948

Capitol Theatre, Sunday Night October 31

eight leading bands led by

Merv Rowston, Sammy Sharp, Chris Gosper, Harry Bluck, Ron Jenkins, Bill Kirkham, Jack Harrison, Ken Murdoch

Box plan at Nicholsons.  Adm 2/6 Proceeds to Charity.

Harry Bluck, who heads the A.B.C. Rhythmettes, is the brains behind the business and all proceeds go to the Musicians’ Benevolent Fund.

The Mirror Saturday October 23 1948 Vol 25. No. 1379


JAZZ CONCERT: At the Capitol Theatre on Sunday night the professional dance-band musicians of Perth will present a Jass concert. The programme. It is stated. has been planned to cover every style of modern lass idiom Eight bands will be conducted by the following: Merv Rowston, Jack Harrison, Sammy Sharp, Harry Bluck, Ron Jenkins, Chris Gosper. Bill Kirkham and Ken Murdoch. The proceeds will be for charity.

West Australian (Perth, WA : 1879 – 1954), Thursday 28 October 1948, page 25


1949

Followers of the Gosper combination will be with me in wishing Chris, who is now studying with the Melbourne Conservatorium all the best. They tell me that while Keith Whittle (Embassy drummer) and Chris were marking time In Melbourne recently, it was jointly decided to take on a temporary occupation with the South Melbourne Aviation Engineering Supply Co. transferring nuts and bolts by wheelbarrow from one part of the factory to another. In 3 days, the musicians ran into no end of humorous strife. Climax came when Chris was accidentally ‘crowned’ with a 5 foot crow-bar. Chris has been sitting in with the Stork Club and is now with George Watson’s Academy of Music, teaching modern pianoforte. L V A Ball: The Wednesday night ball held at the Embassy Ballroom in conjunction with the annual conference in Perth of the LVA, was attended by more than 700. Ball was preceded by a cocktail party on the balcony which was attended by a gathering of some 200 people. Music was supplied by the Goldenhour Old Time Dance Band. Thursday’s 50-50 two-band nonstop show continues to draw the crowds. Among this week’s personalities, noticed Jim and Sylvia Rowling of Scarborough celebrating their first wedding anniversary, and Sylvia’s 21st birthday with friends, Jeff Watts of Mt. Lawley, and Pat Atkinson, of South Perth. During the evening Sylvia cut the top tier of her wedding cake. The river view by night is always an attraction. On the balcony saw Joy Lague and Vernon Herd, of Wembley; also Gloria Stuart of Victoria Park with Eastern States visitor John Balcom, of Box Hill, Victoria …. South Perth’s Merle Cooper was on the floor . . . Marianne Higgs celebrated her 18th birthday with a cocktail party at her Claremont home, followed by dancing at the Embassy. She was attractively dressed in black ballerina with pink lace insets. Vocals this week were capably handled by Johnny Carlton, of the Goldenhour Old Time Dance Band. TIVOLI:  Current attraction at this theatre is selling well. One of the centre points of interest is Philip Edgeley, son of Eric Edgeley, of Edgeley and Dawe fame, who are well remembered In Perth. Another young personality, Bruce Beeby, son of Dr. Beeby, of the Patch Theatre is seen in the same play.

Mirror (Perth, WA : 1921 – 1956), Saturday 30 April 1949, page 14

PETER BOYD

Style and personality incorporated in Peter Boyd’s vocals may well have originated in his early school days, when, at the age of 10, he won packets of boiled sweets in singing competitions at his school. He has always been keenly interested in vocalising, but not seriously until 1944, when at 21 he joined a small 3piece outfit led by Morrie Cooperman, who was playing for an all-modern Saturday day night session at Mary Shaw Studios. From this, the first rung of the ladder, Peter moved across to the Rechabite Hall, where he carried the vocals for a trio in Jean Crammond, Mick Bartlet and Ted Campbell in a 50/50 programme. His real break came when he joined Viv Nylander’s Embassy Band, before that musician retired from the dance band world to occupy a chair at the ABC. Upon Viv’s retirement, Bill Kirkham took up the reins of the combination and Peter remained with the show until Sammy Sharp returned from England, whereupon he teamed up with the Sharp outfit, which subsequently presented the Sunday Serenaders (a programme over the ABC), the Sammy Sharp Show on the Scarborough promenade, Sunday afternoons and the Sea Crest Cafe programme presented by Sammy’s quartette and Peter handling the vocals. He was also later heard in the Battle of the Bands, and the 1948 Jazz Symphony. Peter favours the voice o John Charles Thomas, and selects as his favourite band, Stan Kenton’s. He is at present still handling the vocals for the Sharp outfit at the Embassy and the YAL. – ‘QUAIL’.

Mirror (Perth, WA : 1921 – 1956), Saturday 30 April 1949, page 14


JACK HARRISON CHEQUE BOOK:

4 JULY 1949

JACK Cheque to:                Jack Pope                 Womens College      £5/3

Colin Youlden           Womens College      £2/11/8

Bill Kirkham               Womens College      £2/11/8

Charlie Thompson   Womens College      £2/11/8

George Franklin       Womens College      £2/11/8

Bill Hendrie                Womens College      £2/11/8

Roy Coates               Womens College      £2/11/8


JAZZ JAMBOREE OF 1949

EIGHT OF PERTH’S BEST BANDS – Alvan St. Jazz Group, Harry Black’s Swingtette, Jack Harrison’s Quintette, Ron Jenkins Lido Quartette, Ken Murdoch’s Band, Bill Kirkham’s Jive Band, Merv. Rowston’s Band, Sammy Sharpe’s Band.

CAPITOL THEATRE, SUNDAY, OCTOBER 30th

ADMISSION: 3/6 (reserved). Box Plan at Nicholsons.  [6]

JIVE FANS

BIG moment in local jive lives will arrive Sunday week when another Jazz Jamboree will be held at the Capitol with 60 of Perth’s best musicians featured in 8 bands.

Alvan-street Jazz Group, Harry Bluck Swingtet, Jackie Harrison’s Quintet, Ron Jenkins Lido Quartet, Bill Kirkham’s Swing 7, Ken Murdock’s Band, Merv Rowston’s

Society 5 and Sammy Sharp’s Band. Fans will also appreciate a re-appearance of sensational blind singer Phyllis Frost. 

Mirror Saturday 22 October 1949 page 14


BIG JAZZ SHOW

Over 60 musicians will appear in the “Jazz Jamboree of 1949” in the Capitol Theatre on Sunday October 30.  Eight bands will feature every style from Dixieland to bop.  The concerts have been held since 1947 and have attracted very big audiences.  The proceeds for the show are donated to the musicians’ benevolent fund.  The bands taking part will be: Alvan-street Jazz Group, Harry Bluck Swingtet, Jackie Harrison’s Quintet, Ron Jenkins Lido Quartet, Bill Kirkham’s Swing 7, Ken Murdock’s Band, Merv Rowston’s Society 5 and Sammy Sharp’s Band. 

Jack Harrison scrapbook


MUSICIANS HERE DON’T LIKE BEPOP

Some of Perth’s leading jazz musicians were asked whether they agreed with caustic comment on bebop by the king of jazz trumpeters Louis Armstrong in Paris last week.  Armstrong said that bebop was nothing but friction and squeezing notes out of a bad trumpet.  “They play only mistakes and made weird sounds” he said.

Band leader-trumpeter Sammy Sharpe, who has played all over the world, thinks that Armstrong is the greatest jazz musician that has ever breathed.  “Bebop leaves me cold” he said.  “It’s an ultra modern idea of excitement in music, The music itself has a terrific construction with plenty of liberty with chords.”  Bandleader and radio swing session compere Ken Murdoch (clarinet and saxophone). Finds bebop “an interesting study”.  Band leader-saxophonist Bill Kirkham agrees with Armstrong’s criticism.  “It’s surrealism in music and the public doesn’t understand it.  I have music for bebop in my library, but my band never plays it,” Kirkham said.  Australia’s youngest band leader, clarinettist Jackie Harrison (18) likes listening to the style.  

Daily News Saturday 1949


1950

All Together With A Tra-la-la

EVERY musicker of note turned up at the Jack and Dudie Pateman’s Nedlands home for the serious business of wetting baby Graeme William’s head. They packed the women off to Sylvia Caporn’s home and the ”boys’ had a right royal time. During the arvo Harry Bluck cheffed up spag. savories and what have you. Pete Sullivan (not the curly headed one) brought a can of Indian curry. A spokeshavian playlet ‘Cinderella’ was produced by Maestro Beeson, featured Alan Gough, Cliff Adam, Pete Harrison, Merv Rowston and ‘Lily of the Valley’ Roberts. It was a real classic. Kev Logan even stopped hibernating and made an attempt to hydrate himself. They nearly sold him a sax. Bam Sharp put on a happy time and the beer flowed like wine. Ray Le Cornu did a job with the kegs. Chick helped the food along. Wally Hadley, Maurice Maurice, Keith Whittle. ‘Mule Train,’ George Caro, ‘Cigarettes’ Cooke, Baden Flxter, Butch Kirkby, Bill Kirkham, Henry Cochran. were ell in it. At nine o’clock sharp they drank a special toast to George Franklin— wherever he might have been between here and Curfew rang at 2 a.m and everyone departed for their homes. They tell me the Patemans have since bought a block and 3 tents in case of repercussions from neighbours who may dislike jazz, Dixieland — and just plain noise.

Mirror (Perth, WA : 1921 – 1956), Saturday 20 May 1950, page 12


AT THE CAPITOL

THIS SUNDAY NIGHT

20 August 1950

RHAPSODY IN JAZZ

Come and hear Jack Harrison, W. Kirkham and Colin Hicks and their orchestras. Supported by Betty Whittaker, Hazel Lewis, Michael Harrington-Martin, Phil Moron and other leading artists. Compered by Geoff Manion

Tickets at the door. Price 5/- and 3/. 

The Daily News Saturday 19 August 1950 page 22


1951

SUBIACO POLICE BOYS’ CLUB modern Dance. Drill Hall. Sat, nights. Bill Kirkham’s 6-pce. swing band. Dancing from 8-12 p.m. Adm. 2/6. –

West Australian (Perth, WA : 1879 – 1954), Saturday 20 October 1951, page 22


CAPITOL THEATRE

SUNDAY 28th OCTOBER 1951

JAZZ JAMBOREE

Featuring

12 of Perth’s Leading Dance Bands

Jazzstars, Cliff Adams, Norm Wrightson, Merv Rowston, Ron Jenkins, Harry Bluck, Jimmy Beeson, Bill Kirkham, Peter Clinch, Ken Murdoch, Jack Harrison, Sammy Sharpe.

Booking Opens at Nicholsons.  Friday 19th October 1951.


1952

Wednesday 28th May 1952

Jazz At The Capitol

Lena Horne. Spike Jones. Mills Brothers. Harry Eddison. Lester Young. Ella

Fitzgerald. Ray Brown . . .

They’re just a few big names of modern music in the long list of acquaintances claimed by Ron Stanton, now in Perth. Ron, a Sydneysider, is a genuine young man of music. American tours have given him an intimate knowledge of techniques over there — and he’s bringing them to Perth.

Particularly impressed with the annual festival Jazz at the Philharmonic, he has formed a “leaders group” in Perth for Jazz at the Capitol. Group includes Harry Bluck, Sammy Sharp, Cliff Adams, Bill Kirkham, John Mowson, Charlie Thompson and Ron Stanton himself.

Program— at the Capitol on Wednesday night— will also include the “name bands” of Perth, Chung Doo, Stanton’s sextet and Jack Harrison’s quartette. 

Mirror Saturday 24 May 1952 page 8


Sunday October 26th 1952

Jazz Jamboree

DANCE BAND FANS!

BOOK EARLY And Avoid Disappointment for the

JAZZ JAMBOREE

CAPITOL THEATRE

SUNDAY, OCTOBER 26 At 8.45 p.m.

SAMMY SHARP HARRY BLUCK

MERV ROWSTON KEN MURDOCH

BILL KIRKHAM JACKIE HARRISON

THE JAZSTARS NORM WRIGHTSON

RON JENKINS JIMMY BEESON

COLIN HICKS CLIFF ADAM

Tickets 4/-

BOX PLAN NOW OPEN AT NICHOLSONS

 

Bill Kirkham is a motor engineer who takes time off from sorting out nuts and bolts to sort out crotchets and quavers. He amuses himself in his spare time with speedcar racing and he expects to have something, special for this season with a new car he recently brought over from Adelaide. Bill’s professional musical career resulted from the depression. When things were tough he teamed up with other musicians and he has been at It ever since. He has had his own band for the last 5 years. Kirkham’s favorite band— Glen Milller. Tops in his own instrument, the saxophone – Tex Beneke.

Mirror Sat 1 November 1952 page 6


1953

IMPROMPTU JAM STOLE THE SHOW

An impromptu jam session nearly stole the show at Thursday night’s WA Amateur Dance Band Concert at the Capitol Theatre. Composite band of members who had competed earlier, really went to town and had patrons rocking in their seats. Jam band was led by internationally known Harry Phillips on the trumpet and Sid Vandervelde on guitar. Boys really turned it on and the crowd went wild. Even when Sammy Sharp came forward to announce the night’s awards the audience clamoured for another spread of jam. So, a grinning Sammy waved the boys to continue. Night was a feast of bounce, jive and bop with the amateur instrumentalists showing enough promise to indicate that many will soon be making pro names for themselves. Hundreds were present to hear 13 outfits, ranging in size from 4 to 11 pieces, vie with one another in a variety of Jazz renditions. Judges Ken Murdock, Ron Moyle, Merv Rowston, Harry Bluck and Bill Kirkham were not set an easy task. Finally, they awarded the shield to the West Coast Dixielanders, a 7 -piece outfit led by Phil Battey on trumpet, George Battey, clarinet, Dick Hatton, trombone. Conn Goldsmith, bass, Bob Anderson, piano. Alan Blight, drums, and Vince Goldsmith, guitar. These boys have been playing together less than a year and decided at the last minute to enter the contest They will hold the shield until next year’s contests.

The Dixielanders all prefer the type of music their name suggests is their special dish and are keen on the Jelly Roll Morton school. Second place went to Neil Manno’s Quintette with the Jive Five led by Wynne Hammer third. Other awards were: Best Instrumentalist; Ray Taylor, trumpet. Best Guitar: Jimmy Taylor. Best Drummer: Wynne Hammer. Best Pianist: Thelma McGrath. Best Vocalist: Bill Groessler. Most promising reed player was 17-y-o Neil Boon, a Dutch youth. Organisers, the W A Musicians’ Union, Sammy Sharpe and compere Wally Hadley are to be congratulated on a good show which all agreed was a great improvement on previous contests and augurs well for the future of dance music in this State. Saw quite a sprinkling of musicians who have given up regular playing in the audience at the Capitol, including Harry Ward and Laurie McGrath.

Mirror (Perth, WA : 1921 – 1956), Saturday 25 July 1953, page 11

 

 

 

Instruments

Years

Person

WROTH, Bruce

MYOLA CLUB TOASTS COLIN MOUNSEY’S 21st

The Myola Club, Claremont, was the scene of much gaiety one night during the week when Colin, eldest son of Mr. and Mrs. Fred Mounsey, of Nedlands, celebrated his 21st birthday. Mrs. Mounsey received the guests in charming gown of azure blue crepe, beaded in silver, and black accessories. During the evening the guests autographed a large wooden key. Only disappointment was that Colin ‘s only sister, Joy, was unable to be present. Some of those invited were: Mr. and Mrs. Cannemeyer, Mr. and Mrs. Ralph Siele, Mr. and Mrs. D. Lambert, Mr. and Mrs. Bob Lakides, .VJr. and Mrs. Morgan Herbert, Mrs. A. Moran, Mr. and Mrs. Eric Wilson, Mr. and Mrs. Jo Walton-; Misses Melva Jones, Betty Green, Bervl King. Billie Diamond, June McShane, Val Wroth, Edith Materson, Val Wansbrough, Mary Carlson. Joan Firby, Lea Parker, Beryl Sexton. J. Maloney, Norma Schofield, Margaret Atherdon., Margaret Le Lievre, P. Carter, Joan Carlson. Messrs. F. Mounsey, Des Thomas, Bruce Wroth, Arthur Downey, Keith Hownslow, Col. Goldsmith, Dick Hatton, John Miller, Frank Sagare, Peter Lyons, Mas Annear, Merv Howie, Phil Greenwood, Bert Hall, George Freeman, Ray West, Peter Hatton, Allan-Tyson, Roland Baker, Jo Watson, Bunt Hardy, D. Mounsey, and many others.

Mirror (Perth, WA : 1921 – 1956), Saturday 3 May 1947, page 13


Bruce and Joan Wroth

HULL-WROTH: Mr. and Mrs.

Ralph A. Hull, of 774 Beaufort street, Mt. Lawley, have pleasure in announcing the engagement of their only child, Joan, to David- Bruce, son of Mrs. H. Wroth, 31 Caporn-street, Nedlands.

HULL-WROTH: The marriage of Joan Hull, 774 Beaufort-street, to Bruce Wroth, will take place at St. Mary’s, Colin-street, West Perth, at 6.30 today.

West Australian (Perth, WA : 1879 – 1954), Monday 25 February 1952, page 6


ART GROUP’S RANGE WIDER THIS YEAR (By C.G.)

The Studio Group of Six can always be relied on for an Interesting and varied show of paintings.

This year their range is Wider, and the styles of painting more diverse than formerly. Interest is added, too, by the inclusion of four young newspaper artists who have joined The West Australian staff. The regulars continue to paint as a recreation-a kind of busman’s holiday, while the younger members are trying their wings and experimenting. The show is bright and colourful, strong in tonal quality, and varied in subject matter. Confident handling and strength in composition are also apparent, as would be expected from people accustomed to the precision and clarity demanded in newspaper work. Artistic quality is not lacking, and much of the work carries conviction of the painter’s sincerity and emotional expression. Good Study Both Clem Ambler and Henry F. Harffey continue in wellknown vein. The former’s watercolours are softer and broader than before. Harffey has a good study of geraniums, and a fine sketch in conte for a portrait. Paul Rigby and Cedric Baxter are alike in their bold approach and dashing execution. Rigby’s head of a girl with yellow background. and a fine study of an old house have strong appeal Cedric Baxter’s handling of pastel is sure and direct, sometimes theatrical, as in “Abandoned.” His portrait sketches and figure groups show progress in feeling and sense of atmosphere. Norman Aisbett’s more peaceful style keeps on improving. His landscape near Mandurah is a fine subject well handled, with doubtful framing. A girl’s portrait in crayon has much character in its simple treatment. Stewart Cownie has not been doing much work of late, but his landscapes have some of his old assurance. “Evening” is a picture marred by a white wave in the foreground. The younger members are doing well in their different styles. Michael Jones is a bold experimenter in oils and water-colours, who should go far with more tuition. Igor Katarski’s sensitive sketches form a contrast-an ink landscape sketch is really good. Bruce Wroth puts too much into his landscapes; his simpler sketches give promise of good things. Barry Lee is a little timid as yet, but his drawing and colouring are sound. Life studies, sketches; and small pictures are an interesting feature of a lively exhibition.

West Australian (Perth, WA : 1879 – 1954), Wednesday 5 August 1953, page 13


Recently Athol Thomas took you inside a beauty parlour for the man’s angle. This week – in company with artist Bruce Wroth-he invades the woman’s world again, this time at a fashion show.

PART CLUB HOLDS AN EXHIBITION (By C.G.)

At Boans fashion gallery is a mixed group of paintings and drawings by a loosely-constituted group of people working together as the Art Club. The better work suffers by comparison with that of inferior quality. Cyril Ross has two good oils in a yachting scene and a sun-lit glade of pine trees. His limited palette and sense of composition make for harmony. Portia Bennett’s little study of a boat is one of the high-lights: a quiet and competent effort which stresses the virtues of simple aims and sound means. Karafylakis follows his visual style in heavy impasto and brilliant colour. “The Bush” and “Kalamunda” are ‘broader than usual. G. F. Wilson keeps going with his impressions of city life. He is getting towards his goal in “Blue Night” and “Interval.” Satisfying In the water-colour and crayon section we notice at once John Lungh’s bright little sketch of Yallingup, in which variety of line and crayon stroke tell in a satisfying com-position. H. Harffey’s “Flooded Farm” and “Shack on Salting” are good, and Bruce Wroth’s broad and simple washes give quality. D. L. Cummings is broaden-ing his style with consequent improvement. H. E. Foote’s rather anaemic study of boats needs strength and emphasis to be effective, Cedric Baxter’s “Brahimini Lullaby” is strongly drawn in cravon. “The Charleston’ is a lively illustration in rather strident colour. Bill Angove has a bewilder-ing variety of drawings and paintings. Perhaps concentration would develop an individual style. His “Fremantle Building.” and “Blue Nude.” and “Figure Draped in Blue” are reason-ably successful. Leon Williams shows a couple of very melodramatic pictures which do not reveal his talent. L. Humby and J. E. Lindsay’s efforts are very amateurish and suggest the need of further study. The exhibition will close on November 10.

West Australian (Perth, WA : 1879 – 1954), Thursday 4 November 1954, page 6


Artists Show Work

THE work of well – known newspaper artists will be shown at an exhibition of paintings in Newspaper House Art Gallery during the next fortnight. The works will be from Clem Ambler, Cedric Baxter, Paul Rigby, Norman Aisbett, Bruce Wroth. Barry Lee. Henry F. Harffey. City businessman H. R. Howard is to open the exhibition late today.

Daily News (Perth, WA : 1882 – 1955), Monday 12 September 1955, page 6


PAINTINGS FOR FIELDS

3IX oil paintings of the WA oil search, by Perth newspaper artist Norman Aisbett, will go to Kalgoorlie tomorrow for- special exhibition. „ At present on exhibition in Newspaper House art gallery with a display of work done by other newspaper artists, they show the National 130 rig at Rough Range, the unloading of barges, preparing to spud in and the T32 jack-knife rig at Shothole Canyon. To cater for public demand artists Clem Ambler, Cedric Baxter, Henry F. Harffey, Paul Rigby, Norman Aisbett, Bruce Wroth and Barry Lee have decided to open the exhibition tonight from 7 until 9.30 and on Wednesday. Thursday and Friday nights next week.

Daily News (Perth, WA : 1882 – 1955), Thursday 15 September 1955, page 16


There were plenty of high jinks at the Musicians’ Ball this week.  Here, Jack Harrison of Scarborough, puts on an act for, from left Mrs Coughlin of Subiaco, Mrs Bruce Wroth of Claremont, and Mrs Horace King of Doubleview.  The ball was held at the Embassy.

The Sunday Times October 20 1957


Bruce Wroth performed saxophone with pianist Jimmy Beeson and drummer Ray Harrison.

Ray Harrison, Bruce Wroth and Jimmy Beeson

 


“HOUSE OF THE YEAR” WINNERS HONOURED

The York Society which each year holds a ‘Restored House of the Year’ , award in conjunction with the York Fair recently hosted the 1975 winners Mr and Mrs Henry Penny, of Greenhills, to a luncheon at Sedgmoor Inn, Greenhills. The Penny’s was the first country home to win the award and, after the luncheon, they were presented with a painting of their house by Bruce Wroth. Two other entries, from Mr D. W. McLeod and Mrs A. Forrest, were also commended on the high quality of the restoration of their homes.

Beverley Times (WA : 1905 – 1977), Thursday 29 July 1976, page 7


Jack Harrison and Bruce Wroth

Ray Harrison’s birthday: Jay Harrison (sax) Jack Harrison, Bruce Wroth, Dick Hatton (trombone) Ray Harrison (drums)


Portrait of Ray Harrison by Bruce Wroth

Ramon Harrison by Bruce Wroth


1993

POST October 26, 1993 page 19 

Years

Person

GIBSON, Bob

Bob Gibson was a Perth musician who began his career on violin, then learning clarinet and saxophone with Harold Moschetti.  In Perth he initially played with the Doreen D’Arcy’s Orchestra, a six piece dance band, and then in Ron Moyle’s seven piece band at the Embassy Ballroom.  Moyle toured to Melbourne and Gibson auditioned successfully in 1935 for the “Good Companions”.

1933

LOCAL BAND HONOURED – Engagements in Eastern States.

For the first time in broadcasting history a West Australian band has been engaged through the Australian Broadcasting Commission to give performances- over the air in the Eastern States. Ron Moyle and his ‘Westralians,’ a combination of local performers, will leave ‘ for Adelaide by the Great Western express on Saturday, night, and will be absent for about six weeks. The ‘Westralians’ will be heard over the air from 5CL, Adelaide, on December 21 and 22, and from South Australia they will go to Melbourne, where they will broadcast from 3LO- between January 6 and 27. It is possible that the band will; also visit Sydney. Ron Moyle himself is well-known to listeners in Western Australia, having been connected with broadcasting in this State for many years. His band, which is composed of the following players, was heard from 6WF during last dancing season: — Ron Moyle, A.T.C.L. (pianist); Bob. Gibson, L.A.B. (alto saxophone, clarinet and violin) ; George Caro, A.T.C.L. (tenor saxophone, clarinet and violin); Allan Gough, A.T.CJj. (alto saxophone, clarinet and violin); Viv. Nylander (trumpet and trombone); Kem. Fimmel (trumpet); Charles Thompson (trombone and trumpet);. Wally Hadley (banjo, flute and guitar); Cliff Adams (guitar, tap dancer and vocalist); Eddy Roberts (drums and vocalist); and Tom Bennett (bass). The band will give a final concert at the Ambassadors Theatre on Friday night.  West Australian (Perth, WA : 1879 – 1954), Wednesday 13 December 1933, page 5

In 1935 the band the “Good Companions” was formed by Ern Pettifer at the Palais de Danse, St Kilda.  “The formation of the “Good Companions” set music at the Palais on a forward-looking path, because Pettifer gave some talented young players a break. Auditions were held on a hot summer day and in the line of hopeful stretching around the corner was a gifted alto saxophonist from Perth, Bob Gibson. The audition piece was a tough arrangement of “Bugle Call Rag” by Frank Coughlan who was then with Pettifer. Gibson sailed through it because he had had a thorough classical training and had won many scholarships for his ability, and he knew dance work too. Gifted young players never appear out of nothing and Gibson was no exception. Perth had its own thriving dance bands.” Andrew Bisset, Black Roots White Flowers,  1987 Globe Press. page 55


1941

Talking Shop By “Finn” Westralian Wonder.  From farther and farther afield come the stars of 3Aws “Youth Show” and the latest on the list is an amazing young man from Nedlands, Western Australia. He is nine year old Jack Harrison who surprised everyone by winning the first prize in the big 150 pound “Search for Talent”.  He competed against allcomers and won by popular vote, although listeners had no knowledge of his age or identity. Jack started playing the mouth organ …he will feature in the broadcast from 3AW. The Listener In Complete Radio Newspaper February 22-28 1941 And 4BH. Teleradio Saturday March 1, 1941

Jack’s father tells me (per the P.M.G.) that he has met at least 14 W.A. people n Melbourne and Sydney who are tops in the eastern entertainment world.  He cut out newspaper references to some of the W.A. people which have appeared during the few weeks he has been in the East and forwarded them to me.  One about “Duffy”  Newton (who used to act in 6WF plays) made about ten inches of type, had a double column heading and carried a photo.  Other cuttings contained photographs of David Samuel (deputy-leader of Bert Howell’s Band and leader of last year’s “Youth Sow” band), Chester Bond (who is at present featured in a big radio serial), Bob Gibson and George Watson (a principal of the Drum Club).  The Broadcaster February 1 – 8 1941


1949

19 February 1949 – PERTH JAZZ MEN ARE TOPS IN EAST

Recent news about WA dance musicians who have sought to establish national reputations is good news. At least 4 who have been questing after the big-time in the Eastern States have made it, some of them ranking amongst the top-salaried musicians of the day. Currently occupying press space in musical magazines and feeling the for and, against quips of critics in Sydney is Ray Hartley, onetime popular pianist at radio lunch-hour concerts in Perth. General gossip has it that Ray is sow in the high salary range although it is rumoured that the road has been long and very rough. At present Ray is featured with Paul Lombard’s outfit at the Celebrity Club which used to be Rose’s and spare time, as little as he may have, L being turned towards arranging and holding down a couple of radio spots. In addition to this Ray contributes to the Music Maker, the Australian Dance Band Editorial and his articles on prominent keyboard men are a worth while contribution to that magazine. Although his name is usually associated with lunch hour concerts, Ray’s success was first assured in renditions of the Ray Hartley Trio; a combination which he has reformed in Sydney.

One Of The Best Recognised as being one of the best musicians in Australia was Bob Gibson. Since leaving Australia some months ago to further his knowledge in England, little news has been heard of him. He is another W. A. man and at the age of 9 was a winner of eisteddfods and a gold medalist, but his future career was not restricted to his ability as a violinist alone, for at the age of 14-15, Bob commenced taking sax and clarinet lessons from Harry Moschetti, and very soon established himself on these instruments. In the early 1930’s, Bob took over the leading alto sax seat in the Ron Moyle outfit, a combination through which passed some of the finest musicians of the State, and when this outfit went on tour through the Eastern States, Bob Gibson still occupied alto seat but he never returned to W. A. With hard work and perseverance he finally cracked the ice in Melbourne and had occasion to look back. Just prior to the last war, he organised his own band and hit St. Kilda night spots which proved to be his first top liners. His subsequent success such as the Shell Show are now history and it is hoped that his success overseas will continue. Mirror (Perth, WA : 1921 – 1956), Saturday 19 February 1949, page 11


1950

April 1949 – Outstanding alto and clarinet man with the Sharp combination, George Caro, has had a colourful career in the game.    At 15 he commenced the sax, and as George maintains, was completely self-taught. He first came to the public notice in 1930 when he was one of 18 who competed in the saxophone competition conducted by the Brass Band Association of WA. Winner was Cas Mitchell, now of the ABC Melbourne, second George Caro, Bob Gibson (now in England) was third, and fourth position was filled by Bob Trew (Perth ABC). In 1934, when the exodus was on, George made the Eastern States tour with the Ron Movie outfit, and when this orch. returned to WA, George decided to hit out for the overseas spots. His first working port o’ call was Colombo, where he played at the Mount Lavinia Hotel. From here he went to the Grand Hotel at Calcutta, before making the Malayan Peninsula in 1936, where he played in Singapore cabarets and the Eastern and Oriental Hotel in Penang. On his return to Australia, George linked up with pit work, played for the American Marcus ‘Show, North China Troupe, Dante, and various other visiting shows. During the war he played second cornet with the 28th Battalion Band, and at a later stage, while serving in Darwin conducted a Sunday night Swing Show featuring a 5piece outfit. Returning to civvy street, he joined Chris Gosper’s eight playing at St. Mary’s, Mt. Hawthorn. When Sammy Sharp returned from England, George moved in with Sammy and remained with him ever since. —’QUAIL.’Mirror (Perth, WA : 1921 – 1956), Saturday 23 April 1949, page 14


1950

On The Home Range – BOB GIBSON

Ask the boys in the strings and the winds about Bob Gibson. Gibson! they say with awe. He lives, eats, and drinks music. He has no other interests, only music, in which he strives for perfection. And in hushed tones they say, ” What an ‘ear’ that man’s got!” ASK “Melbourne’s thousands of dance fans. “Bob Gibson,” they say. “He’s more than a band leader. He is the perfect dance tempo!” To us Bob appears to be just an ordinary bloke, unassuming, dark, rather short, with a pleasant fluency. Local dance fans were desolate when Bob sailed for England in 1948. Now he’s back, after London successes, wondering whether to re-form his band in Sydney or in Melbourne. Few, if any, Australian band leaders have had a bigger personal following than Gibson. Before his London trip his band, then the only big-time, freelance combination in the country, was nationally famous for its work in hit radio – programmes such as The Shell Show, All Australian Hit Parade, Popularity Parade, and A.B.C. Shows. In addition, the Bob Gibson band, which incidentally was then costing about £500 a week to run, was in demand for Vice-Regal evenings and the top society balls of the season. Bob was something of a child prodigy. At 12 years of age, he was playing the violin in the newly-formed Perth Symphony Orchestra. In his early teens he was awarded his violin degree in Perth by the travelling examiner of the Royal Academy of Music. As a youth of 17 he stepped off the Overland in Melbourne into the St. Kilda Palais orchestra, the Palais being one of the biggest dance halls in the Commonwealth. He was lugging four cases — three for his violin, saxophone, and clarinet, and one for clothes. He fiddled and “doubled” on the sax and clarinet to such purpose that within a few years he was promoted to be Palais Orchestra arranger, probably the youngest in the Commonwealth. Then in 1939, only 25 years old, he formed his own orchestra. Bob went overseas to study entertainment trends in radio, television. and on the stage. He warns Australian musicians and theatricals that the competition over there is terrific. For every musician here there are at least 100 in London, competing for a limited amount of work. When a band vacancy occurs a dozen first-class players apply. for the position before it can be advertised. Only the fittest survive. Working conditions are much tougher than here, and the pay is not as good. There are many English musician anxious to migrate here. English artists and players are beginning to take a “dim view” of the increasing number of Australians reaching the top. But, Bob says, for every Dick Bentley, Kittys Bluett, and. Joy Nicholls at the top there are a score of Australians hovering on the breadline, many of them good artists. “Great talent is not enough in London,” he says, “You must have” luck too.” Gibson had his share. After doing a “study” tour with Tommy Trinder’s show, Bob was asked to form an orchestra of 25 players for the B.B.C. He also spent seven weeks in Paris and conducted a light orchestra which did the background”, music in a French film. Bob advises young theatricals and musicians to go to England for study, but to buy a return ticket before leaving! Gibson plans to return to London in 1951. In the meantime, he aims to. satisfy those dancing feet in Melbourne, or Sydney, perhaps!  Smith’s Weekly (Sydney, NSW : 1919 – 1950), Saturday 18 February 1950, page 15


1953

Local Acts Compete for  Record Prizes in Talent Final – Sixteen local acts will contest the grand final of Talent Hour, Australia’s most richly endowed talent quest, to be relayed from Melbourne Town Hall through UZ at 8 p.m., Tuesday, November 10. Each of the four section winners will receive £500, with minor placegetters receiving £250, £40 and £15. The best act of the night will be awarded an additional £1000. Awards will be made at the conclusion of the programme. Regular adjudicators, Dr. Herman Schildberger and Mr. Harry Sutcliffe; have been joined by Mr.-Garnet H. Carroll. Recorded semi-final performances of all artists will be featured in Talent Hour Preview, at 3 p.m. Sunday, November 8. Recorded grand final performances will be repeated, in Talent Hour Review, at 3 p.m. Sunday, November 15. Sydney orchestra leader, Bob Gibson will direct a 20-piece orchestra. The stage setting will include the appearance of leading Melbourne mannequins. Competitors are as follows;— Vocal: Joan Reed, soprano; Kenneth Sullivan, tenor; Theodor Sartory, bass-baritone; Leonard Delany, baritone. Instrumental: Roger Holmes, piano; Ian King, tuba; Eugene Danilov, clarinet; Mary Nevmet, violin. Pop Vocal: Reg Gray; Jack Bowkett; Margot Carroll, John Oldham. Novelty: Alfred Smith, monologuist; Don Harper Quartet; John Shingler and Kelvin McMillian, flute and saxophone duo; D.D.H. instrumental trio.  Age (Melbourne, Vic. : 1854 – 1954), Thursday 5 November 1953, page 19

RED CARPET FOR MUSIC VIPs GET WELL WORN

Perth musicians are finding their red carpet (for rolling to welcome local members who have become VIP’s in the musical world) is wearing pretty thin. Latest to tramp across it will be Bob Gibson, on Monday night. He arrives from the Eastern States by ‘plane, will be an honoured guest at the Musicians’ Ball at the Embassy on Tuesday night.  He has made his name not only as a musician and band leader, but also as an ‘ arranger. His work has been praised by ‘big name’ clarinettist Artie Shaw. Bob studied violin in Perth at an early age. While still in short pants he played at the old Prince of Wales Theatre. He turned to the saxophone later, left here in that capacity with Ron Moyle’s orchestra in 1933 for. what is believed to be! the first tour of a dance band under the ABC banner. He stayed in Melbourne, where he ‘saxed’ with Ern Pettifer’s orchestra at St. Kilda’s Palais de Dance, which was later taken over by Hal Moschetti, another West Australian. Later engagements included seasons with Bert Howell, of Capitol Theatre, and Shell Radio Show fame, Jay Whidden, Roy Fox and Dick Freeman. Bob formed his own combination at Melbourne’s Palm Grove, with a wealth of experience behind him. During the war he organised a band and toured forward areas as director of a US entertainment unit. After the war he returned to England as musical director of the Tommy Trinder Show (a job now held by Hal Moschetti). But the climate and ill-health (he developed pneumonia) sent him back to Australia, where he has carved himself a new niche. Mirror (Perth, WA : 1921 – 1956), Saturday 24 October 1953, page 12

SUNDAY, NOVEMBER 1st, 1953 – Jazz Festival Week Part Two: CAPITOL THEATRE – THE BOB GIBSON SHOW

Featuring Australia’s Outstanding Band Leader

WEST COAST DIXIELANDERS

NORM WRIGHTSON

MARTIN GISCHUS

JACK HARRISON

HARRY PHILLIPS

COLIN HICKS

KATH BASS

Box Plans for both these attractions now open at Nicholsons.  TICKETS 5/   The West Australian Saturday 17 October 1952 page 35

LISTENERS WILL HEAR GIBSON An agreement reached between the W.A. Musicians’ Association and the ABC resulted in last Sunday’s Jazz Jamboree (featuring The Bob Gibson Show) being recorded for broadcasting from 6WF.  When the ABC heard that ace band leader Gibson would be the guest artist for the second part of Jazz Jamboree, it came to an agreement with organisers Sam Sharp and Harry Bluck for Gibson’s show to be recorded, and also agreed to pay the W.A. Musicians’ Association a fee for the right to record the show.  The date of the broadcast will be published shortly.  Gibson is now musical director for 2UW.  Recently Gibson signed an agreement with the Columbia Recording Company.  The first of his releases to be heard in Perth will probably be “Wild Horses” and “My One and Only Heart”.  Gibson, who went to England in 1948 and returned in 1950, now favours big band.  He records with a 28-piece band, and for concert and radio work he uses anything from 16 to 20 musicians.  Two of his most popular programmes, heard from 2UW and Sportsman’s Parade and Musically Yours.  Gibson said that any young musicians who hoped to go abroad needed plenty of capital and lucky breaks.  He said that there were too many instances of a bandleader casually approaching a popular tune without having any idea of presentation. 

Of the orchestra he conducted at the Jazz Jamboree on Sunday night, Gibson commented “They are a first class bunch of musicians.  Considering they had such short notice to get together they gave a truly remarkable performance.”  The band leader also praised individual performances.  He believes that 17 year old Neil Boon could develop into a top line artist.  Jack Harrison displayed plenty of versatility and gave a smooth performance, he said.  Gibson also praised the responsiveness of the audience.  “In modern music there is no greater encouragement” he said.  The Broadcaster Saturday November 7 1953 Vol .20 No. 1023

BAND HAS BIG NAMES IN EVERY SECTION – When Harry (‘Powerhouse’) Phillips takes up his trumpet on the stage it is usually a signal for wild enthusiasm from rhythm fans who see in him a combination of Louis Armstrong, Harry James and a dozen other trumpet idols. Harry, who has been to WA for nearly 5 years, is from an English musical family which has been associated with big-name bands in England and on the Continent for many years. His brother Syd will always be remembered for his compositions and arrangements with the famous Ambrose. Another brother, Woolf, is equally well known. Before coming here Harry played in most of the capital cities of Europe and speaks several languages fluently. He has played lead trumpet with brother Syd’s band, with Ambrose, Mantovani and Harry Roy, as well as with his own groups. He can play a sweet trumpet, but is usually associated with the forceful style which gives him his name of ‘Powerhouse.’ Although this looks to be a difficult style, he achieves his effects from the modern non-pressure method, with which there is no great physical effort, despite the seemingly strained attitude of the player. Harry claims to be able to te ich this style easily. Associated with Harry in his band are a number of promising young musicians, notably saxophonist Neil Boon, a 17-y-o Dutch boy who literally stopped the show at last Sunday night’s Jazz Jamboree, when Bob Gibson was guest conductor. A great future is predicted for this boy, who has been playing saxophone for less than a year, but has played the clarinet for 4 years. His alto sax solo ‘I’m In the Mood for Love’ received such an ovation that compere Wally Hadley had to ask Harry to bring him forward and introduce him to the audience. Band’s guitarist Sid Vandervelde, also from London, was with the late Felix Mendilsohn’s Hawaiian Ensemble and the late Freddie Gardner, the great sax stylist. Sid works a6 a motor-mechanic in Perth and has been here for 2 years. Fans like the drive he gives the band with his solid rhythm on an amplified Spanish guitar. Brothers Don and Gordon Bates, who play piano and drums with the outfit, are local boys who have been well-known in the music game here since they had ‘their own band some years ago. Don is a saddler with his father and Gordon is with a City leather firm. Harry works as a planning engineer for a Perth firm.

The popular Harry Phillips combination which has delighted Perth rhythm fans: (PHOTO) From left: Syd Vanderveldt, guitar; Don Bates, drums; trumpeter Harry, Gordon Bates, piano; Neil Boon, sax and clarinet. Mirror (Perth, WA : 1921 – 1956), Saturday 7 November 1953, page 12

 

 

 

 

 

 

 

 

 

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